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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B64B it is the complementary color #5A49B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B64B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5B64B shade: #AAB646, #BBC859, #CCDA6C, #DDEC7F and #EEFE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B64B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5B64B shade: #A5B64B, #94A438, #839225, #728012 and #616E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5B64B shade: #A4B54A, #B5A94A, #B58C4A, #B56F4A and #B5534A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5B64B shade: #A4B54A, #87B54A, #6AB54A, #4DB54A and #4AB563

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5B64B shade matches the following richer shades: #A4B54A, #B2CA35, #C0DE21 and #CEF30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5B64B shade: #A4B54A, #96A05F, #888C73, #7A7788 and #6C639C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5B64B shade: #B58C4A, #B5A94A, #A5B54A, #88B54A and #6CB54A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5B64B shade: #6F7A32, #89983E, #A4B54A, #B3C167 and #C1CD85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5B64B shade: #A5B64B, #4AB56F and #9A4AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5B64B shade: #A5B64B, #4AA5B5 and #B54AA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5B64B shade: #A5B64B, #4AB56F, #5A4AB5 and #B54A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5B64B shade: #A5B64B, #4AB590, #5A4AB5 and #B54A6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

Complementary color

CMYK 50 / 59 / 0 / 29

HEX #5A49B4

RGB 90 73 180

HSL 249.53, 0.42%, 0.5%

LAB 38.26, 35.34, -54.73

 

CMYK 7 / 0 / 62 / 29

HEX #AAB646

RGB 170 182 70

HSL 66.43, 0.44%, 0.49%

LAB 71.18, -19.4, 53.95

 

CMYK 7 / 0 / 56 / 22

HEX #BBC859

RGB 187 200 89

HSL 67.03, 0.5%, 0.57%

LAB 77.64, -19.91, 53.03

 

CMYK 6 / 0 / 50 / 15

HEX #CCDA6C

RGB 204 218 108

HSL 67.64, 0.6%, 0.64%

LAB 84, -20.31, 51.97

 

CMYK 6 / 0 / 46 / 7

HEX #DDEC7F

RGB 221 236 127

HSL 68.26, 0.74%, 0.71%

LAB 90.27, -20.64, 50.86

 

CMYK 6 / 0 / 43 / 0

HEX #EEFE92

RGB 238 254 146

HSL 68.89, 0.98%, 0.78%

LAB 96.47, -20.91, 49.74

 

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

CMYK 10 / 0 / 66 / 36

HEX #94A438

RGB 148 164 56

HSL 68.89, 0.49%, 0.43%

LAB 64.27, -20.57, 52.07

 

CMYK 10 / 0 / 75 / 43

HEX #839225

RGB 131 146 37

HSL 68.26, 0.6%, 0.36%

LAB 57.58, -19.87, 52.38

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 12 / 0 / 100 / 57

HEX #616E00

RGB 97 110 0

HSL 67.09, 1%, 0.22%

LAB 43.79, -17.76, 49.54

 

CMYK 9 / 0 / 59 / 29

HEX #A4B54A

RGB 164 181 74

HSL 69.53, 0.42%, 0.5%

LAB 70.48, -21.09, 51.3

 

CMYK 0 / 7 / 59 / 29

HEX #B5A94A

RGB 181 169 74

HSL 53.27, 0.42%, 0.5%

LAB 68.53, -7.75, 49.51

 

CMYK 0 / 23 / 59 / 29

HEX #B58C4A

RGB 181 140 74

HSL 37.01, 0.42%, 0.5%

LAB 60.85, 7.94, 40.7

 

CMYK 0 / 39 / 59 / 29

HEX #B56F4A

RGB 181 111 74

HSL 20.75, 0.42%, 0.5%

LAB 53.69, 24.07, 32.1

 

CMYK 0 / 54 / 59 / 29

HEX #B5534A

RGB 181 83 74

HSL 5.05, 0.42%, 0.5%

LAB 47.63, 39.04, 24.46

 

CMYK 9 / 0 / 59 / 29

HEX #A4B54A

RGB 164 181 74

HSL 69.53, 0.42%, 0.5%

LAB 70.48, -21.09, 51.3

 

CMYK 25 / 0 / 59 / 29

HEX #87B54A

RGB 135 181 74

HSL 85.79, 0.42%, 0.5%

LAB 68.53, -32.64, 48.58

 

CMYK 41 / 0 / 59 / 29

HEX #6AB54A

RGB 106 181 74

HSL 102.06, 0.42%, 0.5%

LAB 66.98, -42.95, 46.4

 

CMYK 57 / 0 / 59 / 29

HEX #4DB54A

RGB 77 181 74

HSL 118.32, 0.42%, 0.5%

LAB 65.84, -51.36, 44.79

 

CMYK 59 / 0 / 45 / 29

HEX #4AB563

RGB 74 181 99

HSL 134.02, 0.42%, 0.5%

LAB 66.06, -48.59, 32.75

 

CMYK 9 / 0 / 59 / 29

HEX #A4B54A

RGB 164 181 74

HSL 69.53, 0.42%, 0.5%

LAB 70.48, -21.09, 51.3

 

CMYK 12 / 0 / 74 / 21

HEX #B2CA35

RGB 178 202 53

HSL 69.66, 0.58%, 0.5%

LAB 77.26, -26.9, 66.85

 

