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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4F023 it is the complementary color #5B0FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4F023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4F023 shade: #A9F01E, #BAFF31, #CBFF44, #DCFF57 and #EDFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4F023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4F023 shade: #A4F023, #93DE10, #82CC00, #71BA00 and #60A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4F023 shade: #A4F024, #DBF024, #F0CD24, #F09624 and #F05F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4F023 shade: #A4F024, #6DF024, #36F024, #24F048 and #24F07F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4F023 shade matches the following richer shades: #A4F024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4F023 shade: #A4F024, #9FDD37, #9ACA4A, #95B75D and #90A470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4F023 shade: #F0CE24, #DBF024, #A5F024, #6EF024 and #38F024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4F023 shade: #76B40D, #8FDB0F, #A4F024, #B4F24A and #C4F571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4F023 shade: #A4F023, #24F097 and #E924F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4F023 shade: #A4F023, #24A5F0 and #F024A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4F023 shade: #A4F023, #24F097, #6E24F0 and #F0247C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4F023 shade: #A4F023, #24F0D5, #6E24F0 and #F0243F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

Complementary color

CMYK 59 / 93 / 0 / 14

HEX #5B0FDC

RGB 91 15 220

HSL 262.24, 0.87%, 0.46%

LAB 33.42, 70.9, -85.98

 

CMYK 30 / 0 / 88 / 6

HEX #A9F01E

RGB 169 240 30

HSL 80.29, 0.88%, 0.53%

LAB 87.41, -48.24, 81.39

 

CMYK 27 / 0 / 81 / 0

HEX #BAFF31

RGB 186 255 49

HSL 80.1, 1%, 0.6%

LAB 92.65, -47.77, 82.27

 

CMYK 20 / 0 / 73 / 0

HEX #CBFF44

RGB 203 255 68

HSL 76.68, 1%, 0.63%

LAB 93.73, -40.65, 78.27

 

CMYK 14 / 0 / 66 / 0

HEX #DCFF57

RGB 220 255 87

HSL 72.5, 1%, 0.67%

LAB 94.92, -33.12, 73.24

 

CMYK 7 / 0 / 58 / 0

HEX #EDFF6A

RGB 237 255 106

HSL 67.25, 1%, 0.71%

LAB 96.23, -25.26, 67.46

 

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

CMYK 34 / 0 / 93 / 13

HEX #93DE10

RGB 147 222 16

HSL 81.84, 0.87%, 0.47%

LAB 81.01, -48.99, 77.74

 

CMYK 36 / 0 / 100 / 20

HEX #82CC00

RGB 130 204 0

HSL 81.76, 1%, 0.4%

LAB 74.78, -47.87, 74.07

 

CMYK 39 / 0 / 100 / 27

HEX #71BA00

RGB 113 186 0

HSL 83.55, 1%, 0.36%

LAB 68.48, -46.5, 68.83

 

CMYK 43 / 0 / 100 / 34

HEX #60A800

RGB 96 168 0

HSL 85.71, 1%, 0.33%

LAB 62.08, -45.08, 63.51

 

CMYK 32 / 0 / 85 / 6

HEX #A4F024

RGB 164 240 36

HSL 82.35, 0.87%, 0.54%

LAB 87.16, -49.88, 79.94

 

CMYK 9 / 0 / 85 / 6

HEX #DBF024

RGB 219 240 36

HSL 66.18, 0.87%, 0.54%

LAB 90.55, -28.73, 84.16

 

CMYK 0 / 15 / 85 / 6

HEX #F0CD24

RGB 240 205 36

HSL 49.71, 0.87%, 0.54%

LAB 83.08, -2.77, 78.72

 

CMYK 0 / 38 / 85 / 6

HEX #F09624

RGB 240 150 36

HSL 33.53, 0.87%, 0.54%

LAB 69.8, 26.01, 67.83

 

CMYK 0 / 60 / 85 / 6

HEX #F05F24

RGB 240 95 36

HSL 17.35, 0.87%, 0.54%

LAB 58.82, 53.26, 58.74

 

CMYK 32 / 0 / 85 / 6

HEX #A4F024

RGB 164 240 36

HSL 82.35, 0.87%, 0.54%

LAB 87.16, -49.88, 79.94

 

CMYK 55 / 0 / 85 / 6

HEX #6DF024

RGB 109 240 36

HSL 98.53, 0.87%, 0.54%

LAB 84.84, -67.02, 77.03

 

CMYK 78 / 0 / 85 / 6

HEX #36F024

RGB 54 240 36

HSL 114.71, 0.87%, 0.54%

LAB 83.56, -77.73, 75.42

 

CMYK 85 / 0 / 70 / 6

HEX #24F048

RGB 36 240 72

HSL 130.59, 0.87%, 0.54%

LAB 83.53, -77.38, 64.8

 

CMYK 85 / 0 / 47 / 6

HEX #24F07F

RGB 36 240 127

HSL 146.76, 0.87%, 0.54%

LAB 84.08, -70.58, 41.56

 

CMYK 32 / 0 / 85 / 6

HEX #A4F024

RGB 164 240 36

HSL 82.35, 0.87%, 0.54%

LAB 87.16, -49.88, 79.94

 

