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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55872 it is the complementary color #5AA78D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55872 shade: #AA586D, #BB6A80, #CC7C93, #DD8EA6 and #EEA0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55872 shade: #A55872, #94465F, #83344C, #722239 and #611026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55872 shade: #A55973, #A5595E and #A55959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55872 shade: #A55973, #A55987, #A5599C, #9A59A5 and #8559A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55872 shade matches the following richer shades: #A55973, #BA446C, #CF2F65, #E31B5E and #F80658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55872 shade: #A55973, #916D79, #7C8280, #679787 and #53AB8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55872 shade: #A5599C, #A55988, #A55974, #A5595F and #A56759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55872 shade: #703C4D, #8A4A60, #A55973, #B47489 and #C28EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55872 shade: #A55872, #A59A59 and #5992A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55872 shade: #A55872, #74A559 and #5974A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55872 shade: #A55872, #A59A59, #59A58A and #5964A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55872 shade: #A55872, #9AA559, #59A58A and #6459A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

Complementary color

CMYK 46 / 0 / 16 / 35

HEX #5AA78D

RGB 90 167 141

HSL 159.74, 0.3%, 0.5%

LAB 63.12, -30.18, 6.1

 

CMYK 0 / 48 / 36 / 33

HEX #AA586D

RGB 170 88 109

HSL 344.63, 0.33%, 0.51%

LAB 47.79, 35.84, 3.41

 

CMYK 0 / 43 / 32 / 27

HEX #BB6A80

RGB 187 106 128

HSL 343.7, 0.37%, 0.57%

LAB 54.48, 34.9, 2.07

 

CMYK 0 / 39 / 28 / 20

HEX #CC7C93

RGB 204 124 147

HSL 342.75, 0.44%, 0.64%

LAB 61.1, 34, 0.93

 

CMYK 0 / 36 / 25 / 13

HEX #DD8EA6

RGB 221 142 166

HSL 341.77, 0.54%, 0.71%

LAB 67.63, 33.16, -0.08

 

CMYK 0 / 33 / 22 / 7

HEX #EEA0B9

RGB 238 160 185

HSL 340.77, 0.7%, 0.78%

LAB 74.08, 32.37, -0.98

 

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

CMYK 0 / 53 / 36 / 42

HEX #94465F

RGB 148 70 95

HSL 340.77, 0.36%, 0.43%

LAB 40.41, 35.58, 0.9

 

CMYK 0 / 60 / 42 / 49

HEX #83344C

RGB 131 52 76

HSL 341.77, 0.43%, 0.36%

LAB 33.57, 36.42, 2.7

 

CMYK 0 / 70 / 50 / 55

HEX #722239

RGB 114 34 57

HSL 342.75, 0.54%, 0.29%

LAB 26.78, 36.97, 5.11

 

CMYK 0 / 84 / 61 / 62

HEX #611026

RGB 97 16 38

HSL 343.7, 0.72%, 0.22%

LAB 20.25, 36.73, 8.57

 

CMYK 0 / 46 / 30 / 35

HEX #A55973

RGB 165 89 115

HSL 339.47, 0.3%, 0.5%

LAB 47.47, 34.26, -0.76

 

CMYK 0 / 46 / 43 / 35

HEX #A5595E

RGB 165 89 94

HSL 356.05, 0.3%, 0.5%

LAB 46.91, 31.63, 11.12

 

CMYK 0 / 46 / 46 / 35

HEX #A55959

RGB 165 89 89

HSL 0, 0.3%, 0.5%

LAB 46.8, 31.08, 13.97

 

CMYK 0 / 46 / 30 / 35

HEX #A55973

RGB 165 89 115

HSL 339.47, 0.3%, 0.5%

LAB 47.47, 34.26, -0.76

 

CMYK 0 / 46 / 18 / 35

HEX #A55987

RGB 165 89 135

HSL 323.68, 0.3%, 0.5%

LAB 48.13, 37.25, -11.82

 

CMYK 0 / 46 / 5 / 35

HEX #A5599C

RGB 165 89 156

HSL 307.11, 0.3%, 0.5%

LAB 48.94, 40.84, -23.08

 

CMYK 7 / 46 / 0 / 35

HEX #9A59A5

RGB 154 89 165

HSL 291.32, 0.3%, 0.5%

LAB 47.92, 39.15, -30.08

 

CMYK 19 / 46 / 0 / 35

HEX #8559A5

RGB 133 89 165

HSL 274.74, 0.3%, 0.5%

LAB 45.43, 32.81, -34.17

 

CMYK 0 / 46 / 30 / 35

HEX #A55973

RGB 165 89 115

HSL 339.47, 0.3%, 0.5%

LAB 47.47, 34.26, -0.76

 

CMYK 0 / 63 / 42 / 27

HEX #BA446C

RGB 186 68 108

HSL 339.66, 0.46%, 0.5%

LAB 46.52, 50.98, 2.49

 

CMYK 0 / 77 / 51 / 19

HEX #CF2F65

RGB 207 47 101

HSL 339.75, 0.63%, 0.5%

LAB 47.29, 64.2, 8.38

 

CMYK 0 / 88 / 59 / 11

HEX #E31B5E

RGB 227 27 94

HSL 339.9, 0.79%, 0.5%

LAB 49.4, 73.34, 16.21

 

