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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5BCA5 it is the complementary color #5A435A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5BCA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5BCA5 shade: #AABCA0, #BBCEB3, #CCE0C6, #DDF2D9 and #EEFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5BCA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5BCA5 shade: #A5BCA5, #94AA92, #83987F, #72866C and #617459

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5BCA5 shade: #A4BCA4, #AABCA4, #B1BCA4, #B7BCA4 and #BCBAA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5BCA5 shade: #A4BCA4, #A4BCAA, #A4BCB1, #A4BCB7 and #A4BABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5BCA5 shade matches the following richer shades: #A4BCA4, #97C997, #8BD58B, #7EE27E and #71EF71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5BCA5 shade: #A4BCA4, #B1AFB1, #BEA2BE, #CA95CA and #D789D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5BCA5 shade: #B1BCA4, #AABCA4, #A4BCA4, #A4BCAA and #A4BCB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5BCA5 shade: #759975, #8CAA8C, #A4BCA4, #BCCDBC and #D4DFD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5BCA5 shade: #A5BCA5, #A4B7BC and #BCA4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5BCA5 shade: #A5BCA5, #A4A4BC and #BCA4A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5BCA5 shade: #A5BCA5, #A4B7BC, #BCA4BC and #BCA9A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5BCA5 shade: #A5BCA5, #A4B0BC, #BCA4BC and #BCB0A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

Complementary color

CMYK 0 / 26 / 0 / 65

HEX #5A435A

RGB 90 67 90

HSL 300, 0.15%, 0.31%

LAB 31.64, 14.41, -9.83

 

CMYK 10 / 0 / 15 / 26

HEX #AABCA0

RGB 170 188 160

HSL 98.57, 0.17%, 0.68%

LAB 74.22, -11.39, 12.1

 

CMYK 9 / 0 / 13 / 19

HEX #BBCEB3

RGB 187 206 179

HSL 102.22, 0.22%, 0.75%

LAB 80.72, -11.38, 11.27

 

CMYK 9 / 0 / 12 / 12

HEX #CCE0C6

RGB 204 224 198

HSL 106.15, 0.3%, 0.83%

LAB 87.11, -11.38, 10.48

 

CMYK 9 / 0 / 10 / 5

HEX #DDF2D9

RGB 221 242 217

HSL 110.4, 0.49%, 0.9%

LAB 93.4, -11.38, 9.72

 

CMYK 7 / 0 / 7 / 0

HEX #EEFFEC

RGB 238 255 236

HSL 113.68, 1%, 0.96%

LAB 98.33, -8.92, 7.17

 

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

CMYK 13 / 0 / 14 / 33

HEX #94AA92

RGB 148 170 146

HSL 115, 0.12%, 0.62%

LAB 67.37, -12.32, 9.82

 

CMYK 14 / 0 / 16 / 40

HEX #83987F

RGB 131 152 127

HSL 110.4, 0.11%, 0.55%

LAB 60.62, -12.39, 10.7

 

CMYK 15 / 0 / 19 / 47

HEX #72866C

RGB 114 134 108

HSL 106.15, 0.11%, 0.47%

LAB 53.72, -12.47, 11.63

 

CMYK 16 / 0 / 23 / 55

HEX #617459

RGB 97 116 89

HSL 102.22, 0.13%, 0.4%

LAB 46.65, -12.57, 12.64

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 10 / 0 / 13 / 26

HEX #AABCA4

RGB 170 188 164

HSL 105, 0.15%, 0.69%

LAB 74.31, -10.69, 10.06

 

CMYK 6 / 0 / 13 / 26

HEX #B1BCA4

RGB 177 188 164

HSL 87.5, 0.15%, 0.69%

LAB 74.82, -8.18, 10.85

 

CMYK 3 / 0 / 13 / 26

HEX #B7BCA4

RGB 183 188 164

HSL 72.5, 0.15%, 0.69%

LAB 75.27, -6.01, 11.55

 

CMYK 0 / 1 / 13 / 26

HEX #BCBAA4

RGB 188 186 164

HSL 55, 0.15%, 0.69%

LAB 75.13, -3.12, 11.41

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 13 / 0 / 10 / 26

HEX #A4BCAA

RGB 164 188 170

HSL 135, 0.15%, 0.69%

LAB 74.04, -11.69, 6.35

 

CMYK 13 / 0 / 6 / 26

HEX #A4BCB1

RGB 164 188 177

HSL 152.5, 0.15%, 0.69%

LAB 74.21, -10.35, 2.79

 

CMYK 13 / 0 / 3 / 26

HEX #A4BCB7

RGB 164 188 183

HSL 167.5, 0.15%, 0.69%

LAB 74.37, -9.16, -0.24

 

CMYK 13 / 1 / 0 / 26

HEX #A4BABC

RGB 164 186 188

HSL 185, 0.15%, 0.69%

LAB 73.96, -7.08, -3.57

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 25 / 0 / 25 / 21

HEX #97C997

RGB 151 201 151

HSL 120, 0.32%, 0.69%

LAB 76.43, -26.11, 19.83

 

CMYK 35 / 0 / 35 / 16

HEX #8BD58B

RGB 139 213 139

HSL 120, 0.47%, 0.69%

LAB 79.01, -37.65, 29.5

 

