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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5EE69 it is the complementary color #5A1196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5EE69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5EE69 shade: #AAEE64, #BBFF77, #CCFF8A, #DDFF9D and #EEFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5EE69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5EE69 shade: #A5EE69, #94DC56, #83CA43, #72B830 and #61A61D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5EE69 shade: #A4EE68, #C9EE68, #EDEE68, #EECB68 and #EEA768

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5EE69 shade: #A4EE68, #80EE68, #68EE73, #68EE98 and #68EEBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5EE69 shade matches the following richer shades: #A4EE68 and #A3FC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5EE69 shade: #A4EE68, #A6E175, #A7D383, #A8C590 and #AAB89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5EE69 shade: #EEEE68, #CAEE68, #A6EE68, #82EE68 and #68EE71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5EE69 shade: #78E61D, #8EEA42, #A4EE68, #BBF28D and #D1F6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5EE69 shade: #A5EE69, #68EECA and #EE68DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5EE69 shade: #A5EE69, #68A6EE and #EE68A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5EE69 shade: #A5EE69, #68EECA, #AF68EE and #EE688B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5EE69 shade: #A5EE69, #68EAEE, #AF68EE and #EE6C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

Complementary color

CMYK 40 / 89 / 0 / 41

HEX #5A1196

RGB 90 17 150

HSL 272.93, 0.8%, 0.33%

LAB 26.09, 54.01, -56.49

 

CMYK 29 / 0 / 58 / 7

HEX #AAEE64

RGB 170 238 100

HSL 89.57, 0.8%, 0.66%

LAB 87.3, -43.1, 58.85

 

CMYK 27 / 0 / 53 / 0

HEX #BBFF77

RGB 187 255 119

HSL 90, 1%, 0.73%

LAB 93.2, -42.75, 57.53

 

CMYK 20 / 0 / 46 / 0

HEX #CCFF8A

RGB 204 255 138

HSL 86.15, 1%, 0.77%

LAB 94.39, -34.76, 50.47

 

CMYK 13 / 0 / 38 / 0

HEX #DDFF9D

RGB 221 255 157

HSL 80.82, 1%, 0.81%

LAB 95.72, -26.45, 43.24

 

CMYK 7 / 0 / 31 / 0

HEX #EEFFB0

RGB 238 255 176

HSL 72.91, 1%, 0.85%

LAB 97.16, -17.93, 35.98

 

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

CMYK 33 / 0 / 61 / 14

HEX #94DC56

RGB 148 220 86

HSL 92.24, 0.66%, 0.6%

LAB 80.82, -44.27, 57.28

 

CMYK 35 / 0 / 67 / 21

HEX #83CA43

RGB 131 202 67

HSL 91.56, 0.56%, 0.53%

LAB 74.49, -44.05, 58.01

 

CMYK 38 / 0 / 74 / 28

HEX #72B830

RGB 114 184 48

HSL 90.88, 0.59%, 0.45%

LAB 68.07, -43.69, 58.33

 

CMYK 42 / 0 / 83 / 35

HEX #61A61D

RGB 97 166 29

HSL 90.22, 0.7%, 0.38%

LAB 61.57, -43.09, 57.87

 

CMYK 31 / 0 / 56 / 7

HEX #A4EE68

RGB 164 238 104

HSL 93.13, 0.8%, 0.67%

LAB 87.02, -44.81, 56.69

 

CMYK 16 / 0 / 56 / 7

HEX #C9EE68

RGB 201 238 104

HSL 76.57, 0.8%, 0.67%

LAB 89.19, -31.36, 59.75

 

CMYK 0 / 0 / 56 / 7

HEX #EDEE68

RGB 237 238 104

HSL 60.45, 0.8%, 0.67%

LAB 91.75, -17.27, 63.34

 

CMYK 0 / 15 / 56 / 7

HEX #EECB68

RGB 238 203 104

HSL 44.33, 0.8%, 0.67%

LAB 82.85, 0.7, 53.21

 

CMYK 0 / 30 / 56 / 7

HEX #EEA768

RGB 238 167 104

HSL 28.21, 0.8%, 0.67%

LAB 74.07, 19.59, 42.73

 

CMYK 31 / 0 / 56 / 7

HEX #A4EE68

RGB 164 238 104

HSL 93.13, 0.8%, 0.67%

LAB 87.02, -44.81, 56.69

 

CMYK 46 / 0 / 56 / 7

HEX #80EE68

RGB 128 238 104

HSL 109.25, 0.8%, 0.67%

LAB 85.37, -56.18, 54.36

 

CMYK 56 / 0 / 52 / 7

HEX #68EE73

RGB 104 238 115

HSL 124.93, 0.8%, 0.67%

LAB 84.65, -61.11, 48.27

 

CMYK 56 / 0 / 36 / 7

HEX #68EE98

RGB 104 238 152

HSL 141.49, 0.8%, 0.67%

LAB 85.18, -55.43, 30.85

 

CMYK 56 / 0 / 21 / 7

HEX #68EEBC

RGB 104 238 188

HSL 157.61, 0.8%, 0.67%

LAB 85.87, -48.35, 13.27

 

CMYK 31 / 0 / 56 / 7

HEX #A4EE68

RGB 164 238 104

HSL 93.13, 0.8%, 0.67%

LAB 87.02, -44.81, 56.69

 

