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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E2D8 it is the complementary color #5A1D27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E2D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E2D8 shade: #AAE2D3, #BBF4E6, #CCFFF9, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E2D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E2D8 shade: #A5E2D8, #94D0C5, #83BEB2, #72AC9F and #619A8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E2D8 shade: #A6E2D8, #A6E2C8, #A6E2B8, #A6E2A8 and #B4E2A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E2D8 shade: #A6E2D8, #A6DBE2, #A6CBE2, #A6BBE2 and #A6ABE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E2D8 shade matches the following richer shades: #A6E2D8, #9CEBDE, #93F5E5 and #89FEEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E2D8 shade: #A6E2D8, #AFD8D2, #B9CFCB, #C2C5C5 and #CCBCBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E2D8 shade: #A6E2B8, #A6E2C8, #A6E2D8, #A6DCE2 and #A6CCE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E2D8 shade: #68CEBD, #87D8CA, #A6E2D8, #C5ECE6 and #E4F6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E2D8 shade: #A5E2D8, #A8A6E2 and #E2C0A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E2D8 shade: #A5E2D8, #D8A6E2 and #E2D8A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E2D8 shade: #A5E2D8, #A8A6E2, #E2A6B0 and #E0E2A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E2D8 shade: #A5E2D8, #BAA6E2, #E2A6B0 and #CEE2A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

Complementary color

CMYK 0 / 68 / 57 / 65

HEX #5A1D27

RGB 90 29 39

HSL 350.16, 0.51%, 0.23%

LAB 20.82, 28.9, 8.43

 

CMYK 25 / 0 / 7 / 11

HEX #AAE2D3

RGB 170 226 211

HSL 163.93, 0.49%, 0.78%

LAB 85.83, -20.91, 1.52

 

CMYK 23 / 0 / 6 / 4

HEX #BBF4E6

RGB 187 244 230

HSL 165.26, 0.72%, 0.85%

LAB 92.12, -20.78, 0.86

 

CMYK 20 / 0 / 2 / 0

HEX #CCFFF9

RGB 204 255 249

HSL 172.94, 1%, 0.9%

LAB 96.49, -17.24, -2.46

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

CMYK 29 / 0 / 5 / 18

HEX #94D0C5

RGB 148 208 197

HSL 169, 0.39%, 0.7%

LAB 79.29, -21.49, -0.72

 

CMYK 31 / 0 / 6 / 25

HEX #83BEB2

RGB 131 190 178

HSL 167.8, 0.31%, 0.63%

LAB 72.8, -21.65, -0.04

 

CMYK 34 / 0 / 8 / 33

HEX #72AC9F

RGB 114 172 159

HSL 166.55, 0.26%, 0.56%

LAB 66.2, -21.83, 0.67

 

CMYK 37 / 0 / 9 / 40

HEX #619A8C

RGB 97 154 140

HSL 165.26, 0.23%, 0.49%

LAB 59.48, -22.01, 1.44

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 27 / 0 / 12 / 11

HEX #A6E2C8

RGB 166 226 200

HSL 154, 0.51%, 0.77%

LAB 85.34, -24.36, 6.58

 

CMYK 27 / 0 / 19 / 11

HEX #A6E2B8

RGB 166 226 184

HSL 138, 0.51%, 0.77%

LAB 84.98, -27.42, 14.47

 

CMYK 27 / 0 / 26 / 11

HEX #A6E2A8

RGB 166 226 168

HSL 122, 0.51%, 0.77%

LAB 84.65, -30.24, 22.37

 

CMYK 20 / 0 / 27 / 11

HEX #B4E2A6

RGB 180 226 166

HSL 106, 0.51%, 0.77%

LAB 85.43, -25.9, 24.6

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 27 / 3 / 0 / 11

HEX #A6DBE2

RGB 166 219 226

HSL 187, 0.51%, 0.77%

LAB 84.1, -15.36, -8.98

 

CMYK 27 / 10 / 0 / 11

HEX #A6CBE2

RGB 166 203 226

HSL 203, 0.51%, 0.77%

LAB 79.79, -7.09, -15.42

 

CMYK 27 / 17 / 0 / 11

HEX #A6BBE2

RGB 166 187 226

HSL 219, 0.51%, 0.77%

LAB 75.54, 1.46, -21.85

 

CMYK 27 / 24 / 0 / 11

HEX #A6ABE2

RGB 166 171 226

HSL 235, 0.51%, 0.77%

LAB 71.37, 10.25, -28.23

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 34 / 0 / 6 / 8

HEX #9CEBDE

RGB 156 235 222

HSL 170.13, 0.66%, 0.77%

LAB 87.85, -26.97, -1.4

 

CMYK 40 / 0 / 7 / 4

HEX #93F5E5

RGB 147 245 229

HSL 170.2, 0.83%, 0.77%

LAB 90.4, -32.5, -1.37

 

