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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E2B4 it is the complementary color #5A1D4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E2B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E2B4 shade: #AAE2AF, #BBF4C2, #CCFFD5, #DDFFE8 and #EEFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E2B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E2B4 shade: #A5E2B4, #94D0A1, #83BE8E, #72AC7B and #619A68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E2B4 shade: #A6E2B5, #A7E2A6, #B7E2A6, #C8E2A6 and #D8E2A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E2B4 shade: #A6E2B5, #A6E2C5, #A6E2D5, #A6DEE2 and #A6CEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E2B4 shade matches the following richer shades: #A6E2B5, #9CEBB0, #93F5AB and #89FEA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E2B4 shade: #A6E2B5, #AFD8B9, #B9CFBE, #C2C5C3 and #CCBCC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E2B4 shade: #B8E2A6, #A8E2A6, #A6E2B4, #A6E2C4 and #A6E2D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E2B4 shade: #68CE81, #87D89B, #A6E2B5, #C5ECCF and #E4F6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E2B4 shade: #A5E2B4, #A6C8E2 and #E2A6B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E2B4 shade: #A5E2B4, #B4A6E2 and #E2B4A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E2B4 shade: #A5E2B4, #A6C8E2, #E2A6D4 and #E2C0A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E2B4 shade: #A5E2B4, #A6B6E2, #E2A6D4 and #E2D2A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

Complementary color

CMYK 0 / 68 / 17 / 65

HEX #5A1D4B

RGB 90 29 75

HSL 314.75, 0.51%, 0.23%

LAB 22.16, 33.77, -14.44

 

CMYK 25 / 0 / 23 / 11

HEX #AAE2AF

RGB 170 226 175

HSL 125.36, 0.49%, 0.78%

LAB 85.01, -27.75, 19.26

 

CMYK 23 / 0 / 20 / 4

HEX #BBF4C2

RGB 187 244 194

HSL 127.37, 0.72%, 0.85%

LAB 91.31, -27.55, 18.34

 

CMYK 20 / 0 / 16 / 0

HEX #CCFFD5

RGB 204 255 213

HSL 130.59, 1%, 0.9%

LAB 95.65, -24.03, 14.83

 

CMYK 13 / 0 / 9 / 0

HEX #DDFFE8

RGB 221 255 232

HSL 139.41, 1%, 0.93%

LAB 97.11, -15.19, 7.31

 

CMYK 7 / 0 / 2 / 0

HEX #EEFFFB

RGB 238 255 251

HSL 165.88, 1%, 0.97%

LAB 98.69, -6.25, -0.01

 

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

CMYK 29 / 0 / 23 / 18

HEX #94D0A1

RGB 148 208 161

HSL 133, 0.39%, 0.7%

LAB 78.45, -28.71, 17.3

 

CMYK 31 / 0 / 25 / 25

HEX #83BE8E

RGB 131 190 142

HSL 131.19, 0.31%, 0.63%

LAB 71.96, -28.96, 18.29

 

CMYK 34 / 0 / 28 / 33

HEX #72AC7B

RGB 114 172 123

HSL 129.31, 0.26%, 0.56%

LAB 65.37, -29.23, 19.36

 

CMYK 37 / 0 / 32 / 40

HEX #619A68

RGB 97 154 104

HSL 127.37, 0.23%, 0.49%

LAB 58.65, -29.5, 20.51

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B5

RGB 166 226 181

HSL 135, 0.51%, 0.77%

LAB 84.91, -27.97, 15.95

 

CMYK 26 / 0 / 27 / 11

HEX #A7E2A6

RGB 167 226 166

HSL 119, 0.51%, 0.77%

LAB 84.67, -30.25, 23.44

 

CMYK 19 / 0 / 27 / 11

HEX #B7E2A6

RGB 183 226 166

HSL 103, 0.51%, 0.77%

LAB 85.61, -24.87, 24.88

 

CMYK 12 / 0 / 27 / 11

HEX #C8E2A6

RGB 200 226 166

HSL 86, 0.51%, 0.77%

LAB 86.71, -18.88, 26.56

 

CMYK 4 / 0 / 27 / 11

HEX #D8E2A6

RGB 216 226 166

HSL 70, 0.51%, 0.77%

LAB 87.85, -13.05, 28.29

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B5

RGB 166 226 181

HSL 135, 0.51%, 0.77%

LAB 84.91, -27.97, 15.95

 

CMYK 27 / 0 / 13 / 11

HEX #A6E2C5

RGB 166 226 197

HSL 151, 0.51%, 0.77%

LAB 85.27, -24.95, 8.05

 

CMYK 27 / 0 / 6 / 11

HEX #A6E2D5

RGB 166 226 213

HSL 167, 0.51%, 0.77%

LAB 85.66, -21.69, 0.19

 

CMYK 27 / 2 / 0 / 11

HEX #A6DEE2

RGB 166 222 226

HSL 184, 0.51%, 0.77%

LAB 84.92, -16.88, -7.77

 

CMYK 27 / 9 / 0 / 11

HEX #A6CEE2

RGB 166 206 226

HSL 200, 0.51%, 0.77%

LAB 80.59, -8.67, -14.21

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B5

RGB 166 226 181

HSL 135, 0.51%, 0.77%

LAB 84.91, -27.97, 15.95

 

CMYK 34 / 0 / 25 / 8

HEX #9CEBB0

RGB 156 235 176

HSL 135.19, 0.66%, 0.77%

LAB 86.81, -36.17, 21.12

 

