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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4EF7C it is the complementary color #5B1083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4EF7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4EF7C shade: #A9EF77, #BAFF8A, #CBFF9D, #DCFFB0 and #EDFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4EF7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4EF7C shade: #A4EF7C, #93DD69, #82CB56, #71B943 and #60A730

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4EF7C shade: #A3EF7B, #C3EF7B, #E2EF7B, #EFDD7B and #EFBE7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4EF7C shade: #A3EF7B, #84EF7B, #7BEF91, #7BEFB1 and #7BEFD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4EF7C shade matches the following richer shades: #A3EF7B and #A0FB6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4EF7C shade: #A3EF7B, #A7E387, #ABD793, #AECB9F and #B2BFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4EF7C shade: #E1EF7B, #C3EF7B, #A4EF7B, #85EF7B and #7BEF91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4EF7C shade: #70E632, #8AEA57, #A3EF7B, #BDF3A0 and #D7F8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4EF7C shade: #A4EF7C, #7BEFDD and #EF7BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4EF7C shade: #A4EF7C, #7BA4EF and #EF7BA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4EF7C shade: #A4EF7C, #7BEFDD, #C67BEF and #EF7B8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4EF7C shade: #A4EF7C, #7BDDEF, #C67BEF and #EF8D7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

Complementary color

CMYK 31 / 88 / 0 / 49

HEX #5B1083

RGB 91 16 131

HSL 279.13, 0.78%, 0.29%

LAB 24.43, 50.18, -47.36

 

CMYK 29 / 0 / 50 / 6

HEX #A9EF77

RGB 169 239 119

HSL 95, 0.79%, 0.7%

LAB 87.73, -41.98, 50.77

 

CMYK 27 / 0 / 46 / 0

HEX #BAFF8A

RGB 186 255 138

HSL 95.38, 1%, 0.77%

LAB 93.36, -41.05, 48.96

 

CMYK 20 / 0 / 38 / 0

HEX #CBFF9D

RGB 203 255 157

HSL 91.84, 1%, 0.81%

LAB 94.59, -32.86, 41.56

 

CMYK 14 / 0 / 31 / 0

HEX #DCFFB0

RGB 220 255 176

HSL 86.58, 1%, 0.85%

LAB 95.94, -24.39, 34.14

 

CMYK 7 / 0 / 24 / 0

HEX #EDFFC3

RGB 237 255 195

HSL 78, 1%, 0.88%

LAB 97.42, -15.73, 26.78

 

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

CMYK 33 / 0 / 52 / 13

HEX #93DD69

RGB 147 221 105

HSL 98.28, 0.63%, 0.64%

LAB 81.26, -43.15, 49.25

 

CMYK 36 / 0 / 58 / 20

HEX #82CB56

RGB 130 203 86

HSL 97.44, 0.53%, 0.57%

LAB 74.91, -43.13, 50.33

 

CMYK 39 / 0 / 64 / 27

HEX #71B943

RGB 113 185 67

HSL 96.61, 0.47%, 0.49%

LAB 68.47, -43, 51.27

 

CMYK 43 / 0 / 71 / 35

HEX #60A730

RGB 96 167 48

HSL 95.8, 0.55%, 0.42%

LAB 61.94, -42.71, 51.89

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 18 / 0 / 49 / 6

HEX #C3EF7B

RGB 195 239 123

HSL 82.76, 0.78%, 0.71%

LAB 89.28, -32.29, 51.14

 

CMYK 5 / 0 / 49 / 6

HEX #E2EF7B

RGB 226 239 123

HSL 66.72, 0.78%, 0.71%

LAB 91.38, -20.53, 54.17

 

CMYK 0 / 8 / 49 / 6

HEX #EFDD7B

RGB 239 221 123

HSL 50.69, 0.78%, 0.71%

LAB 87.72, -6.51, 49.99

 

CMYK 0 / 21 / 49 / 6

HEX #EFBE7B

RGB 239 190 123

HSL 34.66, 0.78%, 0.71%

LAB 79.96, 9.47, 40.37

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 45 / 0 / 49 / 6

HEX #84EF7B

RGB 132 239 123

HSL 115.34, 0.78%, 0.71%

LAB 86.04, -53.17, 46.43

 

CMYK 49 / 0 / 39 / 6

HEX #7BEF91

RGB 123 239 145

HSL 131.38, 0.78%, 0.71%

LAB 86, -52.44, 35.57

 

CMYK 49 / 0 / 26 / 6

HEX #7BEFB1

RGB 123 239 177

HSL 147.93, 0.78%, 0.71%

LAB 86.56, -46.77, 20.04

 

CMYK 49 / 0 / 13 / 6

HEX #7BEFD0

RGB 123 239 208

HSL 163.97, 0.78%, 0.71%

LAB 87.24, -40.25, 4.88

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 26 / 0 / 41 / 11

HEX #A7E387

RGB 167 227 135

HSL 99.13, 0.62%, 0.71%

LAB 84.43, -35.34, 38.91

 

