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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E6FD it is the complementary color #5A1902. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E6FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E6FD shade: #AAE6F8, #BBF8FF, #CCFFFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E6FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E6FD shade: #A5E6FD, #94D4EA, #83C2D7, #72B0C4 and #619EB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E6FD shade: #A5E6FD, #A5CEFD, #A5B6FD, #ABA5FD and #C2A5FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E6FD shade: #A5E6FD, #A5CEFD, #A5B6FD and #A5A5FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E6FD shade matches the following richer shades: #A5E6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E6FD shade: #A5E6FD, #ACE2F5, #B3DFEE, #BBDBE6 and #C2D7DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E6FD shade: #A5FDE4, #A5FDFB, #A5E7FD, #A5CFFD and #A5B8FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E6FD shade: #54CFFB, #7CDAFC, #A5E6FD, #CDF1FD and #F5FCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E6FD shade: #A5E6FD, #CCA5FD and #FDEFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E6FD shade: #A5E6FD, #FDA5E7 and #E7FDA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E6FD shade: #A5E6FD, #CCA5FD, #FDBBA5 and #D5FDA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E6FD shade: #A5E6FD, #E7A5FD, #FDBBA5 and #BBFDA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

Complementary color

CMYK 0 / 72 / 98 / 65

HEX #5A1902

RGB 90 25 2

HSL 15.68, 0.96%, 0.18%

LAB 19.53, 28.74, 28.37

 

CMYK 31 / 7 / 0 / 3

HEX #AAE6F8

RGB 170 230 248

HSL 193.85, 0.85%, 0.82%

LAB 87.93, -14.76, -14.85

 

CMYK 27 / 3 / 0 / 0

HEX #BBF8FF

RGB 187 248 255

HSL 186.18, 1%, 0.87%

LAB 93.85, -17.46, -9.57

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 37 / 9 / 0 / 8

HEX #94D4EA

RGB 148 212 234

HSL 195.35, 0.67%, 0.75%

LAB 81.47, -14.87, -17.27

 

CMYK 39 / 10 / 0 / 16

HEX #83C2D7

RGB 131 194 215

HSL 195, 0.51%, 0.68%

LAB 75.02, -14.8, -16.87

 

CMYK 42 / 10 / 0 / 23

HEX #72B0C4

RGB 114 176 196

HSL 194.63, 0.41%, 0.61%

LAB 68.47, -14.72, -16.46

 

CMYK 45 / 11 / 0 / 31

HEX #619EB1

RGB 97 158 177

HSL 194.25, 0.34%, 0.54%

LAB 61.8, -14.59, -16.04

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 35 / 19 / 0 / 1

HEX #A5CEFD

RGB 165 206 253

HSL 212.05, 0.96%, 0.82%

LAB 81.42, -2.46, -27.37

 

CMYK 35 / 28 / 0 / 1

HEX #A5B6FD

RGB 165 182 253

HSL 228.41, 0.96%, 0.82%

LAB 75.17, 10.59, -37

 

CMYK 32 / 35 / 0 / 1

HEX #ABA5FD

RGB 171 165 253

HSL 244.09, 0.96%, 0.82%

LAB 71.32, 21.72, -42.96

 

CMYK 23 / 35 / 0 / 1

HEX #C2A5FD

RGB 194 165 253

HSL 259.77, 0.96%, 0.82%

LAB 73.2, 28.17, -39.89

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 35 / 19 / 0 / 1

HEX #A5CEFD

RGB 165 206 253

HSL 212.05, 0.96%, 0.82%

LAB 81.42, -2.46, -27.37

 

CMYK 35 / 28 / 0 / 1

HEX #A5B6FD

RGB 165 182 253

HSL 228.41, 0.96%, 0.82%

LAB 75.17, 10.59, -37

 

CMYK 35 / 35 / 0 / 1

HEX #A5A5FD

RGB 165 165 253

HSL 240, 0.96%, 0.82%

LAB 70.87, 20.1, -43.7

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 30 / 8 / 0 / 4

HEX #ACE2F5

RGB 172 226 245

HSL 195.62, 0.78%, 0.82%

LAB 86.88, -12.88, -14.84

 

CMYK 25 / 6 / 0 / 7

HEX #B3DFEE

RGB 179 223 238

HSL 195.25, 0.63%, 0.82%

LAB 86.27, -10.93, -12.01

 

