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Color name
HEX #A5F37D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5F37D it is the complementary color #5A0C82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5F37D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5F37D shade: #AAF378, #BBFF8B, #CCFF9E, #DDFFB1 and #EEFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5F37D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5F37D shade: #A5F37D, #94E16A, #83CF57, #72BD44 and #61AB31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5F37D shade: #A5F37C, #C4F37C, #E4F37C, #F3E17C and #F3C17C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5F37D shade: #A5F37C, #85F37C, #7CF394, #7CF3B4 and #7CF3D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5F37D shade matches the following richer shades: #A5F37C and #A1FE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5F37D shade: #A5F37C, #A8E788, #ACDC93, #B0D09F and #B3C5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5F37D shade: #E5F37C, #C5F37C, #A6F37C, #86F37C and #7CF392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5F37D shade: #70EC31, #8AEF57, #A5F37C, #BFF6A2 and #D9FAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5F37D shade: #A5F37D, #7CF3E1 and #F37CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5F37D shade: #A5F37D, #7CA6F3 and #F37CA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5F37D shade: #A5F37D, #7CF3E1, #C97CF3 and #F37C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5F37D shade: #A5F37D, #7CE1F3, #C97CF3 and #F38E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

Complementary color

CMYK 31 / 91 / 0 / 49

HEX #5A0C82

RGB 90 12 130

HSL 279.66, 0.83%, 0.28%

LAB 23.83, 50.83, -47.72

 

CMYK 30 / 0 / 51 / 5

HEX #AAF378

RGB 170 243 120

HSL 95.61, 0.84%, 0.71%

LAB 88.92, -43.27, 51.76

 

CMYK 27 / 0 / 45 / 0

HEX #BBFF8B

RGB 187 255 139

HSL 95.17, 1%, 0.77%

LAB 93.43, -40.59, 48.58

 

CMYK 20 / 0 / 38 / 0

HEX #CCFF9E

RGB 204 255 158

HSL 91.55, 1%, 0.81%

LAB 94.66, -32.38, 41.18

 

CMYK 13 / 0 / 31 / 0

HEX #DDFFB1

RGB 221 255 177

HSL 86.15, 1%, 0.85%

LAB 96.02, -23.9, 33.76

 

CMYK 7 / 0 / 23 / 0

HEX #EEFFC4

RGB 238 255 196

HSL 77.29, 1%, 0.88%

LAB 97.5, -15.23, 26.4

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

CMYK 34 / 0 / 53 / 12

HEX #94E16A

RGB 148 225 106

HSL 98.82, 0.66%, 0.65%

LAB 82.48, -44.43, 50.26

 

CMYK 37 / 0 / 58 / 19

HEX #83CF57

RGB 131 207 87

HSL 98, 0.56%, 0.58%

LAB 76.15, -44.41, 51.33

 

CMYK 40 / 0 / 64 / 26

HEX #72BD44

RGB 114 189 68

HSL 97.19, 0.48%, 0.5%

LAB 69.75, -44.27, 52.26

 

CMYK 43 / 0 / 71 / 33

HEX #61AB31

RGB 97 171 49

HSL 96.39, 0.55%, 0.43%

LAB 63.25, -43.97, 52.86

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37C

RGB 165 243 124

HSL 99.33, 0.83%, 0.72%

LAB 88.71, -44.5, 49.58

 

CMYK 19 / 0 / 49 / 5

HEX #C4F37C

RGB 196 243 124

HSL 83.7, 0.83%, 0.72%

LAB 90.46, -33.66, 52.1

 

CMYK 6 / 0 / 49 / 5

HEX #E4F37C

RGB 228 243 124

HSL 67.56, 0.83%, 0.72%

LAB 92.6, -21.59, 55.19

 

CMYK 0 / 7 / 49 / 5

HEX #F3E17C

RGB 243 225 124

HSL 50.92, 0.83%, 0.72%

LAB 89.09, -6.84, 51.25

 

CMYK 0 / 21 / 49 / 5

HEX #F3C17C

RGB 243 193 124

HSL 34.79, 0.83%, 0.72%

LAB 81.1, 9.6, 41.38

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37C

RGB 165 243 124

HSL 99.33, 0.83%, 0.72%

LAB 88.71, -44.5, 49.58

 

CMYK 45 / 0 / 49 / 5

HEX #85F37C

RGB 133 243 124

HSL 115.46, 0.83%, 0.72%

LAB 87.26, -54.36, 47.47

 

CMYK 49 / 0 / 39 / 5

HEX #7CF394

RGB 124 243 148

HSL 132.1, 0.83%, 0.72%

LAB 87.25, -53.33, 35.72

 

CMYK 49 / 0 / 26 / 5

HEX #7CF3B4

RGB 124 243 180

HSL 148.24, 0.83%, 0.72%

LAB 87.82, -47.65, 20.24

 

CMYK 49 / 0 / 13 / 5

HEX #7CF3D4

RGB 124 243 212

HSL 164.37, 0.83%, 0.72%

LAB 88.51, -40.91, 4.63

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37C

RGB 165 243 124

HSL 99.33, 0.83%, 0.72%

LAB 88.71, -44.5, 49.58

 

