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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54A8C it is the complementary color #5AB573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A54A8C shade: #AA4A87, #BB5C9A, #CC6EAD, #DD80C0 and #EE92D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A54A8C shade: #A54A8C, #943879, #832666, #721453 and #610240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A54A8C shade: #A54A8C, #A54A74, #A54A5B and #A54A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A54A8C shade: #A54A8C, #A54AA5, #8D4AA5, #754AA5 and #5C4AA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A54A8C shade matches the following richer shades: #A54A8C, #B93795, #CC249E and #E010A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A54A8C shade: #A54A8C, #925E84, #7F717B, #6B8472 and #589869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A54A8C shade: #8D4AA5, #A54AA5, #A54A8D, #A54A75 and #A54A5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A54A8C shade: #6C315C, #893E74, #A54A8C, #B861A0 and #C57DB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A54A8C shade: #A54A8C, #A5754A and #4AA599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A54A8C shade: #A54A8C, #8DA54A and #4A8DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A54A8C shade: #A54A8C, #A5754A, #4AA563 and #4A7BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A54A8C shade: #A54A8C, #A5904A, #4AA563 and #4A60A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

Complementary color

CMYK 50 / 0 / 36 / 29

HEX #5AB573

RGB 90 181 115

HSL 136.48, 0.38%, 0.53%

LAB 66.87, -41.89, 25.52

 

CMYK 0 / 56 / 21 / 33

HEX #AA4A87

RGB 170 74 135

HSL 321.88, 0.39%, 0.48%

LAB 45.9, 46.57, -15.13

 

CMYK 0 / 51 / 18 / 27

HEX #BB5C9A

RGB 187 92 154

HSL 320.84, 0.41%, 0.55%

LAB 52.46, 45.94, -16.25

 

CMYK 0 / 46 / 15 / 20

HEX #CC6EAD

RGB 204 110 173

HSL 319.79, 0.48%, 0.62%

LAB 58.98, 45.22, -17.17

 

CMYK 0 / 42 / 13 / 13

HEX #DD80C0

RGB 221 128 192

HSL 318.71, 0.58%, 0.68%

LAB 65.45, 44.46, -17.95

 

CMYK 0 / 39 / 11 / 7

HEX #EE92D3

RGB 238 146 211

HSL 317.61, 0.73%, 0.75%

LAB 71.85, 43.71, -18.64

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 62 / 18 / 42

HEX #943879

RGB 148 56 121

HSL 317.61, 0.45%, 0.4%

LAB 38.73, 46.22, -17.82

 

CMYK 0 / 71 / 22 / 49

HEX #832666

RGB 131 38 102

HSL 318.71, 0.55%, 0.33%

LAB 32.19, 46.21, -16.14

 

CMYK 0 / 82 / 27 / 55

HEX #721453

RGB 114 20 83

HSL 319.79, 0.7%, 0.26%

LAB 25.87, 45.3, -13.72

 

CMYK 0 / 98 / 34 / 62

HEX #610240

RGB 97 2 64

HSL 320.84, 0.96%, 0.19%

LAB 19.86, 43.13, -10.31

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 55 / 30 / 35

HEX #A54A74

RGB 165 74 116

HSL 332.31, 0.38%, 0.47%

LAB 44.46, 42.24, -5.82

 

CMYK 0 / 55 / 45 / 35

HEX #A54A5B

RGB 165 74 91

HSL 348.79, 0.38%, 0.47%

LAB 43.73, 39.21, 8.48

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 55 / 0 / 35

HEX #A54AA5

RGB 165 74 165

HSL 300, 0.38%, 0.47%

LAB 46.46, 50.08, -32.25

 

CMYK 15 / 55 / 0 / 35

HEX #8D4AA5

RGB 141 74 165

HSL 284.18, 0.38%, 0.47%

LAB 43.18, 43.43, -37.65

 

CMYK 29 / 55 / 0 / 35

HEX #754AA5

RGB 117 74 165

HSL 268.35, 0.38%, 0.47%

LAB 40.24, 36.94, -42.5

 

CMYK 44 / 55 / 0 / 35

HEX #5C4AA5

RGB 92 74 165

HSL 251.87, 0.38%, 0.47%

LAB 37.64, 30.64, -46.81

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 70 / 19 / 27

HEX #B93795

RGB 185 55 149

HSL 316.62, 0.54%, 0.47%

LAB 45.93, 60.93, -23.31

 

CMYK 0 / 82 / 23 / 20

HEX #CC249E

RGB 204 36 158

HSL 316.43, 0.7%, 0.47%

LAB 47.71, 72.15, -25.67

 

