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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4FE6B it is the complementary color #5B0194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4FE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4FE6B shade: #A9FE66, #BAFF79, #CBFF8C, #DCFF9F and #EDFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4FE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4FE6B shade: #A4FE6B, #93EC58, #82DA45, #71C832 and #60B61F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4FE6B shade: #A5FE6C, #CCFE6C, #F4FE6C, #FEE16C and #FEBA6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4FE6B shade: #A5FE6C, #7DFE6C, #6CFE82, #6CFEAA and #6CFED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4FE6B shade matches the following richer shades: #A5FE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4FE6B shade: #A5FE6C, #A7F278, #AAE684, #ADDA90 and #AFCE9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4FE6B shade: #F4FE6C, #CDFE6C, #A6FE6C, #7FFE6C and #6CFE7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4FE6B shade: #72FE1A, #8BFE43, #A5FE6C, #BEFE95 and #D7FFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4FE6B shade: #A4FE6B, #6CFEE1 and #FE6CE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4FE6B shade: #A4FE6B, #6CA6FE and #FE6CA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4FE6B shade: #A4FE6B, #6CFEE1, #C46CFE and #FE6C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4FE6B shade: #A4FE6B, #6CF0FE, #C46CFE and #FE7A6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

Complementary color

CMYK 39 / 99 / 0 / 42

HEX #5B0194

RGB 91 1 148

HSL 276.73, 0.99%, 0.29%

LAB 24.9, 57.12, -57.19

 

CMYK 33 / 0 / 60 / 0

HEX #A9FE66

RGB 169 254 102

HSL 93.55, 0.99%, 0.7%

LAB 91.81, -50.06, 63.07

 

CMYK 27 / 0 / 53 / 0

HEX #BAFF79

RGB 186 255 121

HSL 90.9, 1%, 0.74%

LAB 93.16, -42.9, 56.58

 

CMYK 20 / 0 / 45 / 0

HEX #CBFF8C

RGB 203 255 140

HSL 87.13, 1%, 0.77%

LAB 94.36, -34.89, 49.46

 

CMYK 14 / 0 / 38 / 0

HEX #DCFF9F

RGB 220 255 159

HSL 81.88, 1%, 0.81%

LAB 95.68, -26.57, 42.2

 

CMYK 7 / 0 / 30 / 0

HEX #EDFFB2

RGB 237 255 178

HSL 74.03, 1%, 0.85%

LAB 97.12, -18.04, 34.92

 

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

CMYK 38 / 0 / 63 / 7

HEX #93EC58

RGB 147 236 88

HSL 96.08, 0.8%, 0.64%

LAB 85.45, -51.12, 61.54

 

CMYK 40 / 0 / 68 / 15

HEX #82DA45

RGB 130 218 69

HSL 95.44, 0.67%, 0.56%

LAB 79.22, -50.87, 62.18

 

CMYK 44 / 0 / 75 / 22

HEX #71C832

RGB 113 200 50

HSL 94.8, 0.6%, 0.49%

LAB 72.92, -50.44, 62.38

 

CMYK 47 / 0 / 83 / 29

HEX #60B61F

RGB 96 182 31

HSL 94.17, 0.71%, 0.42%

LAB 66.55, -49.77, 61.81

 

CMYK 35 / 0 / 57 / 0

HEX #A5FE6C

RGB 165 254 108

HSL 96.58, 0.99%, 0.71%

LAB 91.67, -50.83, 60.31

 

CMYK 20 / 0 / 57 / 0

HEX #CCFE6C

RGB 204 254 108

HSL 80.55, 0.99%, 0.71%

LAB 93.8, -37.2, 63.3

 

CMYK 4 / 0 / 57 / 0

HEX #F4FE6C

RGB 244 254 108

HSL 64.11, 0.99%, 0.71%

LAB 96.49, -21.91, 67.05

 

CMYK 0 / 11 / 57 / 0

HEX #FEE16C

RGB 254 225 108

HSL 48.08, 0.99%, 0.71%

LAB 89.86, -3.68, 59.82

 

CMYK 0 / 27 / 57 / 0

HEX #FEBA6C

RGB 254 186 108

HSL 32.05, 0.99%, 0.71%

LAB 80.33, 16.39, 48.7

 

CMYK 35 / 0 / 57 / 0

HEX #A5FE6C

RGB 165 254 108

HSL 96.58, 0.99%, 0.71%

LAB 91.67, -50.83, 60.31

 

CMYK 51 / 0 / 57 / 0

HEX #7DFE6C

RGB 125 254 108

HSL 113.01, 0.99%, 0.71%

LAB 90.01, -62.66, 57.96

 

CMYK 57 / 0 / 49 / 0

HEX #6CFE82

RGB 108 254 130

HSL 129.04, 0.99%, 0.71%

LAB 89.71, -64.08, 47.49

 

CMYK 57 / 0 / 33 / 0

HEX #6CFEAA

RGB 108 254 170

HSL 145.48, 0.99%, 0.71%

LAB 90.31, -57.64, 28.67

 

CMYK 57 / 0 / 18 / 0

HEX #6CFED1

RGB 108 254 209

HSL 161.51, 0.99%, 0.71%

LAB 91.09, -49.69, 9.82

 

CMYK 35 / 0 / 57 / 0

HEX #A5FE6C

RGB 165 254 108

HSL 96.58, 0.99%, 0.71%

LAB 91.67, -50.83, 60.31

 