CMYK 46 / 0 / 7 / 0

HEX #89FEEB

RGB 137 254 235

HSL 170.26, 0.98%, 0.77%

LAB 92.66, -37.67, -1.22

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 19 / 0 / 3 / 15

HEX #AFD8D2

RGB 175 216 210

HSL 171.22, 0.34%, 0.77%

LAB 83.38, -14.58, -1.49

 

CMYK 11 / 0 / 2 / 19

HEX #B9CFCB

RGB 185 207 203

HSL 169.09, 0.19%, 0.77%

LAB 81.43, -8.15, -0.54

 

CMYK 2 / 0 / 0 / 23

HEX #C2C5C5

RGB 194 197 197

HSL 180, 0.03%, 0.77%

LAB 79.29, -1.03, -0.37

 

CMYK 0 / 8 / 7 / 20

HEX #CCBCBE

RGB 204 188 190

HSL 352.5, 0.14%, 0.77%

LAB 77.59, 6, 1.03

 

CMYK 27 / 0 / 19 / 11

HEX #A6E2B8

RGB 166 226 184

HSL 138, 0.51%, 0.77%

LAB 84.98, -27.42, 14.47

 

CMYK 27 / 0 / 12 / 11

HEX #A6E2C8

RGB 166 226 200

HSL 154, 0.51%, 0.77%

LAB 85.34, -24.36, 6.58

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 27 / 3 / 0 / 11

HEX #A6DCE2

RGB 166 220 226

HSL 186, 0.51%, 0.77%

LAB 84.37, -15.87, -8.58

 

CMYK 27 / 10 / 0 / 11

HEX #A6CCE2

RGB 166 204 226

HSL 202, 0.51%, 0.77%

LAB 80.06, -7.62, -15.02

 

CMYK 50 / 0 / 8 / 19

HEX #68CEBD

RGB 104 206 189

HSL 170, 0.51%, 0.61%

LAB 76.53, -33.88, -0.69

 

CMYK 38 / 0 / 6 / 15

HEX #87D8CA

RGB 135 216 202

HSL 169.63, 0.51%, 0.69%

LAB 81.03, -27.94, -0.93

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2D8

RGB 166 226 216

HSL 170, 0.51%, 0.77%

LAB 85.73, -21.06, -1.28

 

CMYK 17 / 0 / 3 / 7

HEX #C5ECE6

RGB 197 236 230

HSL 170.77, 0.51%, 0.85%

LAB 90.59, -13.76, -1.31

 

CMYK 7 / 0 / 1 / 4

HEX #E4F6F3

RGB 228 246 243

HSL 170, 0.5%, 0.93%

LAB 95.53, -6.43, -0.6

 

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

CMYK 26 / 27 / 0 / 11

HEX #A8A6E2

RGB 168 166 226

HSL 242, 0.51%, 0.77%

LAB 70.24, 13.64, -29.95

 

CMYK 0 / 15 / 27 / 11

HEX #E2C0A6

RGB 226 192 166

HSL 26, 0.51%, 0.77%

LAB 79.97, 8.24, 17.6

 

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

CMYK 4 / 27 / 0 / 11

HEX #D8A6E2

RGB 216 166 226

HSL 290, 0.51%, 0.77%

LAB 74.42, 28.63, -23.18

 

CMYK 0 / 4 / 27 / 11

HEX #E2D8A6

RGB 226 216 166

HSL 50, 0.51%, 0.77%

LAB 86.02, -4.26, 25.94

 

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

CMYK 26 / 27 / 0 / 11

HEX #A8A6E2

RGB 168 166 226

HSL 242, 0.51%, 0.77%

LAB 70.24, 13.64, -29.95

 

CMYK 0 / 27 / 22 / 11

HEX #E2A6B0

RGB 226 166 176

HSL 350, 0.51%, 0.77%

LAB 73.92, 23.54, 3.58

 

CMYK 1 / 0 / 27 / 11

HEX #E0E2A6

RGB 224 226 166

HSL 62, 0.51%, 0.77%

LAB 88.44, -10.08, 29.2

 

CMYK 27 / 0 / 4 / 11

HEX #A5E2D8

RGB 165 226 216

HSL 170.16, 0.51%, 0.77%

LAB 85.68, -21.35, -1.37

 

CMYK 18 / 27 / 0 / 11

HEX #BAA6E2

RGB 186 166 226

HSL 260, 0.51%, 0.77%

LAB 71.69, 19.12, -27.59

 

CMYK 0 / 27 / 22 / 11

HEX #E2A6B0

RGB 226 166 176

HSL 350, 0.51%, 0.77%

LAB 73.92, 23.54, 3.58

 

CMYK 9 / 0 / 27 / 11

HEX #CEE2A6

RGB 206 226 166

HSL 80, 0.51%, 0.77%

LAB 87.13, -16.72, 27.19

 

Description

Color code: HEX #A5E2D8 | qconv.com Color code: HEX #A5E2D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 226 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 226 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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