CMYK 20 / 0 / 32 / 16

HEX #ABD793

RGB 171 215 147

HSL 98.82, 0.46%, 0.71%

LAB 81.49, -26.64, 29.01

 

CMYK 14 / 0 / 22 / 20

HEX #AECB9F

RGB 174 203 159

HSL 99.55, 0.3%, 0.71%

LAB 78.59, -17.8, 18.79

 

CMYK 7 / 0 / 10 / 25

HEX #B2BFAB

RGB 178 191 171

HSL 99, 0.14%, 0.71%

LAB 75.86, -8.18, 8.56

 

CMYK 6 / 0 / 49 / 6

HEX #E1EF7B

RGB 225 239 123

HSL 67.24, 0.78%, 0.71%

LAB 91.31, -20.92, 54.06

 

CMYK 18 / 0 / 49 / 6

HEX #C3EF7B

RGB 195 239 123

HSL 82.76, 0.78%, 0.71%

LAB 89.28, -32.29, 51.14

 

CMYK 31 / 0 / 49 / 6

HEX #A4EF7B

RGB 164 239 123

HSL 98.79, 0.78%, 0.71%

LAB 87.51, -43.21, 48.57

 

CMYK 44 / 0 / 49 / 6

HEX #85EF7B

RGB 133 239 123

HSL 114.83, 0.78%, 0.71%

LAB 86.08, -52.88, 46.49

 

CMYK 49 / 0 / 39 / 6

HEX #7BEF91

RGB 123 239 145

HSL 131.38, 0.78%, 0.71%

LAB 86, -52.44, 35.57

 

CMYK 51 / 0 / 78 / 10

HEX #70E632

RGB 112 230 50

HSL 99.33, 0.78%, 0.55%

LAB 81.98, -62.08, 71.02

 

CMYK 41 / 0 / 63 / 8

HEX #8AEA57

RGB 138 234 87

HSL 99.18, 0.78%, 0.63%

LAB 84.45, -53.28, 60.73

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 22 / 0 / 34 / 5

HEX #BDF3A0

RGB 189 243 160

HSL 99.04, 0.78%, 0.79%

LAB 90.53, -31.75, 34.61

 

CMYK 13 / 0 / 21 / 3

HEX #D7F8C5

RGB 215 248 197

HSL 98.82, 0.78%, 0.87%

LAB 94.15, -19.67, 21.01

 

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

CMYK 49 / 0 / 8 / 6

HEX #7BEFDD

RGB 123 239 221

HSL 170.69, 0.78%, 0.71%

LAB 87.56, -37.24, -1.46

 

CMYK 0 / 49 / 12 / 6

HEX #EF7BD2

RGB 239 123 210

HSL 315, 0.78%, 0.71%

LAB 67.4, 55.41, -24.85

 

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

CMYK 49 / 31 / 0 / 6

HEX #7BA4EF

RGB 123 164 239

HSL 218.79, 0.78%, 0.71%

LAB 67.27, 6.23, -41.91

 

CMYK 0 / 49 / 31 / 6

HEX #EF7BA4

RGB 239 123 164

HSL 338.79, 0.78%, 0.71%

LAB 65.9, 48.93, -1.21

 

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

CMYK 49 / 0 / 8 / 6

HEX #7BEFDD

RGB 123 239 221

HSL 170.69, 0.78%, 0.71%

LAB 87.56, -37.24, -1.46

 

CMYK 17 / 49 / 0 / 6

HEX #C67BEF

RGB 198 123 239

HSL 278.79, 0.78%, 0.71%

LAB 63.68, 49, -47.14

 

CMYK 0 / 49 / 41 / 6

HEX #EF7B8D

RGB 239 123 141

HSL 350.69, 0.78%, 0.71%

LAB 65.31, 46.27, 11

 

CMYK 31 / 0 / 48 / 6

HEX #A4EF7C

RGB 164 239 124

HSL 99.13, 0.78%, 0.71%

LAB 87.52, -43.1, 48.11

 

CMYK 49 / 8 / 0 / 6

HEX #7BDDEF

RGB 123 221 239

HSL 189.31, 0.78%, 0.71%

LAB 83, -24.15, -17.74

 

CMYK 17 / 49 / 0 / 6

HEX #C67BEF

RGB 198 123 239

HSL 278.79, 0.78%, 0.71%

LAB 63.68, 49, -47.14

 

CMYK 0 / 41 / 49 / 6

HEX #EF8D7B

RGB 239 141 123

HSL 9.31, 0.78%, 0.71%

LAB 68.63, 35.31, 25.66

 

Description

Color code: HEX #A4EF7C | qconv.com Color code: HEX #A4EF7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 239 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 239 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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