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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5553A it is the complementary color #5AAAC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5553A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5553A shade: #AA5535, #BB6748, #CC795B, #DD8B6E and #EE9D81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5553A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5553A shade: #A5553A, #944327, #833114, #721F01 and #610D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5553A shade: #A6563A and #A63A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5553A shade: #A6563A, #A6733A, #A6903A, #9FA63A and #82A63A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5553A shade matches the following richer shades: #A6563A, #B84D28, #CA4416 and #DD3B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5553A shade: #A6563A, #945F4C, #82685F, #707171 and #5D7983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5553A shade: #A63A59, #A63A3C, #A6553A, #A6723A and #A68F3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5553A shade: #693625, #884630, #A6563A, #BF684A and #CA8169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5553A shade: #A5553A, #76A63A and #3A4BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5553A shade: #A5553A, #3AA655 and #553AA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5553A shade: #A5553A, #76A63A, #3A8BA6 and #6B3AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5553A shade: #A5553A, #55A63A, #3A8BA6 and #8B3AA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

Complementary color

CMYK 54 / 14 / 0 / 23

HEX #5AAAC5

RGB 90 170 197

HSL 195.14, 0.48%, 0.56%

LAB 65.71, -16.89, -21.3

 

CMYK 0 / 50 / 69 / 33

HEX #AA5535

RGB 170 85 53

HSL 16.41, 0.52%, 0.44%

LAB 46.04, 32.28, 34.21

 

CMYK 0 / 45 / 61 / 27

HEX #BB6748

RGB 187 103 72

HSL 16.17, 0.46%, 0.51%

LAB 52.66, 30.77, 32.11

 

CMYK 0 / 41 / 55 / 20

HEX #CC795B

RGB 204 121 91

HSL 15.93, 0.53%, 0.58%

LAB 59.22, 29.41, 30.24

 

CMYK 0 / 37 / 50 / 13

HEX #DD8B6E

RGB 221 139 110

HSL 15.68, 0.62%, 0.65%

LAB 65.72, 28.19, 28.56

 

CMYK 0 / 34 / 46 / 7

HEX #EE9D81

RGB 238 157 129

HSL 15.41, 0.76%, 0.72%

LAB 72.15, 27.1, 27.05

 

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

CMYK 0 / 55 / 74 / 42

HEX #944327

RGB 148 67 39

HSL 15.41, 0.58%, 0.37%

LAB 38.65, 32.13, 32.7

 

CMYK 0 / 63 / 85 / 49

HEX #833114

RGB 131 49 20

HSL 15.68, 0.74%, 0.3%

LAB 31.97, 33.78, 35.1

 

CMYK 0 / 73 / 99 / 55

HEX #721F01

RGB 114 31 1

HSL 15.93, 0.98%, 0.23%

LAB 25.44, 35.21, 36.47

 

CMYK 0 / 87 / 100 / 62

HEX #610D00

RGB 97 13 0

HSL 8.04, 1%, 0.19%

LAB 19.35, 35.91, 29.37

 

CMYK 0 / 48 / 65 / 35

HEX #A6563A

RGB 166 86 58

HSL 15.56, 0.48%, 0.44%

LAB 45.73, 30.42, 30.89

 

CMYK 0 / 65 / 65 / 35

HEX #A63A3A

RGB 166 58 58

HSL 0, 0.48%, 0.44%

LAB 40.31, 44.43, 24.24

 

CMYK 0 / 48 / 65 / 35

HEX #A6563A

RGB 166 86 58

HSL 15.56, 0.48%, 0.44%

LAB 45.73, 30.42, 30.89

 

CMYK 0 / 31 / 65 / 35

HEX #A6733A

RGB 166 115 58

HSL 31.67, 0.48%, 0.44%

LAB 52.59, 14.2, 38.91

 

CMYK 0 / 13 / 65 / 35

HEX #A6903A

RGB 166 144 58

HSL 47.78, 0.48%, 0.44%

LAB 60.21, -2.01, 47.35

 

CMYK 4 / 0 / 65 / 35

HEX #9FA63A

RGB 159 166 58

HSL 63.89, 0.48%, 0.44%

LAB 65.71, -16.76, 53

 

CMYK 22 / 0 / 65 / 35

HEX #82A63A

RGB 130 166 58

HSL 80, 0.48%, 0.44%

LAB 63.61, -28.85, 50.14

 

CMYK 0 / 48 / 65 / 35

HEX #A6563A

RGB 166 86 58

HSL 15.56, 0.48%, 0.44%

LAB 45.73, 30.42, 30.89

 

CMYK 0 / 58 / 78 / 28

HEX #B84D28

RGB 184 77 40

HSL 15.42, 0.64%, 0.44%

LAB 46.51, 41.24, 42.27

 

CMYK 0 / 66 / 89 / 21

HEX #CA4416

RGB 202 68 22

HSL 15.33, 0.8%, 0.44%

LAB 47.94, 51.31, 52.71

 

CMYK 0 / 73 / 98 / 13

HEX #DD3B04

RGB 221 59 4

HSL 15.21, 0.96%, 0.44%

LAB 50.11, 60.72, 60.93

 

