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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A59178 it is the complementary color #5A6E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A59178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A59178 shade: #AA9173, #BBA386, #CCB599, #DDC7AC and #EED9BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A59178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A59178 shade: #A59178, #947F65, #836D52, #725B3F and #61492C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A59178 shade: #A59178, #A58578, #A57978 and #A57878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A59178 shade: #A59178, #A59D78, #A1A578, #95A578 and #89A578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A59178 shade matches the following richer shades: #A59178, #B79366, #CA9554, #DC9742 and #EE9930

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A59178 shade: #A59178, #938F8B, #818D9D, #6F8BAF and #5D89C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A59178 shade: #A57978, #A58578, #A59178, #A59D78 and #A2A578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A59178 shade: #7A6851, #937D62, #A59178, #B6A591 and #C6BAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A59178 shade: #A59178, #84A578 and #7F78A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A59178 shade: #A59178, #78A591 and #9178A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A59178 shade: #A59178, #84A578, #788DA5 and #9A78A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A59178 shade: #A59178, #78A57B, #788DA5 and #A578A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

Complementary color

CMYK 33 / 19 / 0 / 47

HEX #5A6E87

RGB 90 110 135

HSL 213.33, 0.2%, 0.44%

LAB 45.74, -1.01, -16.16

 

CMYK 0 / 15 / 32 / 33

HEX #AA9173

RGB 170 145 115

HSL 32.73, 0.24%, 0.56%

LAB 61.68, 4.82, 19.41

 

CMYK 0 / 13 / 28 / 27

HEX #BBA386

RGB 187 163 134

HSL 32.83, 0.28%, 0.63%

LAB 68.37, 4.32, 18.31

 

CMYK 0 / 11 / 25 / 20

HEX #CCB599

RGB 204 181 153

HSL 32.94, 0.33%, 0.7%

LAB 74.94, 3.89, 17.29

 

CMYK 0 / 10 / 22 / 13

HEX #DDC7AC

RGB 221 199 172

HSL 33.06, 0.42%, 0.77%

LAB 81.4, 3.51, 16.34

 

CMYK 0 / 9 / 20 / 7

HEX #EED9BF

RGB 238 217 191

HSL 33.19, 0.58%, 0.84%

LAB 87.76, 3.17, 15.44

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 14 / 32 / 42

HEX #947F65

RGB 148 127 101

HSL 33.19, 0.19%, 0.49%

LAB 54.46, 3.97, 17.13

HEX #947F65

CMYK 0 / 17 / 37 / 49

HEX #836D52

RGB 131 109 82

HSL 33.06, 0.23%, 0.42%

LAB 47.46, 4.56, 18.34

HEX #836D52

CMYK 0 / 20 / 45 / 55

HEX #725B3F

RGB 114 91 63

HSL 32.94, 0.29%, 0.35%

LAB 40.28, 5.28, 19.69

HEX #725B3F

CMYK 0 / 25 / 55 / 62

HEX #61492C

RGB 97 73 44

HSL 32.83, 0.38%, 0.28%

LAB 32.89, 6.22, 21.2

HEX #61492C

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 19 / 27 / 35

HEX #A58578

RGB 165 133 120

HSL 17.33, 0.2%, 0.56%

LAB 58.16, 10.22, 11.63

 

CMYK 0 / 27 / 27 / 35

HEX #A57978

RGB 165 121 120

HSL 1.33, 0.2%, 0.56%

LAB 55.1, 17.03, 7.3

 

CMYK 0 / 27 / 27 / 35

HEX #A57878

RGB 165 120 120

HSL 0, 0.2%, 0.56%

LAB 54.85, 17.6, 6.94

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 5 / 27 / 35

HEX #A59D78

RGB 165 157 120

HSL 49.33, 0.2%, 0.56%

LAB 64.54, -3.11, 20.45

 

CMYK 2 / 0 / 27 / 35

HEX #A1A578

RGB 161 165 120

HSL 65.33, 0.2%, 0.56%

LAB 66.4, -9, 22.91

 

CMYK 10 / 0 / 27 / 35

HEX #95A578

RGB 149 165 120

HSL 81.33, 0.2%, 0.56%

LAB 65.48, -13.67, 21.51

 

CMYK 17 / 0 / 27 / 35

HEX #89A578

RGB 137 165 120

HSL 97.33, 0.2%, 0.56%

LAB 64.63, -18.21, 20.22

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 20 / 44 / 28

HEX #B79366

RGB 183 147 102

HSL 33.33, 0.36%, 0.56%

LAB 63.26, 7.52, 28.91

 

