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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E3DF it is the complementary color #5A1C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E3DF shade: #AAE3DA, #BBF5ED, #CCFFFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E3DF shade: #A5E3DF, #94D1CC, #83BFB9, #72ADA6 and #619B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E3DF shade: #A5E3DF, #A5E3CE, #A5E3BD, #A5E3AD and #AEE3A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E3DF shade: #A5E3DF, #A5D6E3, #A5C5E3, #A5B5E3 and #A5A5E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E3DF shade matches the following richer shades: #A5E3DF, #9BECE7 and #92F6EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E3DF shade: #A5E3DF, #AED9D7, #B8D0CE, #C1C6C6 and #CBBDBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E3DF shade: #A5E3BE, #A5E3CE, #A5E3DF, #A5D7E3 and #A5C6E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E3DF shade: #66D0C9, #85D9D4, #A5E3DF, #C4EDEA and #E4F6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E3DF shade: #A5E3DF, #ADA5E3 and #E3C6A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E3DF shade: #A5E3DF, #DFA5E3 and #E3DFA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E3DF shade: #A5E3DF, #ADA5E3, #E3A5A9 and #DBE3A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E3DF shade: #A5E3DF, #C0A5E3, #E3A5A9 and #C8E3A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

Complementary color

CMYK 0 / 69 / 64 / 65

HEX #5A1C20

RGB 90 28 32

HSL 356.13, 0.53%, 0.23%

LAB 20.47, 28.78, 12.81

 

CMYK 25 / 0 / 4 / 11

HEX #AAE3DA

RGB 170 227 218

HSL 170.53, 0.5%, 0.78%

LAB 86.28, -19.95, -1.51

 

CMYK 24 / 0 / 3 / 4

HEX #BBF5ED

RGB 187 245 237

HSL 171.72, 0.74%, 0.85%

LAB 92.57, -19.83, -2.12

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 29 / 0 / 2 / 18

HEX #94D1CC

RGB 148 209 204

HSL 175.08, 0.4%, 0.7%

LAB 79.76, -20.44, -3.79

 

CMYK 31 / 0 / 3 / 25

HEX #83BFB9

RGB 131 191 185

HSL 174, 0.32%, 0.63%

LAB 73.28, -20.57, -3.16

 

CMYK 34 / 0 / 4 / 32

HEX #72ADA6

RGB 114 173 166

HSL 172.88, 0.26%, 0.56%

LAB 66.69, -20.71, -2.51

 

CMYK 37 / 0 / 5 / 39

HEX #619B93

RGB 97 155 147

HSL 171.72, 0.23%, 0.49%

LAB 59.97, -20.85, -1.81

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 27 / 0 / 9 / 11

HEX #A5E3CE

RGB 165 227 206

HSL 159.68, 0.53%, 0.77%

LAB 85.7, -23.93, 3.94

 

CMYK 27 / 0 / 17 / 11

HEX #A5E3BD

RGB 165 227 189

HSL 143.23, 0.53%, 0.77%

LAB 85.31, -27.28, 12.31

 

CMYK 27 / 0 / 24 / 11

HEX #A5E3AD

RGB 165 227 173

HSL 127.74, 0.53%, 0.77%

LAB 84.97, -30.18, 20.2

 

CMYK 23 / 0 / 27 / 11

HEX #AEE3A5

RGB 174 227 165

HSL 111.29, 0.53%, 0.77%

LAB 85.33, -28.57, 24.92

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 27 / 6 / 0 / 11

HEX #A5D6E3

RGB 165 214 227

HSL 192.58, 0.53%, 0.77%

LAB 82.72, -12.87, -11.57

 

CMYK 27 / 13 / 0 / 11

HEX #A5C5E3

RGB 165 197 227

HSL 209.03, 0.53%, 0.77%

LAB 78.16, -3.98, -18.43

 

CMYK 27 / 20 / 0 / 11

HEX #A5B5E3

RGB 165 181 227

HSL 224.52, 0.53%, 0.77%

LAB 73.93, 4.67, -24.85

 

CMYK 27 / 27 / 0 / 11

HEX #A5A5E3

RGB 165 165 227

HSL 240, 0.53%, 0.77%

LAB 69.79, 13.56, -31.21

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 34 / 0 / 2 / 7

HEX #9BECE7

RGB 155 236 231

HSL 176.3, 0.68%, 0.77%

LAB 88.32, -25.7, -5.43

 

CMYK 41 / 0 / 3 / 4

HEX #92F6EF

RGB 146 246 239

HSL 175.8, 0.85%, 0.77%

LAB 90.9, -30.91, -5.85

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 20 / 0 / 1 / 15

HEX #AED9D7

RGB 174 217 215

HSL 177.21, 0.36%, 0.77%

LAB 83.72, -14.35, -3.65

 