CMYK 35 / 0 / 57 / 0

HEX #A5FE6C

RGB 165 254 108

HSL 96.58, 0.99%, 0.71%

LAB 91.67, -50.83, 60.31

 

CMYK 31 / 0 / 50 / 5

HEX #A7F278

RGB 167 242 120

HSL 96.89, 0.82%, 0.71%

LAB 88.48, -43.85, 51.2

 

CMYK 26 / 0 / 43 / 10

HEX #AAE684

RGB 170 230 132

HSL 96.73, 0.66%, 0.71%

LAB 85.41, -36.07, 41.67

 

CMYK 21 / 0 / 34 / 15

HEX #ADDA90

RGB 173 218 144

HSL 96.49, 0.5%, 0.71%

LAB 82.4, -27.8, 31.78

 

CMYK 15 / 0 / 24 / 19

HEX #AFCE9C

RGB 175 206 156

HSL 97.2, 0.34%, 0.71%

LAB 79.42, -19.43, 21.53

 

CMYK 4 / 0 / 57 / 0

HEX #F4FE6C

RGB 244 254 108

HSL 64.11, 0.99%, 0.71%

LAB 96.49, -21.91, 67.05

 

CMYK 19 / 0 / 57 / 0

HEX #CDFE6C

RGB 205 254 108

HSL 80.14, 0.99%, 0.71%

LAB 93.86, -36.83, 63.38

 

CMYK 35 / 0 / 57 / 0

HEX #A6FE6C

RGB 166 254 108

HSL 96.16, 0.99%, 0.71%

LAB 91.72, -50.51, 60.38

 

CMYK 50 / 0 / 57 / 0

HEX #7FFE6C

RGB 127 254 108

HSL 112.19, 0.99%, 0.71%

LAB 90.08, -62.14, 58.06

 

CMYK 57 / 0 / 50 / 0

HEX #6CFE7F

RGB 108 254 127

HSL 127.81, 0.99%, 0.71%

LAB 89.68, -64.48, 48.85

 

CMYK 55 / 0 / 90 / 0

HEX #72FE1A

RGB 114 254 26

HSL 96.84, 0.99%, 0.55%

LAB 89.18, -70.79, 82.55

 

CMYK 45 / 0 / 74 / 0

HEX #8BFE43

RGB 139 254 67

HSL 96.9, 0.99%, 0.63%

LAB 90.22, -62.17, 74.09

 

CMYK 35 / 0 / 57 / 0

HEX #A5FE6C

RGB 165 254 108

HSL 96.58, 0.99%, 0.71%

LAB 91.67, -50.83, 60.31

 

CMYK 25 / 0 / 41 / 0

HEX #BEFE95

RGB 190 254 149

HSL 96.57, 0.98%, 0.79%

LAB 93.45, -37.9, 43.85

 

CMYK 16 / 0 / 25 / 0

HEX #D7FFBE

RGB 215 255 190

HSL 96.92, 1%, 0.87%

LAB 95.87, -24.12, 26.95

 

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

CMYK 57 / 0 / 11 / 0

HEX #6CFEE1

RGB 108 254 225

HSL 168.08, 0.99%, 0.71%

LAB 91.46, -46, 2.09

 

CMYK 0 / 57 / 11 / 0

HEX #FE6CE1

RGB 254 108 225

HSL 311.92, 0.99%, 0.71%

LAB 67.45, 68.8, -32.96

 

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

CMYK 57 / 35 / 0 / 0

HEX #6CA6FE

RGB 108 166 254

HSL 216.16, 0.99%, 0.71%

LAB 67.74, 6.47, -49.41

 

CMYK 0 / 57 / 35 / 0

HEX #FE6CA6

RGB 254 108 166

HSL 336.16, 0.99%, 0.71%

LAB 65.4, 61, -2.84

 

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

CMYK 57 / 0 / 11 / 0

HEX #6CFEE1

RGB 108 254 225

HSL 168.08, 0.99%, 0.71%

LAB 91.46, -46, 2.09

 

CMYK 23 / 57 / 0 / 0

HEX #C46CFE

RGB 196 108 254

HSL 276.16, 0.99%, 0.71%

LAB 61.32, 59.33, -59.17

 

CMYK 0 / 57 / 46 / 0

HEX #FE6C89

RGB 254 108 137

HSL 348.08, 0.99%, 0.71%

LAB 64.65, 58.03, 12.66

 

CMYK 35 / 0 / 58 / 0

HEX #A4FE6B

RGB 164 254 107

HSL 96.73, 0.99%, 0.71%

LAB 91.61, -51.25, 60.66

 

CMYK 57 / 6 / 0 / 0

HEX #6CF0FE

RGB 108 240 254

HSL 185.75, 0.99%, 0.71%

LAB 88.29, -32.27, -17.71

 

CMYK 23 / 57 / 0 / 0

HEX #C46CFE

RGB 196 108 254

HSL 276.16, 0.99%, 0.71%

LAB 61.32, 59.33, -59.17

 

CMYK 0 / 52 / 57 / 0

HEX #FE7A6C

RGB 254 122 108

HSL 5.75, 0.99%, 0.71%

LAB 66.58, 49.15, 31.63

 

Description

Color code: HEX #A4FE6B | qconv.com Color code: HEX #A4FE6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 254 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 254 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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