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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55CFF it is the complementary color #5AA300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55CFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55CFF shade: #AA5CFA, #BB6EFF, #CC80FF, #DD92FF and #EEA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55CFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55CFF shade: #A55CFF, #944AEC, #8338D9, #7226C6 and #6114B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55CFF shade: #A55CFF, #D15CFF, #FD5CFF, #FF5CD5 and #FF5CA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55CFF shade: #A55CFF, #795CFF and #5C5CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55CFF shade matches the following richer shades: #A55CFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55CFF shade: #A55CFF, #A669F2, #A876E5, #A983D7 and #AA91CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55CFF shade: #5C6CFF, #775CFF, #A35CFF, #CE5CFF and #FA5CFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55CFF shade: #7709FF, #8E33FF, #A55CFF, #BC85FF and #D2AEFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55CFF shade: #A55CFF, #FF5C98 and #5CFF61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55CFF shade: #A55CFF, #FFA35C and #5CFFA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55CFF shade: #A55CFF, #FF5C98, #B8FF5C and #5CFFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55CFF shade: #A55CFF, #FF5C67, #B8FF5C and #5CFFF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

Complementary color

CMYK 45 / 0 / 100 / 36

HEX #5AA300

RGB 90 163 0

HSL 86.87, 1%, 0.32%

LAB 60.22, -45.1, 61.94

 

CMYK 32 / 63 / 0 / 2

HEX #AA5CFA

RGB 170 92 250

HSL 269.62, 0.94%, 0.67%

LAB 55.18, 60.44, -66.98

 

CMYK 27 / 57 / 0 / 0

HEX #BB6EFF

RGB 187 110 255

HSL 271.86, 1%, 0.72%

LAB 60.73, 56.43, -60.73

 

CMYK 20 / 50 / 0 / 0

HEX #CC80FF

RGB 204 128 255

HSL 275.91, 1%, 0.75%

LAB 66.13, 51.4, -52.01

 

CMYK 13 / 43 / 0 / 0

HEX #DD92FF

RGB 221 146 255

HSL 281.28, 1%, 0.79%

LAB 71.66, 46.63, -43.19

 

CMYK 7 / 36 / 0 / 0

HEX #EEA4FF

RGB 238 164 255

HSL 288.79, 1%, 0.82%

LAB 77.25, 42.13, -34.36

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 37 / 69 / 0 / 7

HEX #944AEC

RGB 148 74 236

HSL 267.41, 0.81%, 0.61%

LAB 48.57, 61.35, -69.97

 

CMYK 40 / 74 / 0 / 15

HEX #8338D9

RGB 131 56 217

HSL 267.95, 0.68%, 0.54%

LAB 42.25, 61.84, -69.56

 

CMYK 42 / 81 / 0 / 22

HEX #7226C6

RGB 114 38 198

HSL 268.5, 0.68%, 0.46%

LAB 36.06, 61.79, -68.77

 

CMYK 46 / 89 / 0 / 30

HEX #6114B3

RGB 97 20 179

HSL 269.06, 0.8%, 0.39%

LAB 30.15, 60.78, -67.35

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 18 / 64 / 0 / 0

HEX #D15CFF

RGB 209 92 255

HSL 283.07, 1%, 0.68%

LAB 60.27, 69.88, -61.3

 

CMYK 1 / 64 / 0 / 0

HEX #FD5CFF

RGB 253 92 255

HSL 299.26, 1%, 0.68%

LAB 66.33, 79.64, -51.29

 

CMYK 0 / 64 / 16 / 0

HEX #FF5CD5

RGB 255 92 213

HSL 315.46, 1%, 0.68%

LAB 64.74, 73.83, -30.44

 

CMYK 0 / 64 / 34 / 0

HEX #FF5CA9

RGB 255 92 169

HSL 331.66, 1%, 0.68%

LAB 63.16, 68.33, -7.84

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 53 / 64 / 0 / 0

HEX #795CFF

RGB 121 92 255

HSL 250.67, 1%, 0.68%

LAB 50.62, 52.39, -77.38

 

CMYK 64 / 64 / 0 / 0

HEX #5C5CFF

RGB 92 92 255

HSL 240, 1%, 0.68%

LAB 48.45, 47.99, -81.02

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 31 / 57 / 0 / 5

HEX #A669F2

RGB 166 105 242

HSL 266.72, 0.84%, 0.68%

LAB 56.7, 51.06, -60.11

 