CMYK 37 / 0 / 56 / 0

HEX #A1FE71

RGB 161 254 113

HSL 99.57, 0.99%, 0.72%

LAB 91.53, -51.63, 57.91

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37C

RGB 165 243 124

HSL 99.33, 0.83%, 0.72%

LAB 88.71, -44.5, 49.58

 

CMYK 27 / 0 / 41 / 9

HEX #A8E788

RGB 168 231 136

HSL 99.79, 0.66%, 0.72%

LAB 85.63, -36.69, 39.97

 

CMYK 22 / 0 / 33 / 14

HEX #ACDC93

RGB 172 220 147

HSL 99.45, 0.51%, 0.72%

LAB 82.95, -28.68, 30.96

 

CMYK 15 / 0 / 24 / 18

HEX #B0D09F

RGB 176 208 159

HSL 99.18, 0.34%, 0.72%

LAB 80.09, -19.59, 20.89

 

CMYK 9 / 0 / 13 / 23

HEX #B3C5AB

RGB 179 197 171

HSL 101.54, 0.18%, 0.72%

LAB 77.55, -10.95, 10.97

 

CMYK 6 / 0 / 49 / 5

HEX #E5F37C

RGB 229 243 124

HSL 67.06, 0.83%, 0.72%

LAB 92.67, -21.21, 55.29

 

CMYK 19 / 0 / 49 / 5

HEX #C5F37C

RGB 197 243 124

HSL 83.19, 0.83%, 0.72%

LAB 90.52, -33.29, 52.19

 

CMYK 32 / 0 / 49 / 5

HEX #A6F37C

RGB 166 243 124

HSL 98.82, 0.83%, 0.72%

LAB 88.76, -44.17, 49.65

 

CMYK 45 / 0 / 49 / 5

HEX #86F37C

RGB 134 243 124

HSL 114.96, 0.83%, 0.72%

LAB 87.3, -54.08, 47.53

 

CMYK 49 / 0 / 40 / 5

HEX #7CF392

RGB 124 243 146

HSL 131.09, 0.83%, 0.72%

LAB 87.22, -53.64, 36.67

 

CMYK 53 / 0 / 79 / 7

HEX #70EC31

RGB 112 236 49

HSL 99.79, 0.83%, 0.56%

LAB 83.79, -64.27, 72.99

 

CMYK 42 / 0 / 64 / 6

HEX #8AEF57

RGB 138 239 87

HSL 99.87, 0.83%, 0.64%

LAB 85.92, -55.26, 62.34

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37C

RGB 165 243 124

HSL 99.33, 0.83%, 0.72%

LAB 88.71, -44.5, 49.58

 

CMYK 22 / 0 / 34 / 4

HEX #BFF6A2

RGB 191 246 162

HSL 99.29, 0.82%, 0.8%

LAB 91.5, -32.18, 34.92

 

CMYK 13 / 0 / 20 / 2

HEX #D9FAC8

RGB 217 250 200

HSL 99.6, 0.83%, 0.88%

LAB 94.86, -19.49, 20.5

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

CMYK 49 / 0 / 7 / 5

HEX #7CF3E1

RGB 124 243 225

HSL 170.92, 0.83%, 0.72%

LAB 88.84, -37.89, -1.68

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD5

RGB 243 124 213

HSL 315.13, 0.83%, 0.72%

LAB 68.22, 56.59, -25.22

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

CMYK 49 / 32 / 0 / 5

HEX #7CA6F3

RGB 124 166 243

HSL 218.82, 0.83%, 0.72%

LAB 68.04, 6.5, -42.88

 

CMYK 0 / 49 / 32 / 5

HEX #F37CA6

RGB 243 124 166

HSL 338.82, 0.83%, 0.72%

LAB 66.69, 50.02, -1.12

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

CMYK 49 / 0 / 7 / 5

HEX #7CF3E1

RGB 124 243 225

HSL 170.92, 0.83%, 0.72%

LAB 88.84, -37.89, -1.68

 

CMYK 17 / 49 / 0 / 5

HEX #C97CF3

RGB 201 124 243

HSL 278.82, 0.83%, 0.72%

LAB 64.41, 50.13, -48.17

 

CMYK 0 / 49 / 42 / 5

HEX #F37C8E

RGB 243 124 142

HSL 350.92, 0.83%, 0.72%

LAB 66.08, 47.28, 11.6

 

CMYK 32 / 0 / 49 / 5

HEX #A5F37D

RGB 165 243 125

HSL 99.66, 0.83%, 0.72%

LAB 88.72, -44.38, 49.12

 

CMYK 49 / 7 / 0 / 5

HEX #7CE1F3

RGB 124 225 243

HSL 189.08, 0.83%, 0.72%

LAB 84.28, -24.84, -17.91

 

CMYK 17 / 49 / 0 / 5

HEX #C97CF3

RGB 201 124 243

HSL 278.82, 0.83%, 0.72%

LAB 64.41, 50.13, -48.17

 

CMYK 0 / 42 / 49 / 5

HEX #F38E7C

RGB 243 142 124

HSL 9.08, 0.83%, 0.72%

LAB 69.37, 36.4, 26.18

 

Description

Color code: HEX #A5F37D | qconv.com Color code: HEX #A5F37D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 243 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 243 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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