CMYK 44 / 0 / 44 / 11

HEX #7EE27E

RGB 126 226 126

HSL 120, 0.63%, 0.69%

LAB 82.02, -49.16, 39.88

 

CMYK 53 / 0 / 53 / 6

HEX #71EF71

RGB 113 239 113

HSL 120, 0.8%, 0.69%

LAB 85.22, -59.55, 49.95

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 0 / 1 / 0 / 31

HEX #B1AFB1

RGB 177 175 177

HSL 300, 0.01%, 0.69%

LAB 71.68, 1.09, -0.78

 

CMYK 0 / 15 / 0 / 25

HEX #BEA2BE

RGB 190 162 190

HSL 300, 0.18%, 0.69%

LAB 69.83, 15.22, -10.57

 

CMYK 0 / 26 / 0 / 21

HEX #CA95CA

RGB 202 149 202

HSL 300, 0.33%, 0.69%

LAB 68.25, 28.74, -19.49

 

CMYK 0 / 36 / 0 / 16

HEX #D789D7

RGB 215 137 215

HSL 300, 0.49%, 0.69%

LAB 67.46, 41.82, -27.79

 

CMYK 6 / 0 / 13 / 26

HEX #B1BCA4

RGB 177 188 164

HSL 87.5, 0.15%, 0.69%

LAB 74.82, -8.18, 10.85

 

CMYK 10 / 0 / 13 / 26

HEX #AABCA4

RGB 170 188 164

HSL 105, 0.15%, 0.69%

LAB 74.31, -10.69, 10.06

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 13 / 0 / 10 / 26

HEX #A4BCAA

RGB 164 188 170

HSL 135, 0.15%, 0.69%

LAB 74.04, -11.69, 6.35

 

CMYK 13 / 0 / 6 / 26

HEX #A4BCB1

RGB 164 188 177

HSL 152.5, 0.15%, 0.69%

LAB 74.21, -10.35, 2.79

 

CMYK 24 / 0 / 24 / 40

HEX #759975

RGB 117 153 117

HSL 120, 0.15%, 0.53%

LAB 59.75, -19.81, 14.96

 

CMYK 18 / 0 / 18 / 33

HEX #8CAA8C

RGB 140 170 140

HSL 120, 0.15%, 0.61%

LAB 66.69, -16.26, 12.1

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA4

RGB 164 188 164

HSL 120, 0.15%, 0.69%

LAB 73.89, -12.8, 9.4

 

CMYK 8 / 0 / 8 / 20

HEX #BCCDBC

RGB 188 205 188

HSL 120, 0.15%, 0.77%

LAB 80.73, -8.93, 6.49

 

CMYK 5 / 0 / 5 / 13

HEX #D4DFD4

RGB 212 223 212

HSL 120, 0.15%, 0.85%

LAB 87.74, -5.69, 4.1

 

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

CMYK 13 / 3 / 0 / 26

HEX #A4B7BC

RGB 164 183 188

HSL 192.5, 0.15%, 0.69%

LAB 73.15, -5.49, -4.76

 

CMYK 0 / 13 / 7 / 26

HEX #BCA4AE

RGB 188 164 174

HSL 335, 0.15%, 0.69%

LAB 69.68, 10.47, -1.94

 

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

CMYK 13 / 13 / 0 / 26

HEX #A4A4BC

RGB 164 164 188

HSL 240, 0.15%, 0.69%

LAB 68.08, 4.85, -12.31

 

CMYK 0 / 13 / 13 / 26

HEX #BCA4A4

RGB 188 164 164

HSL 0, 0.15%, 0.69%

LAB 69.41, 8.75, 3.22

 

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

CMYK 13 / 3 / 0 / 26

HEX #A4B7BC

RGB 164 183 188

HSL 192.5, 0.15%, 0.69%

LAB 73.15, -5.49, -4.76

 

CMYK 0 / 13 / 0 / 26

HEX #BCA4BC

RGB 188 164 188

HSL 300, 0.15%, 0.69%

LAB 70.09, 13.04, -9.09

 

CMYK 0 / 10 / 13 / 26

HEX #BCA9A4

RGB 188 169 164

HSL 12.5, 0.15%, 0.69%

LAB 70.7, 6.02, 5.07

 

CMYK 12 / 0 / 12 / 26

HEX #A5BCA5

RGB 165 188 165

HSL 120, 0.15%, 0.69%

LAB 73.99, -12.27, 9

 

CMYK 13 / 6 / 0 / 26

HEX #A4B0BC

RGB 164 176 188

HSL 210, 0.15%, 0.69%

LAB 71.26, -1.72, -7.55

 

CMYK 0 / 13 / 0 / 26

HEX #BCA4BC

RGB 188 164 188

HSL 300, 0.15%, 0.69%

LAB 70.09, 13.04, -9.09

 

CMYK 0 / 6 / 13 / 26

HEX #BCB0A4

RGB 188 176 164

HSL 30, 0.15%, 0.69%

LAB 72.51, 2.23, 7.67

 

Description

Color code: HEX #A5BCA5 | qconv.com Color code: HEX #A5BCA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 188 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 188 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 12 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 12% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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