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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E4D6 it is the complementary color #5A1B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E4D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E4D6 shade: #AAE4D1, #BBF6E4, #CCFFF7, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E4D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E4D6 shade: #A5E4D6, #94D2C3, #83C0B0, #72AE9D and #619C8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E4D6 shade: #A5E4D6, #A5E4C5, #A5E4B4, #A7E4A5 and #B8E4A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E4D6 shade: #A5E4D6, #A5E1E4, #A5D0E4, #A5BFE4 and #A5AEE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E4D6 shade matches the following richer shades: #A5E4D6, #9BEEDB and #92F7E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E4D6 shade: #A5E4D6, #AEDBD1, #B8D1CB, #C1C8C6 and #CBBEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E4D6 shade: #A5E4B3, #A5E4C4, #A5E4D5, #A5E2E4 and #A5D1E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E4D6 shade: #65D1B9, #85DBC8, #A5E4D6, #C4EEE4 and #E4F7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E4D6 shade: #A5E4D6, #A5A7E4 and #E4BCA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E4D6 shade: #A5E4D6, #D5A5E4 and #E4D5A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E4D6 shade: #A5E4D6, #A5A7E4, #E4A5B3 and #E4E2A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E4D6 shade: #A5E4D6, #B6A5E4, #E4A5B3 and #D3E4A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

Complementary color

CMYK 0 / 70 / 54 / 65

HEX #5A1B29

RGB 90 27 41

HSL 346.67, 0.54%, 0.23%

LAB 20.51, 30.09, 6.59

 

CMYK 25 / 0 / 8 / 11

HEX #AAE4D1

RGB 170 228 209

HSL 160.34, 0.52%, 0.78%

LAB 86.32, -22.31, 3.29

 

CMYK 24 / 0 / 7 / 4

HEX #BBF6E4

RGB 187 246 228

HSL 161.69, 0.77%, 0.85%

LAB 92.61, -22.15, 2.61

 

CMYK 20 / 0 / 3 / 0

HEX #CCFFF7

RGB 204 255 247

HSL 170.59, 1%, 0.9%

LAB 96.44, -17.64, -1.51

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 30 / 0 / 7 / 18

HEX #94D2C3

RGB 148 210 195

HSL 165.48, 0.41%, 0.7%

LAB 79.8, -22.92, 1.09

 

CMYK 32 / 0 / 8 / 25

HEX #83C0B0

RGB 131 192 176

HSL 164.26, 0.33%, 0.63%

LAB 73.32, -23.1, 1.8

 

CMYK 34 / 0 / 10 / 32

HEX #72AE9D

RGB 114 174 157

HSL 163, 0.27%, 0.56%

LAB 66.74, -23.29, 2.56

 

CMYK 38 / 0 / 12 / 39

HEX #619C8A

RGB 97 156 138

HSL 161.69, 0.23%, 0.5%

LAB 60.03, -23.5, 3.37

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 28 / 0 / 14 / 11

HEX #A5E4C5

RGB 165 228 197

HSL 150.48, 0.54%, 0.77%

LAB 85.76, -26.22, 8.76

 

CMYK 28 / 0 / 21 / 11

HEX #A5E4B4

RGB 165 228 180

HSL 134.29, 0.54%, 0.77%

LAB 85.39, -29.42, 17.14

 

CMYK 27 / 0 / 28 / 11

HEX #A7E4A5

RGB 167 228 165

HSL 118.1, 0.54%, 0.77%

LAB 85.21, -31.36, 24.69

 

CMYK 19 / 0 / 28 / 11

HEX #B8E4A5

RGB 184 228 165

HSL 101.9, 0.54%, 0.77%

LAB 86.2, -25.64, 26.21

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 28 / 1 / 0 / 11

HEX #A5E1E4

RGB 165 225 228

HSL 182.86, 0.54%, 0.77%

LAB 85.73, -18.22, -7.62

 

CMYK 28 / 9 / 0 / 11

HEX #A5D0E4

RGB 165 208 228

HSL 199.05, 0.54%, 0.77%

LAB 81.13, -9.54, -14.48

 

CMYK 28 / 16 / 0 / 11

HEX #A5BFE4

RGB 165 191 228

HSL 215.24, 0.54%, 0.77%

LAB 76.6, -0.53, -21.33

 

CMYK 28 / 24 / 0 / 11

HEX #A5AEE4

RGB 165 174 228

HSL 231.43, 0.54%, 0.77%

LAB 72.14, 8.78, -28.13

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 35 / 0 / 8 / 7

HEX #9BEEDB

RGB 155 238 219

HSL 166.27, 0.71%, 0.77%

LAB 88.56, -29.34, 1.2

 

CMYK 41 / 0 / 9 / 3

HEX #92F7E0

RGB 146 247 224

HSL 166.34, 0.86%, 0.77%

LAB 90.79, -34.8, 1.79

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 21 / 0 / 5 / 14

HEX #AEDBD1

RGB 174 219 209

HSL 166.67, 0.38%, 0.77%

LAB 84.1, -16.61, 0.09

 