CMYK 40 / 0 / 30 / 4

HEX #93F5AB

RGB 147 245 171

HSL 134.69, 0.83%, 0.77%

LAB 89.13, -44.13, 26.81

 

CMYK 46 / 0 / 35 / 0

HEX #89FEA6

RGB 137 254 166

HSL 134.87, 0.98%, 0.77%

LAB 91.21, -51.52, 32.07

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B5

RGB 166 226 181

HSL 135, 0.51%, 0.77%

LAB 84.91, -27.97, 15.95

 

CMYK 19 / 0 / 14 / 15

HEX #AFD8B9

RGB 175 216 185

HSL 134.63, 0.34%, 0.77%

LAB 82.77, -19.45, 10.89

 

CMYK 11 / 0 / 8 / 19

HEX #B9CFBE

RGB 185 207 190

HSL 133.64, 0.19%, 0.77%

LAB 81.1, -10.62, 5.93

 

CMYK 2 / 0 / 1 / 23

HEX #C2C5C3

RGB 194 197 195

HSL 140, 0.03%, 0.77%

LAB 79.24, -1.4, 0.63

 

CMYK 0 / 8 / 2 / 20

HEX #CCBCC8

RGB 204 188 200

HSL 315, 0.14%, 0.77%

LAB 77.86, 7.78, -4

 

CMYK 19 / 0 / 27 / 11

HEX #B8E2A6

RGB 184 226 166

HSL 102, 0.51%, 0.77%

LAB 85.67, -24.52, 24.97

 

CMYK 26 / 0 / 27 / 11

HEX #A8E2A6

RGB 168 226 166

HSL 118, 0.51%, 0.77%

LAB 84.73, -29.92, 23.52

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B4

RGB 166 226 180

HSL 134, 0.51%, 0.77%

LAB 84.89, -28.15, 16.44

 

CMYK 27 / 0 / 13 / 11

HEX #A6E2C4

RGB 166 226 196

HSL 150, 0.51%, 0.77%

LAB 85.24, -25.15, 8.55

 

CMYK 27 / 0 / 6 / 11

HEX #A6E2D4

RGB 166 226 212

HSL 166, 0.51%, 0.77%

LAB 85.63, -21.9, 0.68

 

CMYK 50 / 0 / 37 / 19

HEX #68CE81

RGB 104 206 129

HSL 134.71, 0.51%, 0.61%

LAB 75.25, -46.4, 29.4

 

CMYK 38 / 0 / 28 / 15

HEX #87D89B

RGB 135 216 155

HSL 134.81, 0.51%, 0.69%

LAB 79.97, -37.53, 22.46

 

CMYK 27 / 0 / 20 / 11

HEX #A6E2B5

RGB 166 226 181

HSL 135, 0.51%, 0.77%

LAB 84.91, -27.97, 15.95

 

CMYK 17 / 0 / 12 / 7

HEX #C5ECCF

RGB 197 236 207

HSL 135.38, 0.51%, 0.85%

LAB 90.03, -18.13, 9.88

 

CMYK 7 / 0 / 5 / 4

HEX #E4F6E9

RGB 228 246 233

HSL 136.67, 0.5%, 0.93%

LAB 95.28, -8.25, 4.22

 

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

CMYK 27 / 12 / 0 / 11

HEX #A6C8E2

RGB 166 200 226

HSL 206, 0.51%, 0.77%

LAB 78.99, -5.51, -16.63

 

CMYK 0 / 27 / 22 / 11

HEX #E2A6B0

RGB 226 166 176

HSL 350, 0.51%, 0.77%

LAB 73.92, 23.54, 3.58

 

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

CMYK 20 / 27 / 0 / 11

HEX #B4A6E2

RGB 180 166 226

HSL 254, 0.51%, 0.77%

LAB 71.19, 17.27, -28.4

 

CMYK 0 / 20 / 27 / 11

HEX #E2B4A6

RGB 226 180 166

HSL 14, 0.51%, 0.77%

LAB 77.02, 14.62, 13.47

 

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

CMYK 27 / 12 / 0 / 11

HEX #A6C8E2

RGB 166 200 226

HSL 206, 0.51%, 0.77%

LAB 78.99, -5.51, -16.63

 

CMYK 0 / 27 / 6 / 11

HEX #E2A6D4

RGB 226 166 212

HSL 314, 0.51%, 0.77%

LAB 74.95, 29.35, -14.64

 

CMYK 0 / 15 / 27 / 11

HEX #E2C0A6

RGB 226 192 166

HSL 26, 0.51%, 0.77%

LAB 79.97, 8.24, 17.6

 

CMYK 27 / 0 / 20 / 11

HEX #A5E2B4

RGB 165 226 180

HSL 134.75, 0.51%, 0.77%

LAB 84.84, -28.47, 16.36

 

CMYK 27 / 19 / 0 / 11

HEX #A6B6E2

RGB 166 182 226

HSL 224, 0.51%, 0.77%

LAB 74.22, 4.18, -23.85

 

CMYK 0 / 27 / 6 / 11

HEX #E2A6D4

RGB 226 166 212

HSL 314, 0.51%, 0.77%

LAB 74.95, 29.35, -14.64

 

CMYK 0 / 7 / 27 / 11

HEX #E2D2A6

RGB 226 210 166

HSL 44, 0.51%, 0.77%

LAB 84.49, -1.17, 23.85

 

Description

Color code: HEX #A5E2B4 | qconv.com Color code: HEX #A5E2B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 226 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 226 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 20 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 20% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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