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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4E54D it is the complementary color #5B1AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4E54D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4E54D shade: #A9E548, #BAF75B, #CBFF6E, #DCFF81 and #EDFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4E54D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4E54D shade: #A4E54D, #93D33A, #82C127, #71AF14 and #609D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4E54D shade: #A4E64D, #CDE64D, #E6D44D, #E6AB4D and #E6824D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4E54D shade: #A4E64D, #7BE64D, #52E64D, #4DE671 and #4DE69A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4E54D shade matches the following richer shades: #A4E64D and #A6F63C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4E54D shade: #A4E64D, #A2D55D, #9FC46E, #9DB47E and #9BA38F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4E54D shade: #E6D44D, #CFE64D, #A6E64D, #7DE64D and #54E64D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4E54D shade: #7CC41C, #92E028, #A4E64D, #B6EB71 and #C9F095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4E54D shade: #A4E54D, #4DE6AB and #E64DE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4E54D shade: #A4E54D, #4DA6E6 and #E64DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4E54D shade: #A4E54D, #4DE6AB, #8C4DE6 and #E64D87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4E54D shade: #A4E54D, #4DE6D9, #8C4DE6 and #E64D59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

Complementary color

CMYK 49 / 85 / 0 / 30

HEX #5B1AB2

RGB 91 26 178

HSL 265.66, 0.75%, 0.4%

LAB 29.86, 58.1, -67.26

 

CMYK 26 / 0 / 69 / 10

HEX #A9E548

RGB 169 229 72

HSL 82.93, 0.75%, 0.59%

LAB 84.45, -41.71, 67.08

 

CMYK 25 / 0 / 63 / 3

HEX #BAF75B

RGB 186 247 91

HSL 83.46, 0.91%, 0.66%

LAB 90.65, -42.04, 66.56

 

CMYK 20 / 0 / 57 / 0

HEX #CBFF6E

RGB 203 255 110

HSL 81.52, 1%, 0.72%

LAB 94.03, -37.85, 62.69

 

CMYK 14 / 0 / 49 / 0

HEX #DCFF81

RGB 220 255 129

HSL 76.67, 1%, 0.75%

LAB 95.3, -29.83, 55.98

 

CMYK 7 / 0 / 42 / 0

HEX #EDFF94

RGB 237 255 148

HSL 70.09, 1%, 0.79%

LAB 96.68, -21.56, 49.04

 

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

CMYK 30 / 0 / 73 / 17

HEX #93D33A

RGB 147 211 58

HSL 85.1, 0.63%, 0.53%

LAB 77.93, -42.81, 65.14

 

CMYK 33 / 0 / 80 / 24

HEX #82C127

RGB 130 193 39

HSL 84.55, 0.66%, 0.45%

LAB 71.58, -42.27, 64.8

 

CMYK 35 / 0 / 89 / 31

HEX #71AF14

RGB 113 175 20

HSL 84, 0.79%, 0.38%

LAB 65.14, -41.5, 63.39

 

CMYK 39 / 0 / 99 / 38

HEX #609D01

RGB 96 157 1

HSL 83.46, 0.99%, 0.31%

LAB 58.6, -40.49, 60.66

 

CMYK 29 / 0 / 67 / 10

HEX #A4E64D

RGB 164 230 77

HSL 85.88, 0.75%, 0.6%

LAB 84.5, -43.63, 65.15

 

CMYK 11 / 0 / 67 / 10

HEX #CDE64D

RGB 205 230 77

HSL 69.8, 0.75%, 0.6%

LAB 87.05, -28, 68.59

 

CMYK 0 / 8 / 67 / 10

HEX #E6D44D

RGB 230 212 77

HSL 52.94, 0.75%, 0.6%

LAB 84.2, -8.97, 66.28

 

CMYK 0 / 26 / 67 / 10

HEX #E6AB4D

RGB 230 171 77

HSL 36.86, 0.75%, 0.6%

LAB 73.86, 12.32, 55.36

 

CMYK 0 / 43 / 67 / 10

HEX #E6824D

RGB 230 130 77

HSL 20.78, 0.75%, 0.6%

LAB 64.42, 34.05, 44.83

 

CMYK 29 / 0 / 67 / 10

HEX #A4E64D

RGB 164 230 77

HSL 85.88, 0.75%, 0.6%

LAB 84.5, -43.63, 65.15

 

CMYK 47 / 0 / 67 / 10

HEX #7BE64D

RGB 123 230 77

HSL 101.96, 0.75%, 0.6%

LAB 82.56, -57.12, 62.52

 

CMYK 64 / 0 / 67 / 10

HEX #52E64D

RGB 82 230 77

HSL 118.04, 0.75%, 0.6%

LAB 81.25, -67.35, 60.72

 

CMYK 67 / 0 / 51 / 10

HEX #4DE671

RGB 77 230 113

HSL 134.12, 0.75%, 0.6%

LAB 81.49, -64.11, 45.18

 

