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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DC81 it is the complementary color #5A237E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DC81 shade: #AADC7C, #BBEE8F, #CCFFA2, #DDFFB5 and #EEFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DC81 shade: #A5DC81, #94CA6E, #83B85B, #72A648 and #619435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DC81 shade: #A4DC7F, #BDDC7F, #D6DC7F, #DCC97F and #DCB07F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DC81 shade: #A4DC7F, #8BDC7F, #7FDC8C, #7FDCA5 and #7FDCBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DC81 shade matches the following richer shades: #A4DC7F, #A1E972 and #9EF664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DC81 shade: #A4DC7F, #A6CF8C, #A9C299, #ACB4A6 and #AFA7B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DC81 shade: #D6DC7F, #BDDC7F, #A4DC7F, #8BDC7F and #7FDC8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DC81 shade: #76CA3E, #8DD35E, #A4DC7F, #BBE59F and #D2EEC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DC81 shade: #A5DC81, #7FDCC9 and #DC7FC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DC81 shade: #A5DC81, #7FA4DC and #DC7FA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DC81 shade: #A5DC81, #7FDCC9, #B77FDC and #DC7F91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DC81 shade: #A5DC81, #7FD3DC, #B77FDC and #DC887F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

Complementary color

CMYK 29 / 72 / 0 / 51

HEX #5A237E

RGB 90 35 126

HSL 276.26, 0.57%, 0.32%

LAB 26.4, 41.58, -41.02

 

CMYK 23 / 0 / 44 / 14

HEX #AADC7C

RGB 170 220 124

HSL 91.25, 0.58%, 0.67%

LAB 82.48, -32.46, 41.91

 

CMYK 21 / 0 / 40 / 7

HEX #BBEE8F

RGB 187 238 143

HSL 92.21, 0.74%, 0.75%

LAB 88.78, -32.4, 40.76

 

CMYK 20 / 0 / 36 / 0

HEX #CCFFA2

RGB 204 255 162

HSL 92.9, 1%, 0.82%

LAB 94.72, -31.86, 39.3

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB5

RGB 221 255 181

HSL 87.57, 1%, 0.85%

LAB 96.09, -23.34, 31.85

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC8

RGB 238 255 200

HSL 78.55, 1%, 0.89%

LAB 97.58, -14.65, 24.48

 

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

CMYK 27 / 0 / 46 / 21

HEX #94CA6E

RGB 148 202 110

HSL 95.22, 0.46%, 0.61%

LAB 75.86, -33.7, 40.26

 

CMYK 29 / 0 / 51 / 28

HEX #83B85B

RGB 131 184 91

HSL 94.19, 0.4%, 0.54%

LAB 69.37, -33.75, 41.44

 

CMYK 31 / 0 / 57 / 35

HEX #72A648

RGB 114 166 72

HSL 93.19, 0.39%, 0.47%

LAB 62.77, -33.74, 42.59

 

CMYK 34 / 0 / 64 / 42

HEX #619435

RGB 97 148 53

HSL 92.21, 0.47%, 0.39%

LAB 56.07, -33.62, 43.58

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 14 / 0 / 42 / 14

HEX #BDDC7F

RGB 189 220 127

HSL 80, 0.57%, 0.68%

LAB 83.72, -25.12, 42.25

 

CMYK 3 / 0 / 42 / 14

HEX #D6DC7F

RGB 214 220 127

HSL 63.87, 0.57%, 0.68%

LAB 85.51, -15.52, 44.88

 

CMYK 0 / 9 / 42 / 14

HEX #DCC97F

RGB 220 201 127

HSL 47.74, 0.57%, 0.68%

LAB 81.03, -3.51, 39.33

 

CMYK 0 / 20 / 42 / 14

HEX #DCB07F

RGB 220 176 127

HSL 31.61, 0.57%, 0.68%

LAB 74.7, 9.63, 31.15

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 37 / 0 / 42 / 14

HEX #8BDC7F

RGB 139 220 127

HSL 112.26, 0.57%, 0.68%

LAB 80.85, -42.56, 38.01

 

CMYK 42 / 0 / 36 / 14

HEX #7FDC8C

RGB 127 220 140

HSL 128.39, 0.57%, 0.68%

LAB 80.51, -44.2, 30.89

 

CMYK 42 / 0 / 25 / 14

HEX #7FDCA5

RGB 127 220 165

HSL 144.52, 0.57%, 0.68%

LAB 80.97, -39.76, 18.54

 

CMYK 42 / 0 / 14 / 14

HEX #7FDCBE

RGB 127 220 190

HSL 160.65, 0.57%, 0.68%

LAB 81.52, -34.61, 6.12

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 31 / 0 / 51 / 9

HEX #A1E972

RGB 161 233 114

HSL 96.3, 0.73%, 0.68%

LAB 85.54, -42.63, 50.36

 

