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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5385F it is the complementary color #5AC7A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5385F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5385F shade: #AA385A, #BB4A6D, #CC5C80, #DD6E93 and #EE80A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5385F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5385F shade: #A5385F, #94264C, #831439, #720226 and #610013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5385F shade: #A3385E, #A33841 and #A33838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5385F shade: #A3385E, #A3387B, #A33898, #9138A3 and #7438A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5385F shade matches the following richer shades: #A3385E, #B52659, #C71454 and #D9034F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5385F shade: #A3385E, #924A63, #805B68, #6E6D6E and #5C7F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5385F shade: #A33899, #A3387C, #A3385F, #A33843 and #A34A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5385F shade: #66233B, #852D4D, #A3385E, #BF4571 and #CA6488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5385F shade: #A5385F, #A39138 and #388AA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5385F shade: #A5385F, #5FA338 and #385FA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5385F shade: #A5385F, #A39138, #38A37C and #384AA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5385F shade: #A5385F, #95A338, #38A37C and #4638A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

Complementary color

CMYK 55 / 0 / 20 / 22

HEX #5AC7A0

RGB 90 199 160

HSL 158.53, 0.49%, 0.57%

LAB 73.26, -40.62, 10.16

 

CMYK 0 / 67 / 47 / 33

HEX #AA385A

RGB 170 56 90

HSL 342.11, 0.5%, 0.44%

LAB 41.39, 49.2, 5.91

 

CMYK 0 / 60 / 42 / 27

HEX #BB4A6D

RGB 187 74 109

HSL 341.42, 0.45%, 0.51%

LAB 47.71, 48.72, 3.62

 

CMYK 0 / 55 / 37 / 20

HEX #CC5C80

RGB 204 92 128

HSL 340.71, 0.52%, 0.58%

LAB 54.08, 48.02, 1.79

 

CMYK 0 / 50 / 33 / 13

HEX #DD6E93

RGB 221 110 147

HSL 340, 0.62%, 0.65%

LAB 60.45, 47.2, 0.26

 

CMYK 0 / 46 / 30 / 7

HEX #EE80A6

RGB 238 128 166

HSL 339.27, 0.76%, 0.72%

LAB 66.8, 46.36, -1.04

 

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

CMYK 0 / 74 / 49 / 42

HEX #94264C

RGB 148 38 76

HSL 339.27, 0.59%, 0.36%

LAB 34.4, 48.12, 4.3

 

CMYK 0 / 85 / 56 / 49

HEX #831439

RGB 131 20 57

HSL 340, 0.74%, 0.3%

LAB 28.44, 47.22, 7.93

 

CMYK 0 / 98 / 67 / 55

HEX #720226

RGB 114 2 38

HSL 340.71, 0.97%, 0.23%

LAB 22.86, 45.12, 12.75

 

CMYK 0 / 100 / 80 / 62

HEX #610013

RGB 97 0 19

HSL 348.25, 1%, 0.19%

LAB 18.31, 40.03, 19.42

 

CMYK 0 / 66 / 42 / 36

HEX #A3385E

RGB 163 56 94

HSL 338.69, 0.49%, 0.43%

LAB 40.28, 47.37, 1.64

 

CMYK 0 / 66 / 60 / 36

HEX #A33841

RGB 163 56 65

HSL 354.95, 0.49%, 0.43%

LAB 39.57, 44.75, 18.86

 

CMYK 0 / 66 / 66 / 36

HEX #A33838

RGB 163 56 56

HSL 0, 0.49%, 0.43%

LAB 39.41, 44.14, 24.22

 

CMYK 0 / 66 / 42 / 36

HEX #A3385E

RGB 163 56 94

HSL 338.69, 0.49%, 0.43%

LAB 40.28, 47.37, 1.64

 

CMYK 0 / 66 / 25 / 36

HEX #A3387B

RGB 163 56 123

HSL 322.43, 0.49%, 0.43%

LAB 41.29, 50.93, -14.93

 

CMYK 0 / 66 / 7 / 36

HEX #A33898

RGB 163 56 152

HSL 306.17, 0.49%, 0.43%

LAB 42.58, 55.34, -30.6

 

CMYK 11 / 66 / 0 / 36

HEX #9138A3

RGB 145 56 163

HSL 289.91, 0.49%, 0.43%

LAB 40.4, 52.82, -40.84

 

CMYK 29 / 66 / 0 / 36

HEX #7438A3

RGB 116 56 163

HSL 273.64, 0.49%, 0.43%

LAB 36.34, 45.96, -47.57

 

CMYK 0 / 66 / 42 / 36

HEX #A3385E

RGB 163 56 94

HSL 338.69, 0.49%, 0.43%

LAB 40.28, 47.37, 1.64

 

CMYK 0 / 79 / 51 / 29

HEX #B52659

RGB 181 38 89

HSL 338.6, 0.65%, 0.43%

LAB 41.11, 58.75, 6.4

 

CMYK 0 / 90 / 58 / 22

HEX #C71454

RGB 199 20 84

HSL 338.55, 0.82%, 0.43%

LAB 43.19, 66.96, 12.99

 

CMYK 0 / 99 / 64 / 15

HEX #D9034F

RGB 217 3 79

HSL 338.69, 0.97%, 0.43%

LAB 46.15, 72.76, 20.75

 

