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Color name
HEX #A4F17F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4F17F it is the complementary color #5B0E80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4F17F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4F17F shade: #A9F17A, #BAFF8D, #CBFFA0, #DCFFB3 and #EDFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4F17F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4F17F shade: #A4F17F, #93DF6C, #82CD59, #71BB46 and #60A933

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4F17F shade: #A4F17E, #C2F17E, #E1F17E, #F1E17E and #F1C37E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4F17F shade: #A4F17E, #85F17E, #7EF197, #7EF1B6 and #7EF1D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4F17F shade matches the following richer shades: #A4F17E and #9FFC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4F17F shade: #A4F17E, #A8E58A, #ACDA96, #B0CEA1 and #B4C3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4F17F shade: #E1F17E, #C3F17E, #A5F17E, #86F17E and #7EF195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4F17F shade: #6FE834, #89ED59, #A4F17E, #BEF5A4 and #D8F9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4F17F shade: #A4F17F, #7EF1E1 and #F17ED2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4F17F shade: #A4F17F, #7EA5F1 and #F17EA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4F17F shade: #A4F17F, #7EF1E1, #CB7EF1 and #F17E8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4F17F shade: #A4F17F, #7EDEF1, #CB7EF1 and #F1927E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

Complementary color

CMYK 29 / 89 / 0 / 50

HEX #5B0E80

RGB 91 14 128

HSL 280.53, 0.8%, 0.28%

LAB 23.99, 50.06, -46.19

 

CMYK 30 / 0 / 49 / 5

HEX #A9F17A

RGB 169 241 122

HSL 96.3, 0.81%, 0.71%

LAB 88.33, -42.52, 50.1

 

CMYK 27 / 0 / 45 / 0

HEX #BAFF8D

RGB 186 255 141

HSL 96.32, 1%, 0.78%

LAB 93.4, -40.69, 47.58

 

CMYK 20 / 0 / 37 / 0

HEX #CBFFA0

RGB 203 255 160

HSL 92.84, 1%, 0.81%

LAB 94.63, -32.47, 40.15

 

CMYK 14 / 0 / 30 / 0

HEX #DCFFB3

RGB 220 255 179

HSL 87.63, 1%, 0.85%

LAB 95.99, -23.97, 32.71

 

CMYK 7 / 0 / 22 / 0

HEX #EDFFC6

RGB 237 255 198

HSL 78.95, 1%, 0.89%

LAB 97.47, -15.29, 25.33

 

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

CMYK 34 / 0 / 52 / 13

HEX #93DF6C

RGB 147 223 108

HSL 99.65, 0.64%, 0.65%

LAB 81.87, -43.68, 48.58

 

CMYK 37 / 0 / 57 / 20

HEX #82CD59

RGB 130 205 89

HSL 98.79, 0.54%, 0.58%

LAB 75.53, -43.68, 49.69

 

CMYK 40 / 0 / 63 / 27

HEX #71BB46

RGB 113 187 70

HSL 97.95, 0.46%, 0.5%

LAB 69.11, -43.58, 50.68

 

CMYK 43 / 0 / 70 / 34

HEX #60A933

RGB 96 169 51

HSL 97.12, 0.54%, 0.43%

LAB 62.59, -43.32, 51.39

 

CMYK 32 / 0 / 48 / 5

HEX #A4F17E

RGB 164 241 126

HSL 100.17, 0.8%, 0.72%

LAB 88.12, -43.73, 47.89

 

CMYK 20 / 0 / 48 / 5

HEX #C2F17E

RGB 194 241 126

HSL 84.52, 0.8%, 0.72%

LAB 89.81, -33.26, 50.35

 

CMYK 7 / 0 / 48 / 5

HEX #E1F17E

RGB 225 241 126

HSL 68.35, 0.8%, 0.72%

LAB 91.87, -21.61, 53.34

 

CMYK 0 / 7 / 48 / 5

HEX #F1E17E

RGB 241 225 126

HSL 51.65, 0.8%, 0.72%

LAB 88.95, -7.45, 50.08

 

CMYK 0 / 19 / 48 / 5

HEX #F1C37E

RGB 241 195 126

HSL 36, 0.8%, 0.72%

LAB 81.42, 7.94, 40.73

 

CMYK 32 / 0 / 48 / 5

HEX #A4F17E

RGB 164 241 126

HSL 100.17, 0.8%, 0.72%

LAB 88.12, -43.73, 47.89

 

CMYK 45 / 0 / 48 / 5

HEX #85F17E

RGB 133 241 126

HSL 116.35, 0.8%, 0.72%

LAB 86.7, -53.3, 45.83

 

CMYK 48 / 0 / 37 / 5

HEX #7EF197

RGB 126 241 151

HSL 133.04, 0.8%, 0.72%

LAB 86.79, -51.51, 33.63

 

CMYK 48 / 0 / 24 / 5

HEX #7EF1B6

RGB 126 241 182

HSL 149.22, 0.8%, 0.72%

LAB 87.35, -45.92, 18.57

 

CMYK 48 / 0 / 12 / 5

HEX #7EF1D5

RGB 126 241 213

HSL 165.39, 0.8%, 0.72%

LAB 88.04, -39.33, 3.43

 

CMYK 32 / 0 / 48 / 5

HEX #A4F17E

RGB 164 241 126

HSL 100.17, 0.8%, 0.72%

LAB 88.12, -43.73, 47.89

 

