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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56FF2 it is the complementary color #5A900D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A56FF2 shade: #AA6FED, #BB81FF, #CC93FF, #DDA5FF and #EEB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A56FF2 shade: #A56FF2, #945DDF, #834BCC, #7239B9 and #6127A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A56FF2 shade: #A46EF2, #C86EF2, #EB6EF2, #F26ED5 and #F26EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A56FF2 shade: #A46EF2, #816EF2 and #6E6EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A56FF2 shade matches the following richer shades: #A46EF2 and #A262FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A56FF2 shade: #A46EF2, #A77BE5, #A988D8, #AB95CB and #ADA1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A56FF2 shade: #6E80F2, #806EF2, #A36EF2, #C66EF2 and #E96EF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A56FF2 shade: #7523EB, #8D49EE, #A46EF2, #BC94F5 and #D4BAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A56FF2 shade: #A56FF2, #F26EA3 and #6EF26E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A56FF2 shade: #A56FF2, #F2A36E and #6EF2A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A56FF2 shade: #A56FF2, #F26EA3, #BDF26E and #6EF2BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A56FF2 shade: #A56FF2, #F26E7B, #BDF26E and #6EF2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

Complementary color

CMYK 38 / 0 / 91 / 44

HEX #5A900D

RGB 90 144 13

HSL 84.73, 0.83%, 0.31%

LAB 54.18, -36.82, 55.06

 

CMYK 28 / 53 / 0 / 7

HEX #AA6FED

RGB 170 111 237

HSL 268.1, 0.78%, 0.68%

LAB 58.06, 47.63, -55.12

 

CMYK 27 / 49 / 0 / 0

HEX #BB81FF

RGB 187 129 255

HSL 267.62, 1%, 0.75%

LAB 64.55, 46.47, -54.63

 

CMYK 20 / 42 / 0 / 0

HEX #CC93FF

RGB 204 147 255

HSL 271.67, 1%, 0.79%

LAB 70.12, 41.32, -45.72

 

CMYK 13 / 35 / 0 / 0

HEX #DDA5FF

RGB 221 165 255

HSL 277.33, 1%, 0.82%

LAB 75.76, 36.52, -36.8

 

CMYK 7 / 28 / 0 / 0

HEX #EEB7FF

RGB 238 183 255

HSL 285.83, 1%, 0.86%

LAB 81.44, 32.07, -27.92

 

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

CMYK 34 / 58 / 0 / 13

HEX #945DDF

RGB 148 93 223

HSL 265.38, 0.67%, 0.62%

LAB 51.21, 48.62, -58.37

 

CMYK 36 / 63 / 0 / 20

HEX #834BCC

RGB 131 75 204

HSL 266.05, 0.56%, 0.55%

LAB 44.54, 49.6, -58.36

 

CMYK 38 / 69 / 0 / 27

HEX #7239B9

RGB 114 57 185

HSL 266.72, 0.53%, 0.47%

LAB 37.85, 50.46, -58.22

 

CMYK 42 / 77 / 0 / 35

HEX #6127A6

RGB 97 39 166

HSL 267.4, 0.62%, 0.4%

LAB 31.22, 50.99, -57.79

 

CMYK 32 / 55 / 0 / 5

HEX #A46EF2

RGB 164 110 242

HSL 264.55, 0.84%, 0.69%

LAB 57.52, 47.92, -58.82

 

CMYK 17 / 55 / 0 / 5

HEX #C86EF2

RGB 200 110 242

HSL 280.91, 0.84%, 0.69%

LAB 61.52, 56.79, -52.2

 

CMYK 3 / 55 / 0 / 5

HEX #EB6EF2

RGB 235 110 242

HSL 296.82, 0.84%, 0.69%

LAB 65.92, 65.71, -44.95

 

CMYK 0 / 55 / 12 / 5

HEX #F26ED5

RGB 242 110 213

HSL 313.18, 0.84%, 0.69%

LAB 65.62, 62.83, -29.24

 

CMYK 0 / 55 / 27 / 5

HEX #F26EB1

RGB 242 110 177

HSL 329.55, 0.84%, 0.69%

LAB 64.33, 57.75, -10.88

 

CMYK 32 / 55 / 0 / 5

HEX #A46EF2

RGB 164 110 242

HSL 264.55, 0.84%, 0.69%

LAB 57.52, 47.92, -58.82

 

CMYK 47 / 55 / 0 / 5

HEX #816EF2

RGB 129 110 242

HSL 248.64, 0.84%, 0.69%

LAB 54.27, 40.01, -64.2

 

CMYK 55 / 55 / 0 / 5

HEX #6E6EF2

RGB 110 110 242

HSL 240, 0.84%, 0.69%

LAB 52.82, 36.21, -66.63

 

CMYK 32 / 55 / 0 / 5

HEX #A46EF2

RGB 164 110 242

HSL 264.55, 0.84%, 0.69%

LAB 57.52, 47.92, -58.82

 

CMYK 36 / 61 / 0 / 0

HEX #A262FE

RGB 162 98 254

HSL 264.62, 0.99%, 0.69%

LAB 55.66, 56.73, -68.47

 

