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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E5AC it is the complementary color #5A1A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E5AC shade: #AAE5A7, #BBF7BA, #CCFFCD, #DDFFE0 and #EEFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E5AC shade: #A5E5AC, #94D399, #83C186, #72AF73 and #619D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E5AC shade: #A4E5AB, #AEE5A4, #C0E5A4, #D1E5A4 and #E3E5A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E5AC shade: #A4E5AB, #A4E5BD, #A4E5CE, #A4E5DF and #A4D8E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E5AC shade matches the following richer shades: #A4E5AB, #9BEEA4 and #91F89C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E5AC shade: #A4E5AB, #AEDBB3, #B7D2BA, #C1C8C1 and #CABFC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E5AC shade: #C0E5A4, #AFE5A4, #A4E5AB, #A4E5BC and #A4E5CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E5AC shade: #64D270, #84DB8E, #A4E5AB, #C4EEC9 and #E4F7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E5AC shade: #A5E5AC, #A4D1E5 and #E5A4B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E5AC shade: #A5E5AC, #ABA4E5 and #E5ABA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E5AC shade: #A5E5AC, #A4D1E5, #E5A4DE and #E5B7A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E5AC shade: #A5E5AC, #A4BEE5, #E5A4DE and #E5CBA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

Complementary color

CMYK 0 / 71 / 8 / 65

HEX #5A1A53

RGB 90 26 83

HSL 306.56, 0.55%, 0.23%

LAB 22.08, 36.57, -19.97

 

CMYK 26 / 0 / 27 / 10

HEX #AAE5A7

RGB 170 229 167

HSL 117.1, 0.54%, 0.78%

LAB 85.69, -30.52, 24.35

 

CMYK 24 / 0 / 25 / 3

HEX #BBF7BA

RGB 187 247 186

HSL 119.02, 0.79%, 0.85%

LAB 91.97, -30.31, 23.36

 

CMYK 20 / 0 / 20 / 0

HEX #CCFFCD

RGB 204 255 205

HSL 121.18, 1%, 0.9%

LAB 95.48, -25.41, 18.69

 

CMYK 13 / 0 / 12 / 0

HEX #DDFFE0

RGB 221 255 224

HSL 125.29, 1%, 0.93%

LAB 96.93, -16.6, 11.16

 

CMYK 7 / 0 / 5 / 0

HEX #EEFFF3

RGB 238 255 243

HSL 137.65, 1%, 0.97%

LAB 98.5, -7.69, 3.81

 

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

CMYK 30 / 0 / 27 / 17

HEX #94D399

RGB 148 211 153

HSL 124.76, 0.42%, 0.7%

LAB 79.15, -31.54, 22.48

 

CMYK 32 / 0 / 31 / 24

HEX #83C186

RGB 131 193 134

HSL 122.9, 0.33%, 0.64%

LAB 72.68, -31.79, 23.56

 

CMYK 35 / 0 / 34 / 31

HEX #72AF73

RGB 114 175 115

HSL 120.98, 0.28%, 0.57%

LAB 66.12, -32.05, 24.7

 

CMYK 38 / 0 / 39 / 38

HEX #619D60

RGB 97 157 96

HSL 119.02, 0.24%, 0.5%

LAB 59.43, -32.29, 25.93

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 24 / 0 / 28 / 10

HEX #AEE5A4

RGB 174 229 164

HSL 110.77, 0.56%, 0.77%

LAB 85.87, -29.67, 26.17

 

CMYK 16 / 0 / 28 / 10

HEX #C0E5A4

RGB 192 229 164

HSL 94.15, 0.56%, 0.77%

LAB 86.96, -23.49, 27.84

 

CMYK 9 / 0 / 28 / 10

HEX #D1E5A4

RGB 209 229 164

HSL 78.46, 0.56%, 0.77%

LAB 88.1, -17.39, 29.57

 

CMYK 1 / 0 / 28 / 10

HEX #E3E5A4

RGB 227 229 164

HSL 61.85, 0.56%, 0.77%

LAB 89.42, -10.73, 31.56

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 28 / 0 / 17 / 10

HEX #A4E5BD

RGB 164 229 189

HSL 143.08, 0.56%, 0.77%

LAB 85.81, -28.55, 13.01

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 28 / 0 / 3 / 10

HEX #A4E5DF

RGB 164 229 223

HSL 174.46, 0.56%, 0.77%

LAB 86.63, -21.6, -3.67

 

CMYK 28 / 6 / 0 / 10

HEX #A4D8E5

RGB 164 216 229

HSL 192, 0.56%, 0.77%

LAB 83.26, -13.72, -11.83

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 35 / 0 / 31 / 7

HEX #9BEEA4

RGB 155 238 164

HSL 126.51, 0.71%, 0.77%

LAB 87.39, -39.88, 28.06

 

