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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E7E9 it is the complementary color #5A1816. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E7E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E7E9 shade: #AAE7E4, #BBF9F7, #CCFFFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E7E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E7E9 shade: #A5E7E9, #94D5D6, #83C3C3, #72B1B0 and #619F9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E7E9 shade: #A5E7E9, #A5D5E9, #A5C2E9, #A5B0E9 and #ACA5E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E7E9 shade: #A5E7E9, #A5D5E9, #A5C2E9, #A5B0E9 and #A5A5E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E7E9 shade matches the following richer shades: #A5E7E9, #9CF0F2 and #93F8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E7E9 shade: #A5E7E9, #AEDFE0, #B7D6D7, #C0CDCE and #C9C5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E7E9 shade: #A5E9C6, #A5E9D8, #A5E8E9, #A5D6E9 and #A5C3E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E7E9 shade: #62D6D9, #83DEE1, #A5E7E9, #C6F0F1 and #E7F9F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E7E9 shade: #A5E7E9, #B4A5E9 and #E9CFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E7E9 shade: #A5E7E9, #E9A5E8 and #E8E9A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E7E9 shade: #A5E7E9, #B4A5E9, #E9A6A5 and #DAE9A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E7E9 shade: #A5E7E9, #C8A5E9, #E9A6A5 and #C6E9A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

Complementary color

CMYK 0 / 73 / 76 / 65

HEX #5A1816

RGB 90 24 22

HSL 1.76, 0.61%, 0.22%

LAB 19.58, 30.02, 18.52

 

CMYK 26 / 0 / 1 / 9

HEX #AAE7E4

RGB 170 231 228

HSL 177.05, 0.56%, 0.79%

LAB 87.63, -19.78, -4.79

 

CMYK 25 / 0 / 1 / 2

HEX #BBF9F7

RGB 187 249 247

HSL 178.06, 0.84%, 0.85%

LAB 93.9, -19.68, -5.35

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 31 / 0 / 0 / 16

HEX #94D5D6

RGB 148 213 214

HSL 180.91, 0.45%, 0.71%

LAB 81.15, -20.17, -7.08

 

CMYK 33 / 0 / 0 / 24

HEX #83C3C3

RGB 131 195 195

HSL 180, 0.35%, 0.64%

LAB 74.7, -20.26, -6.51

 

CMYK 36 / 0 / 1 / 31

HEX #72B1B0

RGB 114 177 176

HSL 179.05, 0.29%, 0.57%

LAB 68.14, -20.35, -5.91

 

CMYK 39 / 0 / 1 / 38

HEX #619F9D

RGB 97 159 157

HSL 178.06, 0.24%, 0.5%

LAB 61.46, -20.43, -5.27

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 29 / 9 / 0 / 9

HEX #A5D5E9

RGB 165 213 233

HSL 197.65, 0.61%, 0.78%

LAB 82.63, -10.97, -14.9

 

CMYK 29 / 17 / 0 / 9

HEX #A5C2E9

RGB 165 194 233

HSL 214.41, 0.61%, 0.78%

LAB 77.56, -0.95, -22.56

 

CMYK 29 / 24 / 0 / 9

HEX #A5B0E9

RGB 165 176 233

HSL 230.29, 0.61%, 0.78%

LAB 72.85, 8.89, -29.77

 

CMYK 26 / 29 / 0 / 9

HEX #ACA5E9

RGB 172 165 233

HSL 246.18, 0.61%, 0.78%

LAB 70.57, 17.06, -33.24

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 29 / 9 / 0 / 9

HEX #A5D5E9

RGB 165 213 233

HSL 197.65, 0.61%, 0.78%

LAB 82.63, -10.97, -14.9

 

CMYK 29 / 17 / 0 / 9

HEX #A5C2E9

RGB 165 194 233

HSL 214.41, 0.61%, 0.78%

LAB 77.56, -0.95, -22.56

 

CMYK 29 / 24 / 0 / 9

HEX #A5B0E9

RGB 165 176 233

HSL 230.29, 0.61%, 0.78%

LAB 72.85, 8.89, -29.77

 

CMYK 29 / 29 / 0 / 9

HEX #A5A5E9

RGB 165 165 233

HSL 240, 0.61%, 0.78%

LAB 70.03, 15.03, -34.12

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 36 / 1 / 0 / 5

HEX #9CF0F2

RGB 156 240 242

HSL 181.4, 0.77%, 0.78%

LAB 89.77, -24.84, -9.04

 

CMYK 41 / 1 / 0 / 2

HEX #93F8FB

RGB 147 248 251

HSL 181.73, 0.93%, 0.78%

LAB 91.82, -28.76, -10.72

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 22 / 0 / 0 / 12

HEX #AEDFE0

RGB 174 223 224

HSL 181.2, 0.45%, 0.78%

LAB 85.58, -15.48, -5.68

 

