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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5EC7A it is the complementary color #5A1385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5EC7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5EC7A shade: #AAEC75, #BBFE88, #CCFF9B, #DDFFAE and #EEFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5EC7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5EC7A shade: #A5EC7A, #94DA67, #83C854, #72B641 and #61A42E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5EC7A shade: #A4EC79, #C3EC79, #E2EC79, #ECD779 and #ECB879

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5EC7A shade: #A4EC79, #85EC79, #79EC8C, #79ECAB and #79ECCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5EC7A shade matches the following richer shades: #A4EC79 and #A1F86D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5EC7A shade: #A4EC79, #A7DF86, #AAD392, #AEC79E and #B1BAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5EC7A shade: #E2EC79, #C4EC79, #A5EC79, #87EC79 and #79EC8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5EC7A shade: #74E231, #8CE755, #A4EC79, #BDF19D and #D5F6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5EC7A shade: #A5EC7A, #79ECD7 and #EC79D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5EC7A shade: #A5EC7A, #79A5EC and #EC79A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5EC7A shade: #A5EC7A, #79ECD7, #C079EC and #EC798E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5EC7A shade: #A5EC7A, #79DEEC, #C079EC and #EC8779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

Complementary color

CMYK 32 / 86 / 0 / 48

HEX #5A1385

RGB 90 19 133

HSL 277.37, 0.75%, 0.3%

LAB 24.74, 49.57, -48.12

 

CMYK 28 / 0 / 50 / 7

HEX #AAEC75

RGB 170 236 117

HSL 93.28, 0.76%, 0.69%

LAB 86.91, -40.53, 50.73

 

CMYK 26 / 0 / 46 / 0

HEX #BBFE88

RGB 187 254 136

HSL 94.07, 0.98%, 0.76%

LAB 93.11, -40.5, 49.61

 

CMYK 20 / 0 / 39 / 0

HEX #CCFF9B

RGB 204 255 155

HSL 90.6, 1%, 0.8%

LAB 94.62, -32.76, 42.59

 

CMYK 13 / 0 / 32 / 0

HEX #DDFFAE

RGB 221 255 174

HSL 85.19, 1%, 0.84%

LAB 95.98, -24.3, 35.19

 

CMYK 7 / 0 / 24 / 0

HEX #EEFFC1

RGB 238 255 193

HSL 76.45, 1%, 0.88%

LAB 97.45, -15.65, 27.84

 

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

CMYK 32 / 0 / 53 / 15

HEX #94DA67

RGB 148 218 103

HSL 96.52, 0.61%, 0.63%

LAB 80.41, -41.72, 49.19

 

CMYK 35 / 0 / 58 / 22

HEX #83C854

RGB 131 200 84

HSL 95.69, 0.51%, 0.56%

LAB 74.04, -41.69, 50.26

 

CMYK 37 / 0 / 64 / 29

HEX #72B641

RGB 114 182 65

HSL 94.87, 0.47%, 0.48%

LAB 67.59, -41.56, 51.18

 

CMYK 41 / 0 / 72 / 36

HEX #61A42E

RGB 97 164 46

HSL 94.07, 0.56%, 0.41%

LAB 61.04, -41.25, 51.75

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 17 / 0 / 49 / 7

HEX #C3EC79

RGB 195 236 121

HSL 81.39, 0.75%, 0.7%

LAB 88.44, -31.1, 51.05

 

CMYK 4 / 0 / 49 / 7

HEX #E2EC79

RGB 226 236 121

HSL 65.22, 0.75%, 0.7%

LAB 90.57, -19.26, 54.12

 

CMYK 0 / 9 / 49 / 7

HEX #ECD779

RGB 236 215 121

HSL 49.04, 0.75%, 0.7%

LAB 85.91, -4.85, 48.69

 

CMYK 0 / 22 / 49 / 7

HEX #ECB879

RGB 236 184 121

HSL 32.87, 0.75%, 0.7%

LAB 78.17, 11.23, 39.07

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 44 / 0 / 49 / 7

HEX #85EC79

RGB 133 236 121

HSL 113.74, 0.75%, 0.7%

LAB 85.18, -51.92, 46.32

 

CMYK 49 / 0 / 41 / 7

HEX #79EC8C

RGB 121 236 140

HSL 129.91, 0.75%, 0.7%

LAB 84.97, -52.53, 36.7

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 49 / 0 / 14 / 7

HEX #79ECCA

RGB 121 236 202

HSL 162.26, 0.75%, 0.7%

LAB 86.17, -40.71, 6.46

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 35 / 0 / 56 / 3

HEX #A1F86D

RGB 161 248 109

HSL 97.55, 0.91%, 0.7%

LAB 89.77, -49.55, 57.64

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 25 / 0 / 40 / 13

HEX #A7DF86

RGB 167 223 134

HSL 97.75, 0.58%, 0.7%

LAB 83.29, -33.64, 37.94

 

