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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A586AD it is the complementary color #5A7952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A586AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A586AD shade: #AA86A8, #BB98BB, #CCAACE, #DDBCE1 and #EECEF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A586AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A586AD shade: #A586AD, #94749A, #836287, #725074 and #613E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A586AD shade: #A486AC, #AC86AA, #AC869F, #AC8695 and #AC868B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A586AD shade: #A486AC, #9A86AC, #9086AC and #8686AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A586AD shade matches the following richer shades: #A486AC, #AE75BD, #B865CD, #C254DE and #CB44EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A586AD shade: #A486AC, #9B969C, #91A78B, #87B77B and #7EC86A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A586AD shade: #8F86AC, #9A86AC, #A486AC, #AC86AA and #AC86A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A586AD shade: #7C5B85, #926D9C, #A486AC, #B79EBD and #C9B7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A586AD shade: #A586AD, #AC8686 and #86AC94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A586AD shade: #A586AD, #ACA486 and #86ACA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A586AD shade: #A586AD, #AC8686, #8EAC86 and #86ACAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A586AD shade: #A586AD, #AC9186, #8EAC86 and #86A1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

Complementary color

CMYK 26 / 0 / 32 / 53

HEX #5A7952

RGB 90 121 82

HSL 107.69, 0.19%, 0.4%

LAB 47.57, -19.22, 17.9

 

CMYK 0 / 21 / 1 / 33

HEX #AA86A8

RGB 170 134 168

HSL 303.33, 0.17%, 0.6%

LAB 60.27, 19.71, -12.73

 

CMYK 0 / 19 / 0 / 27

HEX #BB98BB

RGB 187 152 187

HSL 300, 0.2%, 0.66%

LAB 66.98, 19.16, -13.19

 

CMYK 1 / 17 / 0 / 19

HEX #CCAACE

RGB 204 170 206

HSL 296.67, 0.27%, 0.74%

LAB 73.57, 18.65, -13.64

 

CMYK 2 / 16 / 0 / 12

HEX #DDBCE1

RGB 221 188 225

HSL 293.51, 0.38%, 0.81%

LAB 80.05, 18.19, -14.07

 

CMYK 2 / 16 / 0 / 4

HEX #EECEF4

RGB 238 206 244

HSL 290.53, 0.63%, 0.88%

LAB 86.43, 17.76, -14.5

 

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

CMYK 4 / 25 / 0 / 40

HEX #94749A

RGB 148 116 154

HSL 290.53, 0.16%, 0.53%

LAB 53.08, 19.54, -15.74

 

CMYK 3 / 27 / 0 / 47

HEX #836287

RGB 131 98 135

HSL 293.51, 0.16%, 0.46%

LAB 46.06, 20.19, -15.35

 

CMYK 2 / 31 / 0 / 55

HEX #725074

RGB 114 80 116

HSL 296.67, 0.18%, 0.38%

LAB 38.86, 20.9, -14.94

 

CMYK 0 / 36 / 0 / 62

HEX #613E61

RGB 97 62 97

HSL 300, 0.22%, 0.31%

LAB 31.46, 21.7, -14.5

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 0 / 22 / 1 / 33

HEX #AC86AA

RGB 172 134 170

HSL 303.16, 0.19%, 0.6%

LAB 60.54, 20.79, -13.45

 

CMYK 0 / 22 / 8 / 33

HEX #AC869F

RGB 172 134 159

HSL 320.53, 0.19%, 0.6%

LAB 60.18, 18.73, -7.71

 

CMYK 0 / 22 / 13 / 33

HEX #AC8695

RGB 172 134 149

HSL 336.32, 0.19%, 0.6%

LAB 59.88, 16.97, -2.43

 

CMYK 0 / 22 / 19 / 33

HEX #AC868B

RGB 172 134 139

HSL 352.11, 0.19%, 0.6%

LAB 59.6, 15.31, 2.9

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 10 / 22 / 0 / 33

HEX #9A86AC

RGB 154 134 172

HSL 271.58, 0.19%, 0.6%

LAB 58.88, 14.99, -17.26

 

CMYK 16 / 22 / 0 / 33

HEX #9086AC

RGB 144 134 172

HSL 255.79, 0.19%, 0.6%

LAB 58, 11.64, -18.69

 

CMYK 22 / 22 / 0 / 33

HEX #8686AC

RGB 134 134 172

HSL 240, 0.19%, 0.6%

LAB 57.17, 8.37, -20.02

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 8 / 38 / 0 / 26

HEX #AE75BD

RGB 174 117 189

HSL 287.5, 0.35%, 0.6%

LAB 57.46, 34.8, -28.98

 

CMYK 10 / 51 / 0 / 20

HEX #B865CD

RGB 184 101 205

HSL 287.88, 0.51%, 0.6%

LAB 55.99, 49.56, -40.3

 

