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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B528 it is the complementary color #5A4AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5B528 shade: #AAB523, #BBC736, #CCD949, #DDEB5C and #EEFD6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5B528 shade: #A5B528, #94A315, #839102, #727F00 and #616D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5B528 shade: #A4B427, #B49E27, #B47827, #B45227 and #B42C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5B528 shade: #A4B427, #7EB427, #58B427, #32B427 and #27B442

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5B528 shade matches the following richer shades: #A4B427, #B2C616 and #BFD704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5B528 shade: #A4B427, #96A239, #88904B, #7B7F5D and #6D6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5B528 shade: #B47727, #B49C27, #A6B427, #80B427 and #5BB427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5B528 shade: #667019, #859220, #A4B427, #C0D232 and #CADA54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5B528 shade: #A5B528, #27B452 and #8A27B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5B528 shade: #A5B528, #27A6B4 and #B427A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5B528 shade: #A5B528, #27B452, #3627B4 and #B4278A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5B528 shade: #A5B528, #27B47C, #3627B4 and #B42760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

Complementary color

CMYK 58 / 66 / 0 / 16

HEX #5A4AD7

RGB 90 74 215

HSL 246.81, 0.64%, 0.57%

LAB 41.18, 45.53, -70.34

 

CMYK 6 / 0 / 81 / 29

HEX #AAB523

RGB 170 181 35

HSL 64.52, 0.68%, 0.42%

LAB 70.67, -20.74, 66.09

 

CMYK 6 / 0 / 73 / 22

HEX #BBC736

RGB 187 199 54

HSL 64.97, 0.57%, 0.5%

LAB 77.09, -21.67, 66.58

 

CMYK 6 / 0 / 66 / 15

HEX #CCD949

RGB 204 217 73

HSL 65.42, 0.65%, 0.57%

LAB 83.41, -22.42, 66.37

 

CMYK 6 / 0 / 61 / 8

HEX #DDEB5C

RGB 221 235 92

HSL 65.87, 0.78%, 0.64%

LAB 89.66, -23.04, 65.75

 

CMYK 6 / 0 / 56 / 1

HEX #EEFD6F

RGB 238 253 111

HSL 66.34, 0.97%, 0.71%

LAB 95.82, -23.56, 64.91

 

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

CMYK 9 / 0 / 87 / 36

HEX #94A315

RGB 148 163 21

HSL 66.34, 0.77%, 0.36%

LAB 63.79, -21.67, 62.97

 

CMYK 10 / 0 / 99 / 43

HEX #839102

RGB 131 145 2

HSL 65.87, 0.97%, 0.29%

LAB 57.15, -20.44, 60.36

 

CMYK 10 / 0 / 100 / 50

HEX #727F00

RGB 114 127 0

HSL 66.14, 1%, 0.25%

LAB 50.4, -18.87, 55.07

 

CMYK 11 / 0 / 100 / 57

HEX #616D00

RGB 97 109 0

HSL 66.61, 1%, 0.21%

LAB 43.48, -17.22, 49.31

 

CMYK 9 / 0 / 78 / 29

HEX #A4B427

RGB 164 180 39

HSL 66.81, 0.64%, 0.43%

LAB 69.95, -22.66, 64.13

 

CMYK 0 / 12 / 78 / 29

HEX #B49E27

RGB 180 158 39

HSL 50.64, 0.64%, 0.43%

LAB 65.2, -4.31, 60.33

 

CMYK 0 / 33 / 78 / 29

HEX #B47827

RGB 180 120 39

HSL 34.47, 0.64%, 0.43%

LAB 55.36, 16.58, 51.19

 

CMYK 0 / 54 / 78 / 29

HEX #B45227

RGB 180 82 39

HSL 18.3, 0.64%, 0.43%

LAB 46.82, 37.16, 42.87

 

CMYK 0 / 76 / 78 / 29

HEX #B42C27

RGB 180 44 39

HSL 2.13, 0.64%, 0.43%

LAB 40.66, 53.63, 36.55

 

CMYK 9 / 0 / 78 / 29

HEX #A4B427

RGB 164 180 39

HSL 66.81, 0.64%, 0.43%

LAB 69.95, -22.66, 64.13

 

CMYK 30 / 0 / 78 / 29

HEX #7EB427

RGB 126 180 39

HSL 82.98, 0.64%, 0.43%

LAB 67.45, -38.08, 60.91

 

CMYK 51 / 0 / 78 / 29

HEX #58B427

RGB 88 180 39

HSL 99.15, 0.64%, 0.43%

LAB 65.64, -51.02, 58.57

 

CMYK 72 / 0 / 78 / 29

HEX #32B427

RGB 50 180 39

HSL 115.32, 0.64%, 0.43%

LAB 64.54, -60, 57.13

 

CMYK 78 / 0 / 63 / 29

HEX #27B442

RGB 39 180 66

HSL 131.49, 0.64%, 0.43%

LAB 64.54, -59.26, 46.69

 

CMYK 9 / 0 / 78 / 29

HEX #A4B427

RGB 164 180 39

HSL 66.81, 0.64%, 0.43%

LAB 69.95, -22.66, 64.13

 

CMYK 10 / 0 / 89 / 22

HEX #B2C616

RGB 178 198 22

HSL 66.82, 0.8%, 0.43%

LAB 76.01, -26.03, 73.66

 

