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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5A299 it is the complementary color #5A5D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5A299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5A299 shade: #AAA294, #BBB4A7, #CCC6BA, #DDD8CD and #EEEAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5A299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5A299 shade: #A5A299, #949086, #837E73, #726C60 and #615A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5A299 shade: #A4A198, #A49E98, #A49B98 and #A49898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5A299 shade: #A4A198, #A4A498, #A1A498, #9DA498 and #9AA498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5A299 shade matches the following richer shades: #A4A198, #B4A989, #C3B179, #D3B969 and #E3C05A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5A299 shade: #A4A198, #9499A8, #8591B8, #7589C7 and #6582D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5A299 shade: #A49B98, #A49E98, #A4A198, #A4A498 and #A1A498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5A299 shade: #7C786E, #918D82, #A4A198, #B7B5AE and #CBC9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5A299 shade: #A5A299, #99A498 and #9C98A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5A299 shade: #A5A299, #98A4A1 and #A198A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5A299 shade: #A5A299, #99A498, #989BA4 and #A398A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5A299 shade: #A5A299, #98A49B, #989BA4 and #A498A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

Complementary color

CMYK 12 / 9 / 0 / 60

HEX #5A5D66

RGB 90 93 102

HSL 225, 0.06%, 0.38%

LAB 39.52, 0.84, -5.54

 

CMYK 0 / 5 / 13 / 33

HEX #AAA294

RGB 170 162 148

HSL 38.18, 0.11%, 0.62%

LAB 66.92, 0.44, 8.31

 

CMYK 0 / 4 / 11 / 27

HEX #BBB4A7

RGB 187 180 167

HSL 39, 0.13%, 0.69%

LAB 73.54, 0.21, 7.5

 

CMYK 0 / 3 / 9 / 20

HEX #CCC6BA

RGB 204 198 186

HSL 40, 0.15%, 0.76%

LAB 80.05, -0, 6.74

 

CMYK 0 / 2 / 7 / 13

HEX #DDD8CD

RGB 221 216 205

HSL 41.25, 0.19%, 0.84%

LAB 86.45, -0.19, 6.01

 

CMYK 0 / 2 / 6 / 7

HEX #EEEAE0

RGB 238 234 224

HSL 42.86, 0.29%, 0.91%

LAB 92.75, -0.37, 5.32

 

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

CMYK 0 / 3 / 9 / 42

HEX #949086

RGB 148 144 134

HSL 42.86, 0.06%, 0.55%

LAB 59.86, -0.37, 5.83

 

CMYK 0 / 4 / 12 / 49

HEX #837E73

RGB 131 126 115

HSL 41.25, 0.07%, 0.48%

LAB 52.93, -0.15, 6.66

 

CMYK 0 / 5 / 16 / 55

HEX #726C60

RGB 114 108 96

HSL 40, 0.09%, 0.41%

LAB 45.83, 0.1, 7.55

 

CMYK 0 / 7 / 21 / 62

HEX #615A4D

RGB 97 90 77

HSL 39, 0.11%, 0.34%

LAB 38.53, 0.4, 8.53

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 0 / 4 / 7 / 36

HEX #A49E98

RGB 164 158 152

HSL 30, 0.06%, 0.62%

LAB 65.45, 1.08, 3.9

 

CMYK 0 / 5 / 7 / 36

HEX #A49B98

RGB 164 155 152

HSL 15, 0.06%, 0.62%

LAB 64.65, 2.74, 2.74

 

CMYK 0 / 7 / 7 / 36

HEX #A49898

RGB 164 152 152

HSL 0, 0.06%, 0.62%

LAB 63.85, 4.4, 1.58

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 0 / 0 / 7 / 36

HEX #A4A498

RGB 164 164 152

HSL 60, 0.06%, 0.62%

LAB 67.06, -2.2, 6.22

 

CMYK 2 / 0 / 7 / 36

HEX #A1A498

RGB 161 164 152

HSL 75, 0.06%, 0.62%

LAB 66.82, -3.3, 5.85

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 6 / 0 / 7 / 36

HEX #9AA498

RGB 154 164 152

HSL 110, 0.06%, 0.62%

LAB 66.28, -5.85, 5

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 0 / 6 / 24 / 29

HEX #B4A989

RGB 180 169 137

HSL 44.65, 0.22%, 0.62%

LAB 69.39, -1.25, 17.97

 

CMYK 0 / 9 / 38 / 24

HEX #C3B179

RGB 195 177 121

HSL 45.41, 0.38%, 0.62%

LAB 72.51, -1.66, 31.02

 

CMYK 0 / 12 / 50 / 17

HEX #D3B969

RGB 211 185 105

HSL 45.28, 0.55%, 0.62%

LAB 75.8, -0.98, 43.71

 

