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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A588AD it is the complementary color #5A7752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A588AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A588AD shade: #AA88A8, #BB9ABB, #CCACCE, #DDBEE1 and #EED0F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A588AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A588AD shade: #A588AD, #94769A, #836487, #725274 and #614061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A588AD shade: #A68AAD, #AD8AAC, #AD8AA2, #AD8A98 and #AD8A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A588AD shade: #A68AAD, #9C8AAD, #928AAD and #8A8AAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A588AD shade matches the following richer shades: #A68AAD, #AF7ABE, #B869CE, #C159DE and #CA49EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A588AD shade: #A68AAD, #9D9A9D, #93AA8D, #8ABA7D and #81CA6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A588AD shade: #938AAD, #9C8AAD, #A68AAD, #AD8AAC and #AD8AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A588AD shade: #7E5E87, #93719D, #A68AAD, #B8A2BE and #CBBACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A588AD shade: #A588AD, #AD8A8A and #8AAD97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A588AD shade: #A588AD, #ADA68A and #8AADA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A588AD shade: #A588AD, #AD8A8A, #91AD8A and #8AADAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A588AD shade: #A588AD, #AD948A, #91AD8A and #8AA3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

Complementary color

CMYK 24 / 0 / 31 / 53

HEX #5A7752

RGB 90 119 82

HSL 107.03, 0.18%, 0.39%

LAB 46.94, -18.15, 17.05

 

CMYK 0 / 20 / 1 / 33

HEX #AA88A8

RGB 170 136 168

HSL 303.53, 0.17%, 0.6%

LAB 60.77, 18.57, -11.99

 

CMYK 0 / 18 / 0 / 27

HEX #BB9ABB

RGB 187 154 187

HSL 300, 0.2%, 0.67%

LAB 67.47, 18.04, -12.45

 

CMYK 1 / 17 / 0 / 19

HEX #CCACCE

RGB 204 172 206

HSL 296.47, 0.26%, 0.74%

LAB 74.06, 17.56, -12.91

 

CMYK 2 / 16 / 0 / 12

HEX #DDBEE1

RGB 221 190 225

HSL 293.14, 0.37%, 0.81%

LAB 80.54, 17.12, -13.35

 

CMYK 2 / 15 / 0 / 4

HEX #EED0F4

RGB 238 208 244

HSL 290, 0.62%, 0.89%

LAB 86.91, 16.7, -13.79

 

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

CMYK 4 / 23 / 0 / 40

HEX #94769A

RGB 148 118 154

HSL 290, 0.15%, 0.53%

LAB 53.58, 18.38, -14.97

 

CMYK 3 / 26 / 0 / 47

HEX #836487

RGB 131 100 135

HSL 293.14, 0.15%, 0.46%

LAB 46.56, 19, -14.58

 

CMYK 2 / 29 / 0 / 55

HEX #725274

RGB 114 82 116

HSL 296.47, 0.17%, 0.39%

LAB 39.37, 19.69, -14.17

 

CMYK 0 / 34 / 0 / 62

HEX #614061

RGB 97 64 97

HSL 300, 0.2%, 0.32%

LAB 31.97, 20.47, -13.73

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 0 / 20 / 1 / 32

HEX #AD8AAC

RGB 173 138 172

HSL 301.71, 0.18%, 0.61%

LAB 61.69, 19.26, -12.84

 

CMYK 0 / 20 / 6 / 32

HEX #AD8AA2

RGB 173 138 162

HSL 318.86, 0.18%, 0.61%

LAB 61.37, 17.38, -7.64

 

CMYK 0 / 20 / 12 / 32

HEX #AD8A98

RGB 173 138 152

HSL 336, 0.18%, 0.61%

LAB 61.07, 15.6, -2.38

 

CMYK 0 / 20 / 17 / 32

HEX #AD8A8F

RGB 173 138 143

HSL 351.43, 0.18%, 0.61%

LAB 60.82, 14.08, 2.39

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 10 / 20 / 0 / 32

HEX #9C8AAD

RGB 156 138 173

HSL 270.86, 0.18%, 0.61%

LAB 60.12, 13.6, -15.93

 

CMYK 16 / 20 / 0 / 32

HEX #928AAD

RGB 146 138 173

HSL 253.71, 0.18%, 0.61%

LAB 59.26, 10.23, -17.33

 

CMYK 20 / 20 / 0 / 32

HEX #8A8AAD

RGB 138 138 173

HSL 240, 0.18%, 0.61%

LAB 58.6, 7.59, -18.39

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 8 / 36 / 0 / 25

HEX #AF7ABE

RGB 175 122 190

HSL 286.76, 0.34%, 0.61%

LAB 58.74, 32.54, -27.55

 

CMYK 11 / 49 / 0 / 19

HEX #B869CE

RGB 184 105 206

HSL 286.93, 0.51%, 0.61%

LAB 56.83, 47.7, -39.55

 

CMYK 13 / 60 / 0 / 13

HEX #C159DE

RGB 193 89 222

HSL 286.92, 0.67%, 0.61%

LAB 55.84, 61.08, -50.09

 

