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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A60DF4 it is the complementary color #59F20B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A60DF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A60DF4 shade: #AB0DEF, #BC1FFF, #CD31FF, #DE43FF and #EF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A60DF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A60DF4 shade: #A60DF4, #9500E1, #8400CE, #7300BB and #6200A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A60DF4 shade: #A50BF4, #E40BF4, #F40BC5, #F40B86 and #F40B48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A60DF4 shade: #A50BF4, #670BF4, #280BF4 and #0B0BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A60DF4 shade matches the following richer shades: #A50BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A60DF4 shade: #A50BF4, #9E20DF, #9835CA, #9149B6 and #8A5EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A60DF4 shade: #270BF4, #640BF4, #A20BF4, #E00BF4 and #F40BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A60DF4 shade: #7008A5, #8A0ACC, #A50BF4, #B433F5 and #C25AF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A60DF4 shade: #A60DF4, #F40B2E and #0BF445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A60DF4 shade: #A60DF4, #F4A20B and #0BF4A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A60DF4 shade: #A60DF4, #F40B2E, #5DF40B and #0BF4D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A60DF4 shade: #A60DF4, #F42E0B, #5DF40B and #0BD1F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

Complementary color

CMYK 63 / 0 / 95 / 5

HEX #59F20B

RGB 89 242 11

HSL 99.74, 0.91%, 0.5%

LAB 84.82, -73.03, 80.41

 

CMYK 28 / 95 / 0 / 6

HEX #AB0DEF

RGB 171 13 239

HSL 281.95, 0.9%, 0.49%

LAB 45.88, 82.99, -75.92

 

CMYK 26 / 88 / 0 / 0

HEX #BC1FFF

RGB 188 31 255

HSL 282.05, 1%, 0.56%

LAB 50.56, 85.53, -77.14

 

CMYK 20 / 81 / 0 / 0

HEX #CD31FF

RGB 205 49 255

HSL 285.44, 1%, 0.6%

LAB 54.44, 84.1, -70.72

 

CMYK 13 / 74 / 0 / 0

HEX #DE43FF

RGB 222 67 255

HSL 289.47, 1%, 0.63%

LAB 58.76, 81.89, -63.64

 

CMYK 6 / 67 / 0 / 0

HEX #EF55FF

RGB 239 85 255

HSL 294.35, 1%, 0.67%

LAB 63.4, 79.15, -56.07

 

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

CMYK 34 / 100 / 0 / 12

HEX #9500E1

RGB 149 0 225

HSL 279.73, 1%, 0.44%

LAB 40.94, 79.09, -76.19

 

CMYK 36 / 100 / 0 / 19

HEX #8400CE

RGB 132 0 206

HSL 278.45, 1%, 0.4%

LAB 36.67, 73.58, -72.34

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 42 / 100 / 0 / 34

HEX #6200A8

RGB 98 0 168

HSL 275, 1%, 0.33%

LAB 27.91, 62.3, -64.43

 

CMYK 32 / 95 / 0 / 4

HEX #A50BF4

RGB 165 11 244

HSL 279.66, 0.91%, 0.5%

LAB 45.32, 83.41, -79.69

 

CMYK 7 / 95 / 0 / 4

HEX #E40BF4

RGB 228 11 244

HSL 295.88, 0.91%, 0.5%

LAB 55.34, 91.88, -62.95

 

CMYK 0 / 95 / 19 / 4

HEX #F40BC5

RGB 244 11 197

HSL 312.1, 0.91%, 0.5%

LAB 55.59, 88.24, -35.72

 

CMYK 0 / 95 / 45 / 4

HEX #F40B86

RGB 244 11 134

HSL 328.33, 0.91%, 0.5%

LAB 53.16, 81.92, -2.31

 

CMYK 0 / 95 / 70 / 4

HEX #F40B48

RGB 244 11 72

HSL 344.29, 0.91%, 0.5%

LAB 51.77, 78.15, 33.27

 

CMYK 32 / 95 / 0 / 4

HEX #A50BF4

RGB 165 11 244

HSL 279.66, 0.91%, 0.5%

LAB 45.32, 83.41, -79.69

 

CMYK 58 / 95 / 0 / 4

HEX #670BF4

RGB 103 11 244

HSL 263.69, 0.91%, 0.5%

LAB 37.22, 77.82, -93.33

 

CMYK 84 / 95 / 0 / 4

HEX #280BF4

RGB 40 11 244

HSL 247.47, 0.91%, 0.5%

LAB 32.31, 75.27, -101.64

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 32 / 95 / 0 / 4

HEX #A50BF4

RGB 165 11 244

HSL 279.66, 0.91%, 0.5%

LAB 45.32, 83.41, -79.69

 

CMYK 32 / 95 / 0 / 4

HEX #A50BF4

RGB 165 11 244

HSL 279.66, 0.91%, 0.5%

LAB 45.32, 83.41, -79.69

 

CMYK 29 / 86 / 0 / 13

HEX #9E20DF

RGB 158 32 223

HSL 279.58, 0.75%, 0.5%

LAB 43.7, 75.12, -70.48

 

