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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A58F7E it is the complementary color #5A7081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A58F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A58F7E shade: #AA8F79, #BBA18C, #CCB39F, #DDC5B2 and #EED7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A58F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A58F7E shade: #A58F7E, #947D6B, #836B58, #725945 and #614732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A58F7E shade: #A58E7D, #A5847D and #A57D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A58F7E shade: #A58E7D, #A5997D, #A5A47D, #9BA57D and #90A57D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A58F7E shade matches the following richer shades: #A58E7D, #B68C6B, #C88A5A, #DA8748 and #EC8536

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A58F7E shade: #A58E7D, #93918F, #8193A1, #6F95B2 and #5E97C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A58F7E shade: #A57D81, #A5847D, #A58E7D, #A5997D and #A5A37D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A58F7E shade: #7A6555, #937966, #A58E7D, #B6A395 and #C6B9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A58F7E shade: #A58F7E, #8CA57D and #7E7DA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A58F7E shade: #A58F7E, #7DA58E and #8E7DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A58F7E shade: #A58F7E, #8CA57D, #7D93A5 and #967DA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A58F7E shade: #A58F7E, #80A57D, #7D93A5 and #A27DA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

Complementary color

CMYK 30 / 13 / 0 / 49

HEX #5A7081

RGB 90 112 129

HSL 206.15, 0.18%, 0.43%

LAB 46.11, -3.81, -12.02

 

CMYK 0 / 16 / 29 / 33

HEX #AA8F79

RGB 170 143 121

HSL 26.94, 0.22%, 0.57%

LAB 61.28, 6.75, 15.49

 

CMYK 0 / 14 / 25 / 27

HEX #BBA18C

RGB 187 161 140

HSL 26.81, 0.26%, 0.64%

LAB 67.98, 6.26, 14.46

 

CMYK 0 / 12 / 22 / 20

HEX #CCB39F

RGB 204 179 159

HSL 26.67, 0.31%, 0.71%

LAB 74.56, 5.83, 13.51

 

CMYK 0 / 11 / 19 / 13

HEX #DDC5B2

RGB 221 197 178

HSL 26.51, 0.39%, 0.78%

LAB 81.03, 5.44, 12.61

 

CMYK 0 / 10 / 17 / 7

HEX #EED7C5

RGB 238 215 197

HSL 26.34, 0.55%, 0.85%

LAB 87.39, 5.1, 11.76

 

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

CMYK 0 / 16 / 28 / 42

HEX #947D6B

RGB 148 125 107

HSL 26.34, 0.16%, 0.5%

LAB 54.05, 5.97, 13.11

 

CMYK 0 / 18 / 33 / 49

HEX #836B58

RGB 131 107 88

HSL 26.51, 0.2%, 0.43%

LAB 47.03, 6.54, 14.23

 

CMYK 0 / 22 / 39 / 55

HEX #725945

RGB 114 89 69

HSL 26.67, 0.25%, 0.36%

LAB 39.84, 7.25, 15.5

 

CMYK 0 / 27 / 48 / 62

HEX #614732

RGB 97 71 50

HSL 26.81, 0.32%, 0.29%

LAB 32.43, 8.14, 16.94

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 20 / 24 / 35

HEX #A5847D

RGB 165 132 125

HSL 10.5, 0.18%, 0.57%

LAB 58.02, 11.53, 8.56

 

CMYK 0 / 24 / 24 / 35

HEX #A57D7D

RGB 165 125 125

HSL 0, 0.18%, 0.57%

LAB 56.23, 15.5, 6.02

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 7 / 24 / 35

HEX #A5997D

RGB 165 153 125

HSL 42, 0.18%, 0.57%

LAB 63.56, -0.2, 16.33

 

CMYK 0 / 1 / 24 / 35

HEX #A5A47D

RGB 165 164 125

HSL 58.5, 0.18%, 0.57%

LAB 66.54, -6.17, 20.43

 

CMYK 6 / 0 / 24 / 35

HEX #9BA57D

RGB 155 165 125

HSL 75, 0.18%, 0.57%

LAB 66.03, -10.6, 19.6

 

CMYK 13 / 0 / 24 / 35

HEX #90A57D

RGB 144 165 125

HSL 91.5, 0.18%, 0.57%

LAB 65.22, -14.79, 18.35

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 23 / 41 / 29

HEX #B68C6B

RGB 182 140 107

HSL 26.4, 0.34%, 0.57%

LAB 61.45, 11.53, 23.76

 

CMYK 0 / 31 / 55 / 22

HEX #C88A5A

RGB 200 138 90

HSL 26.18, 0.5%, 0.57%

LAB 62.67, 18.44, 35.03

 

CMYK 0 / 38 / 67 / 15

HEX #DA8748

RGB 218 135 72

HSL 25.89, 0.66%, 0.57%

LAB 63.92, 26.27, 46.37

 