CMYK 12 / 0 / 3 / 18

HEX #B8D1CB

RGB 184 209 203

HSL 165.6, 0.21%, 0.77%

LAB 81.89, -9.52, 0.13

 

CMYK 4 / 0 / 1 / 22

HEX #C1C8C6

RGB 193 200 198

HSL 162.86, 0.06%, 0.77%

LAB 80.02, -2.77, 0.15

 

CMYK 0 / 6 / 5 / 20

HEX #CBBEC1

RGB 203 190 193

HSL 346.15, 0.11%, 0.77%

LAB 78.1, 5.1, 0.13

 

CMYK 28 / 0 / 21 / 11

HEX #A5E4B3

RGB 165 228 179

HSL 133.33, 0.54%, 0.77%

LAB 85.37, -29.6, 17.63

 

CMYK 28 / 0 / 14 / 11

HEX #A5E4C4

RGB 165 228 196

HSL 149.52, 0.54%, 0.77%

LAB 85.74, -26.42, 9.25

 

CMYK 28 / 0 / 7 / 11

HEX #A5E4D5

RGB 165 228 213

HSL 165.71, 0.54%, 0.77%

LAB 86.15, -22.97, 0.9

 

CMYK 28 / 1 / 0 / 11

HEX #A5E2E4

RGB 165 226 228

HSL 181.9, 0.54%, 0.77%

LAB 86, -18.72, -7.22

 

CMYK 28 / 8 / 0 / 11

HEX #A5D1E4

RGB 165 209 228

HSL 198.1, 0.54%, 0.77%

LAB 81.4, -10.06, -14.08

 

CMYK 52 / 0 / 11 / 18

HEX #65D1B9

RGB 101 209 185

HSL 166.67, 0.54%, 0.61%

LAB 77.2, -36.91, 2.42

 

CMYK 39 / 0 / 9 / 14

HEX #85DBC8

RGB 133 219 200

HSL 166.74, 0.54%, 0.69%

LAB 81.74, -30.36, 1.16

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 18 / 0 / 4 / 7

HEX #C4EEE4

RGB 196 238 228

HSL 165.71, 0.55%, 0.85%

LAB 91, -15.47, 0.33

 

CMYK 8 / 0 / 2 / 3

HEX #E4F7F3

RGB 228 247 243

HSL 167.37, 0.54%, 0.93%

LAB 95.78, -6.94, -0.22

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 28 / 27 / 0 / 11

HEX #A5A7E4

RGB 165 167 228

HSL 238.1, 0.54%, 0.77%

LAB 70.34, 12.68, -30.91

 

CMYK 0 / 18 / 28 / 11

HEX #E4BCA5

RGB 228 188 165

HSL 21.9, 0.54%, 0.77%

LAB 79.14, 10.98, 17.02

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 7 / 28 / 0 / 11

HEX #D5A5E4

RGB 213 165 228

HSL 285.71, 0.54%, 0.77%

LAB 73.97, 28.6, -24.98

 

CMYK 0 / 7 / 28 / 11

HEX #E4D5A5

RGB 228 213 165

HSL 45.71, 0.54%, 0.77%

LAB 85.4, -2.1, 25.64

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 28 / 27 / 0 / 11

HEX #A5A7E4

RGB 165 167 228

HSL 238.1, 0.54%, 0.77%

LAB 70.34, 12.68, -30.91

 

CMYK 0 / 28 / 21 / 11

HEX #E4A5B3

RGB 228 165 179

HSL 346.67, 0.54%, 0.77%

LAB 73.97, 25.25, 2.04

 

CMYK 0 / 1 / 28 / 11

HEX #E4E2A5

RGB 228 226 165

HSL 58.1, 0.54%, 0.77%

LAB 88.73, -8.72, 30.15

 

CMYK 28 / 0 / 6 / 11

HEX #A5E4D6

RGB 165 228 214

HSL 166.67, 0.54%, 0.77%

LAB 86.18, -22.76, 0.41

 

CMYK 20 / 28 / 0 / 11

HEX #B6A5E4

RGB 182 165 228

HSL 256.19, 0.54%, 0.77%

LAB 71.18, 18.89, -29.5

 

CMYK 0 / 28 / 21 / 11

HEX #E4A5B3

RGB 228 165 179

HSL 346.67, 0.54%, 0.77%

LAB 73.97, 25.25, 2.04

 

CMYK 7 / 0 / 28 / 11

HEX #D3E4A5

RGB 211 228 165

HSL 76.19, 0.54%, 0.77%

LAB 87.99, -16.02, 28.94

 

Description

Color code: HEX #A5E4D6 | qconv.com Color code: HEX #A5E4D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 228 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 228 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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