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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A605BA it is the complementary color #59FA45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A605BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A605BA shade: #AB05B5, #BC17C8, #CD29DB, #DE3BEE and #EF4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A605BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A605BA shade: #A605BA, #9500A7, #840094, #730081 and #62006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A605BA shade: #A405B8, #B8059B, #B8056B, #B8053B and #B8050A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A605BA shade: #A405B8, #7405B8, #4305B8, #1305B8 and #0505B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A605BA shade matches the following richer shades: #A405B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A605BA shade: #A405B8, #9814A9, #8C2399, #80338A and #75427B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A605BA shade: #4305B8, #7305B8, #A305B8, #B8059D and #B8056D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A605BA shade: #5C0368, #800490, #A405B8, #C806E0 and #E016F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A605BA shade: #A605BA, #B81405 and #05B85B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A605BA shade: #A605BA, #B8A305 and #05B8A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A605BA shade: #A605BA, #B81405, #1AB805 and #05A9B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A605BA shade: #A605BA, #B84905, #1AB805 and #0573B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

Complementary color

CMYK 64 / 0 / 72 / 2

HEX #59FA45

RGB 89 250 69

HSL 113.37, 0.95%, 0.63%

LAB 87.45, -73.15, 70.15

 

CMYK 6 / 97 / 0 / 29

HEX #AB05B5

RGB 171 5 181

HSL 296.59, 0.95%, 0.36%

LAB 41.38, 73.84, -49.74

 

CMYK 6 / 89 / 0 / 22

HEX #BC17C8

RGB 188 23 200

HSL 295.93, 0.79%, 0.44%

LAB 46.28, 77.47, -52.84

 

CMYK 6 / 81 / 0 / 14

HEX #CD29DB

RGB 205 41 219

HSL 295.28, 0.71%, 0.51%

LAB 51.47, 79.94, -55.27

 

CMYK 7 / 75 / 0 / 7

HEX #DE3BEE

RGB 222 59 238

HSL 294.64, 0.84%, 0.58%

LAB 56.91, 81.46, -57.14

 

CMYK 6 / 70 / 0 / 0

HEX #EF4DFF

RGB 239 77 255

HSL 294.61, 1%, 0.65%

LAB 62.4, 81.96, -57.66

 

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

CMYK 11 / 100 / 0 / 35

HEX #9500A7

RGB 149 0 167

HSL 293.53, 1%, 0.33%

LAB 36.33, 68.69, -49.73

 

CMYK 11 / 100 / 0 / 42

HEX #840094

RGB 132 0 148

HSL 293.51, 1%, 0.29%

LAB 31.91, 62.87, -45.48

 

CMYK 11 / 100 / 0 / 49

HEX #730081

RGB 115 0 129

HSL 293.49, 1%, 0.25%

LAB 27.38, 56.92, -41.12

 

CMYK 11 / 100 / 0 / 57

HEX #62006E

RGB 98 0 110

HSL 293.45, 1%, 0.22%

LAB 22.73, 50.81, -36.64

 

CMYK 11 / 97 / 0 / 28

HEX #A405B8

RGB 164 5 184

HSL 293.3, 0.95%, 0.37%

LAB 40.35, 73.22, -53.24

 

CMYK 0 / 97 / 16 / 28

HEX #B8059B

RGB 184 5 155

HSL 309.72, 0.95%, 0.37%

LAB 42.25, 72.38, -32.67

 

CMYK 0 / 97 / 42 / 28

HEX #B8056B

RGB 184 5 107

HSL 325.81, 0.95%, 0.37%

LAB 40.18, 67.03, -6.24

 

CMYK 0 / 97 / 68 / 28

HEX #B8053B

RGB 184 5 59

HSL 341.9, 0.95%, 0.37%

LAB 38.92, 63.65, 22.6

 

CMYK 0 / 97 / 95 / 28

HEX #B8050A

RGB 184 5 10

HSL 358.32, 0.95%, 0.37%

LAB 38.41, 62.25, 48.92

 

CMYK 11 / 97 / 0 / 28

HEX #A405B8

RGB 164 5 184

HSL 293.3, 0.95%, 0.37%

LAB 40.35, 73.22, -53.24

 

CMYK 37 / 97 / 0 / 28

HEX #7405B8

RGB 116 5 184

HSL 277.21, 0.95%, 0.37%

LAB 32.44, 66.75, -66.46

 

CMYK 64 / 97 / 0 / 28

HEX #4305B8

RGB 67 5 184

HSL 260.78, 0.95%, 0.37%

LAB 26.05, 62.58, -77.23

 

CMYK 90 / 97 / 0 / 28

HEX #1305B8

RGB 19 5 184

HSL 244.69, 0.95%, 0.37%

LAB 22.68, 60.96, -82.93

 

CMYK 97 / 97 / 0 / 28

HEX #0505B8

RGB 5 5 184

HSL 240, 0.95%, 0.37%

LAB 22.31, 60.81, -83.57

 

CMYK 11 / 97 / 0 / 28

HEX #A405B8

RGB 164 5 184

HSL 293.3, 0.95%, 0.37%

LAB 40.35, 73.22, -53.24

 