CMYK 14 / 0 / 85 / 13

HEX #C0DE21

RGB 192 222 33

HSL 69.52, 0.74%, 0.5%

LAB 83.74, -31.35, 78.33

 

CMYK 15 / 0 / 95 / 5

HEX #CEF30C

RGB 206 243 12

HSL 69.61, 0.91%, 0.5%

LAB 90.44, -35.73, 87.03

 

CMYK 9 / 0 / 59 / 29

HEX #A4B54A

RGB 164 181 74

HSL 69.53, 0.42%, 0.5%

LAB 70.48, -21.09, 51.3

 

CMYK 6 / 0 / 41 / 37

HEX #96A05F

RGB 150 160 95

HSL 69.23, 0.25%, 0.5%

LAB 63.71, -14.05, 32.66

 

CMYK 3 / 0 / 18 / 45

HEX #888C73

RGB 136 140 115

HSL 69.6, 0.1%, 0.5%

LAB 57.3, -6.06, 12.88

 

CMYK 10 / 13 / 0 / 47

HEX #7A7788

RGB 122 119 136

HSL 250.59, 0.07%, 0.5%

LAB 50.81, 4.7, -8.84

 

CMYK 31 / 37 / 0 / 39

HEX #6C639C

RGB 108 99 156

HSL 249.47, 0.22%, 0.5%

LAB 44.96, 17, -29.75

 

CMYK 0 / 23 / 59 / 29

HEX #B58C4A

RGB 181 140 74

HSL 37.01, 0.42%, 0.5%

LAB 60.85, 7.94, 40.7

 

CMYK 0 / 7 / 59 / 29

HEX #B5A94A

RGB 181 169 74

HSL 53.27, 0.42%, 0.5%

LAB 68.53, -7.75, 49.51

 

CMYK 9 / 0 / 59 / 29

HEX #A5B54A

RGB 165 181 74

HSL 68.97, 0.42%, 0.5%

LAB 70.55, -20.67, 51.4

 

CMYK 25 / 0 / 59 / 29

HEX #88B54A

RGB 136 181 74

HSL 85.23, 0.42%, 0.5%

LAB 68.59, -32.26, 48.66

 

CMYK 40 / 0 / 59 / 29

HEX #6CB54A

RGB 108 181 74

HSL 100.93, 0.42%, 0.5%

LAB 67.07, -42.29, 46.53

 

CMYK 9 / 0 / 59 / 52

HEX #6F7A32

RGB 111 122 50

HSL 69.17, 0.42%, 0.34%

LAB 48.92, -15.2, 37.3

 

CMYK 10 / 0 / 59 / 40

HEX #89983E

RGB 137 152 62

HSL 70, 0.42%, 0.42%

LAB 60, -18.67, 44.55

 

CMYK 9 / 0 / 59 / 29

HEX #A4B54A

RGB 164 181 74

HSL 69.53, 0.42%, 0.5%

LAB 70.48, -21.09, 51.3

 

CMYK 7 / 0 / 47 / 24

HEX #B3C167

RGB 179 193 103

HSL 69.33, 0.42%, 0.58%

LAB 75.27, -18.36, 43.44

 

CMYK 6 / 0 / 35 / 20

HEX #C1CD85

RGB 193 205 133

HSL 70, 0.42%, 0.66%

LAB 80.01, -15.49, 34.52

 

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

CMYK 59 / 0 / 39 / 29

HEX #4AB56F

RGB 74 181 111

HSL 140.75, 0.42%, 0.5%

LAB 66.25, -46.54, 26.72

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

CMYK 59 / 9 / 0 / 29

HEX #4AA5B5

RGB 74 165 181

HSL 188.97, 0.42%, 0.5%

LAB 63.1, -22.21, -16.41

 

CMYK 0 / 59 / 9 / 29

HEX #B54AA5

RGB 181 74 165

HSL 308.97, 0.42%, 0.5%

LAB 48.81, 54.52, -28.42

 

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

CMYK 59 / 0 / 39 / 29

HEX #4AB56F

RGB 74 181 111

HSL 140.75, 0.42%, 0.5%

LAB 66.25, -46.54, 26.72

 

CMYK 50 / 59 / 0 / 29

HEX #5A4AB5

RGB 90 74 181

HSL 248.97, 0.42%, 0.5%

LAB 38.56, 35.05, -54.83

 

CMYK 0 / 59 / 20 / 29

HEX #B54A90

RGB 181 74 144

HSL 320.75, 0.42%, 0.5%

LAB 47.92, 51.27, -17.3

 

CMYK 9 / 0 / 59 / 29

HEX #A5B64B

RGB 165 182 75

HSL 69.53, 0.42%, 0.5%

LAB 70.85, -21.09, 51.28

 

CMYK 59 / 0 / 20 / 29

HEX #4AB590

RGB 74 181 144

HSL 159.25, 0.42%, 0.5%

LAB 66.91, -39.69, 9.78

 

CMYK 50 / 59 / 0 / 29

HEX #5A4AB5

RGB 90 74 181

HSL 248.97, 0.42%, 0.5%

LAB 38.56, 35.05, -54.83

 

CMYK 0 / 59 / 39 / 29

HEX #B54A6F

RGB 181 74 111

HSL 339.25, 0.42%, 0.5%

LAB 46.8, 46.96, 0.97

 

Description

Color code: HEX #A5B64B | qconv.com Color code: HEX #A5B64B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 182 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 182 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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