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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5CDD9 it is the complementary color #5A3226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5CDD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5CDD9 shade: #AACDD4, #BBDFE7, #CCF1FA, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5CDD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5CDD9 shade: #A5CDD9, #94BBC6, #83A9B3, #7297A0 and #61858D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5CDD9 shade: #A5CDD9, #A5BFD9, #A5B1D9, #A7A5D9 and #B5A5D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5CDD9 shade: #A5CDD9, #A5BFD9, #A5B1D9 and #A5A5D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5CDD9 shade matches the following richer shades: #A5CDD9, #9AD2E3, #90D8EE and #86DDF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5CDD9 shade: #A5CDD9, #AFC7CF, #B9C2C4, #C4BCBA and #CEB7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5CDD9 shade: #A5D9C8, #A5D9D6, #A5CED9, #A5C0D9 and #A5B2D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5CDD9 shade: #6AADC1, #88BDCD, #A5CDD9, #C2DDE5 and #DFEDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5CDD9 shade: #A5CDD9, #BAA5D9 and #D9CFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5CDD9 shade: #A5CDD9, #D9A5CE and #CED9A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5CDD9 shade: #A5CDD9, #BAA5D9, #D9B0A5 and #C3D9A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5CDD9 shade: #A5CDD9, #CAA5D9, #D9B0A5 and #B3D9A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

Complementary color

CMYK 0 / 44 / 58 / 65

HEX #5A3226

RGB 90 50 38

HSL 13.85, 0.41%, 0.25%

LAB 25.55, 16.71, 15.4

 

CMYK 20 / 3 / 0 / 17

HEX #AACDD4

RGB 170 205 212

HSL 190, 0.33%, 0.75%

LAB 80.16, -10.06, -7.34

 

CMYK 19 / 3 / 0 / 9

HEX #BBDFE7

RGB 187 223 231

HSL 190.91, 0.48%, 0.82%

LAB 86.56, -10.06, -7.84

 

CMYK 18 / 4 / 0 / 2

HEX #CCF1FA

RGB 204 241 250

HSL 191.74, 0.82%, 0.89%

LAB 92.86, -10.06, -8.33

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 25 / 6 / 0 / 22

HEX #94BBC6

RGB 148 187 198

HSL 193.2, 0.3%, 0.68%

LAB 73.49, -10.49, -9.83

 

CMYK 27 / 6 / 0 / 30

HEX #83A9B3

RGB 131 169 179

HSL 192.5, 0.24%, 0.61%

LAB 66.87, -10.5, -9.36

 

CMYK 29 / 6 / 0 / 37

HEX #7297A0

RGB 114 151 160

HSL 191.74, 0.19%, 0.54%

LAB 60.11, -10.51, -8.87

 

CMYK 31 / 6 / 0 / 45

HEX #61858D

RGB 97 133 141

HSL 190.91, 0.18%, 0.47%

LAB 53.21, -10.53, -8.37

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 24 / 12 / 0 / 15

HEX #A5BFD9

RGB 165 191 217

HSL 210, 0.41%, 0.75%

LAB 76.24, -3.1, -15.93

 

CMYK 24 / 18 / 0 / 15

HEX #A5B1D9

RGB 165 177 217

HSL 226.15, 0.41%, 0.75%

LAB 72.53, 4.5, -21.54

 

CMYK 23 / 24 / 0 / 15

HEX #A7A5D9

RGB 167 165 217

HSL 242.31, 0.41%, 0.75%

LAB 69.57, 11.76, -26.05

 

CMYK 17 / 24 / 0 / 15

HEX #B5A5D9

RGB 181 165 217

HSL 258.46, 0.41%, 0.75%

LAB 70.69, 16.12, -24.23

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 24 / 12 / 0 / 15

HEX #A5BFD9

RGB 165 191 217

HSL 210, 0.41%, 0.75%

LAB 76.24, -3.1, -15.93

 

CMYK 24 / 18 / 0 / 15

HEX #A5B1D9

RGB 165 177 217

HSL 226.15, 0.41%, 0.75%

LAB 72.53, 4.5, -21.54

 

CMYK 24 / 24 / 0 / 15

HEX #A5A5D9

RGB 165 165 217

HSL 240, 0.41%, 0.75%

LAB 69.41, 11.15, -26.3

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 32 / 7 / 0 / 11

HEX #9AD2E3

RGB 154 210 227

HSL 193.97, 0.57%, 0.75%

LAB 81.02, -13.93, -14.18

 

CMYK 39 / 9 / 0 / 7

HEX #90D8EE

RGB 144 216 238

HSL 194.04, 0.73%, 0.75%

LAB 82.49, -16.94, -17.87

 

CMYK 46 / 11 / 0 / 3

HEX #86DDF8

RGB 134 221 248

HSL 194.21, 0.89%, 0.75%

LAB 83.74, -19.31, -21.34

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 15 / 4 / 0 / 19

HEX #AFC7CF

RGB 175 199 207

HSL 195, 0.25%, 0.75%

LAB 78.73, -6.42, -6.73

 

