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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A606C4 it is the complementary color #59F93B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A606C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A606C4 shade: #AB06BF, #BC18D2, #CD2AE5, #DE3CF8 and #EF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A606C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A606C4 shade: #A606C4, #9500B1, #84009E, #73008B and #620078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A606C4 shade: #A806C6, #C606B0, #C6067D, #C60649 and #C60615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A606C4 shade: #A806C6, #7406C6, #4006C6, #0C06C6 and #0606C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A606C4 shade matches the following richer shades: #A806C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A606C4 shade: #A806C6, #9C17B5, #9127A5, #863894 and #7A4884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A606C4 shade: #4006C6, #7306C6, #A606C6, #C606B3 and #C60680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A606C4 shade: #640476, #86059E, #A806C6, #CA07EE and #D726F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A606C4 shade: #A606C4, #C60D06 and #06C659

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A606C4 shade: #A606C4, #C6A606 and #06C6A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A606C4 shade: #A606C4, #C60D06, #26C606 and #06BFC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A606C4 shade: #A606C4, #C64606, #26C606 and #0686C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

Complementary color

CMYK 64 / 0 / 76 / 2

HEX #59F93B

RGB 89 249 59

HSL 110.53, 0.94%, 0.6%

LAB 87.09, -73.49, 73

 

CMYK 10 / 97 / 0 / 25

HEX #AB06BF

RGB 171 6 191

HSL 293.51, 0.94%, 0.39%

LAB 42.08, 75.34, -54.5

 

CMYK 10 / 89 / 0 / 18

HEX #BC18D2

RGB 188 24 210

HSL 292.9, 0.79%, 0.46%

LAB 46.97, 78.92, -57.5

 

CMYK 10 / 82 / 0 / 10

HEX #CD2AE5

RGB 205 42 229

HSL 292.3, 0.78%, 0.53%

LAB 52.17, 81.34, -59.83

 

CMYK 10 / 76 / 0 / 3

HEX #DE3CF8

RGB 222 60 248

HSL 291.7, 0.93%, 0.6%

LAB 57.6, 82.83, -61.62

 

CMYK 6 / 69 / 0 / 0

HEX #EF4EFF

RGB 239 78 255

HSL 294.58, 1%, 0.65%

LAB 62.52, 81.62, -57.47

 

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

CMYK 16 / 100 / 0 / 31

HEX #9500B1

RGB 149 0 177

HSL 290.51, 1%, 0.35%

LAB 37.05, 70.37, -54.55

 

CMYK 16 / 100 / 0 / 38

HEX #84009E

RGB 132 0 158

HSL 290.13, 1%, 0.31%

LAB 32.64, 64.59, -50.4

 

CMYK 17 / 100 / 0 / 45

HEX #73008B

RGB 115 0 139

HSL 289.64, 1%, 0.27%

LAB 28.14, 58.69, -46.16

 

CMYK 18 / 100 / 0 / 53

HEX #620078

RGB 98 0 120

HSL 289, 1%, 0.24%

LAB 23.51, 52.63, -41.82

 

CMYK 15 / 97 / 0 / 22

HEX #A806C6

RGB 168 6 198

HSL 290.63, 0.94%, 0.4%

LAB 42.05, 76.04, -58.67

 

CMYK 0 / 97 / 11 / 22

HEX #C606B0

RGB 198 6 176

HSL 306.88, 0.94%, 0.4%

LAB 46, 77.62, -39.12

 

CMYK 0 / 97 / 37 / 22

HEX #C6067D

RGB 198 6 125

HSL 322.81, 0.94%, 0.4%

LAB 43.68, 71.68, -11.93

 

CMYK 0 / 97 / 63 / 22

HEX #C60649

RGB 198 6 73

HSL 339.06, 0.94%, 0.4%

LAB 42.18, 67.68, 18.53

 

CMYK 0 / 97 / 89 / 22

HEX #C60615

RGB 198 6 21

HSL 355.31, 0.94%, 0.4%

LAB 41.52, 65.85, 47.99

 

CMYK 15 / 97 / 0 / 22

HEX #A806C6

RGB 168 6 198

HSL 290.63, 0.94%, 0.4%

LAB 42.05, 76.04, -58.67

 

CMYK 41 / 97 / 0 / 22

HEX #7406C6

RGB 116 6 198

HSL 274.38, 0.94%, 0.4%

LAB 33.82, 69.51, -72.45

 

CMYK 68 / 97 / 0 / 22

HEX #4006C6

RGB 64 6 198

HSL 258.13, 0.94%, 0.4%

LAB 27.57, 65.62, -83

 

CMYK 94 / 97 / 0 / 22

HEX #0C06C6

RGB 12 6 198

HSL 241.88, 0.94%, 0.4%

LAB 24.59, 64.25, -88.03

 

CMYK 97 / 97 / 0 / 22

HEX #0606C6

RGB 6 6 198

HSL 240, 0.94%, 0.4%

LAB 24.47, 64.2, -88.24

 

CMYK 15 / 97 / 0 / 22

HEX #A806C6

RGB 168 6 198

HSL 290.63, 0.94%, 0.4%

LAB 42.05, 76.04, -58.67

 