CMYK 42 / 0 / 37 / 3

HEX #91F89C

RGB 145 248 156

HSL 126.41, 0.88%, 0.77%

LAB 89.65, -48.45, 35.04

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 21 / 0 / 18 / 14

HEX #AEDBB3

RGB 174 219 179

HSL 126.67, 0.38%, 0.77%

LAB 83.4, -22.34, 14.94

 

CMYK 13 / 0 / 11 / 18

HEX #B7D2BA

RGB 183 210 186

HSL 126.67, 0.23%, 0.77%

LAB 81.68, -13.57, 8.87

 

CMYK 4 / 0 / 4 / 22

HEX #C1C8C1

RGB 193 200 193

HSL 120, 0.06%, 0.77%

LAB 79.9, -3.69, 2.65

 

CMYK 0 / 5 / 0 / 21

HEX #CABFC9

RGB 202 191 201

HSL 305.45, 0.09%, 0.77%

LAB 78.48, 5.66, -3.64

 

CMYK 16 / 0 / 28 / 10

HEX #C0E5A4

RGB 192 229 164

HSL 94.15, 0.56%, 0.77%

LAB 86.96, -23.49, 27.84

 

CMYK 24 / 0 / 28 / 10

HEX #AFE5A4

RGB 175 229 164

HSL 109.85, 0.56%, 0.77%

LAB 85.92, -29.34, 26.26

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 28 / 0 / 18 / 10

HEX #A4E5BC

RGB 164 229 188

HSL 142.15, 0.56%, 0.77%

LAB 85.79, -28.74, 13.5

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CD

RGB 164 229 205

HSL 157.85, 0.56%, 0.77%

LAB 86.18, -25.41, 5.14

 

CMYK 52 / 0 / 47 / 18

HEX #64D270

RGB 100 210 112

HSL 126.55, 0.55%, 0.61%

LAB 76.05, -51.77, 39.03

 

CMYK 40 / 0 / 35 / 14

HEX #84DB8E

RGB 132 219 142

HSL 126.9, 0.55%, 0.69%

LAB 80.47, -41.98, 29.85

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 18 / 0 / 16 / 7

HEX #C4EEC9

RGB 196 238 201

HSL 127.14, 0.55%, 0.85%

LAB 90.37, -20.51, 13.47

 

CMYK 8 / 0 / 7 / 3

HEX #E4F7E6

RGB 228 247 230

HSL 126.32, 0.54%, 0.93%

LAB 95.47, -9.28, 6.03

 

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

CMYK 28 / 9 / 0 / 10

HEX #A4D1E5

RGB 164 209 229

HSL 198.46, 0.56%, 0.77%

LAB 81.37, -10.12, -14.66

 

CMYK 0 / 28 / 20 / 10

HEX #E5A4B7

RGB 229 164 183

HSL 342.46, 0.56%, 0.77%

LAB 73.95, 26.74, -0.18

 

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

CMYK 25 / 28 / 0 / 10

HEX #ABA4E5

RGB 171 164 229

HSL 246.46, 0.56%, 0.77%

LAB 70.08, 16.37, -31.82

 

CMYK 0 / 25 / 28 / 10

HEX #E5ABA4

RGB 229 171 164

HSL 6.46, 0.56%, 0.77%

LAB 75.12, 20.29, 11.91

 

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

CMYK 28 / 9 / 0 / 10

HEX #A4D1E5

RGB 164 209 229

HSL 198.46, 0.56%, 0.77%

LAB 81.37, -10.12, -14.66

 

CMYK 0 / 28 / 3 / 10

HEX #E5A4DE

RGB 229 164 222

HSL 306.46, 0.56%, 0.77%

LAB 75.13, 33.18, -19.8

 

CMYK 0 / 20 / 28 / 10

HEX #E5B7A4

RGB 229 183 164

HSL 17.54, 0.56%, 0.77%

LAB 78, 13.88, 15.96

 

CMYK 28 / 0 / 25 / 10

HEX #A5E5AC

RGB 165 229 172

HSL 126.56, 0.55%, 0.77%

LAB 85.51, -31.3, 21.47

 

CMYK 28 / 17 / 0 / 10

HEX #A4BEE5

RGB 164 190 229

HSL 216, 0.56%, 0.77%

LAB 76.3, -0.04, -22.33

 

CMYK 0 / 28 / 3 / 10

HEX #E5A4DE

RGB 229 164 222

HSL 306.46, 0.56%, 0.77%

LAB 75.13, 33.18, -19.8

 

CMYK 0 / 11 / 28 / 10

HEX #E5CBA4

RGB 229 203 164

HSL 36, 0.56%, 0.77%

LAB 82.94, 3.33, 22.82

 

Description

Color code: HEX #A5E5AC | qconv.com Color code: HEX #A5E5AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 229 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 229 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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