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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4FF0C it is the complementary color #5B00F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4FF0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4FF0C shade: #A9FF07, #BAFF1A, #CBFF2D, #DCFF40 and #EDFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4FF0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4FF0C shade: #A4FF0C, #93ED00, #82DB00, #71C900 and #60B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4FF0C shade: #A3FF0A, #E5FF0A, #FFD70A, #FF950A and #FF530A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4FF0C shade: #A3FF0A, #61FF0A, #1FFF0A, #0AFF37 and #0AFF79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4FF0C shade matches the following richer shades: #A3FF0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4FF0C shade: #A3FF0A, #9EEB1E, #99D732, #94C446 and #8FB059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4FF0C shade: #FFD60A, #E7FF0A, #A5FF0A, #64FF0A and #23FF0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4FF0C shade: #72B700, #8CE000, #A3FF0A, #B3FF33 and #C2FF5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4FF0C shade: #A4FF0C, #0AFF95 and #F70AFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4FF0C shade: #A4FF0C, #0AA5FF and #FF0AA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4FF0C shade: #A4FF0C, #0AFF95, #640AFF and #FF0A74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4FF0C shade: #A4FF0C, #0AFFDE, #640AFF and #FF0A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

Complementary color

CMYK 63 / 100 / 0 / 5

HEX #5B00F3

RGB 91 0 243

HSL 262.47, 1%, 0.48%

LAB 35.39, 78.3, -95.83

 

CMYK 34 / 0 / 97 / 0

HEX #A9FF07

RGB 169 255 7

HSL 80.81, 1%, 0.51%

LAB 91.67, -54.74, 87.44

 

CMYK 27 / 0 / 90 / 0

HEX #BAFF1A

RGB 186 255 26

HSL 78.08, 1%, 0.55%

LAB 92.59, -48.4, 86.64

 

CMYK 20 / 0 / 82 / 0

HEX #CBFF2D

RGB 203 255 45

HSL 74.86, 1%, 0.59%

LAB 93.63, -41.57, 84.43

 

CMYK 14 / 0 / 75 / 0

HEX #DCFF40

RGB 220 255 64

HSL 70.99, 1%, 0.63%

LAB 94.78, -34.3, 80.89

 

CMYK 7 / 0 / 67 / 0

HEX #EDFF53

RGB 237 255 83

HSL 66.28, 1%, 0.66%

LAB 96.06, -26.7, 76.24

 

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

CMYK 38 / 0 / 100 / 7

HEX #93ED00

RGB 147 237 0

HSL 82.78, 1%, 0.46%

LAB 85.39, -55.23, 82.64

 

CMYK 41 / 0 / 100 / 14

HEX #82DB00

RGB 130 219 0

HSL 84.38, 1%, 0.43%

LAB 79.28, -53.88, 77.55

 

CMYK 44 / 0 / 100 / 21

HEX #71C900

RGB 113 201 0

HSL 86.27, 1%, 0.39%

LAB 73.08, -52.47, 72.41

 

CMYK 48 / 0 / 100 / 28

HEX #60B700

RGB 96 183 0

HSL 88.52, 1%, 0.36%

LAB 66.79, -50.99, 67.19

 

CMYK 36 / 0 / 96 / 0

HEX #A3FF0A

RGB 163 255 10

HSL 82.53, 1%, 0.52%

LAB 91.38, -56.77, 86.87

 

CMYK 10 / 0 / 96 / 0

HEX #E5FF0A

RGB 229 255 10

HSL 66.37, 1%, 0.52%

LAB 95.25, -32.03, 91.53

 

CMYK 0 / 16 / 96 / 0

HEX #FFD70A

RGB 255 215 10

HSL 50.2, 1%, 0.52%

LAB 86.94, -1.85, 86.3

 

CMYK 0 / 42 / 96 / 0

HEX #FF950A

RGB 255 149 10

HSL 34.04, 1%, 0.52%

LAB 71.4, 32.31, 75.44

 

CMYK 0 / 67 / 96 / 0

HEX #FF530A

RGB 255 83 10

HSL 17.88, 1%, 0.52%

LAB 59.41, 62.9, 67.97

 

CMYK 36 / 0 / 96 / 0

HEX #A3FF0A

RGB 163 255 10

HSL 82.53, 1%, 0.52%

LAB 91.38, -56.77, 86.87

 

CMYK 62 / 0 / 96 / 0

HEX #61FF0A

RGB 97 255 10

HSL 98.69, 1%, 0.52%

LAB 88.96, -75.42, 83.92

 

CMYK 88 / 0 / 96 / 0

HEX #1FFF0A

RGB 31 255 10

HSL 114.86, 1%, 0.52%

LAB 87.89, -84.76, 82.61

 

CMYK 96 / 0 / 78 / 0

HEX #0AFF37

RGB 10 255 55

HSL 131.02, 1%, 0.52%

LAB 87.9, -84.17, 74.58

 

CMYK 96 / 0 / 53 / 0

HEX #0AFF79

RGB 10 255 121

HSL 147.18, 1%, 0.52%

LAB 88.43, -77.52, 49.77

 

CMYK 36 / 0 / 96 / 0

HEX #A3FF0A

RGB 163 255 10

HSL 82.53, 1%, 0.52%

LAB 91.38, -56.77, 86.87

 

