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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5C8E8 it is the complementary color #5A3717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5C8E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5C8E8 shade: #AAC8E3, #BBDAF6, #CCECFF, #DDFEFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5C8E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5C8E8 shade: #A5C8E8, #94B6D5, #83A4C2, #7292AF and #61809C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5C8E8 shade: #A6C8E8, #A6B7E8, #A7A6E8, #B9A6E8 and #CBA6E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5C8E8 shade: #A6C8E8, #A6B7E8 and #A6A6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5C8E8 shade matches the following richer shades: #A6C8E8, #9DC9F1 and #94C9FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5C8E8 shade: #A6C8E8, #AFC8DF, #B8C8D6, #C1C7CD and #CAC7C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5C8E8 shade: #A6E8E4, #A6DBE8, #A6C9E8, #A6B7E8 and #A6A6E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5C8E8 shade: #64A0D7, #85B4E0, #A6C8E8, #C7DCF0 and #E7F1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5C8E8 shade: #A5C8E8, #D2A6E8 and #E4E8A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5C8E8 shade: #A5C8E8, #E8A6C9 and #C9E8A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5C8E8 shade: #A5C8E8, #D2A6E8, #E8C5A6 and #BCE8A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5C8E8 shade: #A5C8E8, #E6A6E8, #E8C5A6 and #A8E8A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

Complementary color

CMYK 0 / 39 / 74 / 65

HEX #5A3717

RGB 90 55 23

HSL 28.66, 0.59%, 0.22%

LAB 26.64, 12.33, 25.93

 

CMYK 25 / 12 / 0 / 11

HEX #AAC8E3

RGB 170 200 227

HSL 208.42, 0.5%, 0.78%

LAB 79.27, -4.1, -16.71

 

CMYK 24 / 11 / 0 / 4

HEX #BBDAF6

RGB 187 218 246

HSL 208.47, 0.77%, 0.85%

LAB 85.69, -4.21, -17.06

 

CMYK 20 / 7 / 0 / 0

HEX #CCECFF

RGB 204 236 255

HSL 202.35, 1%, 0.9%

LAB 91.71, -6.47, -12.65

 

CMYK 13 / 0 / 0 / 0

HEX #DDFEFF

RGB 221 254 255

HSL 181.76, 1%, 0.93%

LAB 97.42, -10.37, -4.07

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

CMYK 31 / 15 / 0 / 16

HEX #94B6D5

RGB 148 182 213

HSL 208.62, 0.44%, 0.71%

LAB 72.6, -4.25, -19.36

 

CMYK 32 / 15 / 0 / 24

HEX #83A4C2

RGB 131 164 194

HSL 208.57, 0.34%, 0.64%

LAB 65.96, -4.09, -19.07

 

CMYK 35 / 17 / 0 / 31

HEX #7292AF

RGB 114 146 175

HSL 208.52, 0.28%, 0.57%

LAB 59.19, -3.91, -18.79

 

CMYK 38 / 18 / 0 / 39

HEX #61809C

RGB 97 128 156

HSL 208.47, 0.23%, 0.5%

LAB 52.26, -3.7, -18.52

 

CMYK 28 / 14 / 0 / 9

HEX #A6C8E8

RGB 166 200 232

HSL 209.09, 0.59%, 0.78%

LAB 79.18, -4.1, -19.56

 

CMYK 28 / 21 / 0 / 9

HEX #A6B7E8

RGB 166 183 232

HSL 224.55, 0.59%, 0.78%

LAB 74.7, 5.07, -26.38

 

CMYK 28 / 28 / 0 / 9

HEX #A7A6E8

RGB 167 166 232

HSL 240.91, 0.59%, 0.78%

LAB 70.4, 14.8, -33

 

CMYK 20 / 28 / 0 / 9

HEX #B9A6E8

RGB 185 166 232

HSL 257.27, 0.59%, 0.78%

LAB 71.83, 20.15, -30.66

 

CMYK 13 / 28 / 0 / 9

HEX #CBA6E8

RGB 203 166 232

HSL 273.64, 0.59%, 0.78%

LAB 73.41, 25.71, -28.1

 

CMYK 28 / 14 / 0 / 9

HEX #A6C8E8

RGB 166 200 232

HSL 209.09, 0.59%, 0.78%

LAB 79.18, -4.1, -19.56

 

CMYK 28 / 21 / 0 / 9

HEX #A6B7E8

RGB 166 183 232

HSL 224.55, 0.59%, 0.78%

LAB 74.7, 5.07, -26.38

 

CMYK 28 / 28 / 0 / 9

HEX #A6A6E8

RGB 166 166 232

HSL 240, 0.59%, 0.78%

LAB 70.32, 14.51, -33.12

 

CMYK 28 / 14 / 0 / 9

HEX #A6C8E8

RGB 166 200 232

HSL 209.09, 0.59%, 0.78%

LAB 79.18, -4.1, -19.56

 

CMYK 35 / 17 / 0 / 5

HEX #9DC9F1

RGB 157 201 241

HSL 208.57, 0.75%, 0.78%

LAB 79.21, -4.97, -24.39

 

CMYK 41 / 20 / 0 / 2

HEX #94C9FA

RGB 148 201 250

HSL 208.82, 0.91%, 0.78%

LAB 79.02, -5.01, -29.53

 