CMYK 32 / 0 / 85 / 6

HEX #A4F024

RGB 164 240 36

HSL 82.35, 0.87%, 0.54%

LAB 87.16, -49.88, 79.94

 

CMYK 28 / 0 / 75 / 13

HEX #9FDD37

RGB 159 221 55

HSL 82.41, 0.71%, 0.54%

LAB 81.49, -42.9, 69.81

 

CMYK 24 / 0 / 63 / 21

HEX #9ACA4A

RGB 154 202 74

HSL 82.5, 0.55%, 0.54%

LAB 75.83, -35.11, 56.96

 

CMYK 19 / 0 / 49 / 28

HEX #95B75D

RGB 149 183 93

HSL 82.67, 0.38%, 0.54%

LAB 70.21, -26.3, 41.73

 

CMYK 12 / 0 / 32 / 36

HEX #90A470

RGB 144 164 112

HSL 83.08, 0.22%, 0.54%

LAB 64.68, -16.27, 24.73

 

CMYK 0 / 14 / 85 / 6

HEX #F0CE24

RGB 240 206 36

HSL 50, 0.87%, 0.54%

LAB 83.33, -3.28, 78.93

 

CMYK 9 / 0 / 85 / 6

HEX #DBF024

RGB 219 240 36

HSL 66.18, 0.87%, 0.54%

LAB 90.55, -28.73, 84.16

 

CMYK 31 / 0 / 85 / 6

HEX #A5F024

RGB 165 240 36

HSL 82.06, 0.87%, 0.54%

LAB 87.22, -49.52, 80.01

 

CMYK 54 / 0 / 85 / 6

HEX #6EF024

RGB 110 240 36

HSL 98.24, 0.87%, 0.54%

LAB 84.88, -66.76, 77.07

 

CMYK 77 / 0 / 85 / 6

HEX #38F024

RGB 56 240 36

HSL 114.12, 0.87%, 0.54%

LAB 83.59, -77.47, 75.45

 

CMYK 34 / 0 / 93 / 29

HEX #76B40D

RGB 118 180 13

HSL 82.28, 0.87%, 0.38%

LAB 66.92, -41.97, 66.13

 

CMYK 35 / 0 / 93 / 14

HEX #8FDB0F

RGB 143 219 15

HSL 82.35, 0.87%, 0.46%

LAB 79.92, -49.2, 76.9

 

CMYK 32 / 0 / 85 / 6

HEX #A4F024

RGB 164 240 36

HSL 82.35, 0.87%, 0.54%

LAB 87.16, -49.88, 79.94

 

CMYK 26 / 0 / 69 / 5

HEX #B4F24A

RGB 180 242 74

HSL 82.14, 0.87%, 0.62%

LAB 88.78, -43.2, 70.95

 

CMYK 20 / 0 / 54 / 4

HEX #C4F571

RGB 196 245 113

HSL 82.27, 0.87%, 0.7%

LAB 90.89, -35.65, 57.64

 

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

CMYK 85 / 0 / 37 / 6

HEX #24F097

RGB 36 240 151

HSL 153.82, 0.87%, 0.54%

LAB 84.45, -66.33, 30.14

 

CMYK 3 / 85 / 0 / 6

HEX #E924F0

RGB 233 36 240

HSL 297.94, 0.87%, 0.54%

LAB 56.96, 89.07, -58.09

 

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

CMYK 85 / 31 / 0 / 6

HEX #24A5F0

RGB 36 165 240

HSL 202.06, 0.87%, 0.54%

LAB 64.63, -7.43, -46.82

 

CMYK 0 / 85 / 31 / 6

HEX #F024A5

RGB 240 36 165

HSL 322.06, 0.87%, 0.54%

LAB 54.56, 80.77, -18.73

 

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

CMYK 85 / 0 / 37 / 6

HEX #24F097

RGB 36 240 151

HSL 153.82, 0.87%, 0.54%

LAB 84.45, -66.33, 30.14

 

CMYK 54 / 85 / 0 / 6

HEX #6E24F0

RGB 110 36 240

HSL 261.76, 0.87%, 0.54%

LAB 39.36, 72.02, -87.5

 

CMYK 0 / 85 / 48 / 6

HEX #F0247C

RGB 240 36 124

HSL 334.12, 0.87%, 0.54%

LAB 53.21, 77, 3.69

 

CMYK 32 / 0 / 85 / 6

HEX #A4F023

RGB 164 240 35

HSL 82.24, 0.87%, 0.54%

LAB 87.16, -49.91, 80.14

 

CMYK 85 / 0 / 11 / 6

HEX #24F0D5

RGB 36 240 213

HSL 172.06, 0.87%, 0.54%

LAB 85.76, -52.11, -0.14

 

CMYK 54 / 85 / 0 / 6

HEX #6E24F0

RGB 110 36 240

HSL 261.76, 0.87%, 0.54%

LAB 39.36, 72.02, -87.5

 

CMYK 0 / 85 / 74 / 6

HEX #F0243F

RGB 240 36 63

HSL 352.06, 0.87%, 0.54%

LAB 52, 73.49, 38.61

 

Description

Color code: HEX #A4F023 | qconv.com Color code: HEX #A4F023 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 240 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 240 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 85 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 85% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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