CMYK 15 / 69 / 0 / 7

HEX #CA49EE

RGB 202 73 238

HSL 286.91, 0.83%, 0.61%

LAB 55.58, 72.83, -59.44

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 0 / 2 / 0 / 38

HEX #9D9A9D

RGB 157 154 157

HSL 300, 0.02%, 0.61%

LAB 63.93, 1.66, -1.19

 

CMYK 14 / 0 / 17 / 33

HEX #93AA8D

RGB 147 170 141

HSL 107.59, 0.15%, 0.61%

LAB 67.18, -13.58, 12.31

 

CMYK 26 / 0 / 33 / 27

HEX #8ABA7D

RGB 138 186 125

HSL 107.21, 0.31%, 0.61%

LAB 70.87, -27.55, 25.96

 

CMYK 36 / 0 / 46 / 21

HEX #81CA6D

RGB 129 202 109

HSL 107.1, 0.47%, 0.61%

LAB 74.83, -40.33, 39.25

 

CMYK 15 / 20 / 0 / 32

HEX #938AAD

RGB 147 138 173

HSL 255.43, 0.18%, 0.61%

LAB 59.34, 10.56, -17.19

 

CMYK 10 / 20 / 0 / 32

HEX #9C8AAD

RGB 156 138 173

HSL 270.86, 0.18%, 0.61%

LAB 60.12, 13.6, -15.93

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 0 / 20 / 1 / 32

HEX #AD8AAC

RGB 173 138 172

HSL 301.71, 0.18%, 0.61%

LAB 61.69, 19.26, -12.84

 

CMYK 0 / 20 / 6 / 32

HEX #AD8AA2

RGB 173 138 162

HSL 318.86, 0.18%, 0.61%

LAB 61.37, 17.38, -7.64

 

CMYK 7 / 30 / 0 / 47

HEX #7E5E87

RGB 126 94 135

HSL 286.83, 0.18%, 0.45%

LAB 44.5, 20.81, -17.77

 

CMYK 6 / 28 / 0 / 38

HEX #93719D

RGB 147 113 157

HSL 286.36, 0.18%, 0.53%

LAB 52.34, 21.57, -18.63

 

CMYK 4 / 20 / 0 / 32

HEX #A68AAD

RGB 166 138 173

HSL 288, 0.18%, 0.61%

LAB 61.05, 17.03, -14.45

 

CMYK 3 / 15 / 0 / 25

HEX #B8A2BE

RGB 184 162 190

HSL 287.14, 0.18%, 0.69%

LAB 69.29, 13.15, -11.43

 

CMYK 2 / 10 / 0 / 19

HEX #CBBACF

RGB 203 186 207

HSL 288.57, 0.18%, 0.77%

LAB 77.47, 9.81, -8.37

 

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

CMYK 0 / 20 / 20 / 32

HEX #AD8A8A

RGB 173 138 138

HSL 0, 0.18%, 0.61%

LAB 60.69, 13.28, 5.05

 

CMYK 20 / 0 / 13 / 32

HEX #8AAD97

RGB 138 173 151

HSL 142.29, 0.18%, 0.61%

LAB 67.67, -16.43, 7.4

 

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

CMYK 0 / 4 / 20 / 32

HEX #ADA68A

RGB 173 166 138

HSL 48, 0.18%, 0.61%

LAB 68.01, -2.2, 15.42

 

CMYK 20 / 0 / 4 / 32

HEX #8AADA6

RGB 138 173 166

HSL 168, 0.18%, 0.61%

LAB 68.05, -13.35, -0.34

 

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

CMYK 0 / 20 / 20 / 32

HEX #AD8A8A

RGB 173 138 138

HSL 0, 0.18%, 0.61%

LAB 60.69, 13.28, 5.05

 

CMYK 16 / 0 / 20 / 32

HEX #91AD8A

RGB 145 173 138

HSL 108, 0.18%, 0.61%

LAB 67.83, -16.39, 14.85

 

CMYK 20 / 0 / 0 / 32

HEX #8AADAD

RGB 138 173 173

HSL 180, 0.18%, 0.61%

LAB 68.25, -11.83, -3.93

 

CMYK 5 / 21 / 0 / 32

HEX #A588AD

RGB 165 136 173

HSL 287.03, 0.18%, 0.61%

LAB 60.45, 17.82, -15.36

 

CMYK 0 / 14 / 20 / 32

HEX #AD948A

RGB 173 148 138

HSL 17.14, 0.18%, 0.61%

LAB 63.26, 7.68, 8.73

 

CMYK 16 / 0 / 20 / 32

HEX #91AD8A

RGB 145 173 138

HSL 108, 0.18%, 0.61%

LAB 67.83, -16.39, 14.85

 

CMYK 20 / 6 / 0 / 32

HEX #8AA3AD

RGB 138 163 173

HSL 197.14, 0.18%, 0.61%

LAB 65.45, -6.45, -8.08

 

Description

Color code: HEX #A588AD | qconv.com Color code: HEX #A588AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 136 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 136 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 21 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 21% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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