CMYK 15 / 97 / 0 / 22

HEX #A806C6

RGB 168 6 198

HSL 290.63, 0.94%, 0.4%

LAB 42.05, 76.04, -58.67

 

CMYK 14 / 87 / 0 / 29

HEX #9C17B5

RGB 156 23 181

HSL 290.51, 0.77%, 0.4%

LAB 39.61, 68.95, -52.73

 

CMYK 12 / 76 / 0 / 35

HEX #9127A5

RGB 145 39 165

HSL 290.48, 0.62%, 0.4%

LAB 38.18, 59.83, -45.59

 

CMYK 9 / 62 / 0 / 42

HEX #863894

RGB 134 56 148

HSL 290.87, 0.45%, 0.4%

LAB 37.9, 47.09, -35.86

 

CMYK 8 / 45 / 0 / 48

HEX #7A4884

RGB 122 72 132

HSL 290, 0.29%, 0.4%

LAB 38.62, 31.79, -25.08

 

CMYK 68 / 97 / 0 / 22

HEX #4006C6

RGB 64 6 198

HSL 258.13, 0.94%, 0.4%

LAB 27.57, 65.62, -83

 

CMYK 42 / 97 / 0 / 22

HEX #7306C6

RGB 115 6 198

HSL 274.06, 0.94%, 0.4%

LAB 33.67, 69.41, -72.69

 

CMYK 16 / 97 / 0 / 22

HEX #A606C6

RGB 166 6 198

HSL 290, 0.94%, 0.4%

LAB 41.71, 75.75, -59.23

 

CMYK 0 / 97 / 10 / 22

HEX #C606B3

RGB 198 6 179

HSL 305.94, 0.94%, 0.4%

LAB 46.16, 78.03, -40.64

 

CMYK 0 / 97 / 35 / 22

HEX #C60680

RGB 198 6 128

HSL 321.88, 0.94%, 0.4%

LAB 43.79, 71.97, -13.61

 

CMYK 15 / 97 / 0 / 54

HEX #640476

RGB 100 4 118

HSL 290.53, 0.93%, 0.24%

LAB 24.01, 51.73, -39.71

 

CMYK 15 / 97 / 0 / 38

HEX #86059E

RGB 134 5 158

HSL 290.59, 0.94%, 0.32%

LAB 33.23, 64.19, -49.43

 

CMYK 15 / 97 / 0 / 22

HEX #A806C6

RGB 168 6 198

HSL 290.63, 0.94%, 0.4%

LAB 42.05, 76.04, -58.67

 

CMYK 15 / 97 / 0 / 7

HEX #CA07EE

RGB 202 7 238

HSL 290.65, 0.94%, 0.48%

LAB 50.55, 87.43, -67.54

 

CMYK 13 / 85 / 0 / 3

HEX #D726F8

RGB 215 38 248

HSL 290.57, 0.94%, 0.56%

LAB 54.67, 86.99, -66.38

 

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

CMYK 0 / 93 / 97 / 22

HEX #C60D06

RGB 198 13 6

HSL 2.19, 0.94%, 0.4%

LAB 41.7, 64.96, 53.64

 

CMYK 97 / 0 / 55 / 22

HEX #06C659

RGB 6 198 89

HSL 145.94, 0.94%, 0.4%

LAB 70.28, -64.56, 42.71

 

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

CMYK 0 / 16 / 97 / 22

HEX #C6A606

RGB 198 166 6

HSL 50, 0.94%, 0.4%

LAB 68.96, -1.27, 71.2

 

CMYK 97 / 0 / 16 / 22

HEX #06C6A6

RGB 6 198 166

HSL 170, 0.94%, 0.4%

LAB 71.68, -48.62, 4.46

 

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

CMYK 0 / 93 / 97 / 22

HEX #C60D06

RGB 198 13 6

HSL 2.19, 0.94%, 0.4%

LAB 41.7, 64.96, 53.64

 

CMYK 81 / 0 / 97 / 22

HEX #26C606

RGB 38 198 6

HSL 110, 0.94%, 0.4%

LAB 70.04, -68.49, 68.46

 

CMYK 97 / 4 / 0 / 22

HEX #06BFC6

RGB 6 191 198

HSL 182.19, 0.94%, 0.4%

LAB 70.44, -36.37, -14.83

 

CMYK 15 / 97 / 0 / 23

HEX #A606C4

RGB 166 6 196

HSL 290.53, 0.94%, 0.4%

LAB 41.57, 75.41, -58.3

 

CMYK 0 / 65 / 97 / 22

HEX #C64606

RGB 198 70 6

HSL 20, 0.94%, 0.4%

LAB 47.49, 48.85, 56.76

 

CMYK 81 / 0 / 97 / 22

HEX #26C606

RGB 38 198 6

HSL 110, 0.94%, 0.4%

LAB 70.04, -68.49, 68.46

 

CMYK 97 / 32 / 0 / 22

HEX #0686C6

RGB 6 134 198

HSL 200, 0.94%, 0.4%

LAB 53.13, -6.69, -41.54

 

Description

Color code: HEX #A606C4 | qconv.com Color code: HEX #A606C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 6 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 6 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 97 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 97% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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