CMYK 6 / 1 / 0 / 23

HEX #B9C2C4

RGB 185 194 196

HSL 190.91, 0.09%, 0.75%

LAB 77.81, -2.7, -2.08

 

CMYK 0 / 4 / 5 / 23

HEX #C4BCBA

RGB 196 188 186

HSL 12, 0.08%, 0.75%

LAB 76.83, 2.45, 2

 

CMYK 0 / 11 / 15 / 19

HEX #CEB7B0

RGB 206 183 176

HSL 14, 0.23%, 0.75%

LAB 76.14, 7.05, 6.55

 

CMYK 24 / 0 / 8 / 15

HEX #A5D9C8

RGB 165 217 200

HSL 160.38, 0.41%, 0.75%

LAB 82.8, -20.23, 2.91

 

CMYK 24 / 0 / 1 / 15

HEX #A5D9D6

RGB 165 217 214

HSL 176.54, 0.41%, 0.75%

LAB 83.17, -17.29, -4

 

CMYK 24 / 5 / 0 / 15

HEX #A5CED9

RGB 165 206 217

HSL 192.69, 0.41%, 0.75%

LAB 80.26, -11, -9.9

 

CMYK 24 / 12 / 0 / 15

HEX #A5C0D9

RGB 165 192 217

HSL 208.85, 0.41%, 0.75%

LAB 76.5, -3.63, -15.53

 

CMYK 24 / 18 / 0 / 15

HEX #A5B2D9

RGB 165 178 217

HSL 225, 0.41%, 0.75%

LAB 72.79, 3.95, -21.14

 

CMYK 45 / 10 / 0 / 24

HEX #6AADC1

RGB 106 173 193

HSL 193.79, 0.41%, 0.59%

LAB 67.13, -15.95, -16.87

 

CMYK 34 / 8 / 0 / 20

HEX #88BDCD

RGB 136 189 205

HSL 193.91, 0.41%, 0.67%

LAB 73.57, -13.36, -13.6

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 15 / 3 / 0 / 10

HEX #C2DDE5

RGB 194 221 229

HSL 193.71, 0.4%, 0.83%

LAB 86.42, -7.28, -6.93

 

CMYK 7 / 2 / 0 / 5

HEX #DFEDF1

RGB 223 237 241

HSL 193.33, 0.39%, 0.91%

LAB 92.84, -3.86, -3.54

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 14 / 24 / 0 / 15

HEX #BAA5D9

RGB 186 165 217

HSL 264.23, 0.41%, 0.75%

LAB 71.12, 17.71, -23.54

 

CMYK 0 / 5 / 24 / 15

HEX #D9CFA5

RGB 217 207 165

HSL 48.46, 0.41%, 0.75%

LAB 82.96, -3.15, 22.16

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 0 / 24 / 5 / 15

HEX #D9A5CE

RGB 217 165 206

HSL 312.69, 0.41%, 0.75%

LAB 73.62, 25.79, -13.44

 

CMYK 5 / 0 / 24 / 15

HEX #CED9A5

RGB 206 217 165

HSL 72.69, 0.41%, 0.75%

LAB 84.72, -12.36, 24.44

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 14 / 24 / 0 / 15

HEX #BAA5D9

RGB 186 165 217

HSL 264.23, 0.41%, 0.75%

LAB 71.12, 17.71, -23.54

 

CMYK 0 / 19 / 24 / 15

HEX #D9B0A5

RGB 217 176 165

HSL 12.69, 0.41%, 0.75%

LAB 75.15, 13.23, 11.25

 

CMYK 10 / 0 / 24 / 15

HEX #C3D9A5

RGB 195 217 165

HSL 85.38, 0.41%, 0.75%

LAB 83.94, -16.37, 23.23

 

CMYK 24 / 6 / 0 / 15

HEX #A5CDD9

RGB 165 205 217

HSL 193.85, 0.41%, 0.75%

LAB 79.99, -10.49, -10.3

 

CMYK 7 / 24 / 0 / 15

HEX #CAA5D9

RGB 202 165 217

HSL 282.69, 0.41%, 0.75%

LAB 72.55, 22.87, -21.24

 

CMYK 0 / 19 / 24 / 15

HEX #D9B0A5

RGB 217 176 165

HSL 12.69, 0.41%, 0.75%

LAB 75.15, 13.23, 11.25

 

CMYK 18 / 0 / 24 / 15

HEX #B3D9A5

RGB 179 217 165

HSL 103.85, 0.41%, 0.75%

LAB 82.87, -22.03, 21.6

 

Description

Color code: HEX #A5CDD9 | qconv.com Color code: HEX #A5CDD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 205 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 205 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 6 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 6% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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