CMYK 25 / 74 / 0 / 21

HEX #9835CA

RGB 152 53 202

HSL 279.87, 0.58%, 0.5%

LAB 43.49, 63.45, -58.78

 

CMYK 20 / 60 / 0 / 29

HEX #9149B6

RGB 145 73 182

HSL 279.63, 0.43%, 0.5%

LAB 44.46, 48.69, -45.61

 

CMYK 14 / 42 / 0 / 37

HEX #8A5EA1

RGB 138 94 161

HSL 279.4, 0.26%, 0.5%

LAB 46.95, 30.53, -29.38

 

CMYK 84 / 95 / 0 / 4

HEX #270BF4

RGB 39 11 244

HSL 247.21, 0.91%, 0.5%

LAB 32.26, 75.25, -101.71

 

CMYK 59 / 95 / 0 / 4

HEX #640BF4

RGB 100 11 244

HSL 262.92, 0.91%, 0.5%

LAB 36.89, 77.63, -93.88

 

CMYK 34 / 95 / 0 / 4

HEX #A20BF4

RGB 162 11 244

HSL 278.88, 0.91%, 0.5%

LAB 44.87, 83.07, -80.44

 

CMYK 8 / 95 / 0 / 4

HEX #E00BF4

RGB 224 11 244

HSL 294.85, 0.91%, 0.5%

LAB 54.68, 91.28, -64.06

 

CMYK 0 / 95 / 18 / 4

HEX #F40BC9

RGB 244 11 201

HSL 311.07, 0.91%, 0.5%

LAB 55.78, 88.71, -37.72

 

CMYK 32 / 95 / 0 / 35

HEX #7008A5

RGB 112 8 165

HSL 279.75, 0.91%, 0.34%

LAB 30.24, 61.94, -58.7

 

CMYK 32 / 95 / 0 / 20

HEX #8A0ACC

RGB 138 10 204

HSL 279.59, 0.91%, 0.42%

LAB 37.81, 72.67, -69.28

 

CMYK 32 / 95 / 0 / 4

HEX #A50BF4

RGB 165 11 244

HSL 279.66, 0.91%, 0.5%

LAB 45.32, 83.41, -79.69

 

CMYK 27 / 79 / 0 / 4

HEX #B433F5

RGB 180 51 245

HSL 279.9, 0.91%, 0.58%

LAB 50.29, 77.65, -72.05

 

CMYK 21 / 64 / 0 / 3

HEX #C25AF7

RGB 194 90 247

HSL 279.75, 0.91%, 0.66%

LAB 57.56, 65.87, -61.34

 

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

CMYK 0 / 95 / 81 / 4

HEX #F40B2E

RGB 244 11 46

HSL 350.99, 0.91%, 0.5%

LAB 51.46, 77.3, 47.77

 

CMYK 95 / 0 / 72 / 4

HEX #0BF445

RGB 11 244 69

HSL 134.94, 0.91%, 0.5%

LAB 84.59, -80.16, 66.91

 

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

CMYK 0 / 34 / 95 / 4

HEX #F4A20B

RGB 244 162 11

HSL 38.88, 0.91%, 0.5%

LAB 72.96, 20.97, 75.73

 

CMYK 95 / 0 / 34 / 4

HEX #0BF4A2

RGB 11 244 162

HSL 158.88, 0.91%, 0.5%

LAB 85.7, -66.77, 26.22

 

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

CMYK 0 / 95 / 81 / 4

HEX #F40B2E

RGB 244 11 46

HSL 350.99, 0.91%, 0.5%

LAB 51.46, 77.3, 47.77

 

CMYK 62 / 0 / 95 / 4

HEX #5DF40B

RGB 93 244 11

HSL 98.88, 0.91%, 0.5%

LAB 85.53, -72.79, 81.03

 

CMYK 95 / 0 / 14 / 4

HEX #0BF4D1

RGB 11 244 209

HSL 170.99, 0.91%, 0.5%

LAB 86.69, -55.85, 3.3

 

CMYK 32 / 95 / 0 / 4

HEX #A60DF4

RGB 166 13 244

HSL 279.74, 0.91%, 0.5%

LAB 45.53, 83.32, -79.33

 

CMYK 0 / 81 / 95 / 4

HEX #F42E0B

RGB 244 46 11

HSL 9.01, 0.91%, 0.5%

LAB 53.18, 71.27, 63.28

 

CMYK 62 / 0 / 95 / 4

HEX #5DF40B

RGB 93 244 11

HSL 98.88, 0.91%, 0.5%

LAB 85.53, -72.79, 81.03

 

CMYK 95 / 14 / 0 / 4

HEX #0BD1F4

RGB 11 209 244

HSL 189.01, 0.91%, 0.5%

LAB 77.4, -30.2, -29.12

 

Description

Color code: HEX #A60DF4 | qconv.com Color code: HEX #A60DF4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 13 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 13 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 95 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 95% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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