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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A590D9 it is the complementary color #5A6F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A590D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A590D9 shade: #AA90D4, #BBA2E7, #CCB4FA, #DDC6FF and #EED8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A590D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A590D9 shade: #A590D9, #947EC6, #836CB3, #725AA0 and #61488D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A590D9 shade: #A691D9, #B991D9, #CD91D9, #D991D2 and #D991BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A590D9 shade: #A691D9, #9291D9 and #9191D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A590D9 shade matches the following richer shades: #A691D9, #A185E5, #9B79F1 and #966DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A590D9 shade: #A691D9, #AB9DCD, #B0A9C1, #B5B5B5 and #BAC1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A590D9 shade: #91A3D9, #9291D9, #A591D9, #B991D9 and #CC91D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A590D9 shade: #7453C4, #8D72CF, #A691D9, #BFB0E4 and #D8CEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A590D9 shade: #A590D9, #D991B6 and #99D991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A590D9 shade: #A590D9, #D9A591 and #91D9A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A590D9 shade: #A590D9, #D991B6, #C5D991 and #91D9B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A590D9 shade: #A590D9, #D991A1, #C5D991 and #91D9CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

Complementary color

CMYK 19 / 0 / 66 / 56

HEX #5A6F26

RGB 90 111 38

HSL 77.26, 0.49%, 0.29%

LAB 43.77, -19.65, 36.94

 

CMYK 20 / 32 / 0 / 17

HEX #AA90D4

RGB 170 144 212

HSL 262.94, 0.44%, 0.7%

LAB 64.36, 23.36, -31.29

 

CMYK 19 / 30 / 0 / 9

HEX #BBA2E7

RGB 187 162 231

HSL 261.74, 0.59%, 0.77%

LAB 70.99, 22.76, -31.4

 

CMYK 18 / 28 / 0 / 2

HEX #CCB4FA

RGB 204 180 250

HSL 260.57, 0.88%, 0.84%

LAB 77.51, 22.21, -31.53

 

CMYK 13 / 22 / 0 / 0

HEX #DDC6FF

RGB 221 198 255

HSL 264.21, 1%, 0.89%

LAB 83.43, 18.74, -25.01

 

CMYK 7 / 15 / 0 / 0

HEX #EED8FF

RGB 238 216 255

HSL 273.85, 1%, 0.92%

LAB 89.16, 14.56, -16.21

 

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

CMYK 25 / 36 / 0 / 22

HEX #947EC6

RGB 148 126 198

HSL 258.33, 0.39%, 0.64%

LAB 57.36, 23.71, -34.45

 

CMYK 27 / 40 / 0 / 30

HEX #836CB3

RGB 131 108 179

HSL 259.44, 0.32%, 0.56%

LAB 50.46, 24.48, -34.47

 

CMYK 29 / 44 / 0 / 37

HEX #725AA0

RGB 114 90 160

HSL 260.57, 0.28%, 0.49%

LAB 43.4, 25.35, -34.53

 

CMYK 31 / 49 / 0 / 45

HEX #61488D

RGB 97 72 141

HSL 261.74, 0.32%, 0.42%

LAB 36.17, 26.32, -34.63

 

CMYK 24 / 33 / 0 / 15

HEX #A691D9

RGB 166 145 217

HSL 257.5, 0.49%, 0.71%

LAB 64.46, 22.75, -33.95

 

CMYK 15 / 33 / 0 / 15

HEX #B991D9

RGB 185 145 217

HSL 273.33, 0.49%, 0.71%

LAB 66.19, 28.53, -31.12

 

CMYK 6 / 33 / 0 / 15

HEX #CD91D9

RGB 205 145 217

HSL 290, 0.49%, 0.71%

LAB 68.2, 34.77, -27.86

 

CMYK 0 / 33 / 3 / 15

HEX #D991D2

RGB 217 145 210

HSL 305.83, 0.49%, 0.71%

LAB 69.22, 37.29, -22.3

 

CMYK 0 / 33 / 12 / 15

HEX #D991BF

RGB 217 145 191

HSL 321.67, 0.49%, 0.71%

LAB 68.58, 34, -12.71

 

CMYK 24 / 33 / 0 / 15

HEX #A691D9

RGB 166 145 217

HSL 257.5, 0.49%, 0.71%

LAB 64.46, 22.75, -33.95

 

CMYK 33 / 33 / 0 / 15

HEX #9291D9

RGB 146 145 217

HSL 240.83, 0.49%, 0.71%

LAB 62.82, 16.94, -36.62

 

CMYK 33 / 33 / 0 / 15

HEX #9191D9

RGB 145 145 217

HSL 240, 0.49%, 0.71%

LAB 62.74, 16.66, -36.75

 

CMYK 24 / 33 / 0 / 15

HEX #A691D9

RGB 166 145 217

HSL 257.5, 0.49%, 0.71%

LAB 64.46, 22.75, -33.95

 

CMYK 30 / 42 / 0 / 10

HEX #A185E5

RGB 161 133 229

HSL 257.5, 0.65%, 0.71%

LAB 61.66, 31.08, -45.02

 

CMYK 36 / 50 / 0 / 5

HEX #9B79F1

RGB 155 121 241

HSL 257, 0.81%, 0.71%

LAB 58.97, 39.4, -55.99

 