CMYK 19 / 5 / 0 / 10

HEX #BBDBE6

RGB 187 219 230

HSL 195.35, 0.46%, 0.82%

LAB 85.47, -8.21, -8.92

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 35 / 0 / 10 / 1

HEX #A5FDE4

RGB 165 253 228

HSL 162.95, 0.96%, 0.82%

LAB 93.39, -31.78, 3.6

 

CMYK 35 / 0 / 1 / 1

HEX #A5FDFB

RGB 165 253 251

HSL 178.64, 0.96%, 0.82%

LAB 93.98, -26.72, -7.43

 

CMYK 35 / 9 / 0 / 1

HEX #A5E7FD

RGB 165 231 253

HSL 195, 0.96%, 0.82%

LAB 88.09, -15.43, -17.26

 

CMYK 35 / 18 / 0 / 1

HEX #A5CFFD

RGB 165 207 253

HSL 211.36, 0.96%, 0.82%

LAB 81.68, -2.99, -26.97

 

CMYK 35 / 27 / 0 / 1

HEX #A5B8FD

RGB 165 184 253

HSL 227.05, 0.96%, 0.82%

LAB 75.68, 9.48, -36.21

 

CMYK 67 / 18 / 0 / 2

HEX #54CFFB

RGB 84 207 251

HSL 195.81, 0.95%, 0.66%

LAB 78.15, -20.87, -31.62

 

CMYK 51 / 13 / 0 / 1

HEX #7CDAFC

RGB 124 218 252

HSL 195.94, 0.96%, 0.74%

LAB 82.62, -18.92, -25.19

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 19 / 5 / 0 / 1

HEX #CDF1FD

RGB 205 241 253

HSL 195, 0.92%, 0.9%

LAB 93.01, -9.13, -9.67

 

CMYK 4 / 1 / 0 / 0

HEX #F5FCFE

RGB 245 252 254

HSL 193.33, 0.82%, 0.98%

LAB 98.51, -1.93, -1.77

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 19 / 35 / 0 / 1

HEX #CCA5FD

RGB 204 165 253

HSL 266.59, 0.96%, 0.82%

LAB 74.09, 31.08, -38.44

 

CMYK 0 / 6 / 35 / 1

HEX #FDEFA5

RGB 253 239 165

HSL 50.45, 0.96%, 0.82%

LAB 94.03, -5.8, 37.54

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 0 / 35 / 9 / 1

HEX #FDA5E7

RGB 253 165 231

HSL 315, 0.96%, 0.82%

LAB 78.21, 41.98, -19.79

 

CMYK 9 / 0 / 35 / 1

HEX #E7FDA5

RGB 231 253 165

HSL 75, 0.96%, 0.82%

LAB 95.98, -20.89, 39.79

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 19 / 35 / 0 / 1

HEX #CCA5FD

RGB 204 165 253

HSL 266.59, 0.96%, 0.82%

LAB 74.09, 31.08, -38.44

 

CMYK 0 / 26 / 35 / 1

HEX #FDBBA5

RGB 253 187 165

HSL 15, 0.96%, 0.82%

LAB 81.37, 20.98, 20.48

 

CMYK 16 / 0 / 35 / 1

HEX #D5FDA5

RGB 213 253 165

HSL 87.27, 0.96%, 0.82%

LAB 94.79, -27.38, 38

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FD

RGB 165 230 253

HSL 195.68, 0.96%, 0.82%

LAB 87.82, -14.92, -17.67

 

CMYK 9 / 35 / 0 / 1

HEX #E7A5FD

RGB 231 165 253

HSL 285, 0.96%, 0.82%

LAB 76.67, 39.11, -34.23

 

CMYK 0 / 26 / 35 / 1

HEX #FDBBA5

RGB 253 187 165

HSL 15, 0.96%, 0.82%

LAB 81.37, 20.98, 20.48

 

CMYK 26 / 0 / 35 / 1

HEX #BBFDA5

RGB 187 253 165

HSL 105, 0.96%, 0.82%

LAB 93.25, -36.31, 35.69

 

Description

Color code: HEX #A5E6FD | qconv.com Color code: HEX #A5E6FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 230 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 230 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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