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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5296B it is the complementary color #5AD694. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5296B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5296B shade: #AA2966, #BB3B79, #CC4D8C, #DD5F9F and #EE71B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5296B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5296B shade: #A5296B, #941758, #830545, #720032 and #61001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5296B shade: #A3296A, #A32949 and #A32929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5296B shade: #A3296A, #A3298B, #9A29A3, #7929A3 and #5829A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5296B shade matches the following richer shades: #A3296A, #B4186B and #C4086C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5296B shade: #A3296A, #933969, #824A68, #725A67 and #616B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5296B shade: #9B29A3, #A3298B, #A3296A, #A32949 and #A32929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5296B shade: #61183F, #822155, #A3296A, #C4317F and #D24C94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5296B shade: #A5296B, #A37A29 and #299BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5296B shade: #A5296B, #6AA329 and #296AA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5296B shade: #A5296B, #A37A29, #29A362 and #2952A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5296B shade: #A5296B, #A39F29, #29A362 and #292DA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

Complementary color

CMYK 58 / 0 / 31 / 16

HEX #5AD694

RGB 90 214 148

HSL 148.06, 0.6%, 0.6%

LAB 77.52, -49.55, 22.49

 

CMYK 0 / 76 / 40 / 33

HEX #AA2966

RGB 170 41 102

HSL 331.63, 0.61%, 0.41%

LAB 39.73, 56.01, -4.05

 

CMYK 0 / 68 / 35 / 27

HEX #BB3B79

RGB 187 59 121

HSL 330.94, 0.52%, 0.48%

LAB 45.73, 56.42, -6.59

 

CMYK 0 / 62 / 31 / 20

HEX #CC4D8C

RGB 204 77 140

HSL 330.24, 0.55%, 0.55%

LAB 51.88, 56.29, -8.58

 

CMYK 0 / 57 / 28 / 13

HEX #DD5F9F

RGB 221 95 159

HSL 329.52, 0.65%, 0.62%

LAB 58.09, 55.85, -10.18

 

CMYK 0 / 53 / 25 / 7

HEX #EE71B2

RGB 238 113 178

HSL 328.8, 0.79%, 0.69%

LAB 64.32, 55.24, -11.51

 

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

CMYK 0 / 84 / 41 / 42

HEX #941758

RGB 148 23 88

HSL 328.8, 0.73%, 0.34%

LAB 33.16, 53.9, -5.32

 

CMYK 0 / 96 / 47 / 49

HEX #830545

RGB 131 5 69

HSL 329.52, 0.93%, 0.27%

LAB 27.75, 51.26, -1.16

 

CMYK 0 / 100 / 56 / 55

HEX #720032

RGB 114 0 50

HSL 333.68, 1%, 0.22%

LAB 23.03, 46.39, 4.57

 

CMYK 0 / 100 / 68 / 62

HEX #61001F

RGB 97 0 31

HSL 340.82, 1%, 0.19%

LAB 18.54, 40.65, 11.26

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 75 / 55 / 36

HEX #A32949

RGB 163 41 73

HSL 344.26, 0.6%, 0.4%

LAB 37.58, 51.32, 11.11

 

CMYK 0 / 75 / 75 / 36

HEX #A32929

RGB 163 41 41

HSL 0, 0.6%, 0.4%

LAB 36.99, 49.37, 30.43

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 75 / 15 / 36

HEX #A3298B

RGB 163 41 139

HSL 311.8, 0.6%, 0.4%

LAB 39.98, 58.86, -26.79

 

CMYK 6 / 75 / 0 / 36

HEX #9A29A3

RGB 154 41 163

HSL 295.57, 0.6%, 0.4%

LAB 39.75, 60.67, -41.79

 

CMYK 26 / 75 / 0 / 36

HEX #7929A3

RGB 121 41 163

HSL 279.34, 0.6%, 0.4%

LAB 34.59, 53.86, -50.36

 

CMYK 46 / 75 / 0 / 36

HEX #5829A3

RGB 88 41 163

HSL 263.11, 0.6%, 0.4%

LAB 30.17, 47.78, -57.75

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 87 / 41 / 29

HEX #B4186B

RGB 180 24 107

HSL 328.08, 0.76%, 0.4%

LAB 40.28, 63.51, -6.19

 

CMYK 0 / 96 / 45 / 23

HEX #C4086C

RGB 196 8 108

HSL 328.09, 0.92%, 0.4%

LAB 42.75, 69.49, -2.79

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 61 / 29 / 42

HEX #933969

RGB 147 57 105

HSL 328, 0.44%, 0.4%

LAB 38.11, 43.11, -8.79

 