CMYK 37 / 0 / 54 / 1

HEX #9FFC73

RGB 159 252 115

HSL 100.73, 0.96%, 0.72%

LAB 90.88, -51.24, 56.25

 

CMYK 32 / 0 / 48 / 5

HEX #A4F17E

RGB 164 241 126

HSL 100.17, 0.8%, 0.72%

LAB 88.12, -43.73, 47.89

 

CMYK 27 / 0 / 40 / 10

HEX #A8E58A

RGB 168 229 138

HSL 100.22, 0.64%, 0.72%

LAB 85.1, -35.52, 38.28

 

CMYK 21 / 0 / 31 / 15

HEX #ACDA96

RGB 172 218 150

HSL 100.59, 0.48%, 0.72%

LAB 82.44, -27.28, 28.74

 

CMYK 15 / 0 / 22 / 19

HEX #B0CEA1

RGB 176 206 161

HSL 100, 0.31%, 0.72%

LAB 79.58, -18.27, 19.13

 

CMYK 8 / 0 / 11 / 24

HEX #B4C3AD

RGB 180 195 173

HSL 100.91, 0.15%, 0.72%

LAB 77.13, -9.21, 9.31

 

CMYK 7 / 0 / 48 / 5

HEX #E1F17E

RGB 225 241 126

HSL 68.35, 0.8%, 0.72%

LAB 91.87, -21.61, 53.34

 

CMYK 19 / 0 / 48 / 5

HEX #C3F17E

RGB 195 241 126

HSL 84, 0.8%, 0.72%

LAB 89.87, -32.9, 50.44

 

CMYK 32 / 0 / 48 / 5

HEX #A5F17E

RGB 165 241 126

HSL 99.65, 0.8%, 0.72%

LAB 88.17, -43.4, 47.97

 

CMYK 44 / 0 / 48 / 5

HEX #86F17E

RGB 134 241 126

HSL 115.83, 0.8%, 0.72%

LAB 86.74, -53.01, 45.89

 

CMYK 48 / 0 / 38 / 5

HEX #7EF195

RGB 126 241 149

HSL 132, 0.8%, 0.72%

LAB 86.76, -51.84, 34.59

 

CMYK 52 / 0 / 78 / 9

HEX #6FE834

RGB 111 232 52

HSL 100.33, 0.8%, 0.56%

LAB 82.56, -62.96, 70.97

 

CMYK 42 / 0 / 62 / 7

HEX #89ED59

RGB 137 237 89

HSL 100.54, 0.8%, 0.64%

LAB 85.31, -54.61, 60.84

 

CMYK 32 / 0 / 48 / 5

HEX #A4F17E

RGB 164 241 126

HSL 100.17, 0.8%, 0.72%

LAB 88.12, -43.73, 47.89

 

CMYK 22 / 0 / 33 / 4

HEX #BEF5A4

RGB 190 245 164

HSL 100.74, 0.8%, 0.8%

LAB 91.2, -31.77, 33.51

 

CMYK 13 / 0 / 19 / 2

HEX #D8F9C9

RGB 216 249 201

HSL 101.25, 0.8%, 0.88%

LAB 94.55, -19.18, 19.54

 

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

CMYK 48 / 0 / 7 / 5

HEX #7EF1E1

RGB 126 241 225

HSL 171.65, 0.8%, 0.72%

LAB 88.34, -36.54, -2.39

 

CMYK 0 / 48 / 13 / 5

HEX #F17ED2

RGB 241 126 210

HSL 316.17, 0.8%, 0.72%

LAB 68.22, 54.56, -23.57

 

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

CMYK 48 / 32 / 0 / 5

HEX #7EA5F1

RGB 126 165 241

HSL 219.65, 0.8%, 0.72%

LAB 67.8, 6.95, -42.17

 

CMYK 0 / 48 / 32 / 5

HEX #F17EA5

RGB 241 126 165

HSL 339.65, 0.8%, 0.72%

LAB 66.78, 48.24, -0.46

 

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

CMYK 48 / 0 / 7 / 5

HEX #7EF1E1

RGB 126 241 225

HSL 171.65, 0.8%, 0.72%

LAB 88.34, -36.54, -2.39

 

CMYK 16 / 48 / 0 / 5

HEX #CB7EF1

RGB 203 126 241

HSL 280.17, 0.8%, 0.72%

LAB 64.94, 49.21, -46.22

 

CMYK 0 / 48 / 41 / 5

HEX #F17E8E

RGB 241 126 142

HSL 351.65, 0.8%, 0.72%

LAB 66.19, 45.59, 11.72

 

CMYK 32 / 0 / 47 / 5

HEX #A4F17F

RGB 164 241 127

HSL 100.53, 0.8%, 0.72%

LAB 88.13, -43.61, 47.43

 

CMYK 48 / 8 / 0 / 5

HEX #7EDEF1

RGB 126 222 241

HSL 189.91, 0.8%, 0.72%

LAB 83.46, -23.45, -18.09

 

CMYK 16 / 48 / 0 / 5

HEX #CB7EF1

RGB 203 126 241

HSL 280.17, 0.8%, 0.72%

LAB 64.94, 49.21, -46.22

 

CMYK 0 / 39 / 48 / 5

HEX #F1927E

RGB 241 146 126

HSL 10.43, 0.8%, 0.72%

LAB 70.01, 33.75, 25.9

 

Description

Color code: HEX #A4F17F | qconv.com Color code: HEX #A4F17F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 241 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 241 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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