CMYK 36 / 0 / 96 / 0

HEX #A3FF0A

RGB 163 255 10

HSL 82.53, 1%, 0.52%

LAB 91.38, -56.77, 86.87

 

CMYK 33 / 0 / 87 / 8

HEX #9EEB1E

RGB 158 235 30

HSL 82.54, 0.84%, 0.52%

LAB 85.39, -50.12, 79.47

 

CMYK 29 / 0 / 77 / 16

HEX #99D732

RGB 153 215 50

HSL 82.55, 0.67%, 0.52%

LAB 79.39, -42.77, 69.25

 

CMYK 24 / 0 / 64 / 23

HEX #94C446

RGB 148 196 70

HSL 82.86, 0.52%, 0.52%

LAB 73.69, -34.95, 56.22

 

CMYK 19 / 0 / 49 / 31

HEX #8FB059

RGB 143 176 89

HSL 82.76, 0.36%, 0.52%

LAB 67.73, -25.65, 40.62

 

CMYK 0 / 16 / 96 / 0

HEX #FFD60A

RGB 255 214 10

HSL 49.96, 1%, 0.52%

LAB 86.69, -1.34, 86.12

 

CMYK 9 / 0 / 96 / 0

HEX #E7FF0A

RGB 231 255 10

HSL 65.88, 1%, 0.52%

LAB 95.38, -31.23, 91.7

 

CMYK 35 / 0 / 96 / 0

HEX #A5FF0A

RGB 165 255 10

HSL 82.04, 1%, 0.52%

LAB 91.48, -56.09, 86.99

 

CMYK 61 / 0 / 96 / 0

HEX #64FF0A

RGB 100 255 10

HSL 97.96, 1%, 0.52%

LAB 89.04, -74.76, 84.02

 

CMYK 86 / 0 / 96 / 0

HEX #23FF0A

RGB 35 255 10

HSL 113.88, 1%, 0.52%

LAB 87.92, -84.47, 82.65

 

CMYK 38 / 0 / 100 / 28

HEX #72B700

RGB 114 183 0

HSL 82.62, 1%, 0.36%

LAB 67.61, -44.91, 68.18

 

CMYK 38 / 0 / 100 / 12

HEX #8CE000

RGB 140 224 0

HSL 82.5, 1%, 0.44%

LAB 81.23, -52.47, 79.27

 

CMYK 36 / 0 / 96 / 0

HEX #A3FF0A

RGB 163 255 10

HSL 82.53, 1%, 0.52%

LAB 91.38, -56.77, 86.87

 

CMYK 30 / 0 / 80 / 0

HEX #B3FF33

RGB 179 255 51

HSL 82.35, 1%, 0.6%

LAB 92.28, -50.22, 81.3

 

CMYK 24 / 0 / 64 / 0

HEX #C2FF5D

RGB 194 255 93

HSL 82.59, 1%, 0.68%

LAB 93.35, -42.48, 68.8

 

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

CMYK 96 / 0 / 42 / 0

HEX #0AFF95

RGB 10 255 149

HSL 154.04, 1%, 0.52%

LAB 88.81, -73.01, 36.88

 

CMYK 3 / 96 / 0 / 0

HEX #F70AFF

RGB 247 10 255

HSL 298.04, 1%, 0.52%

LAB 59.17, 96.44, -62.76

 

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

CMYK 96 / 35 / 0 / 0

HEX #0AA5FF

RGB 10 165 255

HSL 202.04, 1%, 0.52%

LAB 65.12, -3.15, -54.25

 

CMYK 0 / 96 / 35 / 0

HEX #FF0AA5

RGB 255 10 165

HSL 322.04, 1%, 0.52%

LAB 56.28, 87, -15.85

 

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

CMYK 96 / 0 / 42 / 0

HEX #0AFF95

RGB 10 255 149

HSL 154.04, 1%, 0.52%

LAB 88.81, -73.01, 36.88

 

CMYK 61 / 96 / 0 / 0

HEX #640AFF

RGB 100 10 255

HSL 262.04, 1%, 0.52%

LAB 38.1, 80.23, -98.05

 

CMYK 0 / 96 / 55 / 0

HEX #FF0A74

RGB 255 10 116

HSL 334.04, 1%, 0.52%

LAB 54.8, 83.07, 11.17

 

CMYK 36 / 0 / 95 / 0

HEX #A4FF0C

RGB 164 255 12

HSL 82.47, 1%, 0.52%

LAB 91.43, -56.41, 86.78

 

CMYK 96 / 0 / 13 / 0

HEX #0AFFDE

RGB 10 255 222

HSL 171.92, 1%, 0.52%

LAB 90.26, -56.89, 1.72

 

CMYK 61 / 96 / 0 / 0

HEX #640AFF

RGB 100 10 255

HSL 262.04, 1%, 0.52%

LAB 38.1, 80.23, -98.05

 

CMYK 0 / 96 / 83 / 0

HEX #FF0A2B

RGB 255 10 43

HSL 351.92, 1%, 0.52%

LAB 53.66, 79.95, 52.19

 

Description

Color code: HEX #A4FF0C | qconv.com Color code: HEX #A4FF0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 255 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 255 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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