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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A52D92 it is the complementary color #5AD26D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A52D92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A52D92 shade: #AA2D8D, #BB3FA0, #CC51B3, #DD63C6 and #EE75D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A52D92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A52D92 shade: #A52D92, #941B7F, #83096C, #720059 and #610046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A52D92 shade: #A42D91, #A42D71, #A42D51, #A42D31 and #A42D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A52D92 shade: #A42D91, #972DA4, #772DA4, #572DA4 and #362DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A52D92 shade matches the following richer shades: #A42D91, #B51C9D and #C60BA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A52D92 shade: #A42D91, #933E86, #824F7A, #71606F and #607163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A52D92 shade: #762DA4, #962DA4, #A42D92, #A42D72 and #A42D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A52D92 shade: #631B58, #842475, #A42D91, #C536AE and #D054BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A52D92 shade: #A52D92, #A4572D and #2DA486

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A52D92 shade: #A52D92, #92A42D and #2D92A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A52D92 shade: #A52D92, #A4572D, #2DA43F and #2D7AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A52D92 shade: #A52D92, #A47A2D, #2DA43F and #2D57A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

Complementary color

CMYK 57 / 0 / 48 / 18

HEX #5AD26D

RGB 90 210 109

HSL 129.5, 0.57%, 0.59%

LAB 75.68, -54.66, 39.98

 

CMYK 0 / 74 / 17 / 33

HEX #AA2D8D

RGB 170 45 141

HSL 313.92, 0.58%, 0.42%

LAB 41.76, 59.52, -25.13

 

CMYK 0 / 66 / 14 / 27

HEX #BB3FA0

RGB 187 63 160

HSL 313.06, 0.5%, 0.49%

LAB 47.83, 60, -26.91

 

CMYK 0 / 60 / 12 / 20

HEX #CC51B3

RGB 204 81 179

HSL 312.2, 0.55%, 0.56%

LAB 54, 59.96, -28.27

 

CMYK 0 / 55 / 10 / 13

HEX #DD63C6

RGB 221 99 198

HSL 311.31, 0.64%, 0.63%

LAB 60.22, 59.62, -29.35

 

CMYK 0 / 51 / 9 / 7

HEX #EE75D9

RGB 238 117 217

HSL 310.41, 0.78%, 0.7%

LAB 66.45, 59.1, -30.23

 

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

CMYK 0 / 82 / 14 / 42

HEX #941B7F

RGB 148 27 127

HSL 310.41, 0.69%, 0.34%

LAB 35.23, 57.76, -27

 

CMYK 0 / 93 / 18 / 49

HEX #83096C

RGB 131 9 108

HSL 311.31, 0.87%, 0.27%

LAB 29.67, 55.11, -23.91

 

CMYK 0 / 100 / 22 / 55

HEX #720059

RGB 114 0 89

HSL 313.16, 1%, 0.22%

LAB 24.64, 50.55, -19.63

 

CMYK 0 / 100 / 28 / 62

HEX #610046

RGB 97 0 70

HSL 316.7, 1%, 0.19%

LAB 19.98, 44.4, -14.3

 

CMYK 0 / 73 / 12 / 36

HEX #A42D91

RGB 164 45 145

HSL 309.58, 0.57%, 0.41%

LAB 40.92, 58.65, -28.96

 

CMYK 0 / 73 / 31 / 36

HEX #A42D71

RGB 164 45 113

HSL 325.71, 0.57%, 0.41%

LAB 39.52, 54.23, -11.39

 

CMYK 0 / 73 / 51 / 36

HEX #A42D51

RGB 164 45 81

HSL 341.85, 0.57%, 0.41%

LAB 38.49, 50.85, 7.31

 

CMYK 0 / 73 / 70 / 36

HEX #A42D31

RGB 164 45 49

HSL 357.98, 0.57%, 0.41%

LAB 37.83, 48.61, 26.6

 

CMYK 0 / 73 / 73 / 36

HEX #A42D2D

RGB 164 45 45

HSL 0, 0.57%, 0.41%

LAB 37.77, 48.41, 28.97

 

CMYK 0 / 73 / 12 / 36

HEX #A42D91

RGB 164 45 145

HSL 309.58, 0.57%, 0.41%

LAB 40.92, 58.65, -28.96

 

CMYK 8 / 73 / 0 / 36

HEX #972DA4

RGB 151 45 164

HSL 293.45, 0.57%, 0.41%

LAB 39.81, 58.82, -42.32

 

CMYK 27 / 73 / 0 / 36

HEX #772DA4

RGB 119 45 164

HSL 277.31, 0.57%, 0.41%

LAB 34.96, 52.02, -50.37

 

CMYK 47 / 73 / 0 / 36

HEX #572DA4

RGB 87 45 164

HSL 261.18, 0.57%, 0.41%

LAB 30.84, 45.91, -57.26

 

CMYK 67 / 73 / 0 / 36

HEX #362DA4

RGB 54 45 164

HSL 244.54, 0.57%, 0.41%

LAB 27.69, 40.94, -62.55

 

CMYK 0 / 73 / 12 / 36

HEX #A42D91

RGB 164 45 145

HSL 309.58, 0.57%, 0.41%

LAB 40.92, 58.65, -28.96

 

CMYK 0 / 85 / 13 / 29

HEX #B51C9D

RGB 181 28 157

HSL 309.41, 0.73%, 0.41%

LAB 42.9, 68.86, -32.9

 

