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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5200C it is the complementary color #5ADFF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5200C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5200C shade: #AA2007, #BB321A, #CC442D, #DD5640 and #EE6853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5200C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5200C shade: #A5200C, #940E00, #830000, #720000 and #610000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5200C shade: #A6210C and #A60C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5200C shade: #A6210C, #A64A0C, #A6730C, #A69D0C and #86A60C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5200C shade matches the following richer shades: #A6210C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5200C shade: #A6210C, #982B1B, #893629, #7B4138 and #6C4B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5200C shade: #A60C4C, #A60C24, #A61E0C, #A6470C and #A6700C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5200C shade: #591207, #80190A, #A6210C, #CC280F and #EE3317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5200C shade: #A5200C, #75A60C and #0C38A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5200C shade: #A5200C, #0CA61E and #1E0CA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5200C shade: #A5200C, #75A60C, #0C94A6 and #3D0CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5200C shade: #A5200C, #47A60C, #0C94A6 and #6B0CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

Complementary color

CMYK 63 / 8 / 0 / 5

HEX #5ADFF3

RGB 90 223 243

HSL 187.84, 0.86%, 0.65%

LAB 82.6, -30.24, -20.55

 

CMYK 0 / 81 / 96 / 33

HEX #AA2007

RGB 170 32 7

HSL 9.2, 0.92%, 0.35%

LAB 37.1, 53.54, 47.68

 

CMYK 0 / 73 / 86 / 27

HEX #BB321A

RGB 187 50 26

HSL 8.94, 0.76%, 0.42%

LAB 42.64, 53.39, 45.65

 

CMYK 0 / 67 / 78 / 20

HEX #CC442D

RGB 204 68 45

HSL 8.68, 0.64%, 0.49%

LAB 48.46, 52.62, 42.78

 

CMYK 0 / 61 / 71 / 13

HEX #DD5640

RGB 221 86 64

HSL 8.41, 0.7%, 0.56%

LAB 54.45, 51.54, 39.92

 

CMYK 0 / 56 / 65 / 7

HEX #EE6853

RGB 238 104 83

HSL 8.13, 0.82%, 0.63%

LAB 60.52, 50.33, 37.33

 

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

CMYK 0 / 91 / 100 / 42

HEX #940E00

RGB 148 14 0

HSL 5.68, 1%, 0.29%

LAB 30.9, 51.22, 44.36

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 80 / 93 / 35

HEX #A6210C

RGB 166 33 12

HSL 8.18, 0.87%, 0.35%

LAB 36.41, 52.11, 45.04

 

CMYK 0 / 93 / 93 / 35

HEX #A60C0C

RGB 166 12 12

HSL 0, 0.87%, 0.35%

LAB 34.8, 56.69, 43.96

 

CMYK 0 / 80 / 93 / 35

HEX #A6210C

RGB 166 33 12

HSL 8.18, 0.87%, 0.35%

LAB 36.41, 52.11, 45.04

 

CMYK 0 / 55 / 93 / 35

HEX #A64A0C

RGB 166 74 12

HSL 24.16, 0.87%, 0.35%

LAB 42.81, 34.92, 49.51

 

CMYK 0 / 31 / 93 / 35

HEX #A6730C

RGB 166 115 12

HSL 40.13, 0.87%, 0.35%

LAB 52.28, 12.32, 56.47

 

CMYK 0 / 5 / 93 / 35

HEX #A69D0C

RGB 166 157 12

HSL 56.49, 0.87%, 0.35%

LAB 63.55, -10.78, 65.03

 

CMYK 19 / 0 / 93 / 35

HEX #86A60C

RGB 134 166 12

HSL 72.47, 0.87%, 0.35%

LAB 63.65, -29.33, 64.04

 

CMYK 0 / 80 / 93 / 35

HEX #A6210C

RGB 166 33 12

HSL 8.18, 0.87%, 0.35%

LAB 36.41, 52.11, 45.04

 

CMYK 0 / 80 / 93 / 35

HEX #A6210C

RGB 166 33 12

HSL 8.18, 0.87%, 0.35%

LAB 36.41, 52.11, 45.04

 

CMYK 0 / 72 / 82 / 40

HEX #982B1B

RGB 152 43 27

HSL 7.68, 0.7%, 0.35%

LAB 34.97, 44.44, 35.68

 

CMYK 0 / 61 / 70 / 46

HEX #893629

RGB 137 54 41

HSL 8.13, 0.54%, 0.35%

LAB 34.22, 34.6, 25.99

 

