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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56987 it is the complementary color #5A9678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A56987: #AA6982, #BB7B95, #CC8DA8, #DD9FBB and #EEB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A56987: #A56987, #945774, #834561, #72334E and #61213B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

Complementary color

CMYK 40 / 0 / 20 / 41

HEX #5A9678

RGB 90 150 120

HSL 150, 0.25%, 0.47%

LAB 57.41, -26.58, 9.77

 

CMYK 0 / 38 / 24 / 33

HEX #AA6982

RGB 170 105 130

HSL 336.92, 0.28%, 0.54%

LAB 52.13, 29.48, -2.8

 

CMYK 0 / 34 / 20 / 27

HEX #BB7B95

RGB 187 123 149

HSL 335.63, 0.32%, 0.61%

LAB 58.88, 28.66, -3.71

 

CMYK 0 / 31 / 18 / 20

HEX #CC8DA8

RGB 204 141 168

HSL 334.29, 0.38%, 0.68%

LAB 65.53, 27.9, -4.52

 

CMYK 0 / 28 / 15 / 13

HEX #DD9FBB

RGB 221 159 187

HSL 332.9, 0.48%, 0.75%

LAB 72.07, 27.2, -5.25

 

CMYK 0 / 26 / 13 / 7

HEX #EEB1CE

RGB 238 177 206

HSL 331.48, 0.64%, 0.81%

LAB 78.51, 26.56, -5.94

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 41 / 22 / 42

HEX #945774

RGB 148 87 116

HSL 331.48, 0.26%, 0.46%

LAB 44.76, 29.27, -5.62

 

CMYK 0 / 47 / 26 / 49

HEX #834561

RGB 131 69 97

HSL 332.9, 0.31%, 0.39%

LAB 37.74, 30.16, -4.57

 

CMYK 0 / 55 / 32 / 55

HEX #72334E

RGB 114 51 78

HSL 334.29, 0.38%, 0.32%

LAB 30.63, 31.04, -3.24

 

CMYK 0 / 66 / 39 / 62

HEX #61213B

RGB 97 33 59

HSL 335.63, 0.49%, 0.25%

LAB 23.49, 31.75, -1.42

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 36 / 24 / 35

HEX #A5697D

RGB 165 105 125

HSL 340, 0.25%, 0.53%

LAB 51.36, 26.86, -1.04

 

CMYK 0 / 36 / 30 / 35

HEX #A56973

RGB 165 105 115

HSL 350, 0.25%, 0.53%

LAB 51.08, 25.39, 4.48

 

CMYK 0 / 36 / 36 / 35

HEX #A56969

RGB 165 105 105

HSL 0, 0.25%, 0.53%

LAB 50.83, 24.05, 10.04

 

CMYK 0 / 30 / 36 / 35

HEX #A57369

RGB 165 115 105

HSL 10, 0.25%, 0.53%

LAB 53.26, 18.38, 13.43

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 37 / 18 / 15

HEX #D889B1

RGB 216 137 177

HSL 329.62, 0.5%, 0.69%

LAB 66.26, 35.69, -8.34

 

CMYK 0 / 33 / 17 / 95

HEX #0C080A

RGB 12 8 10

HSL 330, 0.2%, 0.04%

LAB 2.47, 1.35, -0.38

 

CMYK 0 / 37 / 17 / 75

HEX #3F2834

RGB 63 40 52

HSL 328.7, 0.22%, 0.2%

LAB 19.32, 12.98, -3.38

 

CMYK 0 / 36 / 18 / 55

HEX #72495D

RGB 114 73 93

HSL 330.73, 0.22%, 0.37%

LAB 36.24, 20.67, -4.54

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 11 / 36 / 35

HEX #A59369

RGB 165 147 105

HSL 42, 0.25%, 0.53%

LAB 61.56, 0.37, 24.71

 

CMYK 36 / 4 / 0 / 35

HEX #699FA5

RGB 105 159 165

HSL 186, 0.25%, 0.53%

LAB 62.1, -16.2, -8.79

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 18 / 0 / 36 / 35

HEX #87A569

RGB 135 165 105

HSL 90, 0.25%, 0.53%

LAB 64.23, -21.24, 27.79

 

CMYK 36 / 18 / 0 / 35

HEX #6987A5

RGB 105 135 165

HSL 210, 0.25%, 0.53%

LAB 55.12, -2.94, -19.32

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 11 / 36 / 35

HEX #A59369

RGB 165 147 105

HSL 42, 0.25%, 0.53%

LAB 61.56, 0.37, 24.71

 

CMYK 36 / 0 / 18 / 35

HEX #69A587

RGB 105 165 135

HSL 150, 0.25%, 0.53%

LAB 63.06, -26.29, 9.46

 

CMYK 36 / 25 / 0 / 35

HEX #697BA5

RGB 105 123 165

HSL 222, 0.25%, 0.53%

LAB 51.71, 4.06, -24.56

 

CMYK 0 / 36 / 18 / 35

HEX #A56987

RGB 165 105 135

HSL 330, 0.25%, 0.53%

LAB 51.67, 28.43, -6.51

 

CMYK 0 / 0 / 36 / 35

HEX #A5A569

RGB 165 165 105

HSL 60, 0.25%, 0.53%

LAB 66.47, -9.36, 31.13

 

CMYK 36 / 0 / 18 / 35

HEX #69A587

RGB 105 165 135

HSL 150, 0.25%, 0.53%

LAB 63.06, -26.29, 9.46

 

CMYK 36 / 36 / 0 / 35

HEX #6969A5

RGB 105 105 165

HSL 240, 0.25%, 0.53%

LAB 46.74, 14.92, -32.29

 

Description

Color code: HEX #A56987 | qconv.com Color code: HEX #A56987 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 105 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 105 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 18 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 18% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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