CMYK 32 / 55 / 0 / 5

HEX #A46EF2

RGB 164 110 242

HSL 264.55, 0.84%, 0.69%

LAB 57.52, 47.92, -58.82

 

CMYK 27 / 46 / 0 / 10

HEX #A77BE5

RGB 167 123 229

HSL 264.91, 0.67%, 0.69%

LAB 59.92, 38.36, -47.73

 

CMYK 22 / 37 / 0 / 15

HEX #A988D8

RGB 169 136 216

HSL 264.75, 0.51%, 0.69%

LAB 62.51, 28.52, -36.4

 

CMYK 16 / 27 / 0 / 20

HEX #AB95CB

RGB 171 149 203

HSL 264.44, 0.34%, 0.69%

LAB 65.33, 18.82, -24.77

 

CMYK 9 / 15 / 0 / 25

HEX #ADA1BE

RGB 173 161 190

HSL 264.83, 0.18%, 0.69%

LAB 68.09, 9.96, -13.33

 

CMYK 55 / 47 / 0 / 5

HEX #6E80F2

RGB 110 128 242

HSL 231.82, 0.84%, 0.69%

LAB 57.24, 25.43, -59.51

 

CMYK 47 / 55 / 0 / 5

HEX #806EF2

RGB 128 110 242

HSL 248.18, 0.84%, 0.69%

LAB 54.19, 39.8, -64.34

 

CMYK 33 / 55 / 0 / 5

HEX #A36EF2

RGB 163 110 242

HSL 264.09, 0.84%, 0.69%

LAB 57.41, 47.68, -58.99

 

CMYK 18 / 55 / 0 / 5

HEX #C66EF2

RGB 198 110 242

HSL 280, 0.84%, 0.69%

LAB 61.28, 56.28, -52.59

 

CMYK 4 / 55 / 0 / 5

HEX #E96EF2

RGB 233 110 242

HSL 295.91, 0.84%, 0.69%

LAB 65.66, 65.2, -45.38

 

CMYK 50 / 85 / 0 / 8

HEX #7523EB

RGB 117 35 235

HSL 264.6, 0.83%, 0.53%

LAB 39.55, 71.83, -84.32

 

CMYK 41 / 69 / 0 / 7

HEX #8D49EE

RGB 141 73 238

HSL 264.73, 0.83%, 0.61%

LAB 47.75, 61.03, -72.47

 

CMYK 32 / 55 / 0 / 5

HEX #A46EF2

RGB 164 110 242

HSL 264.55, 0.84%, 0.69%

LAB 57.52, 47.92, -58.82

 

CMYK 23 / 40 / 0 / 4

HEX #BC94F5

RGB 188 148 245

HSL 264.74, 0.83%, 0.77%

LAB 68.36, 34.02, -43.14

 

CMYK 15 / 25 / 0 / 2

HEX #D4BAF9

RGB 212 186 249

HSL 264.76, 0.84%, 0.85%

LAB 79.59, 21.17, -27.74

 

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

CMYK 0 / 55 / 33 / 5

HEX #F26EA3

RGB 242 110 163

HSL 335.91, 0.84%, 0.69%

LAB 63.9, 56.01, -3.53

 

CMYK 55 / 0 / 55 / 5

HEX #6EF26E

RGB 110 242 110

HSL 120, 0.84%, 0.69%

LAB 85.98, -61.78, 52.22

 

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

CMYK 0 / 33 / 55 / 5

HEX #F2A36E

RGB 242 163 110

HSL 24.09, 0.84%, 0.69%

LAB 73.67, 23.8, 39.24

 

CMYK 55 / 0 / 33 / 5

HEX #6EF2A3

RGB 110 242 163

HSL 144.09, 0.84%, 0.69%

LAB 86.73, -53.71, 27.39

 

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

CMYK 0 / 55 / 33 / 5

HEX #F26EA3

RGB 242 110 163

HSL 335.91, 0.84%, 0.69%

LAB 63.9, 56.01, -3.53

 

CMYK 22 / 0 / 55 / 5

HEX #BDF26E

RGB 189 242 110

HSL 84.09, 0.84%, 0.69%

LAB 89.6, -37.14, 57.38

 

CMYK 55 / 0 / 22 / 5

HEX #6EF2BD

RGB 110 242 189

HSL 155.91, 0.84%, 0.69%

LAB 87.24, -48.58, 14.71

 

CMYK 32 / 54 / 0 / 5

HEX #A56FF2

RGB 165 111 242

HSL 264.73, 0.83%, 0.69%

LAB 57.83, 47.61, -58.31

 

CMYK 0 / 55 / 49 / 5

HEX #F26E7B

RGB 242 110 123

HSL 354.09, 0.84%, 0.69%

LAB 62.89, 51.85, 17.96

 

CMYK 22 / 0 / 55 / 5

HEX #BDF26E

RGB 189 242 110

HSL 84.09, 0.84%, 0.69%

LAB 89.6, -37.14, 57.38

 

CMYK 55 / 0 / 6 / 5

HEX #6EF2E4

RGB 110 242 228

HSL 173.64, 0.84%, 0.69%

LAB 88.17, -39.59, -4.28

 

Description

Color code: HEX #A56FF2 | qconv.com Color code: HEX #A56FF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 111 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 111 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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