CMYK 11 / 0 / 98 / 16

HEX #BFD704

RGB 191 215 4

HSL 66.82, 0.96%, 0.43%

LAB 81.67, -28.96, 80.56

 

CMYK 9 / 0 / 78 / 29

HEX #A4B427

RGB 164 180 39

HSL 66.81, 0.64%, 0.43%

LAB 69.95, -22.66, 64.13

 

CMYK 7 / 0 / 65 / 36

HEX #96A239

RGB 150 162 57

HSL 66.86, 0.48%, 0.43%

LAB 63.85, -18.63, 51.26

 

CMYK 6 / 0 / 48 / 44

HEX #88904B

RGB 136 144 75

HSL 66.96, 0.32%, 0.43%

LAB 57.74, -13.68, 35.46

 

CMYK 3 / 0 / 27 / 50

HEX #7B7F5D

RGB 123 127 93

HSL 67.06, 0.15%, 0.43%

LAB 52.04, -7.57, 18.04

 

CMYK 1 / 1 / 0 / 57

HEX #6D6D6E

RGB 109 109 110

HSL 240, 0%, 0.43%

LAB 46.06, 0.21, -0.56

 

CMYK 0 / 34 / 78 / 29

HEX #B47727

RGB 180 119 39

HSL 34.04, 0.64%, 0.43%

LAB 55.12, 17.14, 50.96

 

CMYK 0 / 13 / 78 / 29

HEX #B49C27

RGB 180 156 39

HSL 49.79, 0.64%, 0.43%

LAB 64.67, -3.24, 59.84

 

CMYK 8 / 0 / 78 / 29

HEX #A6B427

RGB 166 180 39

HSL 65.96, 0.64%, 0.43%

LAB 70.1, -21.81, 64.32

 

CMYK 29 / 0 / 78 / 29

HEX #80B427

RGB 128 180 39

HSL 82.13, 0.64%, 0.43%

LAB 67.56, -37.31, 61.06

 

CMYK 49 / 0 / 78 / 29

HEX #5BB427

RGB 91 180 39

HSL 97.87, 0.64%, 0.43%

LAB 65.76, -50.13, 58.72

 

CMYK 9 / 0 / 78 / 56

HEX #667019

RGB 102 112 25

HSL 66.9, 0.64%, 0.27%

LAB 44.92, -15.64, 43.88

 

CMYK 9 / 0 / 78 / 43

HEX #859220

RGB 133 146 32

HSL 66.84, 0.64%, 0.35%

LAB 57.7, -19.24, 54.27

 

CMYK 9 / 0 / 78 / 29

HEX #A4B427

RGB 164 180 39

HSL 66.81, 0.64%, 0.43%

LAB 69.95, -22.66, 64.13

 

CMYK 9 / 0 / 76 / 18

HEX #C0D232

RGB 192 210 50

HSL 66.75, 0.64%, 0.51%

LAB 80.48, -25.11, 71.17

 

CMYK 7 / 0 / 61 / 15

HEX #CADA54

RGB 202 218 84

HSL 67.16, 0.64%, 0.59%

LAB 83.62, -23.02, 62.15

 

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

CMYK 78 / 0 / 54 / 29

HEX #27B452

RGB 39 180 82

HSL 138.3, 0.64%, 0.43%

LAB 64.71, -57.18, 39.43

 

CMYK 23 / 78 / 0 / 29

HEX #8A27B4

RGB 138 39 180

HSL 282.13, 0.64%, 0.43%

LAB 38.11, 61.39, -54.7

 

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

CMYK 78 / 8 / 0 / 29

HEX #27A6B4

RGB 39 166 180

HSL 185.96, 0.64%, 0.43%

LAB 62.51, -28.12, -16.82

 

CMYK 0 / 78 / 8 / 29

HEX #B427A6

RGB 180 39 166

HSL 305.96, 0.64%, 0.43%

LAB 44.1, 67.31, -36.41

 

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

CMYK 78 / 0 / 54 / 29

HEX #27B452

RGB 39 180 82

HSL 138.3, 0.64%, 0.43%

LAB 64.71, -57.18, 39.43

 

CMYK 70 / 78 / 0 / 29

HEX #3627B4

RGB 54 39 180

HSL 246.38, 0.64%, 0.43%

LAB 28.2, 49.3, -71.32

 

CMYK 0 / 78 / 23 / 29

HEX #B4278A

RGB 180 39 138

HSL 317.87, 0.64%, 0.43%

LAB 42.75, 63.4, -21.64

 

CMYK 9 / 0 / 78 / 29

HEX #A5B528

RGB 165 181 40

HSL 66.81, 0.64%, 0.43%

LAB 70.32, -22.69, 64.19

 

CMYK 78 / 0 / 31 / 29

HEX #27B47C

RGB 39 180 124

HSL 156.17, 0.64%, 0.43%

LAB 65.38, -49.49, 18.44

 

CMYK 70 / 78 / 0 / 29

HEX #3627B4

RGB 54 39 180

HSL 246.38, 0.64%, 0.43%

LAB 28.2, 49.3, -71.32

 

CMYK 0 / 78 / 47 / 29

HEX #B42760

RGB 180 39 96

HSL 335.74, 0.64%, 0.43%

LAB 41.21, 58.79, 2.12

 

Description

Color code: HEX #A5B528 | qconv.com Color code: HEX #A5B528 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 181 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 181 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 78 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 78% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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