CMYK 0 / 15 / 60 / 11

HEX #E3C05A

RGB 227 192 90

HSL 44.67, 0.71%, 0.62%

LAB 78.91, 0.83, 54.93

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 12 / 9 / 0 / 34

HEX #9499A8

RGB 148 153 168

HSL 225, 0.1%, 0.62%

LAB 63.26, 1.3, -8.45

 

CMYK 28 / 21 / 0 / 28

HEX #8591B8

RGB 133 145 184

HSL 225.88, 0.26%, 0.62%

LAB 60.51, 4.66, -21.75

 

CMYK 41 / 31 / 0 / 22

HEX #7589C7

RGB 117 137 199

HSL 225.37, 0.42%, 0.62%

LAB 57.84, 8.72, -34.45

 

CMYK 53 / 40 / 0 / 16

HEX #6582D7

RGB 101 130 215

HSL 224.74, 0.59%, 0.62%

LAB 55.72, 13.81, -46.87

 

CMYK 0 / 5 / 7 / 36

HEX #A49B98

RGB 164 155 152

HSL 15, 0.06%, 0.62%

LAB 64.65, 2.74, 2.74

 

CMYK 0 / 4 / 7 / 36

HEX #A49E98

RGB 164 158 152

HSL 30, 0.06%, 0.62%

LAB 65.45, 1.08, 3.9

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 0 / 0 / 7 / 36

HEX #A4A498

RGB 164 164 152

HSL 60, 0.06%, 0.62%

LAB 67.06, -2.2, 6.22

 

CMYK 2 / 0 / 7 / 36

HEX #A1A498

RGB 161 164 152

HSL 75, 0.06%, 0.62%

LAB 66.82, -3.3, 5.85

 

CMYK 0 / 3 / 11 / 51

HEX #7C786E

RGB 124 120 110

HSL 42.86, 0.06%, 0.46%

LAB 50.5, -0.36, 6.03

 

CMYK 0 / 3 / 10 / 43

HEX #918D82

RGB 145 141 130

HSL 44, 0.06%, 0.54%

LAB 58.68, -0.54, 6.39

 

CMYK 0 / 2 / 7 / 36

HEX #A4A198

RGB 164 161 152

HSL 45, 0.06%, 0.62%

LAB 66.25, -0.56, 5.06

 

CMYK 0 / 1 / 5 / 28

HEX #B7B5AE

RGB 183 181 174

HSL 46.67, 0.06%, 0.7%

LAB 73.66, -0.56, 3.8

 

CMYK 0 / 1 / 3 / 20

HEX #CBC9C4

RGB 203 201 196

HSL 42.86, 0.06%, 0.78%

LAB 80.99, -0.2, 2.73

 

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

CMYK 7 / 0 / 7 / 36

HEX #99A498

RGB 153 164 152

HSL 115, 0.06%, 0.62%

LAB 66.21, -6.21, 4.88

 

CMYK 5 / 7 / 0 / 36

HEX #9C98A4

RGB 156 152 164

HSL 260, 0.06%, 0.62%

LAB 63.51, 3.8, -5.76

 

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

CMYK 7 / 0 / 2 / 36

HEX #98A4A1

RGB 152 164 161

HSL 165, 0.06%, 0.62%

LAB 66.37, -4.83, 0.09

 

CMYK 2 / 7 / 0 / 36

HEX #A198A4

RGB 161 152 164

HSL 285, 0.06%, 0.62%

LAB 63.93, 5.57, -5.09

 

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

CMYK 7 / 0 / 7 / 36

HEX #99A498

RGB 153 164 152

HSL 115, 0.06%, 0.62%

LAB 66.21, -6.21, 4.88

 

CMYK 7 / 5 / 0 / 36

HEX #989BA4

RGB 152 155 164

HSL 225, 0.06%, 0.62%

LAB 64, 0.73, -5.07

 

CMYK 1 / 7 / 0 / 36

HEX #A398A4

RGB 163 152 164

HSL 295, 0.06%, 0.62%

LAB 64.1, 6.29, -4.82

 

CMYK 0 / 2 / 7 / 35

HEX #A5A299

RGB 165 162 153

HSL 45, 0.06%, 0.62%

LAB 66.63, -0.56, 5.05

 

CMYK 7 / 0 / 5 / 36

HEX #98A49B

RGB 152 164 155

HSL 135, 0.06%, 0.62%

LAB 66.21, -6, 3.2

 

CMYK 7 / 5 / 0 / 36

HEX #989BA4

RGB 152 155 164

HSL 225, 0.06%, 0.62%

LAB 64, 0.73, -5.07

 

CMYK 0 / 7 / 2 / 36

HEX #A498A1

RGB 164 152 161

HSL 315, 0.06%, 0.62%

LAB 64.1, 6.07, -3.12

 

Description

Color code: HEX #A5A299 | qconv.com Color code: HEX #A5A299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 162 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 162 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 7 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 7% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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