CMYK 35 / 0 / 64 / 1

HEX #A3FC5A

RGB 163 252 90

HSL 92.96, 0.96%, 0.67%

LAB 90.85, -52.24, 66.81

 

CMYK 31 / 0 / 56 / 7

HEX #A4EE68

RGB 164 238 104

HSL 93.13, 0.8%, 0.67%

LAB 87.02, -44.81, 56.69

 

CMYK 26 / 0 / 48 / 12

HEX #A6E175

RGB 166 225 117

HSL 92.78, 0.64%, 0.67%

LAB 83.57, -37.01, 46.61

 

CMYK 21 / 0 / 38 / 17

HEX #A7D383

RGB 167 211 131

HSL 93, 0.48%, 0.67%

LAB 79.87, -28.4, 35.02

 

CMYK 15 / 0 / 27 / 23

HEX #A8C590

RGB 168 197 144

HSL 92.83, 0.31%, 0.67%

LAB 76.24, -19.32, 23.45

 

CMYK 8 / 0 / 14 / 28

HEX #AAB89E

RGB 170 184 158

HSL 92.31, 0.15%, 0.67%

LAB 73.09, -9.64, 11.58

 

CMYK 0 / 0 / 56 / 7

HEX #EEEE68

RGB 238 238 104

HSL 60, 0.8%, 0.67%

LAB 91.83, -16.87, 63.45

 

CMYK 15 / 0 / 56 / 7

HEX #CAEE68

RGB 202 238 104

HSL 76.12, 0.8%, 0.67%

LAB 89.25, -30.98, 59.85

 

CMYK 30 / 0 / 56 / 7

HEX #A6EE68

RGB 166 238 104

HSL 92.24, 0.8%, 0.67%

LAB 87.12, -44.12, 56.84

 

CMYK 45 / 0 / 56 / 7

HEX #82EE68

RGB 130 238 104

HSL 108.36, 0.8%, 0.67%

LAB 85.45, -55.61, 54.47

 

CMYK 56 / 0 / 53 / 7

HEX #68EE71

RGB 104 238 113

HSL 124.03, 0.8%, 0.67%

LAB 84.63, -61.37, 49.18

 

CMYK 48 / 0 / 87 / 10

HEX #78E61D

RGB 120 230 29

HSL 92.84, 0.8%, 0.51%

LAB 82.2, -60.65, 76.27

 

CMYK 39 / 0 / 72 / 8

HEX #8EEA42

RGB 142 234 66

HSL 92.86, 0.8%, 0.59%

LAB 84.48, -53.59, 68.79

 

CMYK 31 / 0 / 56 / 7

HEX #A4EE68

RGB 164 238 104

HSL 93.13, 0.8%, 0.67%

LAB 87.02, -44.81, 56.69

 

CMYK 23 / 0 / 42 / 5

HEX #BBF28D

RGB 187 242 141

HSL 92.67, 0.8%, 0.75%

LAB 89.86, -34.5, 43.12

 

CMYK 15 / 0 / 28 / 4

HEX #D1F6B2

RGB 209 246 178

HSL 92.65, 0.79%, 0.83%

LAB 92.87, -23.67, 28.89

 

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

CMYK 56 / 0 / 15 / 7

HEX #68EECA

RGB 104 238 202

HSL 163.88, 0.8%, 0.67%

LAB 86.18, -45.22, 6.41

 

CMYK 0 / 56 / 8 / 7

HEX #EE68DC

RGB 238 104 220

HSL 308.06, 0.8%, 0.67%

LAB 64.36, 65.5, -35.15

 

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

CMYK 56 / 30 / 0 / 7

HEX #68A6EE

RGB 104 166 238

HSL 212.24, 0.8%, 0.67%

LAB 66.82, 0.66, -42.15

 

CMYK 0 / 56 / 30 / 7

HEX #EE68A6

RGB 238 104 166

HSL 332.24, 0.8%, 0.67%

LAB 62.36, 57.87, -7.58

 

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

CMYK 56 / 0 / 15 / 7

HEX #68EECA

RGB 104 238 202

HSL 163.88, 0.8%, 0.67%

LAB 86.18, -45.22, 6.41

 

CMYK 26 / 56 / 0 / 7

HEX #AF68EE

RGB 175 104 238

HSL 271.79, 0.8%, 0.67%

LAB 57.26, 52.78, -56.94

 

CMYK 0 / 56 / 42 / 7

HEX #EE688B

RGB 238 104 139

HSL 344.33, 0.8%, 0.67%

LAB 61.6, 54.82, 6.86

 

CMYK 31 / 0 / 56 / 7

HEX #A5EE69

RGB 165 238 105

HSL 92.93, 0.8%, 0.67%

LAB 87.08, -44.37, 56.33

 

CMYK 56 / 2 / 0 / 7

HEX #68EAEE

RGB 104 234 238

HSL 181.79, 0.8%, 0.67%

LAB 85.99, -34.46, -12.79

 

CMYK 26 / 56 / 0 / 7

HEX #AF68EE

RGB 175 104 238

HSL 271.79, 0.8%, 0.67%

LAB 57.26, 52.78, -56.94

 

CMYK 0 / 55 / 56 / 7

HEX #EE6C68

RGB 238 108 104

HSL 1.79, 0.8%, 0.67%

LAB 61.57, 49.85, 26.91

 

Description

Color code: HEX #A5EE69 | qconv.com Color code: HEX #A5EE69 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 238 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 238 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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