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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DBC9CE it is the complementary color #5A2436CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DBC9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DBC9CE shade: #AADBC4CE, #BBEDD7CE, #CCFFEACE, #DDFFFDCE and #EEFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DBC9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DBC9CE shade: #A5DBC9CE, #94C9B6CE, #83B7A3CE, #72A590CE and #61937DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DBC9CE shade: #A4DBC8, #A4DBBA, #A4DBAB, #ACDBA4 and #BADBA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DBC9CE shade: #A4DBC8, #A4DBD7, #A4CFDB, #A4C1DB and #A4B2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DBC9CE shade matches the following richer shades: #A4DBC8, #9AE5CC, #8FEFCF and #85FAD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DBC9CE shade: #A4DBC8, #AED0C5, #B8C6C2, #C3BCBE and #CDB1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DBC9CE shade: #A4DBAB, #A4DBBA, #A4DBC8, #A4DBD7 and #A4D0DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DBC9CE shade: #69C3A5, #86CFB7, #A4DBC8, #C1E6DA and #DFF2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DBC9CE shade: #A5DBC9, #A4ABDB and #DBB2A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DBC9CE shade: #A5DBC9, #C8A4DB and #DBC8A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DBC9CE shade: #A5DBC9, #A4ABDB, #DBA4B6 and #DBD3A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DBC9CE shade: #A5DBC9, #ADA4DB, #DBA4B6 and #D2DBA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 7 / 11

HEX #A5DBC9CE

RGBA 165 219 201 0.81

HSLA 160, 0.43%, 0.75%, 0.81

LABA 83.38, -21.02, 3.21, 0.81

 

Complementary color

CMYK 0 / 49 / 32 / 52

HEX #5A2436CE

RGBA 90 36 54 0.81

HSLA 340, 0.43%, 0.25%, 0.81

LABA 22.66, 26.91, 0.65, 0.81

 

CMYK 18 / 0 / 9 / 11

HEX #AADBC4CE

RGBA 170 219 196 0.81

HSLA 151.84, 0.4%, 0.76%, 0.81

LABA 83.54, -20.47, 6.14, 0.81

 

CMYK 17 / 0 / 8 / 6

HEX #BBEDD7CE

RGBA 187 237 215 0.81

HSLA 153.6, 0.58%, 0.83%, 0.81

LABA 89.88, -20.32, 5.41, 0.81

 

CMYK 16 / 0 / 7 / 0

HEX #CCFFEACE

RGBA 204 255 234 0.81

HSLA 155.29, 1%, 0.9%, 0.81

LABA 96.12, -20.19, 4.72, 0.81

 

CMYK 11 / 0 / 1 / 0

HEX #DDFFFDCE

RGBA 221 255 253 0.81

HSLA 176.47, 1%, 0.93%, 0.81

LABA 97.63, -11.26, -2.73, 0.81

 

CMYK 5 / 0 / 0 / 0

HEX #EEFFFFCE

RGBA 238 255 255 0.81

HSLA 180, 1%, 0.97%, 0.81

LABA 98.8, -5.52, -1.92, 0.81

 

CMYK 20 / 0 / 7 / 11

HEX #A5DBC9CE

RGBA 165 219 201 0.81

HSLA 160, 0.43%, 0.75%, 0.81

LABA 83.38, -21.02, 3.21, 0.81

 

CMYK 21 / 0 / 8 / 17

HEX #94C9B6CE

RGBA 148 201 182 0.81

HSLA 158.49, 0.33%, 0.68%, 0.81

LABA 76.95, -21.19, 3.93, 0.81

 

CMYK 23 / 0 / 9 / 23

HEX #83B7A3CE

RGBA 131 183 163 0.81

HSLA 156.92, 0.27%, 0.62%, 0.81

LABA 70.41, -21.38, 4.68, 0.81

 

CMYK 25 / 0 / 10 / 29

HEX #72A590CE

RGBA 114 165 144 0.81

HSLA 155.29, 0.22%, 0.55%, 0.81

LABA 63.76, -21.59, 5.49, 0.81

 

