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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A50CBD it is the complementary color #5AF342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A50CBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A50CBD shade: #AA0CB8, #BB1ECB, #CC30DE, #DD42F1 and #EE54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A50CBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A50CBD shade: #A50CBD, #9400AA, #830097, #720084 and #610071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A50CBD shade: #A30CBB, #BB0CA4, #BB0C74, #BB0C45 and #BB0C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A50CBD shade: #A30CBB, #740CBB, #450CBB, #160CBB and #0C0CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A50CBD shade matches the following richer shades: #A30CBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A50CBD shade: #A30CBB, #971CAB, #8C2C9B, #803C8B and #744C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A50CBD shade: #430CBB, #720CBB, #A10CBB, #BB0CA7 and #BB0C78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A50CBD shade: #60076D, #810994, #A30CBB, #C50EE2 and #D628F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A50CBD shade: #A50CBD, #BB150C and #0CBB5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A50CBD shade: #A50CBD, #BBA10C and #0CBBA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A50CBD shade: #A50CBD, #BB150C, #26BB0C and #0CB2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A50CBD shade: #A50CBD, #BB490C, #26BB0C and #0C7EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

Complementary color

CMYK 63 / 0 / 73 / 5

HEX #5AF342

RGB 90 243 66

HSL 111.86, 0.88%, 0.61%

LAB 85.34, -70.89, 69.05

 

CMYK 8 / 93 / 0 / 28

HEX #AA0CB8

RGB 170 12 184

HSL 295.12, 0.88%, 0.38%

LAB 41.64, 73.44, -51.1

 

CMYK 8 / 85 / 0 / 20

HEX #BB1ECB

RGB 187 30 203

HSL 294.45, 0.74%, 0.46%

LAB 46.72, 76.55, -53.88

 

CMYK 8 / 78 / 0 / 13

HEX #CC30DE

RGB 204 48 222

HSL 293.79, 0.73%, 0.53%

LAB 52.09, 78.51, -55.99

 

CMYK 8 / 73 / 0 / 5

HEX #DD42F1

RGB 221 66 241

HSL 293.14, 0.86%, 0.6%

LAB 57.67, 79.63, -57.6

 

CMYK 7 / 67 / 0 / 0

HEX #EE54FF

RGB 238 84 255

HSL 294.04, 1%, 0.66%

LAB 63.13, 79.3, -56.52

 

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

CMYK 13 / 100 / 0 / 33

HEX #9400AA

RGB 148 0 170

HSL 292.24, 1%, 0.33%

LAB 36.36, 69.03, -51.49

 

CMYK 13 / 100 / 0 / 41

HEX #830097

RGB 131 0 151

HSL 292.05, 1%, 0.3%

LAB 31.94, 63.23, -47.27

 

CMYK 14 / 100 / 0 / 48

HEX #720084

RGB 114 0 132

HSL 291.82, 1%, 0.26%

LAB 27.42, 57.29, -42.96

 

CMYK 14 / 100 / 0 / 56

HEX #610071

RGB 97 0 113

HSL 291.5, 1%, 0.22%

LAB 22.77, 51.19, -38.53

 

CMYK 13 / 94 / 0 / 27

HEX #A30CBB

RGB 163 12 187

HSL 291.77, 0.88%, 0.39%

LAB 40.63, 72.82, -54.55

 

CMYK 0 / 94 / 12 / 27

HEX #BB0CA4

RGB 187 12 164

HSL 307.89, 0.88%, 0.39%

LAB 43.52, 73.45, -36.05

 

CMYK 0 / 94 / 38 / 27

HEX #BB0C74

RGB 187 12 116

HSL 324.34, 0.88%, 0.39%

LAB 41.36, 67.82, -10.06

 

CMYK 0 / 94 / 63 / 27

HEX #BB0C45

RGB 187 12 69

HSL 340.46, 0.88%, 0.39%

LAB 40.01, 64.16, 17.77

 

CMYK 0 / 94 / 88 / 27

HEX #BB0C16

RGB 187 12 22

HSL 356.57, 0.88%, 0.39%

LAB 39.39, 62.42, 44.87

 

CMYK 13 / 94 / 0 / 27

HEX #A30CBB

RGB 163 12 187

HSL 291.77, 0.88%, 0.39%

LAB 40.63, 72.82, -54.55

 

CMYK 38 / 94 / 0 / 27

HEX #740CBB

RGB 116 12 187

HSL 275.66, 0.88%, 0.39%

LAB 33.06, 66.36, -67.22

 

CMYK 63 / 94 / 0 / 27

HEX #450CBB

RGB 69 12 187

HSL 259.54, 0.88%, 0.39%

LAB 27.06, 62.08, -77.32

 

CMYK 88 / 94 / 0 / 27

HEX #160CBB

RGB 22 12 187

HSL 243.43, 0.88%, 0.39%

LAB 23.74, 60.18, -82.94

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CBB

RGB 12 12 187

HSL 240, 0.88%, 0.39%

LAB 23.44, 60.03, -83.46

 

CMYK 13 / 94 / 0 / 27

HEX #A30CBB

RGB 163 12 187

HSL 291.77, 0.88%, 0.39%

LAB 40.63, 72.82, -54.55

 

