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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5A33B it is the complementary color #5A5CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5A33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A5A33B: #AAA336, #BBB549, #CCC75C, #DDD96F and #EEEB82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5A33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A5A33B: #A5A33B, #949128, #837F15, #726D02 and #615B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

Complementary color

CMYK 54 / 53 / 0 / 23

HEX #5A5CC4

RGB 90 92 196

HSL 238.87, 0.47%, 0.56%

LAB 43.96, 28.7, -54.87

 

CMYK 0 / 4 / 68 / 33

HEX #AAA336

RGB 170 163 54

HSL 56.38, 0.52%, 0.44%

LAB 65.75, -10.67, 54.99

 

CMYK 0 / 3 / 61 / 27

HEX #BBB549

RGB 187 181 73

HSL 56.84, 0.46%, 0.51%

LAB 72.29, -11.51, 54.25

 

CMYK 0 / 2 / 55 / 20

HEX #CCC75C

RGB 204 199 92

HSL 57.32, 0.52%, 0.58%

LAB 78.73, -12.2, 53.26

 

CMYK 0 / 2 / 50 / 13

HEX #DDD96F

RGB 221 217 111

HSL 57.82, 0.62%, 0.65%

LAB 85.07, -12.77, 52.16

 

CMYK 0 / 1 / 45 / 7

HEX #EEEB82

RGB 238 235 130

HSL 58.33, 0.76%, 0.72%

LAB 91.33, -13.25, 51.02

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 0 / 2 / 73 / 42

HEX #949128

RGB 148 145 40

HSL 58.33, 0.57%, 0.37%

LAB 58.7, -11.65, 52.83

 

CMYK 0 / 3 / 84 / 49

HEX #837F15

RGB 131 127 21

HSL 57.82, 0.72%, 0.3%

LAB 51.9, -10.5, 52.41

 

CMYK 0 / 4 / 98 / 55

HEX #726D02

RGB 114 109 2

HSL 57.32, 0.97%, 0.23%

LAB 44.97, -9.08, 50.6

 

CMYK 0 / 6 / 100 / 62

HEX #615B00

RGB 97 91 0

HSL 56.29, 1%, 0.19%

LAB 37.88, -7.18, 45.2

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 9 / 0 / 64 / 36

HEX #96A43B

RGB 150 164 59

HSL 68, 0.47%, 0.44%

LAB 64.44, -19.51, 51.03

 

CMYK 19 / 0 / 64 / 36

HEX #85A43B

RGB 133 164 59

HSL 77.71, 0.47%, 0.44%

LAB 63.22, -26.6, 49.36

 

CMYK 30 / 0 / 64 / 36

HEX #73A43B

RGB 115 164 59

HSL 88, 0.47%, 0.44%

LAB 62.09, -33.69, 47.8

 

CMYK 40 / 0 / 64 / 36

HEX #62A43B

RGB 98 164 59

HSL 97.71, 0.47%, 0.44%

LAB 61.19, -39.83, 46.55

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 0 / 1 / 64 / 15

HEX #D8D54D

RGB 216 213 77

HSL 58.71, 0.64%, 0.57%

LAB 83.3, -15.29, 64.98

 

CMYK 0 / 0 / 67 / 95

HEX #0C0C04

RGB 12 12 4

HSL 60, 0.5%, 0.03%

LAB 3.16, -1.13, 3.07

 

CMYK 0 / 2 / 63 / 75

HEX #3F3E17

RGB 63 62 23

HSL 58.5, 0.47%, 0.17%

LAB 25.45, -5.83, 23.69

 

CMYK 0 / 1 / 64 / 55

HEX #727129

RGB 114 113 41

HSL 59.18, 0.47%, 0.3%

LAB 46.38, -9.64, 38.91

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 64 / 0 / 53 / 36

HEX #3BA44D

RGB 59 164 77

HSL 130.29, 0.47%, 0.44%

LAB 59.9, -48.71, 36.16

 

CMYK 27 / 64 / 0 / 36

HEX #773BA4

RGB 119 59 164

HSL 274.29, 0.47%, 0.44%

LAB 37.35, 45.37, -46.52

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 64 / 0 / 2 / 36

HEX #3BA4A1

RGB 59 164 161

HSL 178.29, 0.47%, 0.44%

LAB 61.7, -30.21, -7.32

 

CMYK 2 / 64 / 0 / 36

HEX #A13BA4

RGB 161 59 164

HSL 298.29, 0.47%, 0.44%

LAB 43.34, 55.64, -36.62

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 64 / 0 / 53 / 36

HEX #3BA44D

RGB 59 164 77

HSL 130.29, 0.47%, 0.44%

LAB 59.9, -48.71, 36.16

 

CMYK 64 / 62 / 0 / 36

HEX #3B3EA4

RGB 59 62 164

HSL 238.29, 0.47%, 0.44%

LAB 31.93, 31.21, -55.58

 

CMYK 0 / 64 / 10 / 36

HEX #A43B93

RGB 164 59 147

HSL 309.71, 0.47%, 0.44%

LAB 42.95, 53.53, -26.99

 

CMYK 0 / 1 / 64 / 35

HEX #A5A33B

RGB 165 163 59

HSL 58.87, 0.47%, 0.44%

LAB 65.36, -12.55, 52.37

 

CMYK 64 / 0 / 34 / 36

HEX #3BA46C

RGB 59 164 108

HSL 148, 0.47%, 0.44%

LAB 60.39, -43.3, 20.42

 

CMYK 64 / 62 / 0 / 36

HEX #3B3EA4

RGB 59 62 164

HSL 238.29, 0.47%, 0.44%

LAB 31.93, 31.21, -55.58

 

CMYK 0 / 64 / 30 / 36

HEX #A43B73

RGB 164 59 115

HSL 328, 0.47%, 0.44%

LAB 41.62, 48.86, -9.46

 

Description

Color code: HEX #A5A33B | qconv.com Color code: HEX #A5A33B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 163 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 163 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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