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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A57728 it is the complementary color #5A88D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A57728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A57728 shade: #AA7723, #BB8936, #CC9B49, #DDAD5C and #EEBF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A57728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A57728 shade: #A57728, #946515, #835302, #724100 and #612F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A57728 shade: #A47628, #A45528, #A43328 and #A42828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A57728 shade: #A47628, #A49828, #8FA428, #6DA428 and #4CA428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A57728 shade matches the following richer shades: #A47628, #B57B17 and #C57F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A57728 shade: #A47628, #947238, #836E49, #736959 and #62656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A57728 shade: #A43228, #A45328, #A47528, #A49628 and #92A428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A57728 shade: #624718, #835E20, #A47628, #C58E30 and #D3A14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A57728 shade: #A57728, #3FA428 and #4328A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A57728 shade: #A57728, #28A475 and #7528A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A57728 shade: #A57728, #3FA428, #2857A4 and #8D28A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A57728 shade: #A57728, #28A436, #2857A4 and #A42896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

Complementary color

CMYK 58 / 37 / 0 / 16

HEX #5A88D7

RGB 90 136 215

HSL 217.92, 0.61%, 0.6%

LAB 56.77, 7.91, -45.26

 

CMYK 0 / 30 / 79 / 33

HEX #AA7723

RGB 170 119 35

HSL 37.33, 0.66%, 0.4%

LAB 53.88, 12.52, 50.96

 

CMYK 0 / 27 / 71 / 27

HEX #BB8936

RGB 187 137 54

HSL 37.44, 0.55%, 0.47%

LAB 60.54, 10.93, 50.17

 

CMYK 0 / 24 / 64 / 20

HEX #CC9B49

RGB 204 155 73

HSL 37.56, 0.56%, 0.54%

LAB 67.1, 9.6, 48.99

 

CMYK 0 / 22 / 58 / 13

HEX #DDAD5C

RGB 221 173 92

HSL 37.67, 0.65%, 0.61%

LAB 73.57, 8.47, 47.69

 

CMYK 0 / 20 / 53 / 7

HEX #EEBF6F

RGB 238 191 111

HSL 37.8, 0.79%, 0.68%

LAB 79.95, 7.49, 46.37

 

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

CMYK 0 / 32 / 86 / 42

HEX #946515

RGB 148 101 21

HSL 37.8, 0.75%, 0.33%

LAB 46.52, 12.23, 48.51

 

CMYK 0 / 37 / 98 / 49

HEX #835302

RGB 131 83 2

HSL 37.67, 0.97%, 0.26%

LAB 39.61, 14.34, 47.65

 

CMYK 0 / 43 / 100 / 55

HEX #724100

RGB 114 65 0

HSL 34.21, 1%, 0.22%

LAB 32.61, 16.93, 42.56

 

CMYK 0 / 52 / 100 / 62

HEX #612F00

RGB 97 47 0

HSL 29.07, 1%, 0.19%

LAB 25.49, 19.67, 35.8

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 48 / 76 / 36

HEX #A45528

RGB 164 85 40

HSL 21.77, 0.61%, 0.4%

LAB 45, 29.12, 39.72

 

CMYK 0 / 69 / 76 / 36

HEX #A43328

RGB 164 51 40

HSL 5.32, 0.61%, 0.4%

LAB 38.57, 45.8, 32.84

 

CMYK 0 / 76 / 76 / 36

HEX #A42828

RGB 164 40 40

HSL 0, 0.61%, 0.4%

LAB 37.05, 50, 31.15

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 7 / 76 / 36

HEX #A49828

RGB 164 152 40

HSL 54.19, 0.61%, 0.4%

LAB 62.09, -8.21, 56.56

 

CMYK 13 / 0 / 76 / 36

HEX #8FA428

RGB 143 164 40

HSL 70.16, 0.61%, 0.4%

LAB 63.79, -23.62, 57.55

 

CMYK 34 / 0 / 76 / 36

HEX #6DA428

RGB 109 164 40

HSL 86.61, 0.61%, 0.4%

LAB 61.62, -37.33, 54.72

 

CMYK 54 / 0 / 76 / 36

HEX #4CA428

RGB 76 164 40

HSL 102.58, 0.61%, 0.4%

LAB 60.11, -48.34, 52.73

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 32 / 87 / 29

HEX #B57B17

RGB 181 123 23

HSL 37.97, 0.77%, 0.4%

LAB 56.14, 14.85, 57.52

 

CMYK 0 / 36 / 96 / 23

HEX #C57F07

RGB 197 127 7

HSL 37.89, 0.93%, 0.4%

LAB 59.03, 19.47, 63.96

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 23 / 62 / 42

HEX #947238

RGB 148 114 56

HSL 37.83, 0.45%, 0.4%

LAB 50.23, 6.57, 36.7

 