CMYK 13 / 94 / 0 / 27

HEX #A30CBB

RGB 163 12 187

HSL 291.77, 0.88%, 0.39%

LAB 40.63, 72.82, -54.55

 

CMYK 12 / 84 / 0 / 33

HEX #971CAB

RGB 151 28 171

HSL 291.61, 0.72%, 0.39%

LAB 38.46, 65.23, -48.67

 

CMYK 10 / 72 / 0 / 39

HEX #8C2C9B

RGB 140 44 155

HSL 291.89, 0.56%, 0.39%

LAB 37.38, 55.09, -40.89

 

CMYK 8 / 57 / 0 / 45

HEX #803C8B

RGB 128 60 139

HSL 291.65, 0.4%, 0.39%

LAB 37.27, 41.65, -31.43

 

CMYK 6 / 38 / 0 / 52

HEX #744C7B

RGB 116 76 123

HSL 291.06, 0.24%, 0.39%

LAB 38.4, 25.52, -19.95

 

CMYK 64 / 94 / 0 / 27

HEX #430CBB

RGB 67 12 187

HSL 258.86, 0.88%, 0.39%

LAB 26.86, 61.95, -77.67

 

CMYK 39 / 94 / 0 / 27

HEX #720CBB

RGB 114 12 187

HSL 274.97, 0.88%, 0.39%

LAB 32.76, 66.13, -67.72

 

CMYK 14 / 94 / 0 / 27

HEX #A10CBB

RGB 161 12 187

HSL 291.09, 0.88%, 0.39%

LAB 40.29, 72.51, -55.12

 

CMYK 0 / 94 / 11 / 27

HEX #BB0CA7

RGB 187 12 167

HSL 306.86, 0.88%, 0.39%

LAB 43.68, 73.86, -37.58

 

CMYK 0 / 94 / 36 / 27

HEX #BB0C78

RGB 187 12 120

HSL 322.97, 0.88%, 0.39%

LAB 41.51, 68.22, -12.33

 

CMYK 12 / 94 / 0 / 57

HEX #60076D

RGB 96 7 109

HSL 292.35, 0.88%, 0.23%

LAB 22.8, 48.72, -35.9

 

CMYK 13 / 94 / 0 / 42

HEX #810994

RGB 129 9 148

HSL 291.8, 0.89%, 0.31%

LAB 31.81, 61.07, -45.66

 

CMYK 13 / 94 / 0 / 27

HEX #A30CBB

RGB 163 12 187

HSL 291.77, 0.88%, 0.39%

LAB 40.63, 72.82, -54.55

 

CMYK 13 / 94 / 0 / 11

HEX #C50EE2

RGB 197 14 226

HSL 291.79, 0.88%, 0.47%

LAB 49.1, 84.18, -63.14

 

CMYK 11 / 83 / 0 / 5

HEX #D628F1

RGB 214 40 241

HSL 291.94, 0.88%, 0.55%

LAB 54.2, 85.27, -63.23

 

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

CMYK 0 / 89 / 94 / 27

HEX #BB150C

RGB 187 21 12

HSL 3.09, 0.88%, 0.39%

LAB 39.79, 60.95, 49.37

 

CMYK 94 / 0 / 51 / 27

HEX #0CBB5B

RGB 12 187 91

HSL 147.09, 0.88%, 0.39%

LAB 66.8, -60.47, 37.5

 

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

CMYK 0 / 14 / 94 / 27

HEX #BBA10C

RGB 187 161 12

HSL 51.09, 0.88%, 0.39%

LAB 66.58, -3.46, 68.2

 

CMYK 94 / 0 / 14 / 27

HEX #0CBBA1

RGB 12 187 161

HSL 171.09, 0.88%, 0.39%

LAB 68.16, -45.19, 2.1

 

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

CMYK 0 / 89 / 94 / 27

HEX #BB150C

RGB 187 21 12

HSL 3.09, 0.88%, 0.39%

LAB 39.79, 60.95, 49.37

 

CMYK 80 / 0 / 94 / 27

HEX #26BB0C

RGB 38 187 12

HSL 111.09, 0.88%, 0.39%

LAB 66.5, -65.15, 64.85

 

CMYK 94 / 5 / 0 / 27

HEX #0CB2BB

RGB 12 178 187

HSL 183.09, 0.88%, 0.39%

LAB 66.14, -33.52, -15.25

 

CMYK 13 / 94 / 0 / 26

HEX #A50CBD

RGB 165 12 189

HSL 291.86, 0.88%, 0.39%

LAB 41.11, 73.46, -54.94

 

CMYK 0 / 61 / 94 / 27

HEX #BB490C

RGB 187 73 12

HSL 20.91, 0.88%, 0.39%

LAB 46.12, 43.57, 53.44

 

CMYK 80 / 0 / 94 / 27

HEX #26BB0C

RGB 38 187 12

HSL 111.09, 0.88%, 0.39%

LAB 66.5, -65.15, 64.85

 

CMYK 94 / 33 / 0 / 27

HEX #0C7EBB

RGB 12 126 187

HSL 200.91, 0.88%, 0.39%

LAB 50.2, -5.97, -39.88

 

Description

Color code: HEX #A50CBD | qconv.com Color code: HEX #A50CBD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 12 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 12 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 94 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 94% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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