CMYK 11 / 97 / 0 / 28

HEX #A405B8

RGB 164 5 184

HSL 293.3, 0.95%, 0.37%

LAB 40.35, 73.22, -53.24

 

CMYK 10 / 88 / 0 / 34

HEX #9814A9

RGB 152 20 169

HSL 293.15, 0.79%, 0.37%

LAB 37.91, 66.78, -48.35

 

CMYK 8 / 77 / 0 / 40

HEX #8C2399

RGB 140 35 153

HSL 293.39, 0.63%, 0.37%

LAB 36.13, 57.92, -41.67

 

CMYK 7 / 63 / 0 / 46

HEX #80338A

RGB 128 51 138

HSL 293.1, 0.46%, 0.37%

LAB 35.58, 45.9, -33.48

 

CMYK 5 / 46 / 0 / 52

HEX #75427B

RGB 117 66 123

HSL 293.68, 0.3%, 0.37%

LAB 36.19, 31.72, -23.36

 

CMYK 64 / 97 / 0 / 28

HEX #4305B8

RGB 67 5 184

HSL 260.78, 0.95%, 0.37%

LAB 26.05, 62.58, -77.23

 

CMYK 38 / 97 / 0 / 28

HEX #7305B8

RGB 115 5 184

HSL 276.87, 0.95%, 0.37%

LAB 32.29, 66.64, -66.71

 

CMYK 11 / 97 / 0 / 28

HEX #A305B8

RGB 163 5 184

HSL 292.96, 0.95%, 0.37%

LAB 40.17, 73.07, -53.53

 

CMYK 0 / 97 / 15 / 28

HEX #B8059D

RGB 184 5 157

HSL 309.05, 0.95%, 0.37%

LAB 42.36, 72.64, -33.71

 

CMYK 0 / 97 / 41 / 28

HEX #B8056D

RGB 184 5 109

HSL 325.14, 0.95%, 0.37%

LAB 40.25, 67.22, -7.4

 

CMYK 12 / 97 / 0 / 59

HEX #5C0368

RGB 92 3 104

HSL 292.87, 0.94%, 0.21%

LAB 21.36, 48.01, -35.01

 

CMYK 11 / 97 / 0 / 44

HEX #800490

RGB 128 4 144

HSL 293.14, 0.95%, 0.29%

LAB 31.09, 60.96, -44.37

 

CMYK 11 / 97 / 0 / 28

HEX #A405B8

RGB 164 5 184

HSL 293.3, 0.95%, 0.37%

LAB 40.35, 73.22, -53.24

 

CMYK 11 / 97 / 0 / 12

HEX #C806E0

RGB 200 6 224

HSL 293.39, 0.95%, 0.45%

LAB 49.24, 84.98, -61.75

 

CMYK 10 / 91 / 0 / 2

HEX #E016F9

RGB 224 22 249

HSL 293.39, 0.95%, 0.53%

LAB 55.34, 91.02, -65.79

 

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

CMYK 0 / 89 / 97 / 28

HEX #B81405

RGB 184 20 5

HSL 5.03, 0.95%, 0.37%

LAB 39.07, 60.23, 51.04

 

CMYK 97 / 0 / 51 / 28

HEX #05B85B

RGB 5 184 91

HSL 148.83, 0.95%, 0.37%

LAB 65.8, -59.77, 36.25

 

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

CMYK 0 / 11 / 97 / 28

HEX #B8A305

RGB 184 163 5

HSL 52.96, 0.95%, 0.37%

LAB 66.82, -5.95, 69.16

 

CMYK 97 / 0 / 11 / 28

HEX #05B8A3

RGB 5 184 163

HSL 172.96, 0.95%, 0.37%

LAB 67.25, -43.6, -0.34

 

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

CMYK 0 / 89 / 97 / 28

HEX #B81405

RGB 184 20 5

HSL 5.03, 0.95%, 0.37%

LAB 39.07, 60.23, 51.04

 

CMYK 86 / 0 / 97 / 28

HEX #1AB805

RGB 26 184 5

HSL 112.96, 0.95%, 0.37%

LAB 65.37, -65.76, 64.7

 

CMYK 97 / 8 / 0 / 28

HEX #05A9B8

RGB 5 169 184

HSL 185.03, 0.95%, 0.37%

LAB 63.23, -30.39, -17.99

 

CMYK 11 / 97 / 0 / 27

HEX #A605BA

RGB 166 5 186

HSL 293.37, 0.95%, 0.37%

LAB 40.83, 73.86, -53.62

 

CMYK 0 / 60 / 97 / 28

HEX #B84905

RGB 184 73 5

HSL 22.79, 0.95%, 0.37%

LAB 45.59, 42.35, 54.65

 

CMYK 86 / 0 / 97 / 28

HEX #1AB805

RGB 26 184 5

HSL 112.96, 0.95%, 0.37%

LAB 65.37, -65.76, 64.7

 

CMYK 97 / 38 / 0 / 28

HEX #0573B8

RGB 5 115 184

HSL 203.13, 0.95%, 0.37%

LAB 46.65, -0.78, -43.78

 

Description

Color code: HEX #A605BA | qconv.com Color code: HEX #A605BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 5 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 5 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 97 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 97% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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