CMYK 28 / 0 / 12 / 34

HEX #61937DCE

RGBA 97 147 125 0.81

HSLA 153.6, 0.2%, 0.48%, 0.81

LABA 56.97, -21.83, 6.35, 0.81

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 25 / 0 / 15 / 14

HEX #A4DBBA

RGB 164 219 186

HSL 144, 0.43%, 0.75%

LAB 82.97, -24.29, 10.55

 

CMYK 25 / 0 / 22 / 14

HEX #A4DBAB

RGB 164 219 171

HSL 127.64, 0.43%, 0.75%

LAB 82.64, -27.04, 18

 

CMYK 21 / 0 / 25 / 14

HEX #ACDBA4

RGB 172 219 164

HSL 111.27, 0.43%, 0.75%

LAB 82.97, -25.57, 22.19

 

CMYK 15 / 0 / 25 / 14

HEX #BADBA4

RGB 186 219 164

HSL 96, 0.43%, 0.75%

LAB 83.85, -20.72, 23.54

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 25 / 0 / 2 / 14

HEX #A4DBD7

RGB 164 219 215

HSL 175.64, 0.43%, 0.75%

LAB 83.68, -18.37, -3.77

 

CMYK 25 / 5 / 0 / 14

HEX #A4CFDB

RGB 164 207 219

HSL 193.09, 0.43%, 0.75%

LAB 80.53, -11.37, -10.57

 

CMYK 25 / 12 / 0 / 14

HEX #A4C1DB

RGB 164 193 219

HSL 208.36, 0.43%, 0.75%

LAB 76.77, -4.01, -16.22

 

CMYK 25 / 19 / 0 / 14

HEX #A4B2DB

RGB 164 178 219

HSL 224.73, 0.43%, 0.75%

LAB 72.79, 4.12, -22.24

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 33 / 0 / 11 / 10

HEX #9AE5CC

RGB 154 229 204

HSL 160, 0.59%, 0.75%

LAB 85.64, -28.52, 4.83

 

CMYK 40 / 0 / 13 / 6

HEX #8FEFCF

RGB 143 239 207

HSL 160, 0.75%, 0.75%

LAB 88.01, -35.58, 6.6

 

CMYK 47 / 0 / 16 / 2

HEX #85FAD3

RGB 133 250 211

HSL 160, 0.92%, 0.75%

LAB 90.81, -42.17, 8.5

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 16 / 0 / 5 / 18

HEX #AED0C5

RGB 174 208 197

HSL 160.59, 0.27%, 0.75%

LAB 80.82, -13.45, 1.69

 

CMYK 7 / 0 / 2 / 22

HEX #B8C6C2

RGB 184 198 194

HSL 162.86, 0.11%, 0.75%

LAB 78.74, -5.53, 0.35

 

CMYK 0 / 4 / 3 / 24

HEX #C3BCBE

RGB 195 188 190

HSL 342.86, 0.06%, 0.75%

LAB 76.85, 2.82, -0.14

 

CMYK 0 / 14 / 9 / 20

HEX #CDB1BB

RGB 205 177 187

HSL 338.57, 0.22%, 0.75%

LAB 74.83, 11.76, -1.36

 

CMYK 25 / 0 / 22 / 14

HEX #A4DBAB

RGB 164 219 171

HSL 127.64, 0.43%, 0.75%

LAB 82.64, -27.04, 18

 

CMYK 25 / 0 / 15 / 14

HEX #A4DBBA

RGB 164 219 186

HSL 144, 0.43%, 0.75%

LAB 82.97, -24.29, 10.55

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 25 / 0 / 2 / 14

HEX #A4DBD7

RGB 164 219 215

HSL 175.64, 0.43%, 0.75%

LAB 83.68, -18.37, -3.77

 