CMYK 36 / 0 / 59 / 4

HEX #9EF664

RGB 158 246 100

HSL 96.16, 0.89%, 0.68%

LAB 88.97, -50.57, 60.58

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 20 / 0 / 32 / 19

HEX #A6CF8C

RGB 166 207 140

HSL 96.72, 0.41%, 0.68%

LAB 78.83, -25.57, 29.01

 

CMYK 13 / 0 / 21 / 24

HEX #A9C299

RGB 169 194 153

HSL 96.59, 0.25%, 0.68%

LAB 75.65, -16.01, 17.86

 

CMYK 4 / 0 / 8 / 29

HEX #ACB4A6

RGB 172 180 166

HSL 94.29, 0.09%, 0.68%

LAB 72.34, -5.4, 6.17

 

CMYK 3 / 7 / 0 / 29

HEX #AFA7B4

RGB 175 167 180

HSL 276.92, 0.08%, 0.68%

LAB 69.5, 5.32, -5.65

 

CMYK 3 / 0 / 42 / 14

HEX #D6DC7F

RGB 214 220 127

HSL 63.87, 0.57%, 0.68%

LAB 85.51, -15.52, 44.88

 

CMYK 14 / 0 / 42 / 14

HEX #BDDC7F

RGB 189 220 127

HSL 80, 0.57%, 0.68%

LAB 83.72, -25.12, 42.25

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 37 / 0 / 42 / 14

HEX #8BDC7F

RGB 139 220 127

HSL 112.26, 0.57%, 0.68%

LAB 80.85, -42.56, 38.01

 

CMYK 42 / 0 / 37 / 14

HEX #7FDC8B

RGB 127 220 139

HSL 127.74, 0.57%, 0.68%

LAB 80.49, -44.36, 31.38

 

CMYK 42 / 0 / 69 / 21

HEX #76CA3E

RGB 118 202 62

HSL 96, 0.57%, 0.52%

LAB 73.83, -48.82, 59.07

 

CMYK 33 / 0 / 55 / 17

HEX #8DD35E

RGB 141 211 94

HSL 95.9, 0.57%, 0.6%

LAB 77.91, -42.02, 50.31

 

CMYK 25 / 0 / 42 / 14

HEX #A4DC7F

RGB 164 220 127

HSL 96.13, 0.57%, 0.68%

LAB 82.17, -34.22, 39.96

 

CMYK 18 / 0 / 31 / 10

HEX #BBE59F

RGB 187 229 159

HSL 96, 0.57%, 0.76%

LAB 86.56, -25.98, 29.8

 

CMYK 12 / 0 / 19 / 7

HEX #D2EEC0

RGB 210 238 192

HSL 96.52, 0.58%, 0.84%

LAB 91.08, -17.3, 19.26

 

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

CMYK 42 / 0 / 9 / 14

HEX #7FDCC9

RGB 127 220 201

HSL 167.74, 0.57%, 0.68%

LAB 81.79, -32.14, 0.68

 

CMYK 0 / 42 / 9 / 14

HEX #DC7FC9

RGB 220 127 201

HSL 312.26, 0.57%, 0.68%

LAB 65.45, 46.14, -23.02

 

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

CMYK 42 / 25 / 0 / 14

HEX #7FA4DC

RGB 127 164 220

HSL 216.13, 0.57%, 0.68%

LAB 66.7, 1.75, -32.36

 

CMYK 0 / 42 / 25 / 14

HEX #DC7FA4

RGB 220 127 164

HSL 336.13, 0.57%, 0.68%

LAB 64.22, 40.44, -3.96

 

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

CMYK 42 / 0 / 9 / 14

HEX #7FDCC9

RGB 127 220 201

HSL 167.74, 0.57%, 0.68%

LAB 81.79, -32.14, 0.68

 

CMYK 17 / 42 / 0 / 14

HEX #B77FDC

RGB 183 127 220

HSL 276.13, 0.57%, 0.68%

LAB 62.01, 38.56, -39.32

 

CMYK 0 / 42 / 34 / 14

HEX #DC7F91

RGB 220 127 145

HSL 348.39, 0.57%, 0.68%

LAB 63.7, 37.94, 6.1

 

CMYK 25 / 0 / 41 / 14

HEX #A5DC81

RGB 165 220 129

HSL 96.26, 0.57%, 0.68%

LAB 82.26, -33.61, 39.09

 

CMYK 42 / 4 / 0 / 14

HEX #7FD3DC

RGB 127 211 220

HSL 185.81, 0.57%, 0.68%

LAB 79.77, -23.19, -12.45

 

CMYK 17 / 42 / 0 / 14

HEX #B77FDC

RGB 183 127 220

HSL 276.13, 0.57%, 0.68%

LAB 62.01, 38.56, -39.32

 

CMYK 0 / 38 / 42 / 14

HEX #DC887F

RGB 220 136 127

HSL 5.81, 0.57%, 0.68%

LAB 65.24, 31.1, 18.45

 

Description

Color code: HEX #A5DC81 | qconv.com Color code: HEX #A5DC81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 220 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 220 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 41 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 41% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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