CMYK 0 / 93 / 25 / 12

HEX #E010A7

RGB 224 16 167

HSL 316.44, 0.87%, 0.47%

LAB 50.7, 80.54, -26.1

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 36 / 10 / 43

HEX #925E84

RGB 146 94 132

HSL 316.15, 0.22%, 0.47%

LAB 46.69, 27.3, -12.43

 

CMYK 0 / 11 / 3 / 50

HEX #7F717B

RGB 127 113 123

HSL 317.14, 0.06%, 0.47%

LAB 49.19, 7.35, -3.52

 

CMYK 19 / 0 / 14 / 48

HEX #6B8472

RGB 107 132 114

HSL 136.8, 0.1%, 0.47%

LAB 52.78, -12.81, 6.76

 

CMYK 42 / 0 / 31 / 40

HEX #589869

RGB 88 152 105

HSL 135.94, 0.27%, 0.47%

LAB 57.61, -31.2, 18.47

 

CMYK 15 / 55 / 0 / 35

HEX #8D4AA5

RGB 141 74 165

HSL 284.18, 0.38%, 0.47%

LAB 43.18, 43.43, -37.65

 

CMYK 0 / 55 / 0 / 35

HEX #A54AA5

RGB 165 74 165

HSL 300, 0.38%, 0.47%

LAB 46.46, 50.08, -32.25

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8D

RGB 165 74 141

HSL 315.82, 0.38%, 0.47%

LAB 45.39, 45.95, -19.59

 

CMYK 0 / 55 / 29 / 35

HEX #A54A75

RGB 165 74 117

HSL 331.65, 0.38%, 0.47%

LAB 44.49, 42.38, -6.38

 

CMYK 0 / 55 / 44 / 35

HEX #A54A5D

RGB 165 74 93

HSL 347.47, 0.38%, 0.47%

LAB 43.78, 39.43, 7.32

 

CMYK 0 / 55 / 15 / 58

HEX #6C315C

RGB 108 49 92

HSL 316.27, 0.38%, 0.31%

LAB 29.81, 32.25, -13.68

 

CMYK 0 / 55 / 15 / 46

HEX #893E74

RGB 137 62 116

HSL 316.8, 0.38%, 0.39%

LAB 37.89, 39.08, -16.16

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 47 / 13 / 28

HEX #B861A0

RGB 184 97 160

HSL 316.55, 0.38%, 0.55%

LAB 53.25, 43.39, -18.59

 

CMYK 0 / 37 / 10 / 23

HEX #C57DB1

RGB 197 125 177

HSL 316.67, 0.38%, 0.63%

LAB 61.4, 35.65, -15.86

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 29 / 55 / 35

HEX #A5754A

RGB 165 117 74

HSL 28.35, 0.38%, 0.47%

LAB 53.19, 13.88, 31.03

 

CMYK 55 / 0 / 7 / 35

HEX #4AA599

RGB 74 165 153

HSL 172.09, 0.38%, 0.47%

LAB 62.22, -30.05, -2

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 15 / 0 / 55 / 35

HEX #8DA54A

RGB 141 165 74

HSL 75.82, 0.38%, 0.47%

LAB 64.22, -22.54, 43.74

 

CMYK 55 / 15 / 0 / 35

HEX #4A8DA5

RGB 74 141 165

HSL 195.82, 0.38%, 0.47%

LAB 55.3, -14.26, -19.19

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 29 / 55 / 35

HEX #A5754A

RGB 165 117 74

HSL 28.35, 0.38%, 0.47%

LAB 53.19, 13.88, 31.03

 

CMYK 55 / 0 / 40 / 35

HEX #4AA563

RGB 74 165 99

HSL 136.48, 0.38%, 0.47%

LAB 61.02, -42.04, 26.21

 

CMYK 55 / 25 / 0 / 35

HEX #4A7BA5

RGB 74 123 165

HSL 207.69, 0.38%, 0.47%

LAB 49.9, -4.03, -27.5

 

CMYK 0 / 55 / 15 / 35

HEX #A54A8C

RGB 165 74 140

HSL 316.48, 0.38%, 0.47%

LAB 45.35, 45.79, -19.05

 

CMYK 0 / 13 / 55 / 35

HEX #A5904A

RGB 165 144 74

HSL 46.15, 0.38%, 0.47%

LAB 60.28, -1.24, 39.64

 

CMYK 55 / 0 / 40 / 35

HEX #4AA563

RGB 74 165 99

HSL 136.48, 0.38%, 0.47%

LAB 61.02, -42.04, 26.21

 

CMYK 55 / 42 / 0 / 35

HEX #4A60A5

RGB 74 96 165

HSL 225.49, 0.38%, 0.47%

LAB 42.06, 12.53, -39.83

 

Description

Color code: HEX #A54A8C | qconv.com Color code: HEX #A54A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 15% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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