CMYK 0 / 43 / 20 / 49

HEX #824A68

RGB 130 74 104

HSL 327.86, 0.27%, 0.4%

LAB 38.97, 28.07, -7.13

 

CMYK 0 / 21 / 10 / 55

HEX #725A67

RGB 114 90 103

HSL 327.5, 0.12%, 0.4%

LAB 41.01, 12.18, -3.69

 

CMYK 9 / 0 / 5 / 58

HEX #616B66

RGB 97 107 102

HSL 150, 0.05%, 0.4%

LAB 44.26, -4.87, 1.49

 

CMYK 5 / 75 / 0 / 36

HEX #9B29A3

RGB 155 41 163

HSL 296.07, 0.6%, 0.4%

LAB 39.91, 60.89, -41.52

 

CMYK 0 / 75 / 15 / 36

HEX #A3298B

RGB 163 41 139

HSL 311.8, 0.6%, 0.4%

LAB 39.98, 58.86, -26.79

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 75 / 55 / 36

HEX #A32949

RGB 163 41 73

HSL 344.26, 0.6%, 0.4%

LAB 37.58, 51.32, 11.11

 

CMYK 0 / 75 / 75 / 36

HEX #A32929

RGB 163 41 41

HSL 0, 0.6%, 0.4%

LAB 36.99, 49.37, 30.43

 

CMYK 0 / 75 / 35 / 62

HEX #61183F

RGB 97 24 63

HSL 327.95, 0.6%, 0.24%

LAB 22.14, 36.39, -6.17

 

CMYK 0 / 75 / 35 / 49

HEX #822155

RGB 130 33 85

HSL 327.84, 0.6%, 0.32%

LAB 30.62, 45.58, -7.54

 

CMYK 0 / 75 / 35 / 36

HEX #A3296A

RGB 163 41 106

HSL 328.03, 0.6%, 0.4%

LAB 38.57, 54.53, -8.44

 

CMYK 0 / 75 / 35 / 23

HEX #C4317F

RGB 196 49 127

HSL 328.16, 0.6%, 0.48%

LAB 46.26, 63.1, -9.3

 

CMYK 0 / 64 / 30 / 18

HEX #D24C94

RGB 210 76 148

HSL 327.76, 0.6%, 0.56%

LAB 52.96, 59.46, -11.61

 

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

CMYK 0 / 25 / 75 / 36

HEX #A37A29

RGB 163 122 41

HSL 39.84, 0.6%, 0.4%

LAB 53.88, 7.91, 48.23

 

CMYK 75 / 5 / 0 / 36

HEX #299BA3

RGB 41 155 163

HSL 183.93, 0.6%, 0.4%

LAB 58.56, -27.78, -13.19

 

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

CMYK 35 / 0 / 75 / 36

HEX #6AA329

RGB 106 163 41

HSL 88.03, 0.6%, 0.4%

LAB 61.15, -37.94, 53.86

 

CMYK 75 / 35 / 0 / 36

HEX #296AA3

RGB 41 106 163

HSL 208.03, 0.6%, 0.4%

LAB 43.4, -0.53, -36.62

 

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

CMYK 0 / 25 / 75 / 36

HEX #A37A29

RGB 163 122 41

HSL 39.84, 0.6%, 0.4%

LAB 53.88, 7.91, 48.23

 

CMYK 75 / 0 / 40 / 36

HEX #29A362

RGB 41 163 98

HSL 148.03, 0.6%, 0.4%

LAB 59.48, -48.02, 24.56

 

CMYK 75 / 50 / 0 / 36

HEX #2952A3

RGB 41 82 163

HSL 219.84, 0.6%, 0.4%

LAB 36.27, 14.93, -47.99

 

CMYK 0 / 75 / 35 / 35

HEX #A5296B

RGB 165 41 107

HSL 328.06, 0.6%, 0.4%

LAB 38.98, 55.19, -8.42

 

CMYK 0 / 2 / 75 / 36

HEX #A39F29

RGB 163 159 41

HSL 58.03, 0.6%, 0.4%

LAB 63.95, -12.31, 57.93

 

CMYK 75 / 0 / 40 / 36

HEX #29A362

RGB 41 163 98

HSL 148.03, 0.6%, 0.4%

LAB 59.48, -48.02, 24.56

 

CMYK 75 / 72 / 0 / 36

HEX #292DA3

RGB 41 45 163

HSL 238.03, 0.6%, 0.4%

LAB 26.71, 39.17, -63.58

 

Description

Color code: HEX #A5296B | qconv.com Color code: HEX #A5296B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 41 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 41 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 35 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 35% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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