CMYK 0 / 16 / 44 / 49

HEX #836E49

RGB 131 110 73

HSL 38.28, 0.28%, 0.4%

LAB 47.57, 2.86, 23.69

 

CMYK 0 / 9 / 23 / 55

HEX #736959

RGB 115 105 89

HSL 36.92, 0.13%, 0.4%

LAB 44.9, 1.09, 10.43

 

CMYK 8 / 5 / 0 / 58

HEX #62656A

RGB 98 101 106

HSL 217.5, 0.04%, 0.4%

LAB 42.68, -0.08, -3.23

 

CMYK 0 / 70 / 76 / 36

HEX #A43228

RGB 164 50 40

HSL 4.84, 0.61%, 0.4%

LAB 38.42, 46.21, 32.67

 

CMYK 0 / 49 / 76 / 36

HEX #A45328

RGB 164 83 40

HSL 20.81, 0.61%, 0.4%

LAB 44.56, 30.2, 39.27

 

CMYK 0 / 29 / 76 / 36

HEX #A47528

RGB 164 117 40

HSL 37.26, 0.61%, 0.4%

LAB 52.69, 11.15, 47.52

 

CMYK 0 / 9 / 76 / 36

HEX #A49628

RGB 164 150 40

HSL 53.23, 0.61%, 0.4%

LAB 61.53, -7.14, 56.04

 

CMYK 11 / 0 / 76 / 36

HEX #92A428

RGB 146 164 40

HSL 68.71, 0.61%, 0.4%

LAB 64.01, -22.34, 57.84

 

CMYK 0 / 28 / 76 / 62

HEX #624718

RGB 98 71 24

HSL 38.11, 0.61%, 0.24%

LAB 32.19, 6.32, 31.62

 

CMYK 0 / 28 / 76 / 49

HEX #835E20

RGB 131 94 32

HSL 37.58, 0.61%, 0.32%

LAB 42.67, 8.8, 39.78

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 28 / 76 / 23

HEX #C58E30

RGB 197 142 48

HSL 37.85, 0.61%, 0.48%

LAB 62.87, 12.29, 55.44

 

CMYK 0 / 24 / 64 / 17

HEX #D3A14B

RGB 211 161 75

HSL 37.94, 0.61%, 0.56%

LAB 69.36, 9.49, 50.77

 

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

CMYK 62 / 0 / 76 / 36

HEX #3FA428

RGB 63 164 40

HSL 108.87, 0.61%, 0.4%

LAB 59.67, -51.78, 52.15

 

CMYK 59 / 76 / 0 / 36

HEX #4328A4

RGB 67 40 164

HSL 253.06, 0.61%, 0.4%

LAB 27.82, 45.37, -62.29

 

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

CMYK 76 / 0 / 29 / 36

HEX #28A475

RGB 40 164 117

HSL 157.26, 0.61%, 0.4%

LAB 60.15, -44.52, 15.05

 

CMYK 29 / 76 / 0 / 36

HEX #7528A4

RGB 117 40 164

HSL 277.26, 0.61%, 0.4%

LAB 33.94, 53.71, -52.04

 

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

CMYK 62 / 0 / 76 / 36

HEX #3FA428

RGB 63 164 40

HSL 108.87, 0.61%, 0.4%

LAB 59.67, -51.78, 52.15

 

CMYK 76 / 47 / 0 / 36

HEX #2857A4

RGB 40 87 164

HSL 217.26, 0.61%, 0.4%

LAB 37.75, 11.87, -46.22

 

CMYK 14 / 76 / 0 / 36

HEX #8D28A4

RGB 141 40 164

HSL 288.87, 0.61%, 0.4%

LAB 37.59, 58.48, -45.97

 

CMYK 0 / 28 / 76 / 35

HEX #A57728

RGB 165 119 40

HSL 37.92, 0.61%, 0.4%

LAB 53.33, 10.47, 48.19

 

CMYK 76 / 0 / 67 / 36

HEX #28A436

RGB 40 164 54

HSL 126.77, 0.61%, 0.4%

LAB 59.22, -55.14, 46.02

 

CMYK 76 / 47 / 0 / 36

HEX #2857A4

RGB 40 87 164

HSL 217.26, 0.61%, 0.4%

LAB 37.75, 11.87, -46.22

 

CMYK 0 / 76 / 9 / 36

HEX #A42896

RGB 164 40 150

HSL 306.77, 0.61%, 0.4%

LAB 40.59, 61.06, -32.51

 

Description

Color code: HEX #A57728 | qconv.com Color code: HEX #A57728 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 119 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 119 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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