CMYK 0 / 94 / 15 / 22

HEX #C60BA8

RGB 198 11 168

HSL 309.63, 0.89%, 0.41%

LAB 45.73, 76.13, -34.8

 

CMYK 0 / 73 / 12 / 36

HEX #A42D91

RGB 164 45 145

HSL 309.58, 0.57%, 0.41%

LAB 40.92, 58.65, -28.96

 

CMYK 0 / 58 / 9 / 42

HEX #933E86

RGB 147 62 134

HSL 309.18, 0.41%, 0.41%

LAB 40.2, 45.22, -23.58

 

CMYK 0 / 39 / 6 / 49

HEX #824F7A

RGB 130 79 122

HSL 309.41, 0.24%, 0.41%

LAB 40.8, 28.41, -15.49

 

CMYK 0 / 15 / 2 / 56

HEX #71606F

RGB 113 96 111

HSL 307.06, 0.08%, 0.41%

LAB 42.8, 9.74, -5.94

 

CMYK 15 / 0 / 12 / 56

HEX #607163

RGB 96 113 99

HSL 130.59, 0.08%, 0.41%

LAB 45.9, -9.34, 5.66

 

CMYK 28 / 73 / 0 / 36

HEX #762DA4

RGB 118 45 164

HSL 276.81, 0.57%, 0.41%

LAB 34.82, 51.81, -50.61

 

CMYK 9 / 73 / 0 / 36

HEX #962DA4

RGB 150 45 164

HSL 292.94, 0.57%, 0.41%

LAB 39.65, 58.6, -42.59

 

CMYK 0 / 73 / 11 / 36

HEX #A42D92

RGB 164 45 146

HSL 309.08, 0.57%, 0.41%

LAB 40.97, 58.8, -29.49

 

CMYK 0 / 73 / 30 / 36

HEX #A42D72

RGB 164 45 114

HSL 325.21, 0.57%, 0.41%

LAB 39.55, 54.35, -11.96

 

CMYK 0 / 73 / 49 / 36

HEX #A42D53

RGB 164 45 83

HSL 340.84, 0.57%, 0.41%

LAB 38.54, 51.03, 6.11

 

CMYK 0 / 73 / 11 / 61

HEX #631B58

RGB 99 27 88

HSL 309.17, 0.57%, 0.25%

LAB 24.13, 39.54, -19.97

 

CMYK 0 / 73 / 11 / 48

HEX #842475

RGB 132 36 117

HSL 309.38, 0.57%, 0.33%

LAB 32.81, 49.55, -24.71

 

CMYK 0 / 73 / 12 / 36

HEX #A42D91

RGB 164 45 145

HSL 309.58, 0.57%, 0.41%

LAB 40.92, 58.65, -28.96

 

CMYK 0 / 73 / 12 / 23

HEX #C536AE

RGB 197 54 174

HSL 309.65, 0.57%, 0.49%

LAB 48.96, 67.77, -33.29

 

CMYK 0 / 60 / 10 / 18

HEX #D054BC

RGB 208 84 188

HSL 309.68, 0.57%, 0.57%

LAB 55.46, 61.15, -31.16

 

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

CMYK 0 / 47 / 73 / 36

HEX #A4572D

RGB 164 87 45

HSL 21.18, 0.57%, 0.41%

LAB 45.49, 28.27, 37.67

 

CMYK 73 / 0 / 18 / 36

HEX #2DA486

RGB 45 164 134

HSL 164.87, 0.57%, 0.41%

LAB 60.63, -39.7, 6.26

 

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

CMYK 11 / 0 / 73 / 36

HEX #92A42D

RGB 146 164 45

HSL 69.08, 0.57%, 0.41%

LAB 64.04, -22.09, 56.11

 

CMYK 73 / 11 / 0 / 36

HEX #2D92A4

RGB 45 146 164

HSL 189.08, 0.57%, 0.41%

LAB 55.88, -22.38, -17.81

 

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

CMYK 0 / 47 / 73 / 36

HEX #A4572D

RGB 164 87 45

HSL 21.18, 0.57%, 0.41%

LAB 45.49, 28.27, 37.67

 

CMYK 73 / 0 / 62 / 36

HEX #2DA43F

RGB 45 164 63

HSL 129.08, 0.57%, 0.41%

LAB 59.4, -53.3, 42.25

 

CMYK 73 / 26 / 0 / 36

HEX #2D7AA4

RGB 45 122 164

HSL 201.18, 0.57%, 0.41%

LAB 48.46, -9.19, -29.25

 

CMYK 0 / 73 / 12 / 35

HEX #A52D92

RGB 165 45 146

HSL 309.5, 0.57%, 0.41%

LAB 41.14, 59.04, -29.21

 

CMYK 0 / 26 / 73 / 36

HEX #A47A2D

RGB 164 122 45

HSL 38.82, 0.57%, 0.41%

LAB 54.03, 8.57, 46.67

 

CMYK 73 / 0 / 62 / 36

HEX #2DA43F

RGB 45 164 63

HSL 129.08, 0.57%, 0.41%

LAB 59.4, -53.3, 42.25

 

CMYK 73 / 47 / 0 / 36

HEX #2D57A4

RGB 45 87 164

HSL 218.82, 0.57%, 0.41%

LAB 37.94, 12.56, -45.9

 

Description

Color code: HEX #A52D92 | qconv.com Color code: HEX #A52D92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 45 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 45 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 12 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 12% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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