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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55BD2 it is the complementary color #5AA42D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55BD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55BD2 shade: #AA5BCD, #BB6DE0, #CC7FF3, #DD91FF and #EEA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55BD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55BD2 shade: #A55BD2, #9449BF, #8337AC, #722599 and #611386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55BD2 shade: #A55BD2, #C55BD2, #D25BBF, #D25B9F and #D25B7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55BD2 shade: #A55BD2, #855BD2, #655BD2 and #5B5BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55BD2 shade matches the following richer shades: #A55BD2, #A94AE3 and #AD39F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55BD2 shade: #A55BD2, #A16CC1, #9D7DB0, #998E9F and #949F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55BD2 shade: #655BD2, #855BD2, #A45BD2, #C45BD2 and #D25BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55BD2 shade: #7C2FAB, #933AC9, #A55BD2, #B77BDB and #C89CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55BD2 shade: #A55BD2, #D25B71 and #5BD275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55BD2 shade: #A55BD2, #D2A45B and #5BD2A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55BD2 shade: #A55BD2, #D25B71, #89D25B and #5BD2BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55BD2 shade: #A55BD2, #D2695B, #89D25B and #5BC4D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

Complementary color

CMYK 45 / 0 / 73 / 36

HEX #5AA42D

RGB 90 164 45

HSL 97.31, 0.57%, 0.41%

LAB 60.71, -43.68, 51.69

 

CMYK 17 / 56 / 0 / 20

HEX #AA5BCD

RGB 170 91 205

HSL 281.58, 0.53%, 0.58%

LAB 52.33, 50.91, -46.21

 

CMYK 17 / 51 / 0 / 12

HEX #BB6DE0

RGB 187 109 224

HSL 280.7, 0.65%, 0.65%

LAB 58.87, 50.16, -46.47

 

CMYK 16 / 48 / 0 / 5

HEX #CC7FF3

RGB 204 127 243

HSL 279.83, 0.83%, 0.73%

LAB 65.35, 49.38, -46.66

 

CMYK 13 / 43 / 0 / 0

HEX #DD91FF

RGB 221 145 255

HSL 281.45, 1%, 0.78%

LAB 71.45, 47.15, -43.52

 

CMYK 7 / 36 / 0 / 0

HEX #EEA3FF

RGB 238 163 255

HSL 288.91, 1%, 0.82%

LAB 77.04, 42.65, -34.69

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 23 / 62 / 0 / 25

HEX #9449BF

RGB 148 73 191

HSL 278.14, 0.48%, 0.52%

LAB 45.39, 51.41, -49.36

 

CMYK 24 / 68 / 0 / 33

HEX #8337AC

RGB 131 55 172

HSL 278.97, 0.52%, 0.45%

LAB 38.79, 51.89, -48.9

 

CMYK 25 / 76 / 0 / 40

HEX #722599

RGB 114 37 153

HSL 279.83, 0.61%, 0.37%

LAB 32.26, 51.9, -48.12

 

CMYK 28 / 86 / 0 / 47

HEX #611386

RGB 97 19 134

HSL 280.7, 0.75%, 0.3%

LAB 25.95, 50.96, -46.73

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 6 / 57 / 0 / 18

HEX #C55BD2

RGB 197 91 210

HSL 293.45, 0.57%, 0.59%

LAB 56.09, 58.88, -42.87

 

CMYK 0 / 57 / 9 / 18

HEX #D25BBF

RGB 210 91 191

HSL 309.58, 0.57%, 0.59%

LAB 57.02, 59.08, -30.44

 

CMYK 0 / 57 / 24 / 18

HEX #D25B9F

RGB 210 91 159

HSL 325.71, 0.57%, 0.59%

LAB 55.77, 54.32, -13.84

 

CMYK 0 / 57 / 40 / 18

HEX #D25B7F

RGB 210 91 127

HSL 341.85, 0.57%, 0.59%

LAB 54.78, 50.38, 3.5

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 37 / 57 / 0 / 18

HEX #855BD2

RGB 133 91 210

HSL 261.18, 0.57%, 0.59%

LAB 48.41, 42.92, -55.56

 

CMYK 52 / 57 / 0 / 18

HEX #655BD2

RGB 101 91 210

HSL 245.04, 0.57%, 0.59%

LAB 45.5, 35.94, -60.41

 

CMYK 57 / 57 / 0 / 18

HEX #5B5BD2

RGB 91 91 210

HSL 240, 0.57%, 0.59%

LAB 44.74, 34.01, -61.67

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 26 / 67 / 0 / 11

HEX #A94AE3

RGB 169 74 227

HSL 277.25, 0.73%, 0.59%

LAB 50.54, 63.44, -61.58

 

