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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E9F5 it is the complementary color #5A160A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E9F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E9F5 shade: #AAE9F0, #BBFBFF, #CCFFFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E9F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E9F5 shade: #A5E9F5, #94D7E2, #83C5CF, #72B3BC and #61A1A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E9F5 shade: #A3E9F5, #A3D3F5, #A3BDF5, #A3A7F5 and #B6A3F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E9F5 shade: #A3E9F5, #A3D3F5, #A3BDF5, #A3A7F5 and #A3A3F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E9F5 shade matches the following richer shades: #A3E9F5 and #9BEEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E9F5 shade: #A3E9F5, #ABE3ED, #B4DDE4, #BCD7DC and #C4D1D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E9F5 shade: #A3F5D6, #A3F5EB, #A3E9F5, #A3D3F5 and #A3BDF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E9F5 shade: #59D6ED, #7EDFF1, #A3E9F5, #C8F2F9 and #EDFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E9F5 shade: #A5E9F5, #C0A3F5 and #F5E0A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E9F5 shade: #A5E9F5, #F5A3E9 and #E9F5A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E9F5 shade: #A5E9F5, #C0A3F5, #F5AFA3 and #D8F5A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E9F5 shade: #A5E9F5, #D8A3F5, #F5AFA3 and #C0F5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

Complementary color

CMYK 0 / 76 / 89 / 65

HEX #5A160A

RGB 90 22 10

HSL 9, 0.8%, 0.2%

LAB 19.1, 30.38, 24.61

 

CMYK 29 / 3 / 0 / 6

HEX #AAE9F0

RGB 170 233 240

HSL 186, 0.7%, 0.8%

LAB 88.5, -18.11, -9.8

 

CMYK 27 / 2 / 0 / 0

HEX #BBFBFF

RGB 187 251 255

HSL 183.53, 1%, 0.87%

LAB 94.64, -18.94, -8.39

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

CMYK 35 / 5 / 0 / 11

HEX #94D7E2

RGB 148 215 226

HSL 188.46, 0.57%, 0.73%

LAB 82.05, -18.35, -12.14

 

CMYK 37 / 5 / 0 / 19

HEX #83C5CF

RGB 131 197 207

HSL 187.89, 0.44%, 0.66%

LAB 75.61, -18.37, -11.65

 

CMYK 39 / 5 / 0 / 26

HEX #72B3BC

RGB 114 179 188

HSL 187.3, 0.36%, 0.59%

LAB 69.07, -18.37, -11.14

 

CMYK 43 / 5 / 0 / 34

HEX #61A1A9

RGB 97 161 169

HSL 186.67, 0.3%, 0.52%

LAB 62.42, -18.36, -10.6

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 33 / 14 / 0 / 4

HEX #A3D3F5

RGB 163 211 245

HSL 204.88, 0.8%, 0.8%

LAB 82.36, -7.62, -21.7

 

CMYK 33 / 23 / 0 / 4

HEX #A3BDF5

RGB 163 189 245

HSL 220.98, 0.8%, 0.8%

LAB 76.54, 4.16, -30.59

 

CMYK 33 / 32 / 0 / 4

HEX #A3A7F5

RGB 163 167 245

HSL 237.07, 0.8%, 0.8%

LAB 70.88, 16.37, -39.35

 

CMYK 26 / 33 / 0 / 4

HEX #B6A3F5

RGB 182 163 245

HSL 253.9, 0.8%, 0.8%

LAB 71.37, 23.96, -38.47

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 33 / 14 / 0 / 4

HEX #A3D3F5

RGB 163 211 245

HSL 204.88, 0.8%, 0.8%

LAB 82.36, -7.62, -21.7

 

CMYK 33 / 23 / 0 / 4

HEX #A3BDF5

RGB 163 189 245

HSL 220.98, 0.8%, 0.8%

LAB 76.54, 4.16, -30.59

 

CMYK 33 / 32 / 0 / 4

HEX #A3A7F5

RGB 163 167 245

HSL 237.07, 0.8%, 0.8%

LAB 70.88, 16.37, -39.35

 

CMYK 33 / 33 / 0 / 4

HEX #A3A3F5

RGB 163 163 245

HSL 240, 0.8%, 0.8%

LAB 69.88, 18.62, -40.92

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 39 / 6 / 0 / 1

HEX #9BEEFD

RGB 155 238 253

HSL 189.18, 0.96%, 0.8%

LAB 89.49, -21.49, -15.2

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 28 / 4 / 0 / 7

HEX #ABE3ED

RGB 171 227 237

HSL 189.09, 0.65%, 0.8%

LAB 86.85, -15.5, -10.67

 