CMYK 0 / 26 / 58 / 21

HEX #CA9554

RGB 202 149 84

HSL 33.05, 0.53%, 0.56%

LAB 65.51, 12.78, 41.67

 

CMYK 0 / 31 / 70 / 14

HEX #DC9742

RGB 220 151 66

HSL 33.12, 0.69%, 0.56%

LAB 67.83, 18.18, 53.56

 

CMYK 0 / 36 / 80 / 7

HEX #EE9930

RGB 238 153 48

HSL 33.16, 0.85%, 0.56%

LAB 70.3, 23.94, 64.13

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 3 / 5 / 42

HEX #938F8B

RGB 147 143 139

HSL 30, 0.04%, 0.56%

LAB 59.63, 0.72, 2.64

 

CMYK 18 / 10 / 0 / 38

HEX #818D9D

RGB 129 141 157

HSL 214.29, 0.13%, 0.56%

LAB 58.18, -0.83, -9.94

 

CMYK 37 / 21 / 0 / 31

HEX #6F8BAF

RGB 111 139 175

HSL 213.75, 0.29%, 0.56%

LAB 57.02, -0.79, -22.12

 

CMYK 52 / 29 / 0 / 24

HEX #5D89C1

RGB 93 137 193

HSL 213.6, 0.45%, 0.56%

LAB 56.16, 0.94, -33.79

 

CMYK 0 / 27 / 27 / 35

HEX #A57978

RGB 165 121 120

HSL 1.33, 0.2%, 0.56%

LAB 55.1, 17.03, 7.3

 

CMYK 0 / 19 / 27 / 35

HEX #A58578

RGB 165 133 120

HSL 17.33, 0.2%, 0.56%

LAB 58.16, 10.22, 11.63

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 5 / 27 / 35

HEX #A59D78

RGB 165 157 120

HSL 49.33, 0.2%, 0.56%

LAB 64.54, -3.11, 20.45

 

CMYK 2 / 0 / 27 / 35

HEX #A2A578

RGB 162 165 120

HSL 64, 0.2%, 0.56%

LAB 66.48, -8.61, 23.04

 

CMYK 0 / 15 / 34 / 52

HEX #7A6851

RGB 122 104 81

HSL 33.66, 0.2%, 0.4%

LAB 45.13, 3.45, 15.62

 

CMYK 0 / 15 / 33 / 42

HEX #937D62

RGB 147 125 98

HSL 33.06, 0.2%, 0.48%

LAB 53.76, 4.28, 17.87

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 9 / 20 / 29

HEX #B6A591

RGB 182 165 145

HSL 32.43, 0.2%, 0.64%

LAB 68.68, 2.89, 12.61

 

CMYK 0 / 6 / 14 / 22

HEX #C6BAAA

RGB 198 186 170

HSL 34.29, 0.2%, 0.72%

LAB 76.09, 1.54, 9.63

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 20 / 0 / 27 / 35

HEX #84A578

RGB 132 165 120

HSL 104, 0.2%, 0.56%

LAB 64.3, -20.05, 19.71

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 27 / 0 / 12 / 35

HEX #78A591

RGB 120 165 145

HSL 153.33, 0.2%, 0.56%

LAB 64.12, -19.47, 5.5

 

CMYK 12 / 27 / 0 / 35

HEX #9178A5

RGB 145 120 165

HSL 273.33, 0.2%, 0.56%

LAB 54.21, 18.53, -20.44

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 20 / 0 / 27 / 35

HEX #84A578

RGB 132 165 120

HSL 104, 0.2%, 0.56%

LAB 64.3, -20.05, 19.71

 

CMYK 27 / 15 / 0 / 35

HEX #788DA5

RGB 120 141 165

HSL 212, 0.2%, 0.56%

LAB 57.81, -1.84, -15.15

 

CMYK 7 / 27 / 0 / 35

HEX #9A78A5

RGB 154 120 165

HSL 285.33, 0.2%, 0.56%

LAB 55.09, 21.58, -19.01

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 27 / 0 / 25 / 35

HEX #78A57B

RGB 120 165 123

HSL 124, 0.2%, 0.56%

LAB 63.62, -23.78, 17.01

 

CMYK 27 / 15 / 0 / 35

HEX #788DA5

RGB 120 141 165

HSL 212, 0.2%, 0.56%

LAB 57.81, -1.84, -15.15

 

CMYK 0 / 27 / 1 / 35

HEX #A578A3

RGB 165 120 163

HSL 302.67, 0.2%, 0.56%

LAB 56.16, 24.95, -16.11

 

Description

Color code: HEX #A59178 | qconv.com Color code: HEX #A59178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 145 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 145 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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