CMYK 25 / 5 / 0 / 14

HEX #A4D0DB

RGB 164 208 219

HSL 192, 0.43%, 0.75%

LAB 80.8, -11.89, -10.17

 

CMYK 46 / 0 / 15 / 24

HEX #69C3A5

RGB 105 195 165

HSL 160, 0.43%, 0.59%

LAB 72.73, -34.13, 6.77

 

CMYK 35 / 0 / 12 / 19

HEX #86CFB7

RGB 134 207 183

HSL 160.27, 0.43%, 0.67%

LAB 77.94, -28.08, 4.73

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC8

RGB 164 219 200

HSL 159.27, 0.43%, 0.75%

LAB 83.3, -21.53, 3.62

 

CMYK 16 / 0 / 5 / 10

HEX #C1E6DA

RGB 193 230 218

HSL 160.54, 0.43%, 0.83%

LAB 88.44, -14.37, 1.81

 

CMYK 8 / 0 / 2 / 5

HEX #DFF2EC

RGB 223 242 236

HSL 161.05, 0.42%, 0.91%

LAB 93.99, -7.33, 0.74

 

CMYK 25 / 0 / 8 / 14

HEX #A5DBC9

RGB 165 219 201

HSL 160, 0.43%, 0.75%

LAB 83.38, -21.02, 3.21

 

CMYK 25 / 22 / 0 / 14

HEX #A4ABDB

RGB 164 171 219

HSL 232.36, 0.43%, 0.75%

LAB 70.96, 7.98, -25.03

 

CMYK 0 / 19 / 25 / 14

HEX #DBB2A4

RGB 219 178 164

HSL 15.27, 0.43%, 0.75%

LAB 75.81, 12.77, 12.75

 

CMYK 25 / 0 / 8 / 14

HEX #A5DBC9

RGB 165 219 201

HSL 160, 0.43%, 0.75%

LAB 83.38, -21.02, 3.21

 

CMYK 9 / 25 / 0 / 14

HEX #C8A4DB

RGB 200 164 219

HSL 279.27, 0.43%, 0.75%

LAB 72.19, 23.17, -22.89

 

CMYK 0 / 9 / 25 / 14

HEX #DBC8A4

RGB 219 200 164

HSL 39.27, 0.43%, 0.75%

LAB 81.32, 1.1, 20.45

 

CMYK 25 / 0 / 8 / 14

HEX #A5DBC9

RGB 165 219 201

HSL 160, 0.43%, 0.75%

LAB 83.38, -21.02, 3.21

 

CMYK 25 / 22 / 0 / 14

HEX #A4ABDB

RGB 164 171 219

HSL 232.36, 0.43%, 0.75%

LAB 70.96, 7.98, -25.03

 

CMYK 0 / 25 / 17 / 14

HEX #DBA4B6

RGB 219 164 182

HSL 340.36, 0.43%, 0.75%

LAB 72.88, 23, -1.31

 

CMYK 0 / 4 / 25 / 14

HEX #DBD3A4

RGB 219 211 164

HSL 51.27, 0.43%, 0.75%

LAB 84.14, -4.6, 24.32

 

CMYK 25 / 0 / 8 / 14

HEX #A5DBC9

RGB 165 219 201

HSL 160, 0.43%, 0.75%

LAB 83.38, -21.02, 3.21

 

CMYK 21 / 25 / 0 / 14

HEX #ADA4DB

RGB 173 164 219

HSL 249.82, 0.43%, 0.75%

LAB 69.86, 14.63, -26.66

 

CMYK 0 / 25 / 17 / 14

HEX #DBA4B6

RGB 219 164 182

HSL 340.36, 0.43%, 0.75%

LAB 72.88, 23, -1.31

 

CMYK 4 / 0 / 25 / 14

HEX #D2DBA4

RGB 210 219 164

HSL 69.82, 0.43%, 0.75%

LAB 85.53, -12.03, 26.1

 

Description

Color code: HEX #A5DBC9CE | qconv.com Color code: HEX #A5DBC9CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 219 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 219 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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