CMYK 21 / 3 / 0 / 11

HEX #B4DDE4

RGB 180 221 228

HSL 188.75, 0.47%, 0.8%

LAB 85.51, -11.8, -7.85

 

CMYK 15 / 2 / 0 / 14

HEX #BCD7DC

RGB 188 215 220

HSL 189.38, 0.31%, 0.8%

LAB 84.2, -7.92, -5.49

 

CMYK 8 / 1 / 0 / 17

HEX #C4D1D4

RGB 196 209 212

HSL 191.25, 0.16%, 0.8%

LAB 82.96, -3.81, -3.01

 

CMYK 33 / 0 / 13 / 4

HEX #A3F5D6

RGB 163 245 214

HSL 157.32, 0.8%, 0.8%

LAB 90.76, -31.49, 7.03

 

CMYK 33 / 0 / 4 / 4

HEX #A3F5EB

RGB 163 245 235

HSL 172.68, 0.8%, 0.8%

LAB 91.27, -27.01, -3.13

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 33 / 14 / 0 / 4

HEX #A3D3F5

RGB 163 211 245

HSL 204.88, 0.8%, 0.8%

LAB 82.36, -7.62, -21.7

 

CMYK 33 / 23 / 0 / 4

HEX #A3BDF5

RGB 163 189 245

HSL 220.98, 0.8%, 0.8%

LAB 76.54, 4.16, -30.59

 

CMYK 62 / 10 / 0 / 7

HEX #59D6ED

RGB 89 214 237

HSL 189.32, 0.8%, 0.64%

LAB 79.8, -27.76, -21.62

 

CMYK 48 / 7 / 0 / 5

HEX #7EDFF1

RGB 126 223 241

HSL 189.39, 0.8%, 0.72%

LAB 83.74, -23.95, -17.67

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F5

RGB 163 233 245

HSL 188.78, 0.8%, 0.8%

LAB 88.28, -18.86, -12.78

 

CMYK 20 / 3 / 0 / 2

HEX #C8F2F9

RGB 200 242 249

HSL 188.57, 0.8%, 0.88%

LAB 92.85, -11.97, -7.86

 

CMYK 6 / 1 / 0 / 1

HEX #EDFBFD

RGB 237 251 253

HSL 187.5, 0.8%, 0.96%

LAB 97.67, -4.2, -2.55

 

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

CMYK 22 / 33 / 0 / 4

HEX #C0A3F5

RGB 192 163 245

HSL 261.22, 0.8%, 0.8%

LAB 72.22, 26.86, -37.09

 

CMYK 0 / 9 / 33 / 4

HEX #F5E0A3

RGB 245 224 163

HSL 44.63, 0.8%, 0.8%

LAB 89.57, -1.51, 32.53

 

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

CMYK 0 / 33 / 5 / 4

HEX #F5A3E9

RGB 245 163 233

HSL 308.78, 0.8%, 0.8%

LAB 76.97, 40.8, -22.82

 

CMYK 5 / 0 / 33 / 4

HEX #E9F5A3

RGB 233 245 163

HSL 68.78, 0.8%, 0.8%

LAB 94, -16.52, 38.22

 

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

CMYK 22 / 33 / 0 / 4

HEX #C0A3F5

RGB 192 163 245

HSL 261.22, 0.8%, 0.8%

LAB 72.22, 26.86, -37.09

 

CMYK 0 / 29 / 33 / 4

HEX #F5AFA3

RGB 245 175 163

HSL 8.78, 0.8%, 0.8%

LAB 77.71, 24.04, 16.34

 

CMYK 12 / 0 / 33 / 4

HEX #D8F5A3

RGB 216 245 163

HSL 81.22, 0.8%, 0.8%

LAB 92.82, -22.76, 36.44

 

CMYK 33 / 5 / 0 / 4

HEX #A5E9F5

RGB 165 233 245

HSL 189, 0.8%, 0.8%

LAB 88.39, -18.33, -12.62

 

CMYK 12 / 33 / 0 / 4

HEX #D8A3F5

RGB 216 163 245

HSL 278.78, 0.8%, 0.8%

LAB 74.44, 34.04, -33.48

 

CMYK 0 / 29 / 33 / 4

HEX #F5AFA3

RGB 245 175 163

HSL 8.78, 0.8%, 0.8%

LAB 77.71, 24.04, 16.34

 

CMYK 22 / 0 / 33 / 4

HEX #C0F5A3

RGB 192 245 163

HSL 98.78, 0.8%, 0.8%

LAB 91.3, -31.23, 34.17

 

Description

Color code: HEX #A5E9F5 | qconv.com Color code: HEX #A5E9F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 233 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 233 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 5 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 5% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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