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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E5CE it is the complementary color #5A1A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E5CE shade: #AAE5C9, #BBF7DC, #CCFFEF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E5CE shade: #A5E5CE, #94D3BB, #83C1A8, #72AF95 and #619D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E5CE shade: #A4E4CD, #A4E4BC, #A4E4AA, #AEE4A4 and #C0E4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E5CE shade: #A4E4CD, #A4E4DE, #A4D8E4, #A4C7E4 and #A4B6E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E5CE shade matches the following richer shades: #A4E4CD, #9AEED0 and #91F7D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E5CE shade: #A4E4CD, #ADDBCA, #B7D1C8, #C0C8C5 and #CABEC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E5CE shade: #A4E4AA, #A4E4BB, #A4E4CC, #A4E4DE and #A4D9E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E5CE shade: #64D2AA, #84DBBB, #A4E4CD, #C4EDDE and #E4F7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E5CE shade: #A5E5CE, #A4AEE4 and #E4B3A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E5CE shade: #A5E5CE, #CCA4E4 and #E4CCA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E5CE shade: #A5E5CE, #A4AEE4, #E4A4BB and #E4D9A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E5CE shade: #A5E5CE, #ACA4E4, #E4A4BB and #DCE4A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

Complementary color

CMYK 0 / 71 / 46 / 65

HEX #5A1A31

RGB 90 26 49

HSL 338.44, 0.55%, 0.23%

LAB 20.57, 31.44, 1.08

 

CMYK 26 / 0 / 12 / 10

HEX #AAE5C9

RGB 170 229 201

HSL 151.53, 0.53%, 0.78%

LAB 86.41, -24.4, 7.62

 

CMYK 24 / 0 / 11 / 3

HEX #BBF7DC

RGB 187 247 220

HSL 153, 0.79%, 0.85%

LAB 92.69, -24.21, 6.87

 

CMYK 20 / 0 / 6 / 0

HEX #CCFFEF

RGB 204 255 239

HSL 161.18, 1%, 0.9%

LAB 96.24, -19.22, 2.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

CMYK 30 / 0 / 11 / 17

HEX #94D3BB

RGB 148 211 187

HSL 157.14, 0.42%, 0.7%

LAB 79.88, -25.1, 5.48

 

CMYK 32 / 0 / 13 / 24

HEX #83C1A8

RGB 131 193 168

HSL 155.81, 0.33%, 0.64%

LAB 73.41, -25.32, 6.28

 

CMYK 35 / 0 / 15 / 31

HEX #72AF95

RGB 114 175 149

HSL 154.43, 0.28%, 0.57%

LAB 66.83, -25.55, 7.12

 

CMYK 38 / 0 / 17 / 38

HEX #619D82

RGB 97 157 130

HSL 153, 0.24%, 0.5%

LAB 60.13, -25.8, 8.03

 

CMYK 28 / 0 / 10 / 11

HEX #A4E4CD

RGB 164 228 205

HSL 158.44, 0.54%, 0.77%

LAB 85.9, -24.92, 4.74

 

CMYK 28 / 0 / 18 / 11

HEX #A4E4BC

RGB 164 228 188

HSL 142.5, 0.54%, 0.77%

LAB 85.51, -28.26, 13.11

 

CMYK 28 / 0 / 25 / 11

HEX #A4E4AA

RGB 164 228 170

HSL 125.63, 0.54%, 0.77%

LAB 85.14, -31.49, 21.98

 

CMYK 24 / 0 / 28 / 11

HEX #AEE4A4

RGB 174 228 164

HSL 110.63, 0.54%, 0.77%

LAB 85.59, -29.2, 25.79

 

CMYK 16 / 0 / 28 / 11

HEX #C0E4A4

RGB 192 228 164

HSL 93.75, 0.54%, 0.77%

LAB 86.69, -23, 27.47

 

CMYK 28 / 0 / 10 / 11

HEX #A4E4CD

RGB 164 228 205

HSL 158.44, 0.54%, 0.77%

LAB 85.9, -24.92, 4.74

 

CMYK 28 / 0 / 3 / 11

HEX #A4E4DE

RGB 164 228 222

HSL 174.38, 0.54%, 0.77%

LAB 86.33, -21.33, -3.58

 

CMYK 28 / 5 / 0 / 11

HEX #A4D8E4

RGB 164 216 228

HSL 191.25, 0.54%, 0.77%

LAB 83.23, -13.95, -11.34

 

CMYK 28 / 13 / 0 / 11

HEX #A4C7E4

RGB 164 199 228

HSL 207.19, 0.54%, 0.77%

LAB 78.66, -5.1, -18.21

 

CMYK 28 / 20 / 0 / 11

HEX #A4B6E4

RGB 164 182 228

HSL 223.13, 0.54%, 0.77%

LAB 74.16, 4.07, -25.05

 

CMYK 28 / 0 / 10 / 11

HEX #A4E4CD

RGB 164 228 205

HSL 158.44, 0.54%, 0.77%

LAB 85.9, -24.92, 4.74

 

CMYK 35 / 0 / 13 / 7

HEX #9AEED0

RGB 154 238 208

HSL 158.57, 0.71%, 0.77%

LAB 88.24, -31.95, 6.49

 

CMYK 41 / 0 / 15 / 3

HEX #91F7D2

RGB 145 247 210

HSL 158.24, 0.86%, 0.77%

LAB 90.41, -38.08, 8.51

 