CMYK 12 / 0 / 1 / 18

HEX #B8D0CE

RGB 184 208 206

HSL 175, 0.2%, 0.77%

LAB 81.71, -8.41, -1.74

 

CMYK 3 / 0 / 0 / 22

HEX #C1C6C6

RGB 193 198 198

HSL 180, 0.04%, 0.77%

LAB 79.5, -1.71, -0.61

 

CMYK 0 / 7 / 6 / 20

HEX #CBBDBE

RGB 203 189 190

HSL 355.71, 0.12%, 0.77%

LAB 77.76, 5.11, 1.26

 

CMYK 27 / 0 / 16 / 11

HEX #A5E3BE

RGB 165 227 190

HSL 144.19, 0.53%, 0.77%

LAB 85.33, -27.09, 11.81

 

CMYK 27 / 0 / 9 / 11

HEX #A5E3CE

RGB 165 227 206

HSL 159.68, 0.53%, 0.77%

LAB 85.7, -23.93, 3.94

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 27 / 5 / 0 / 11

HEX #A5D7E3

RGB 165 215 227

HSL 191.61, 0.53%, 0.77%

LAB 82.99, -13.38, -11.17

 

CMYK 27 / 13 / 0 / 11

HEX #A5C6E3

RGB 165 198 227

HSL 208.06, 0.53%, 0.77%

LAB 78.42, -4.51, -18.03

 

CMYK 51 / 0 / 3 / 18

HEX #66D0C9

RGB 102 208 201

HSL 176.04, 0.53%, 0.61%

LAB 77.37, -32.27, -5.93

 

CMYK 39 / 0 / 2 / 15

HEX #85D9D4

RGB 133 217 212

HSL 176.43, 0.53%, 0.69%

LAB 81.49, -26.61, -5.59

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 17 / 0 / 1 / 7

HEX #C4EDEA

RGB 196 237 234

HSL 175.61, 0.53%, 0.85%

LAB 90.89, -13.77, -2.96

 

CMYK 7 / 0 / 0 / 4

HEX #E4F6F5

RGB 228 246 245

HSL 176.67, 0.5%, 0.93%

LAB 95.58, -6.06, -1.55

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 24 / 27 / 0 / 11

HEX #ADA5E3

RGB 173 165 227

HSL 247.74, 0.53%, 0.77%

LAB 70.41, 15.93, -30.2

 

CMYK 0 / 13 / 27 / 11

HEX #E3C6A5

RGB 227 198 165

HSL 31.94, 0.53%, 0.77%

LAB 81.53, 5.32, 20.32

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 2 / 27 / 0 / 11

HEX #DFA5E3

RGB 223 165 227

HSL 296.13, 0.53%, 0.77%

LAB 74.92, 31.61, -22.9

 

CMYK 0 / 2 / 27 / 11

HEX #E3DFA5

RGB 227 223 165

HSL 56.13, 0.53%, 0.77%

LAB 87.88, -7.58, 28.99

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 24 / 27 / 0 / 11

HEX #ADA5E3

RGB 173 165 227

HSL 247.74, 0.53%, 0.77%

LAB 70.41, 15.93, -30.2

 

CMYK 0 / 27 / 26 / 11

HEX #E3A5A9

RGB 227 165 169

HSL 356.13, 0.53%, 0.77%

LAB 73.61, 23.44, 7

 

CMYK 4 / 0 / 27 / 11

HEX #DBE3A5

RGB 219 227 165

HSL 67.74, 0.53%, 0.77%

LAB 88.31, -12.58, 29.47

 

CMYK 27 / 0 / 2 / 11

HEX #A5E3DF

RGB 165 227 223

HSL 176.13, 0.53%, 0.77%

LAB 86.14, -20.33, -4.38

 

CMYK 15 / 27 / 0 / 11

HEX #C0A5E3

RGB 192 165 227

HSL 266.13, 0.53%, 0.77%

LAB 72, 21.76, -27.62

 

CMYK 0 / 27 / 26 / 11

HEX #E3A5A9

RGB 227 165 169

HSL 356.13, 0.53%, 0.77%

LAB 73.61, 23.44, 7

 

CMYK 12 / 0 / 27 / 11

HEX #C8E3A5

RGB 200 227 165

HSL 86.13, 0.53%, 0.77%

LAB 86.96, -19.52, 27.42

 

Description

Color code: HEX #A5E3DF | qconv.com Color code: HEX #A5E3DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 227 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 227 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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