CMYK 27 / 48 / 0 / 10

HEX #A876E5

RGB 168 118 229

HSL 267.03, 0.68%, 0.68%

LAB 58.92, 41.4, -49.32

 

CMYK 21 / 39 / 0 / 16

HEX #A983D7

RGB 169 131 215

HSL 267.14, 0.51%, 0.68%

LAB 61.28, 31.12, -37.76

 

CMYK 16 / 28 / 0 / 21

HEX #AA91CA

RGB 170 145 202

HSL 266.32, 0.35%, 0.68%

LAB 64.21, 20.54, -25.94

 

CMYK 64 / 58 / 0 / 0

HEX #5C6CFF

RGB 92 108 255

HSL 234.11, 1%, 0.68%

LAB 52.09, 38.53, -75.08

 

CMYK 53 / 64 / 0 / 0

HEX #775CFF

RGB 119 92 255

HSL 249.94, 1%, 0.68%

LAB 50.45, 52.06, -77.67

 

CMYK 36 / 64 / 0 / 0

HEX #A35CFF

RGB 163 92 255

HSL 266.13, 1%, 0.68%

LAB 54.72, 60.19, -70.53

 

CMYK 19 / 64 / 0 / 0

HEX #CE5CFF

RGB 206 92 255

HSL 281.96, 1%, 0.68%

LAB 59.89, 69.22, -61.95

 

CMYK 2 / 64 / 0 / 0

HEX #FA5CFF

RGB 250 92 255

HSL 298.16, 1%, 0.68%

LAB 65.9, 78.97, -52

 

CMYK 53 / 96 / 0 / 0

HEX #7709FF

RGB 119 9 255

HSL 266.83, 1%, 0.52%

LAB 40.14, 81.56, -94.61

 

CMYK 44 / 80 / 0 / 0

HEX #8E33FF

RGB 142 51 255

HSL 266.76, 1%, 0.6%

LAB 46.09, 74.25, -84.7

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 26 / 48 / 0 / 0

HEX #BC85FF

RGB 188 133 255

HSL 267.05, 1%, 0.76%

LAB 65.5, 44.57, -53.11

 

CMYK 18 / 32 / 0 / 0

HEX #D2AEFF

RGB 210 174 255

HSL 266.67, 1%, 0.84%

LAB 76.8, 28.37, -35.28

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C98

RGB 255 92 152

HSL 337.91, 1%, 0.68%

LAB 62.66, 66.54, 1.21

 

CMYK 64 / 0 / 62 / 0

HEX #5CFF61

RGB 92 255 97

HSL 121.84, 1%, 0.68%

LAB 89.23, -71.75, 61.49

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 0 / 36 / 64 / 0

HEX #FFA35C

RGB 255 163 92

HSL 26.13, 1%, 0.68%

LAB 74.97, 27.73, 50.28

 

CMYK 64 / 0 / 36 / 0

HEX #5CFFA3

RGB 92 255 163

HSL 146.13, 1%, 0.68%

LAB 90.06, -62.39, 31.78

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C98

RGB 255 92 152

HSL 337.91, 1%, 0.68%

LAB 62.66, 66.54, 1.21

 

CMYK 28 / 0 / 64 / 0

HEX #B8FF5C

RGB 184 255 92

HSL 86.13, 1%, 0.68%

LAB 92.79, -46.14, 68.42

 

CMYK 64 / 0 / 24 / 0

HEX #5CFFC3

RGB 92 255 195

HSL 157.91, 1%, 0.68%

LAB 90.66, -56.05, 16.36

 

CMYK 35 / 64 / 0 / 0

HEX #A55CFF

RGB 165 92 255

HSL 266.87, 1%, 0.68%

LAB 54.94, 60.59, -70.16

 

CMYK 0 / 64 / 60 / 0

HEX #FF5C67

RGB 255 92 103

HSL 355.95, 1%, 0.68%

LAB 61.56, 62.51, 27.97

 

CMYK 28 / 0 / 64 / 0

HEX #B8FF5C

RGB 184 255 92

HSL 86.13, 1%, 0.68%

LAB 92.79, -46.14, 68.42

 

CMYK 64 / 0 / 4 / 0

HEX #5CFFF4

RGB 92 255 244

HSL 175.95, 1%, 0.68%

LAB 91.83, -44.37, -7.26

 

Description

Color code: HEX #A55CFF | qconv.com Color code: HEX #A55CFF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 92 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 92 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 64 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 64% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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