CMYK 0 / 66 / 42 / 36

HEX #A3385E

RGB 163 56 94

HSL 338.69, 0.49%, 0.43%

LAB 40.28, 47.37, 1.64

 

CMYK 0 / 49 / 32 / 43

HEX #924A63

RGB 146 74 99

HSL 339.17, 0.33%, 0.43%

LAB 41.07, 33.23, -0.66

 

CMYK 0 / 29 / 19 / 50

HEX #805B68

RGB 128 91 104

HSL 338.92, 0.17%, 0.43%

LAB 42.87, 17.3, -1.38

 

CMYK 0 / 1 / 0 / 57

HEX #6E6D6E

RGB 110 109 110

HSL 300, 0%, 0.43%

LAB 46.15, 0.59, -0.43

 

CMYK 28 / 0 / 9 / 50

HEX #5C7F73

RGB 92 127 115

HSL 159.43, 0.16%, 0.43%

LAB 50.32, -15.1, 2.53

 

CMYK 0 / 66 / 6 / 36

HEX #A33899

RGB 163 56 153

HSL 305.61, 0.49%, 0.43%

LAB 42.63, 55.5, -31.12

 

CMYK 0 / 66 / 24 / 36

HEX #A3387C

RGB 163 56 124

HSL 321.87, 0.49%, 0.43%

LAB 41.33, 51.07, -15.48

 

CMYK 0 / 66 / 42 / 36

HEX #A3385F

RGB 163 56 95

HSL 338.13, 0.49%, 0.43%

LAB 40.31, 47.47, 1.06

 

CMYK 0 / 66 / 59 / 36

HEX #A33843

RGB 163 56 67

HSL 353.83, 0.49%, 0.43%

LAB 39.61, 44.9, 17.67

 

CMYK 0 / 55 / 66 / 36

HEX #A34A38

RGB 163 74 56

HSL 10.09, 0.49%, 0.43%

LAB 42.72, 35.45, 28.3

 

CMYK 0 / 66 / 42 / 60

HEX #66233B

RGB 102 35 59

HSL 338.51, 0.49%, 0.27%

LAB 24.77, 32.53, 0.57

 

CMYK 0 / 66 / 42 / 48

HEX #852D4D

RGB 133 45 77

HSL 338.18, 0.49%, 0.35%

LAB 32.7, 40.58, 0.83

 

CMYK 0 / 66 / 42 / 36

HEX #A3385E

RGB 163 56 94

HSL 338.69, 0.49%, 0.43%

LAB 40.28, 47.37, 1.64

 

CMYK 0 / 64 / 41 / 25

HEX #BF4571

RGB 191 69 113

HSL 338.36, 0.49%, 0.51%

LAB 47.66, 52.65, 1.2

 

CMYK 0 / 50 / 33 / 21

HEX #CA6488

RGB 202 100 136

HSL 338.82, 0.49%, 0.59%

LAB 55.53, 44.36, -0.85

 

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

CMYK 0 / 11 / 66 / 36

HEX #A39138

RGB 163 145 56

HSL 49.91, 0.49%, 0.43%

LAB 60.18, -4.02, 48.14

 

CMYK 66 / 15 / 0 / 36

HEX #388AA3

RGB 56 138 163

HSL 194.02, 0.49%, 0.43%

LAB 53.67, -16.76, -20.6

 

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

CMYK 42 / 0 / 66 / 36

HEX #5FA338

RGB 95 163 56

HSL 98.13, 0.49%, 0.43%

LAB 60.7, -40.7, 47.29

 

CMYK 66 / 42 / 0 / 36

HEX #385FA3

RGB 56 95 163

HSL 218.13, 0.49%, 0.43%

LAB 40.69, 8.8, -40.88

 

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

CMYK 0 / 11 / 66 / 36

HEX #A39138

RGB 163 145 56

HSL 49.91, 0.49%, 0.43%

LAB 60.18, -4.02, 48.14

 

CMYK 66 / 0 / 24 / 36

HEX #38A37C

RGB 56 163 124

HSL 158.13, 0.49%, 0.43%

LAB 60.33, -39.94, 11.46

 

CMYK 66 / 55 / 0 / 36

HEX #384AA3

RGB 56 74 163

HSL 229.91, 0.49%, 0.43%

LAB 34.77, 22.53, -50.39

 

CMYK 0 / 66 / 42 / 35

HEX #A5385F

RGB 165 56 95

HSL 338.53, 0.49%, 0.43%

LAB 40.66, 48.11, 1.6

 

CMYK 9 / 0 / 66 / 36

HEX #95A338

RGB 149 163 56

HSL 67.85, 0.49%, 0.43%

LAB 64.06, -19.64, 51.87

 

CMYK 66 / 0 / 24 / 36

HEX #38A37C

RGB 56 163 124

HSL 158.13, 0.49%, 0.43%

LAB 60.33, -39.94, 11.46

 

CMYK 57 / 66 / 0 / 36

HEX #4638A3

RGB 70 56 163

HSL 247.85, 0.49%, 0.43%

LAB 31.29, 36.47, -55.99

 

Description

Color code: HEX #A5385F | qconv.com Color code: HEX #A5385F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 56 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 56 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 42 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 42% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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