CMYK 0 / 98 / 65 / 3

HEX #F80658

RGB 248 6 88

HSL 339.67, 0.95%, 0.5%

LAB 52.72, 80.16, 25.03

 

CMYK 0 / 46 / 30 / 35

HEX #A55973

RGB 165 89 115

HSL 339.47, 0.3%, 0.5%

LAB 47.47, 34.26, -0.76

 

CMYK 0 / 25 / 17 / 43

HEX #916D79

RGB 145 109 121

HSL 340, 0.14%, 0.5%

LAB 49.9, 16.26, -1.08

 

CMYK 5 / 0 / 2 / 49

HEX #7C8280

RGB 124 130 128

HSL 160, 0.02%, 0.5%

LAB 53.82, -2.62, 0.3

 

CMYK 32 / 0 / 11 / 41

HEX #679787

RGB 103 151 135

HSL 160, 0.19%, 0.5%

LAB 58.76, -19.8, 3.27

 

CMYK 51 / 0 / 18 / 33

HEX #53AB8D

RGB 83 171 141

HSL 159.55, 0.35%, 0.5%

LAB 64.07, -33.83, 7.42

 

CMYK 0 / 46 / 5 / 35

HEX #A5599C

RGB 165 89 156

HSL 307.11, 0.3%, 0.5%

LAB 48.94, 40.84, -23.08

 

CMYK 0 / 46 / 18 / 35

HEX #A55988

RGB 165 89 136

HSL 322.89, 0.3%, 0.5%

LAB 48.16, 37.41, -12.36

 

CMYK 0 / 46 / 30 / 35

HEX #A55974

RGB 165 89 116

HSL 338.68, 0.3%, 0.5%

LAB 47.5, 34.4, -1.32

 

CMYK 0 / 46 / 42 / 35

HEX #A5595F

RGB 165 89 95

HSL 355.26, 0.3%, 0.5%

LAB 46.94, 31.74, 10.55

 

CMYK 0 / 38 / 46 / 35

HEX #A56759

RGB 165 103 89

HSL 11.05, 0.3%, 0.5%

LAB 50, 23.29, 18.34

 

CMYK 0 / 46 / 31 / 56

HEX #703C4D

RGB 112 60 77

HSL 340.38, 0.3%, 0.34%

LAB 32.29, 25.03, -0.18

 

CMYK 0 / 46 / 30 / 46

HEX #8A4A60

RGB 138 74 96

HSL 339.38, 0.3%, 0.42%

LAB 39.82, 29.83, -0.76

 

CMYK 0 / 46 / 30 / 35

HEX #A55973

RGB 165 89 115

HSL 339.47, 0.3%, 0.5%

LAB 47.47, 34.26, -0.76

 

CMYK 0 / 36 / 24 / 29

HEX #B47489

RGB 180 116 137

HSL 340.31, 0.3%, 0.58%

LAB 56.09, 28.12, -0.96

 

CMYK 0 / 27 / 18 / 24

HEX #C28EA0

RGB 194 142 160

HSL 339.23, 0.3%, 0.66%

LAB 64.45, 22.45, -1.71

 

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

CMYK 0 / 7 / 46 / 35

HEX #A59A59

RGB 165 154 89

HSL 51.32, 0.3%, 0.5%

LAB 63.2, -5.27, 35.44

 

CMYK 46 / 12 / 0 / 35

HEX #5992A5

RGB 89 146 165

HSL 195, 0.3%, 0.5%

LAB 57.46, -13.46, -15.84

 

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

CMYK 30 / 0 / 46 / 35

HEX #74A559

RGB 116 165 89

HSL 98.68, 0.3%, 0.5%

LAB 62.8, -30.52, 34.15

 

CMYK 46 / 30 / 0 / 35

HEX #5974A5

RGB 89 116 165

HSL 218.68, 0.3%, 0.5%

LAB 48.67, 3.81, -29.35

 

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

CMYK 0 / 7 / 46 / 35

HEX #A59A59

RGB 165 154 89

HSL 51.32, 0.3%, 0.5%

LAB 63.2, -5.27, 35.44

 

CMYK 46 / 0 / 16 / 35

HEX #59A58A

RGB 89 165 138

HSL 158.68, 0.3%, 0.5%

LAB 62.4, -30.17, 6.73

 

CMYK 46 / 39 / 0 / 35

HEX #5964A5

RGB 89 100 165

HSL 231.32, 0.3%, 0.5%

LAB 44.17, 13.64, -36.42

 

CMYK 0 / 47 / 31 / 35

HEX #A55872

RGB 165 88 114

HSL 339.74, 0.3%, 0.5%

LAB 47.23, 34.67, -0.52

 

CMYK 7 / 0 / 46 / 35

HEX #9AA559

RGB 154 165 89

HSL 68.68, 0.3%, 0.5%

LAB 65.36, -15.69, 37.9

 

CMYK 46 / 0 / 16 / 35

HEX #59A58A

RGB 89 165 138

HSL 158.68, 0.3%, 0.5%

LAB 62.4, -30.17, 6.73

 

CMYK 39 / 46 / 0 / 35

HEX #6459A5

RGB 100 89 165

HSL 248.68, 0.3%, 0.5%

LAB 42.11, 23.4, -39.63

 

Description

Color code: HEX #A55872 | qconv.com Color code: HEX #A55872 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 88 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 88 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 31 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 31% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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