CMYK 0 / 47 / 54 / 52

HEX #7B4138

RGB 123 65 56

HSL 8.06, 0.37%, 0.35%

LAB 34.55, 24.07, 16.65

 

CMYK 0 / 31 / 35 / 58

HEX #6C4B46

RGB 108 75 70

HSL 7.89, 0.21%, 0.35%

LAB 35.33, 13.27, 8.57

 

CMYK 0 / 93 / 54 / 35

HEX #A60C4C

RGB 166 12 76

HSL 335.06, 0.87%, 0.35%

LAB 35.78, 59.44, 6.74

 

CMYK 0 / 93 / 78 / 35

HEX #A60C24

RGB 166 12 36

HSL 350.65, 0.87%, 0.35%

LAB 35, 57.27, 31.41

 

CMYK 0 / 82 / 93 / 35

HEX #A61E0C

RGB 166 30 12

HSL 7.01, 0.87%, 0.35%

LAB 36.1, 52.96, 44.83

 

CMYK 0 / 57 / 93 / 35

HEX #A6470C

RGB 166 71 12

HSL 22.99, 0.87%, 0.35%

LAB 42.22, 36.44, 49.08

 

CMYK 0 / 33 / 93 / 35

HEX #A6700C

RGB 166 112 12

HSL 38.96, 0.87%, 0.35%

LAB 51.52, 14.02, 55.9

 

CMYK 0 / 80 / 92 / 65

HEX #591207

RGB 89 18 7

HSL 8.05, 0.85%, 0.19%

LAB 18.24, 31.6, 24.77

 

CMYK 0 / 80 / 92 / 50

HEX #80190A

RGB 128 25 10

HSL 7.63, 0.86%, 0.27%

LAB 27.59, 42.55, 35.83

 

CMYK 0 / 80 / 93 / 35

HEX #A6210C

RGB 166 33 12

HSL 8.18, 0.87%, 0.35%

LAB 36.41, 52.11, 45.04

 

CMYK 0 / 80 / 93 / 20

HEX #CC280F

RGB 204 40 15

HSL 7.94, 0.86%, 0.43%

LAB 44.79, 61.51, 53.18

 

CMYK 0 / 79 / 90 / 7

HEX #EE3317

RGB 238 51 23

HSL 7.81, 0.86%, 0.51%

LAB 52.52, 68.43, 58.69

 

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

CMYK 30 / 0 / 93 / 35

HEX #75A60C

RGB 117 166 12

HSL 79.09, 0.87%, 0.35%

LAB 62.58, -36.23, 62.74

 

CMYK 93 / 66 / 0 / 35

HEX #0C38A6

RGB 12 56 166

HSL 222.86, 0.87%, 0.35%

LAB 28.54, 31.17, -62.43

 

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

CMYK 93 / 0 / 82 / 35

HEX #0CA61E

RGB 12 166 30

HSL 127.01, 0.87%, 0.35%

LAB 59.38, -60.73, 54.78

 

CMYK 82 / 93 / 0 / 35

HEX #1E0CA6

RGB 30 12 166

HSL 247.01, 0.87%, 0.35%

LAB 21.18, 54.68, -74.6

 

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

CMYK 30 / 0 / 93 / 35

HEX #75A60C

RGB 117 166 12

HSL 79.09, 0.87%, 0.35%

LAB 62.58, -36.23, 62.74

 

CMYK 93 / 11 / 0 / 35

HEX #0C94A6

RGB 12 148 166

HSL 187.01, 0.87%, 0.35%

LAB 56.1, -25.65, -18.67

 

CMYK 63 / 93 / 0 / 35

HEX #3D0CA6

RGB 61 12 166

HSL 259.09, 0.87%, 0.35%

LAB 23.7, 56.26, -70.33

 

CMYK 0 / 81 / 93 / 35

HEX #A5200C

RGB 165 32 12

HSL 7.84, 0.86%, 0.35%

LAB 36.1, 52.09, 44.73

 

CMYK 57 / 0 / 93 / 35

HEX #47A60C

RGB 71 166 12

HSL 97.01, 0.87%, 0.35%

LAB 60.46, -51.78, 60.13

 

CMYK 93 / 11 / 0 / 35

HEX #0C94A6

RGB 12 148 166

HSL 187.01, 0.87%, 0.35%

LAB 56.1, -25.65, -18.67

 

CMYK 36 / 93 / 0 / 35

HEX #6B0CA6

RGB 107 12 166

HSL 277.01, 0.87%, 0.35%

LAB 29.77, 60.85, -60.12

 

Description

Color code: HEX #A5200C | qconv.com Color code: HEX #A5200C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 32 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 32 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 93 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 93% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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