CMYK 28 / 0 / 10 / 11

HEX #A4E4CD

RGB 164 228 205

HSL 158.44, 0.54%, 0.77%

LAB 85.9, -24.92, 4.74

 

CMYK 21 / 0 / 8 / 14

HEX #ADDBCA

RGB 173 219 202

HSL 157.83, 0.39%, 0.77%

LAB 83.87, -18.34, 3.45

 

CMYK 12 / 0 / 4 / 18

HEX #B7D1C8

RGB 183 209 200

HSL 159.23, 0.22%, 0.77%

LAB 81.75, -10.43, 1.51

 

CMYK 4 / 0 / 1 / 22

HEX #C0C8C5

RGB 192 200 197

HSL 157.5, 0.07%, 0.77%

LAB 79.92, -3.3, 0.54

 

CMYK 0 / 6 / 4 / 21

HEX #CABEC2

RGB 202 190 194

HSL 340, 0.1%, 0.77%

LAB 78.04, 4.93, -0.51

 

CMYK 28 / 0 / 25 / 11

HEX #A4E4AA

RGB 164 228 170

HSL 125.63, 0.54%, 0.77%

LAB 85.14, -31.49, 21.98

 

CMYK 28 / 0 / 18 / 11

HEX #A4E4BB

RGB 164 228 187

HSL 141.56, 0.54%, 0.77%

LAB 85.49, -28.45, 13.6

 

CMYK 28 / 0 / 11 / 11

HEX #A4E4CC

RGB 164 228 204

HSL 157.5, 0.54%, 0.77%

LAB 85.88, -25.13, 5.23

 

CMYK 28 / 0 / 3 / 11

HEX #A4E4DE

RGB 164 228 222

HSL 174.38, 0.54%, 0.77%

LAB 86.33, -21.33, -3.58

 

CMYK 28 / 5 / 0 / 11

HEX #A4D9E4

RGB 164 217 228

HSL 190.31, 0.54%, 0.77%

LAB 83.51, -14.46, -10.94

 

CMYK 52 / 0 / 19 / 18

HEX #64D2AA

RGB 100 210 170

HSL 158.18, 0.55%, 0.61%

LAB 77.1, -41.03, 10.31

 

CMYK 40 / 0 / 15 / 14

HEX #84DBBB

RGB 132 219 187

HSL 157.93, 0.55%, 0.69%

LAB 81.38, -33.48, 7.53

 

CMYK 28 / 0 / 10 / 11

HEX #A4E4CD

RGB 164 228 205

HSL 158.44, 0.54%, 0.77%

LAB 85.9, -24.92, 4.74

 

CMYK 17 / 0 / 6 / 7

HEX #C4EDDE

RGB 196 237 222

HSL 158.05, 0.53%, 0.85%

LAB 90.59, -16.14, 2.86

 

CMYK 8 / 0 / 3 / 3

HEX #E4F7F0

RGB 228 247 240

HSL 157.89, 0.54%, 0.93%

LAB 95.71, -7.49, 1.22

 

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

CMYK 28 / 24 / 0 / 11

HEX #A4AEE4

RGB 164 174 228

HSL 230.63, 0.54%, 0.77%

LAB 72.07, 8.48, -28.25

 

CMYK 0 / 21 / 28 / 11

HEX #E4B3A4

RGB 228 179 164

HSL 14.06, 0.54%, 0.77%

LAB 76.93, 15.63, 14.45

 

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

CMYK 11 / 28 / 0 / 11

HEX #CCA4E4

RGB 204 164 228

HSL 277.5, 0.54%, 0.77%

LAB 72.89, 26.29, -26.72

 

CMYK 0 / 11 / 28 / 11

HEX #E4CCA4

RGB 228 204 164

HSL 37.5, 0.54%, 0.77%

LAB 83.1, 2.43, 23.03

 

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

CMYK 28 / 24 / 0 / 11

HEX #A4AEE4

RGB 164 174 228

HSL 230.63, 0.54%, 0.77%

LAB 72.07, 8.48, -28.25

 

CMYK 0 / 28 / 18 / 11

HEX #E4A4BB

RGB 228 164 187

HSL 338.44, 0.54%, 0.77%

LAB 73.95, 26.99, -2.39

 

CMYK 0 / 5 / 28 / 11

HEX #E4D9A4

RGB 228 217 164

HSL 49.69, 0.54%, 0.77%

LAB 86.4, -4.28, 27.52

 

CMYK 28 / 0 / 10 / 10

HEX #A5E5CE

RGB 165 229 206

HSL 158.44, 0.55%, 0.77%

LAB 86.25, -24.91, 4.73

 

CMYK 25 / 28 / 0 / 11

HEX #ACA4E4

RGB 172 164 228

HSL 247.5, 0.54%, 0.77%

LAB 70.12, 16.43, -31.2

 

CMYK 0 / 28 / 18 / 11

HEX #E4A4BB

RGB 228 164 187

HSL 338.44, 0.54%, 0.77%

LAB 73.95, 26.99, -2.39

 

CMYK 4 / 0 / 28 / 11

HEX #DCE4A4

RGB 220 228 164

HSL 67.5, 0.54%, 0.77%

LAB 88.63, -12.84, 30.42

 

Description

Color code: HEX #A5E5CE | qconv.com Color code: HEX #A5E5CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 229 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 229 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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