CMYK 28 / 14 / 0 / 9

HEX #A6C8E8

RGB 166 200 232

HSL 209.09, 0.59%, 0.78%

LAB 79.18, -4.1, -19.56

 

CMYK 22 / 10 / 0 / 13

HEX #AFC8DF

RGB 175 200 223

HSL 208.75, 0.43%, 0.78%

LAB 79.47, -3.49, -14.23

 

CMYK 14 / 7 / 0 / 16

HEX #B8C8D6

RGB 184 200 214

HSL 208, 0.27%, 0.78%

LAB 79.81, -2.6, -8.82

 

CMYK 6 / 3 / 0 / 20

HEX #C1C7CD

RGB 193 199 205

HSL 210, 0.11%, 0.78%

LAB 79.95, -0.91, -3.72

 

CMYK 0 / 1 / 3 / 21

HEX #CAC7C4

RGB 202 199 196

HSL 30, 0.05%, 0.78%

LAB 80.4, 0.5, 1.86

 

CMYK 28 / 0 / 2 / 9

HEX #A6E8E4

RGB 166 232 228

HSL 176.36, 0.59%, 0.78%

LAB 87.69, -21.42, -4.73

 

CMYK 28 / 6 / 0 / 9

HEX #A6DBE8

RGB 166 219 232

HSL 191.82, 0.59%, 0.78%

LAB 84.28, -14, -11.9

 

CMYK 28 / 13 / 0 / 9

HEX #A6C9E8

RGB 166 201 232

HSL 208.18, 0.59%, 0.78%

LAB 79.45, -4.63, -19.16

 

CMYK 28 / 21 / 0 / 9

HEX #A6B7E8

RGB 166 183 232

HSL 224.55, 0.59%, 0.78%

LAB 74.7, 5.07, -26.38

 

CMYK 28 / 28 / 0 / 9

HEX #A6A6E8

RGB 166 166 232

HSL 240, 0.59%, 0.78%

LAB 70.32, 14.51, -33.12

 

CMYK 53 / 26 / 0 / 16

HEX #64A0D7

RGB 100 160 215

HSL 208.7, 0.59%, 0.62%

LAB 63.96, -3.89, -33.94

 

CMYK 41 / 20 / 0 / 12

HEX #85B4E0

RGB 133 180 224

HSL 209.01, 0.59%, 0.7%

LAB 71.56, -4.46, -27.02

 

CMYK 28 / 14 / 0 / 9

HEX #A6C8E8

RGB 166 200 232

HSL 209.09, 0.59%, 0.78%

LAB 79.18, -4.1, -19.56

 

CMYK 17 / 8 / 0 / 6

HEX #C7DCF0

RGB 199 220 240

HSL 209.27, 0.58%, 0.86%

LAB 86.81, -2.91, -12.13

 

CMYK 7 / 3 / 0 / 2

HEX #E7F1F9

RGB 231 241 249

HSL 206.67, 0.6%, 0.94%

LAB 94.63, -1.81, -5

 

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

CMYK 9 / 28 / 0 / 9

HEX #D2A6E8

RGB 210 166 232

HSL 280, 0.59%, 0.78%

LAB 74.06, 27.9, -27.04

 

CMYK 2 / 0 / 28 / 9

HEX #E4E8A6

RGB 228 232 166

HSL 63.64, 0.59%, 0.78%

LAB 90.3, -11.6, 31.75

 

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

CMYK 0 / 28 / 13 / 9

HEX #E8A6C9

RGB 232 166 201

HSL 328.18, 0.59%, 0.78%

LAB 75.23, 29.54, -8.14

 

CMYK 13 / 0 / 28 / 9

HEX #C9E8A6

RGB 201 232 166

HSL 88.18, 0.59%, 0.78%

LAB 88.39, -21.46, 28.85

 

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

CMYK 9 / 28 / 0 / 9

HEX #D2A6E8

RGB 210 166 232

HSL 280, 0.59%, 0.78%

LAB 74.06, 27.9, -27.04

 

CMYK 0 / 15 / 28 / 9

HEX #E8C5A6

RGB 232 197 166

HSL 28.18, 0.59%, 0.78%

LAB 81.75, 7.88, 20.16

 

CMYK 19 / 0 / 28 / 9

HEX #BCE8A6

RGB 188 232 166

HSL 100, 0.59%, 0.78%

LAB 87.56, -26.03, 27.58

 

CMYK 29 / 14 / 0 / 9

HEX #A5C8E8

RGB 165 200 232

HSL 208.66, 0.59%, 0.78%

LAB 79.12, -4.39, -19.66

 

CMYK 1 / 28 / 0 / 9

HEX #E6A6E8

RGB 230 166 232

HSL 298.18, 0.59%, 0.78%

LAB 76.02, 34.26, -23.88

 

CMYK 0 / 15 / 28 / 9

HEX #E8C5A6

RGB 232 197 166

HSL 28.18, 0.59%, 0.78%

LAB 81.75, 7.88, 20.16

 

CMYK 28 / 0 / 28 / 9

HEX #A8E8A6

RGB 168 232 166

HSL 118.18, 0.59%, 0.78%

LAB 86.4, -32.74, 25.81

 

Description

Color code: HEX #A5C8E8 | qconv.com Color code: HEX #A5C8E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 200 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 200 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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