CMYK 13 / 62 / 0 / 13

HEX #C254DE

RGB 194 84 222

HSL 287.83, 0.68%, 0.6%

LAB 55.16, 63.56, -51.17

 

CMYK 15 / 71 / 0 / 7

HEX #CB44EE

RGB 203 68 238

HSL 287.65, 0.83%, 0.6%

LAB 55.08, 74.86, -60.23

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 1 / 4 / 0 / 39

HEX #9B969C

RGB 155 150 156

HSL 290, 0.03%, 0.6%

LAB 62.66, 2.98, -2.5

 

CMYK 13 / 0 / 17 / 35

HEX #91A78B

RGB 145 167 139

HSL 107.14, 0.14%, 0.6%

LAB 66.15, -13.08, 11.95

 

CMYK 26 / 0 / 33 / 28

HEX #87B77B

RGB 135 183 123

HSL 108, 0.29%, 0.6%

LAB 69.79, -27.46, 25.54

 

CMYK 37 / 0 / 47 / 22

HEX #7EC86A

RGB 126 200 106

HSL 107.23, 0.46%, 0.6%

LAB 74.05, -40.83, 39.73

 

CMYK 17 / 22 / 0 / 33

HEX #8F86AC

RGB 143 134 172

HSL 254.21, 0.19%, 0.6%

LAB 57.91, 11.31, -18.83

 

CMYK 10 / 22 / 0 / 33

HEX #9A86AC

RGB 154 134 172

HSL 271.58, 0.19%, 0.6%

LAB 58.88, 14.99, -17.26

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 0 / 22 / 1 / 33

HEX #AC86AA

RGB 172 134 170

HSL 303.16, 0.19%, 0.6%

LAB 60.54, 20.79, -13.45

 

CMYK 0 / 22 / 7 / 33

HEX #AC86A0

RGB 172 134 160

HSL 318.95, 0.19%, 0.6%

LAB 60.21, 18.91, -8.23

 

CMYK 7 / 32 / 0 / 48

HEX #7C5B85

RGB 124 91 133

HSL 287.14, 0.19%, 0.44%

LAB 43.45, 21.47, -18.2

 

CMYK 6 / 30 / 0 / 39

HEX #926D9C

RGB 146 109 156

HSL 287.23, 0.19%, 0.52%

LAB 51.21, 23.34, -19.78

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 3 / 16 / 0 / 26

HEX #B79EBD

RGB 183 158 189

HSL 288.39, 0.19%, 0.68%

LAB 68.16, 14.83, -12.57

 

CMYK 2 / 11 / 0 / 19

HEX #C9B7CE

RGB 201 183 206

HSL 286.96, 0.19%, 0.76%

LAB 76.52, 10.56, -9.26

 

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

CMYK 0 / 22 / 22 / 33

HEX #AC8686

RGB 172 134 134

HSL 0, 0.19%, 0.6%

LAB 59.47, 14.52, 5.57

 

CMYK 22 / 0 / 14 / 33

HEX #86AC94

RGB 134 172 148

HSL 142.11, 0.19%, 0.6%

LAB 67.06, -17.85, 8.15

 

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

CMYK 0 / 5 / 22 / 33

HEX #ACA486

RGB 172 164 134

HSL 47.37, 0.19%, 0.6%

LAB 67.31, -2.11, 16.63

 

CMYK 22 / 0 / 5 / 33

HEX #86ACA4

RGB 134 172 164

HSL 167.37, 0.19%, 0.6%

LAB 67.47, -14.55, -0.12

 

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

CMYK 0 / 22 / 22 / 33

HEX #AC8686

RGB 172 134 134

HSL 0, 0.19%, 0.6%

LAB 59.47, 14.52, 5.57

 

CMYK 17 / 0 / 22 / 33

HEX #8EAC86

RGB 142 172 134

HSL 107.37, 0.19%, 0.6%

LAB 67.26, -17.65, 16.22

 

CMYK 22 / 0 / 0 / 33

HEX #86ACAC

RGB 134 172 172

HSL 180, 0.19%, 0.6%

LAB 67.69, -12.78, -4.23

 

CMYK 5 / 23 / 0 / 32

HEX #A586AD

RGB 165 134 173

HSL 287.69, 0.19%, 0.6%

LAB 59.95, 18.96, -16.11

 

CMYK 0 / 16 / 22 / 33

HEX #AC9186

RGB 172 145 134

HSL 17.37, 0.19%, 0.6%

LAB 62.29, 8.34, 9.59

 

CMYK 17 / 0 / 22 / 33

HEX #8EAC86

RGB 142 172 134

HSL 107.37, 0.19%, 0.6%

LAB 67.26, -17.65, 16.22

 

CMYK 22 / 6 / 0 / 33

HEX #86A1AC

RGB 134 161 172

HSL 197.37, 0.19%, 0.6%

LAB 64.59, -6.87, -8.82

 

Description

Color code: HEX #A586AD | qconv.com Color code: HEX #A586AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 134 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 134 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 23 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 23% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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