CMYK 15 / 0 / 0 / 16

HEX #B7D6D7

RGB 183 214 215

HSL 181.88, 0.29%, 0.78%

LAB 83.48, -10.01, -3.95

 

CMYK 7 / 0 / 0 / 19

HEX #C0CDCE

RGB 192 205 206

HSL 184.29, 0.13%, 0.78%

LAB 81.47, -4.21, -2.03

 

CMYK 0 / 2 / 2 / 21

HEX #C9C5C5

RGB 201 197 197

HSL 0, 0.04%, 0.78%

LAB 79.83, 1.39, 0.48

 

CMYK 29 / 0 / 15 / 9

HEX #A5E9C6

RGB 165 233 198

HSL 149.12, 0.61%, 0.78%

LAB 87.17, -28.43, 10.25

 

CMYK 29 / 0 / 7 / 9

HEX #A5E9D8

RGB 165 233 216

HSL 165, 0.61%, 0.78%

LAB 87.6, -24.78, 1.43

 

CMYK 29 / 0 / 0 / 9

HEX #A5E8E9

RGB 165 232 233

HSL 180.88, 0.61%, 0.78%

LAB 87.77, -20.58, -7.23

 

CMYK 29 / 8 / 0 / 9

HEX #A5D6E9

RGB 165 214 233

HSL 196.76, 0.61%, 0.78%

LAB 82.9, -11.49, -14.49

 

CMYK 29 / 16 / 0 / 9

HEX #A5C3E9

RGB 165 195 233

HSL 213.53, 0.61%, 0.78%

LAB 77.82, -1.48, -22.16

 

CMYK 55 / 1 / 0 / 15

HEX #62D6D9

RGB 98 214 217

HSL 181.51, 0.61%, 0.62%

LAB 79.44, -31.74, -11.45

 

CMYK 42 / 1 / 0 / 12

HEX #83DEE1

RGB 131 222 225

HSL 181.91, 0.61%, 0.7%

LAB 83.18, -26.39, -10

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 7 / 0 / 0 / 2

HEX #E7F9F9

RGB 231 249 249

HSL 180, 0.6%, 0.94%

LAB 96.65, -5.86, -2.03

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 23 / 29 / 0 / 9

HEX #B4A5E9

RGB 180 165 233

HSL 253.24, 0.61%, 0.78%

LAB 71.21, 19.43, -32.2

 

CMYK 0 / 11 / 29 / 9

HEX #E9CFA5

RGB 233 207 165

HSL 37.06, 0.61%, 0.78%

LAB 84.31, 2.9, 24.23

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 0 / 29 / 0 / 9

HEX #E9A5E8

RGB 233 165 232

HSL 300.88, 0.61%, 0.78%

LAB 76.11, 35.75, -23.72

 

CMYK 0 / 0 / 29 / 9

HEX #E8E9A5

RGB 232 233 165

HSL 60.88, 0.61%, 0.78%

LAB 90.85, -10.73, 33.03

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 23 / 29 / 0 / 9

HEX #B4A5E9

RGB 180 165 233

HSL 253.24, 0.61%, 0.78%

LAB 71.21, 19.43, -32.2

 

CMYK 0 / 29 / 29 / 9

HEX #E9A6A5

RGB 233 166 165

HSL 0.88, 0.61%, 0.78%

LAB 74.39, 24.59, 10.39

 

CMYK 6 / 0 / 29 / 9

HEX #DAE9A5

RGB 218 233 165

HSL 73.24, 0.61%, 0.78%

LAB 89.81, -15.93, 31.47

 

CMYK 29 / 1 / 0 / 9

HEX #A5E7E9

RGB 165 231 233

HSL 181.76, 0.61%, 0.78%

LAB 87.5, -20.09, -7.64

 

CMYK 14 / 29 / 0 / 9

HEX #C8A5E9

RGB 200 165 233

HSL 270.88, 0.61%, 0.78%

LAB 72.94, 25.53, -29.39

 

CMYK 0 / 29 / 29 / 9

HEX #E9A6A5

RGB 233 166 165

HSL 0.88, 0.61%, 0.78%

LAB 74.39, 24.59, 10.39

 

CMYK 15 / 0 / 29 / 9

HEX #C6E9A5

RGB 198 233 165

HSL 90.88, 0.61%, 0.78%

LAB 88.45, -23.16, 29.4

 

Description

Color code: HEX #A5E7E9 | qconv.com Color code: HEX #A5E7E9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 231 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 231 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 1 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 1% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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