CMYK 29 / 77 / 0 / 4

HEX #AD39F4

RGB 173 57 244

HSL 277.22, 0.89%, 0.59%

LAB 49.91, 74.38, -72.15

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 17 / 44 / 0 / 24

HEX #A16CC1

RGB 161 108 193

HSL 277.41, 0.41%, 0.59%

LAB 54.19, 36.7, -36.47

 

CMYK 11 / 29 / 0 / 31

HEX #9D7DB0

RGB 157 125 176

HSL 277.65, 0.24%, 0.59%

LAB 57.05, 22.04, -22.33

 

CMYK 4 / 11 / 0 / 38

HEX #998E9F

RGB 153 142 159

HSL 278.82, 0.08%, 0.59%

LAB 60.45, 7.36, -7.5

 

CMYK 7 / 0 / 11 / 38

HEX #949F8E

RGB 148 159 142

HSL 98.82, 0.08%, 0.59%

LAB 64.2, -7.17, 7.53

 

CMYK 52 / 57 / 0 / 18

HEX #655BD2

RGB 101 91 210

HSL 245.04, 0.57%, 0.59%

LAB 45.5, 35.94, -60.41

 

CMYK 37 / 57 / 0 / 18

HEX #855BD2

RGB 133 91 210

HSL 261.18, 0.57%, 0.59%

LAB 48.41, 42.92, -55.56

 

CMYK 22 / 57 / 0 / 18

HEX #A45BD2

RGB 164 91 210

HSL 276.81, 0.57%, 0.59%

LAB 51.87, 50.46, -49.84

 

CMYK 7 / 57 / 0 / 18

HEX #C45BD2

RGB 196 91 210

HSL 292.94, 0.57%, 0.59%

LAB 55.96, 58.62, -43.09

 

CMYK 0 / 57 / 9 / 18

HEX #D25BC0

RGB 210 91 192

HSL 309.08, 0.57%, 0.59%

LAB 57.07, 59.24, -30.95

 

CMYK 27 / 73 / 0 / 33

HEX #7C2FAB

RGB 124 47 171

HSL 277.26, 0.57%, 0.43%

LAB 36.48, 53.74, -52.09

 

CMYK 27 / 71 / 0 / 21

HEX #933AC9

RGB 147 58 201

HSL 277.34, 0.57%, 0.51%

LAB 43.43, 60.26, -58.33

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 16 / 44 / 0 / 14

HEX #B77BDB

RGB 183 123 219

HSL 277.5, 0.57%, 0.67%

LAB 61.09, 40.53, -40.2

 

CMYK 12 / 32 / 0 / 11

HEX #C89CE4

RGB 200 156 228

HSL 276.67, 0.57%, 0.75%

LAB 70.63, 29.43, -30.21

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 0 / 57 / 46 / 18

HEX #D25B71

RGB 210 91 113

HSL 348.91, 0.57%, 0.59%

LAB 54.42, 48.93, 11.28

 

CMYK 57 / 0 / 44 / 18

HEX #5BD275

RGB 91 210 117

HSL 133.11, 0.57%, 0.59%

LAB 75.82, -53.21, 36.19

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 0 / 22 / 57 / 18

HEX #D2A45B

RGB 210 164 91

HSL 36.81, 0.57%, 0.59%

LAB 70.18, 8.59, 43.91

 

CMYK 57 / 0 / 22 / 18

HEX #5BD2A4

RGB 91 210 164

HSL 156.81, 0.57%, 0.59%

LAB 76.68, -44.32, 12.86

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 0 / 57 / 46 / 18

HEX #D25B71

RGB 210 91 113

HSL 348.91, 0.57%, 0.59%

LAB 54.42, 48.93, 11.28

 

CMYK 35 / 0 / 57 / 18

HEX #89D25B

RGB 137 210 91

HSL 96.81, 0.57%, 0.59%

LAB 77.38, -43.26, 51.01

 

CMYK 57 / 0 / 10 / 18

HEX #5BD2BC

RGB 91 210 188

HSL 168.91, 0.57%, 0.59%

LAB 77.25, -38.71, 0.84

 

CMYK 21 / 57 / 0 / 18

HEX #A55BD2

RGB 165 91 210

HSL 277.31, 0.57%, 0.59%

LAB 51.99, 50.71, -49.64

 

CMYK 0 / 50 / 57 / 18

HEX #D2695B

RGB 210 105 91

HSL 7.06, 0.57%, 0.59%

LAB 56.64, 40.13, 27.09

 

CMYK 35 / 0 / 57 / 18

HEX #89D25B

RGB 137 210 91

HSL 96.81, 0.57%, 0.59%

LAB 77.38, -43.26, 51.01

 

CMYK 57 / 7 / 0 / 18

HEX #5BC4D2

RGB 91 196 210

HSL 187.06, 0.57%, 0.59%

LAB 73.78, -26.26, -16.2

 

Description

Color code: HEX #A55BD2 | qconv.com Color code: HEX #A55BD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 91 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 91 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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