CMYK 19 / 0 / 31 / 17

HEX #AAD392

RGB 170 211 146

HSL 97.85, 0.42%, 0.7%

LAB 80.3, -25.2, 27.91

 

CMYK 13 / 0 / 21 / 22

HEX #AEC79E

RGB 174 199 158

HSL 96.59, 0.27%, 0.7%

LAB 77.47, -15.94, 17.77

 

CMYK 5 / 0 / 8 / 27

HEX #B1BAAB

RGB 177 186 171

HSL 96, 0.1%, 0.7%

LAB 74.45, -5.9, 6.52

 

CMYK 4 / 0 / 49 / 7

HEX #E2EC79

RGB 226 236 121

HSL 65.22, 0.75%, 0.7%

LAB 90.57, -19.26, 54.12

 

CMYK 17 / 0 / 49 / 7

HEX #C4EC79

RGB 196 236 121

HSL 80.87, 0.75%, 0.7%

LAB 88.5, -30.73, 51.14

 

CMYK 30 / 0 / 49 / 7

HEX #A5EC79

RGB 165 236 121

HSL 97.04, 0.75%, 0.7%

LAB 86.69, -41.8, 48.52

 

CMYK 43 / 0 / 49 / 7

HEX #87EC79

RGB 135 236 121

HSL 112.7, 0.75%, 0.7%

LAB 85.26, -51.34, 46.45

 

CMYK 49 / 0 / 42 / 7

HEX #79EC8A

RGB 121 236 138

HSL 128.87, 0.75%, 0.7%

LAB 84.94, -52.84, 37.65

 

CMYK 49 / 0 / 78 / 11

HEX #74E231

RGB 116 226 49

HSL 97.29, 0.75%, 0.54%

LAB 80.92, -59.54, 70.37

 

CMYK 39 / 0 / 63 / 9

HEX #8CE755

RGB 140 231 85

HSL 97.4, 0.75%, 0.62%

LAB 83.64, -51.61, 60.7

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 22 / 0 / 35 / 5

HEX #BDF19D

RGB 189 241 157

HSL 97.14, 0.75%, 0.78%

LAB 89.94, -31.24, 35.33

 

CMYK 13 / 0 / 22 / 4

HEX #D5F6C1

RGB 213 246 193

HSL 97.36, 0.75%, 0.86%

LAB 93.41, -20.02, 22.02

 

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

CMYK 49 / 0 / 9 / 7

HEX #79ECD7

RGB 121 236 215

HSL 169.04, 0.75%, 0.7%

LAB 86.49, -37.73, 0.1

 

CMYK 0 / 49 / 11 / 7

HEX #EC79D3

RGB 236 121 211

HSL 313.04, 0.75%, 0.7%

LAB 66.68, 55.65, -26.55

 

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

CMYK 49 / 30 / 0 / 7

HEX #79A5EC

RGB 121 165 236

HSL 217.04, 0.75%, 0.7%

LAB 67.3, 4.31, -40.23

 

CMYK 0 / 49 / 30 / 7

HEX #EC79A5

RGB 236 121 165

HSL 337.04, 0.75%, 0.7%

LAB 65.14, 49.04, -2.94

 

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

CMYK 49 / 0 / 9 / 7

HEX #79ECD7

RGB 121 236 215

HSL 169.04, 0.75%, 0.7%

LAB 86.49, -37.73, 0.1

 

CMYK 19 / 49 / 0 / 7

HEX #C079EC

RGB 192 121 236

HSL 277.04, 0.75%, 0.7%

LAB 62.45, 47.79, -47.45

 

CMYK 0 / 49 / 40 / 7

HEX #EC798E

RGB 236 121 142

HSL 349.04, 0.75%, 0.7%

LAB 64.53, 46.33, 9.27

 

CMYK 30 / 0 / 48 / 7

HEX #A5EC7A

RGB 165 236 122

HSL 97.37, 0.75%, 0.7%

LAB 86.7, -41.68, 48.06

 

CMYK 49 / 6 / 0 / 7

HEX #79DEEC

RGB 121 222 236

HSL 187.3, 0.75%, 0.7%

LAB 83.11, -25.86, -15.99

 

CMYK 19 / 49 / 0 / 7

HEX #C079EC

RGB 192 121 236

HSL 277.04, 0.75%, 0.7%

LAB 62.45, 47.79, -47.45

 

CMYK 0 / 43 / 49 / 7

HEX #EC8779

RGB 236 135 121

HSL 7.3, 0.75%, 0.7%

LAB 66.93, 37.1, 24.43

 

Description

Color code: HEX #A5EC7A | qconv.com Color code: HEX #A5EC7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 236 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 236 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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