CMYK 0 / 44 / 77 / 7

HEX #EC8536

RGB 236 133 54

HSL 26.04, 0.83%, 0.57%

LAB 65.65, 33.81, 57.29

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 1 / 3 / 42

HEX #93918F

RGB 147 145 143

HSL 30, 0.02%, 0.57%

LAB 60.28, 0.35, 1.31

 

CMYK 20 / 9 / 0 / 37

HEX #8193A1

RGB 129 147 161

HSL 206.25, 0.15%, 0.57%

LAB 59.99, -3.28, -9.53

 

CMYK 38 / 16 / 0 / 30

HEX #6F95B2

RGB 111 149 178

HSL 205.97, 0.3%, 0.57%

LAB 59.97, -5.65, -19.31

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 0 / 24 / 22 / 35

HEX #A57D81

RGB 165 125 129

HSL 354, 0.18%, 0.57%

LAB 56.34, 16.12, 3.85

 

CMYK 0 / 20 / 24 / 35

HEX #A5847D

RGB 165 132 125

HSL 10.5, 0.18%, 0.57%

LAB 58.02, 11.53, 8.56

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 7 / 24 / 35

HEX #A5997D

RGB 165 153 125

HSL 42, 0.18%, 0.57%

LAB 63.56, -0.2, 16.33

 

CMYK 0 / 1 / 24 / 35

HEX #A5A37D

RGB 165 163 125

HSL 57, 0.18%, 0.57%

LAB 66.27, -5.64, 20.06

 

CMYK 0 / 17 / 30 / 52

HEX #7A6555

RGB 122 101 85

HSL 25.95, 0.18%, 0.41%

LAB 44.38, 5.81, 12.21

 

CMYK 0 / 18 / 31 / 42

HEX #937966

RGB 147 121 102

HSL 25.33, 0.18%, 0.49%

LAB 52.77, 7.13, 14.21

 

CMYK 0 / 14 / 24 / 35

HEX #A58E7D

RGB 165 142 125

HSL 25.5, 0.18%, 0.57%

LAB 60.63, 5.9, 12.25

 

CMYK 0 / 10 / 18 / 29

HEX #B6A395

RGB 182 163 149

HSL 25.45, 0.18%, 0.65%

LAB 68.25, 4.6, 9.79

 

CMYK 0 / 7 / 12 / 22

HEX #C6B9AE

RGB 198 185 174

HSL 27.5, 0.17%, 0.73%

LAB 75.92, 2.73, 7.22

 

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

CMYK 15 / 0 / 24 / 35

HEX #8CA57D

RGB 140 165 125

HSL 97.5, 0.18%, 0.57%

LAB 64.94, -16.28, 17.93

 

CMYK 24 / 24 / 0 / 35

HEX #7E7DA5

RGB 126 125 165

HSL 241.5, 0.18%, 0.57%

LAB 53.83, 9.34, -21.16

 

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

CMYK 24 / 0 / 14 / 35

HEX #7DA58E

RGB 125 165 142

HSL 145.5, 0.18%, 0.57%

LAB 64.34, -18.45, 7.53

 

CMYK 14 / 24 / 0 / 35

HEX #8E7DA5

RGB 142 125 165

HSL 265.5, 0.18%, 0.57%

LAB 55.21, 14.61, -18.93

 

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

CMYK 15 / 0 / 24 / 35

HEX #8CA57D

RGB 140 165 125

HSL 97.5, 0.18%, 0.57%

LAB 64.94, -16.28, 17.93

 

CMYK 24 / 11 / 0 / 35

HEX #7D93A5

RGB 125 147 165

HSL 207, 0.18%, 0.57%

LAB 59.84, -3.64, -12.05

 

CMYK 9 / 24 / 0 / 35

HEX #967DA5

RGB 150 125 165

HSL 277.5, 0.18%, 0.57%

LAB 55.96, 17.32, -17.73

 

CMYK 0 / 13 / 24 / 35

HEX #A58F7E

RGB 165 143 126

HSL 26.15, 0.18%, 0.57%

LAB 60.91, 5.49, 12.08

 

CMYK 22 / 0 / 24 / 35

HEX #80A57D

RGB 128 165 125

HSL 115.5, 0.18%, 0.57%

LAB 64.14, -20.63, 16.71

 

CMYK 24 / 11 / 0 / 35

HEX #7D93A5

RGB 125 147 165

HSL 207, 0.18%, 0.57%

LAB 59.84, -3.64, -12.05

 

CMYK 2 / 24 / 0 / 35

HEX #A27DA5

RGB 162 125 165

HSL 295.5, 0.18%, 0.57%

LAB 57.14, 21.45, -15.82

 

Description

Color code: HEX #A58F7E | qconv.com Color code: HEX #A58F7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 24 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 24% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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