CMYK 41 / 57 / 0 / 1

HEX #966DFD

RGB 150 109 253

HSL 257.08, 0.97%, 0.71%

LAB 56.6, 48.09, -66.46

 

CMYK 24 / 33 / 0 / 15

HEX #A691D9

RGB 166 145 217

HSL 257.5, 0.49%, 0.71%

LAB 64.46, 22.75, -33.95

 

CMYK 17 / 23 / 0 / 20

HEX #AB9DCD

RGB 171 157 205

HSL 257.5, 0.32%, 0.71%

LAB 67.41, 14.76, -22.7

 

CMYK 9 / 12 / 0 / 24

HEX #B0A9C1

RGB 176 169 193

HSL 257.5, 0.16%, 0.71%

LAB 70.49, 7.16, -11.36

 

CMYK 0 / 0 / 0 / 29

HEX #B5B5B5

RGB 181 181 181

HSL 0, 0%, 0.71%

LAB 73.68, 0, -0.01

 

CMYK 4 / 0 / 12 / 24

HEX #BAC1A9

RGB 186 193 169

HSL 77.5, 0.16%, 0.71%

LAB 76.95, -6.71, 11.26

 

CMYK 33 / 25 / 0 / 15

HEX #91A3D9

RGB 145 163 217

HSL 225, 0.49%, 0.71%

LAB 67.44, 6.39, -29.45

 

CMYK 33 / 33 / 0 / 15

HEX #9291D9

RGB 146 145 217

HSL 240.83, 0.49%, 0.71%

LAB 62.82, 16.94, -36.62

 

CMYK 24 / 33 / 0 / 15

HEX #A591D9

RGB 165 145 217

HSL 256.67, 0.49%, 0.71%

LAB 64.37, 22.45, -34.09

 

CMYK 15 / 33 / 0 / 15

HEX #B991D9

RGB 185 145 217

HSL 273.33, 0.49%, 0.71%

LAB 66.19, 28.53, -31.12

 

CMYK 6 / 33 / 0 / 15

HEX #CC91D9

RGB 204 145 217

HSL 289.17, 0.49%, 0.71%

LAB 68.09, 34.46, -28.03

 

CMYK 41 / 58 / 0 / 23

HEX #7453C4

RGB 116 83 196

HSL 257.52, 0.49%, 0.55%

LAB 44.07, 39.76, -54.59

 

CMYK 32 / 45 / 0 / 19

HEX #8D72CF

RGB 141 114 207

HSL 257.42, 0.49%, 0.63%

LAB 54.24, 30.97, -44.51

 

CMYK 24 / 33 / 0 / 15

HEX #A691D9

RGB 166 145 217

HSL 257.5, 0.49%, 0.71%

LAB 64.46, 22.75, -33.95

 

CMYK 16 / 23 / 0 / 11

HEX #BFB0E4

RGB 191 176 228

HSL 257.31, 0.49%, 0.79%

LAB 74.65, 15.59, -24.11

 

CMYK 9 / 13 / 0 / 7

HEX #D8CEEE

RGB 216 206 238

HSL 258.75, 0.48%, 0.87%

LAB 84.44, 9.44, -14.49

 

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

CMYK 0 / 33 / 16 / 15

HEX #D991B6

RGB 217 145 182

HSL 329.17, 0.49%, 0.71%

LAB 68.3, 32.54, -8.1

 

CMYK 29 / 0 / 33 / 15

HEX #99D991

RGB 153 217 145

HSL 113.33, 0.49%, 0.71%

LAB 80.98, -34.02, 29.18

 

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

CMYK 0 / 24 / 33 / 15

HEX #D9A591

RGB 217 165 145

HSL 16.67, 0.49%, 0.71%

LAB 72.03, 16.45, 17.79

 

CMYK 33 / 0 / 24 / 15

HEX #91D9A5

RGB 145 217 165

HSL 136.67, 0.49%, 0.71%

LAB 80.94, -33.17, 18.63

 

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

CMYK 0 / 33 / 16 / 15

HEX #D991B6

RGB 217 145 182

HSL 329.17, 0.49%, 0.71%

LAB 68.3, 32.54, -8.1

 

CMYK 9 / 0 / 33 / 15

HEX #C5D991

RGB 197 217 145

HSL 76.67, 0.49%, 0.71%

LAB 83.73, -18.44, 33.31

 

CMYK 33 / 0 / 17 / 15

HEX #91D9B4

RGB 145 217 180

HSL 149.17, 0.49%, 0.71%

LAB 81.26, -30.31, 11.16

 

CMYK 24 / 34 / 0 / 15

HEX #A590D9

RGB 165 144 217

HSL 257.26, 0.49%, 0.71%

LAB 64.12, 23.02, -34.47

 

CMYK 0 / 33 / 26 / 15

HEX #D991A1

RGB 217 145 161

HSL 346.67, 0.49%, 0.71%

LAB 67.71, 29.39, 2.79

 

CMYK 9 / 0 / 33 / 15

HEX #C5D991

RGB 197 217 145

HSL 76.67, 0.49%, 0.71%

LAB 83.73, -18.44, 33.31

 

CMYK 33 / 0 / 7 / 15

HEX #91D9CA

RGB 145 217 202

HSL 167.5, 0.49%, 0.71%

LAB 81.79, -25.7, 0.24

 

Description

Color code: HEX #A590D9 | qconv.com Color code: HEX #A590D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 144 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 144 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 34 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 34% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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