CMYK 0 / 48 / 65 / 35

HEX #A6563A

RGB 166 86 58

HSL 15.56, 0.48%, 0.44%

LAB 45.73, 30.42, 30.89

 

CMYK 0 / 36 / 49 / 42

HEX #945F4C

RGB 148 95 76

HSL 15.83, 0.32%, 0.44%

LAB 45.64, 19.36, 19.78

 

CMYK 0 / 20 / 27 / 49

HEX #82685F

RGB 130 104 95

HSL 15.43, 0.16%, 0.44%

LAB 46.27, 8.92, 8.99

 

CMYK 1 / 0 / 0 / 56

HEX #707171

RGB 112 113 113

HSL 180, 0%, 0.44%

LAB 47.56, -0.38, -0.14

 

CMYK 29 / 8 / 0 / 49

HEX #5D7983

RGB 93 121 131

HSL 195.79, 0.17%, 0.44%

LAB 49.06, -7.55, -8.75

 

CMYK 0 / 65 / 46 / 35

HEX #A63A59

RGB 166 58 89

HSL 342.78, 0.48%, 0.44%

LAB 40.98, 46.95, 5.85

 

CMYK 0 / 65 / 64 / 35

HEX #A63A3C

RGB 166 58 60

HSL 358.89, 0.48%, 0.44%

LAB 40.34, 44.56, 23.05

 

CMYK 0 / 49 / 65 / 35

HEX #A6553A

RGB 166 85 58

HSL 15, 0.48%, 0.44%

LAB 45.51, 30.96, 30.62

 

CMYK 0 / 31 / 65 / 35

HEX #A6723A

RGB 166 114 58

HSL 31.11, 0.48%, 0.44%

LAB 52.34, 14.77, 38.62

 

CMYK 0 / 14 / 65 / 35

HEX #A68F3A

RGB 166 143 58

HSL 47.22, 0.48%, 0.44%

LAB 59.94, -1.46, 47.05

 

CMYK 0 / 49 / 65 / 59

HEX #693625

RGB 105 54 37

HSL 15, 0.48%, 0.28%

LAB 28.84, 20.99, 20.68

 

CMYK 0 / 49 / 65 / 47

HEX #884630

RGB 136 70 48

HSL 15, 0.48%, 0.36%

LAB 37.53, 26.06, 25.73

 

CMYK 0 / 48 / 65 / 35

HEX #A6563A

RGB 166 86 58

HSL 15.56, 0.48%, 0.44%

LAB 45.73, 30.42, 30.89

 

CMYK 0 / 46 / 61 / 25

HEX #BF684A

RGB 191 104 74

HSL 15.38, 0.48%, 0.52%

LAB 53.46, 31.99, 32.11

 

CMYK 0 / 36 / 48 / 21

HEX #CA8169

RGB 202 129 105

HSL 14.85, 0.48%, 0.6%

LAB 61.03, 25.55, 24.72

 

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

CMYK 29 / 0 / 65 / 35

HEX #76A63A

RGB 118 166 58

HSL 86.67, 0.48%, 0.44%

LAB 62.87, -33.56, 49.13

 

CMYK 65 / 55 / 0 / 35

HEX #3A4BA6

RGB 58 75 166

HSL 230.56, 0.48%, 0.44%

LAB 35.37, 23.3, -51.2

 

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

CMYK 65 / 0 / 49 / 35

HEX #3AA655

RGB 58 166 85

HSL 135, 0.48%, 0.44%

LAB 60.63, -48.47, 32.98

 

CMYK 49 / 65 / 0 / 35

HEX #553AA6

RGB 85 58 166

HSL 255, 0.48%, 0.44%

LAB 33.37, 39.01, -54.35

 

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

CMYK 29 / 0 / 65 / 35

HEX #76A63A

RGB 118 166 58

HSL 86.67, 0.48%, 0.44%

LAB 62.87, -33.56, 49.13

 

CMYK 65 / 16 / 0 / 35

HEX #3A8BA6

RGB 58 139 166

HSL 195, 0.48%, 0.44%

LAB 54.15, -15.99, -21.57

 

CMYK 36 / 65 / 0 / 35

HEX #6B3AA6

RGB 107 58 166

HSL 267.22, 0.48%, 0.44%

LAB 35.8, 43.64, -50.29

 

CMYK 0 / 48 / 65 / 35

HEX #A5553A

RGB 165 85 58

HSL 15.14, 0.48%, 0.44%

LAB 45.36, 30.55, 30.41

 

CMYK 49 / 0 / 65 / 35

HEX #55A63A

RGB 85 166 58

HSL 105, 0.48%, 0.44%

LAB 61.23, -44.97, 46.87

 

CMYK 65 / 16 / 0 / 35

HEX #3A8BA6

RGB 58 139 166

HSL 195, 0.48%, 0.44%

LAB 54.15, -15.99, -21.57

 

CMYK 16 / 65 / 0 / 35

HEX #8B3AA6

RGB 139 58 166

HSL 285, 0.48%, 0.44%

LAB 40.03, 51.07, -43.27

 

Description

Color code: HEX #A5553A | qconv.com Color code: HEX #A5553A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 85 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 85 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 65 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 65% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Does the Internet ne...
Link: http://www.debate.org

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