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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A52899 it is the complementary color #5AD766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A52899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A52899 shade: #AA2894, #BB3AA7, #CC4CBA, #DD5ECD and #EE70E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A52899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A52899 shade: #A52899, #941686, #830473, #720060 and #61004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A52899 shade: #A42898, #A42877, #A42855, #A42834 and #A42828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A52899 shade: #A42898, #8F28A4, #6D28A4, #4B28A4 and #2A28A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A52899 shade matches the following richer shades: #A42898, #B517A6 and #C507B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A52899 shade: #A42898, #94388B, #83497E, #735970 and #626A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A52899 shade: #6C28A4, #8D28A4, #A4289A, #A42879 and #A42857

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A52899 shade: #62185B, #832079, #A42898, #C530B7 and #D34BC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A52899 shade: #A52899, #A44B28 and #28A47D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A52899 shade: #A52899, #9AA428 and #289AA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A52899 shade: #A52899, #A44B28, #28A432 and #2881A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A52899 shade: #A52899, #A47028, #28A432 and #285CA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

Complementary color

CMYK 58 / 0 / 53 / 16

HEX #5AD766

RGB 90 215 102

HSL 125.76, 0.61%, 0.6%

LAB 77.12, -57.53, 45.14

 

CMYK 0 / 76 / 13 / 33

HEX #AA2894

RGB 170 40 148

HSL 310.15, 0.62%, 0.41%

LAB 41.53, 62.14, -29.74

 

CMYK 0 / 69 / 11 / 27

HEX #BB3AA7

RGB 187 58 167

HSL 309.3, 0.53%, 0.48%

LAB 47.47, 62.96, -31.62

 

CMYK 0 / 63 / 9 / 20

HEX #CC4CBA

RGB 204 76 186

HSL 308.44, 0.56%, 0.55%

LAB 53.55, 63.15, -33.04

 

CMYK 0 / 57 / 7 / 13

HEX #DD5ECD

RGB 221 94 205

HSL 307.56, 0.65%, 0.62%

LAB 59.69, 62.97, -34.15

 

CMYK 0 / 53 / 6 / 7

HEX #EE70E0

RGB 238 112 224

HSL 306.67, 0.79%, 0.69%

LAB 65.86, 62.55, -35.04

 

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

CMYK 0 / 85 / 9 / 42

HEX #941686

RGB 148 22 134

HSL 306.67, 0.74%, 0.33%

LAB 35.18, 60, -31.42

 

CMYK 0 / 97 / 12 / 49

HEX #830473

RGB 131 4 115

HSL 307.56, 0.94%, 0.26%

LAB 29.79, 56.9, -28.22

 

CMYK 0 / 100 / 16 / 55

HEX #720060

RGB 114 0 96

HSL 309.47, 1%, 0.22%

LAB 25.02, 51.51, -23.66

 

CMYK 0 / 100 / 21 / 62

HEX #61004D

RGB 97 0 77

HSL 312.37, 1%, 0.19%

LAB 20.35, 45.34, -18.52

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 0 / 76 / 27 / 36

HEX #A42877

RGB 164 40 119

HSL 321.77, 0.61%, 0.4%

LAB 39.14, 56.7, -15.71

 

CMYK 0 / 76 / 48 / 36

HEX #A42855

RGB 164 40 85

HSL 338.23, 0.61%, 0.4%

LAB 37.96, 52.98, 4.01

 

CMYK 0 / 76 / 68 / 36

HEX #A42834

RGB 164 40 52

HSL 354.19, 0.61%, 0.4%

LAB 37.22, 50.58, 24.01

 

CMYK 0 / 76 / 76 / 36

HEX #A42828

RGB 164 40 40

HSL 0, 0.61%, 0.4%

LAB 37.05, 50, 31.15

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 13 / 76 / 0 / 36

HEX #8F28A4

RGB 143 40 164

HSL 289.84, 0.61%, 0.4%

LAB 37.91, 58.89, -45.44

 

CMYK 34 / 76 / 0 / 36

HEX #6D28A4

RGB 109 40 164

HSL 273.39, 0.61%, 0.4%

LAB 32.81, 52.2, -53.93

 

CMYK 54 / 76 / 0 / 36

HEX #4B28A4

RGB 75 40 164

HSL 256.94, 0.61%, 0.4%

LAB 28.63, 46.5, -60.94

 

CMYK 74 / 76 / 0 / 36

HEX #2A28A4

RGB 42 40 164

HSL 240.97, 0.61%, 0.4%

LAB 25.83, 42.53, -65.64

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 0 / 87 / 8 / 29

HEX #B517A6

RGB 181 23 166

HSL 305.7, 0.77%, 0.4%

LAB 43.05, 71.08, -38.06

 

CMYK 0 / 96 / 9 / 23

HEX #C507B3

RGB 197 7 179

HSL 305.68, 0.93%, 0.4%

LAB 46.01, 77.76, -40.89

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 0 / 62 / 6 / 42

HEX #94388B

RGB 148 56 139

HSL 305.87, 0.45%, 0.4%

LAB 39.56, 49.16, -27.62

 

CMYK 0 / 44 / 4 / 49

HEX #83497E

RGB 131 73 126

HSL 305.17, 0.28%, 0.4%

LAB 39.74, 32.95, -19.56

 

CMYK 0 / 23 / 3 / 55

HEX #735970

RGB 115 89 112

HSL 306.92, 0.13%, 0.4%

LAB 41.15, 14.97, -8.99

 

CMYK 8 / 0 / 7 / 58

HEX #626A63

RGB 98 106 99

HSL 127.5, 0.04%, 0.4%

LAB 43.95, -4.53, 2.87

 

CMYK 34 / 76 / 0 / 36

HEX #6C28A4

RGB 108 40 164

HSL 272.9, 0.61%, 0.4%

LAB 32.67, 52.02, -54.16

 

CMYK 14 / 76 / 0 / 36

HEX #8D28A4

RGB 141 40 164

HSL 288.87, 0.61%, 0.4%

LAB 37.59, 58.48, -45.97

 

CMYK 0 / 76 / 6 / 36

HEX #A4289A

RGB 164 40 154

HSL 304.84, 0.61%, 0.4%

LAB 40.81, 61.69, -34.59

 

CMYK 0 / 76 / 26 / 36

HEX #A42879

RGB 164 40 121

HSL 320.81, 0.61%, 0.4%

LAB 39.23, 56.95, -16.83

 

CMYK 0 / 76 / 47 / 36

HEX #A42857

RGB 164 40 87

HSL 337.26, 0.61%, 0.4%

LAB 38.02, 53.17, 2.81

 

CMYK 0 / 76 / 7 / 62

HEX #62185B

RGB 98 24 91

HSL 305.68, 0.61%, 0.24%

LAB 23.69, 41, -22.67

 

CMYK 0 / 76 / 8 / 49

HEX #832079

RGB 131 32 121

HSL 306.06, 0.61%, 0.32%

LAB 32.34, 51.38, -27.98

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 0 / 76 / 7 / 23

HEX #C530B7

RGB 197 48 183

HSL 305.64, 0.61%, 0.48%

LAB 48.76, 70.95, -38.88

 

CMYK 0 / 64 / 6 / 17

HEX #D34BC6

RGB 211 75 198

HSL 305.74, 0.61%, 0.56%

LAB 55.03, 67.2, -37.56

 

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

CMYK 0 / 54 / 76 / 36

HEX #A44B28

RGB 164 75 40

HSL 16.94, 0.61%, 0.4%

LAB 42.88, 34.44, 37.49

 

CMYK 76 / 0 / 24 / 36

HEX #28A47D

RGB 40 164 125

HSL 161.13, 0.61%, 0.4%

LAB 60.32, -42.63, 10.85

 

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

CMYK 6 / 0 / 76 / 36

HEX #9AA428

RGB 154 164 40

HSL 64.84, 0.61%, 0.4%

LAB 64.62, -18.89, 58.64

 

CMYK 76 / 6 / 0 / 36

HEX #289AA4

RGB 40 154 164

HSL 184.84, 0.61%, 0.4%

LAB 58.27, -27.09, -14.21

 

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

CMYK 0 / 54 / 76 / 36

HEX #A44B28

RGB 164 75 40

HSL 16.94, 0.61%, 0.4%

LAB 42.88, 34.44, 37.49

 

CMYK 76 / 0 / 70 / 36

HEX #28A432

RGB 40 164 50

HSL 124.84, 0.61%, 0.4%

LAB 59.19, -55.54, 47.66

 

CMYK 76 / 21 / 0 / 36

HEX #2881A4

RGB 40 129 164

HSL 196.94, 0.61%, 0.4%

LAB 50.49, -13.86, -26.1

 

CMYK 0 / 76 / 7 / 35

HEX #A52899

RGB 165 40 153

HSL 305.76, 0.61%, 0.4%

LAB 40.92, 61.75, -33.79

 

CMYK 0 / 32 / 76 / 36

HEX #A47028

RGB 164 112 40

HSL 34.84, 0.61%, 0.4%

LAB 51.42, 13.98, 46.26

 

CMYK 76 / 0 / 70 / 36

HEX #28A432

RGB 40 164 50

HSL 124.84, 0.61%, 0.4%

LAB 59.19, -55.54, 47.66

 

CMYK 76 / 44 / 0 / 36

HEX #285CA4

RGB 40 92 164

HSL 214.84, 0.61%, 0.4%

LAB 39.22, 8.6, -43.86

 

Description

Color code: HEX #A52899 | qconv.com Color code: HEX #A52899 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 40 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 40 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 7 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 7% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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