CMYK 67 / 0 / 33 / 10

HEX #4DE69A

RGB 77 230 154

HSL 150.2, 0.75%, 0.6%

LAB 82.11, -57.19, 25.57

 

CMYK 29 / 0 / 67 / 10

HEX #A4E64D

RGB 164 230 77

HSL 85.88, 0.75%, 0.6%

LAB 84.5, -43.63, 65.15

 

CMYK 33 / 0 / 76 / 4

HEX #A6F63C

RGB 166 246 60

HSL 85.81, 0.91%, 0.6%

LAB 89.09, -50.68, 75.61

 

CMYK 29 / 0 / 67 / 10

HEX #A4E64D

RGB 164 230 77

HSL 85.88, 0.75%, 0.6%

LAB 84.5, -43.63, 65.15

 

CMYK 24 / 0 / 56 / 16

HEX #A2D55D

RGB 162 213 93

HSL 85.5, 0.59%, 0.6%

LAB 79.65, -35.5, 53.08

 

CMYK 19 / 0 / 44 / 23

HEX #9FC46E

RGB 159 196 110

HSL 85.81, 0.42%, 0.6%

LAB 74.81, -26.83, 39.09

 

CMYK 13 / 0 / 30 / 29

HEX #9DB47E

RGB 157 180 126

HSL 85.56, 0.26%, 0.6%

LAB 70.4, -17.5, 25.01

 

CMYK 5 / 0 / 12 / 36

HEX #9BA38F

RGB 155 163 143

HSL 84, 0.1%, 0.6%

LAB 65.86, -6.57, 9.42

 

CMYK 0 / 8 / 67 / 10

HEX #E6D44D

RGB 230 212 77

HSL 52.94, 0.75%, 0.6%

LAB 84.2, -8.97, 66.28

 

CMYK 10 / 0 / 67 / 10

HEX #CFE64D

RGB 207 230 77

HSL 69.02, 0.75%, 0.6%

LAB 87.19, -27.2, 68.78

 

CMYK 28 / 0 / 67 / 10

HEX #A6E64D

RGB 166 230 77

HSL 85.1, 0.75%, 0.6%

LAB 84.61, -42.9, 65.3

 

CMYK 46 / 0 / 67 / 10

HEX #7DE64D

RGB 125 230 77

HSL 101.18, 0.75%, 0.6%

LAB 82.64, -56.53, 62.63

 

CMYK 63 / 0 / 67 / 10

HEX #54E64D

RGB 84 230 77

HSL 117.25, 0.75%, 0.6%

LAB 81.3, -66.94, 60.79

 

CMYK 37 / 0 / 86 / 23

HEX #7CC41C

RGB 124 196 28

HSL 85.71, 0.75%, 0.44%

LAB 72.13, -46.13, 67.92

 

CMYK 35 / 0 / 82 / 12

HEX #92E028

RGB 146 224 40

HSL 85.43, 0.75%, 0.52%

LAB 81.61, -49.51, 73.87

 

CMYK 29 / 0 / 67 / 10

HEX #A4E64D

RGB 164 230 77

HSL 85.88, 0.75%, 0.6%

LAB 84.5, -43.63, 65.15

 

CMYK 23 / 0 / 52 / 8

HEX #B6EB71

RGB 182 235 113

HSL 86.07, 0.75%, 0.68%

LAB 87.27, -36.23, 53.18

 

CMYK 16 / 0 / 38 / 6

HEX #C9F095

RGB 201 240 149

HSL 85.71, 0.75%, 0.76%

LAB 90.28, -27.59, 39.9

 

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

CMYK 67 / 0 / 26 / 10

HEX #4DE6AB

RGB 77 230 171

HSL 156.86, 0.75%, 0.6%

LAB 82.44, -53.69, 17.21

 

CMYK 0 / 67 / 1 / 10

HEX #E64DE3

RGB 230 77 227

HSL 301.18, 0.75%, 0.6%

LAB 59.6, 75.49, -46.63

 

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

CMYK 67 / 28 / 0 / 10

HEX #4DA6E6

RGB 77 166 230

HSL 205.1, 0.75%, 0.6%

LAB 65.41, -6.79, -40.04

 

CMYK 0 / 67 / 28 / 10

HEX #E64DA6

RGB 230 77 166

HSL 325.1, 0.75%, 0.6%

LAB 56.96, 66.86, -15.82

 

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

CMYK 67 / 0 / 26 / 10

HEX #4DE6AB

RGB 77 230 171

HSL 156.86, 0.75%, 0.6%

LAB 82.44, -53.69, 17.21

 

CMYK 39 / 67 / 0 / 10

HEX #8C4DE6

RGB 140 77 230

HSL 264.71, 0.75%, 0.6%

LAB 47.75, 56.93, -67.97

 

CMYK 0 / 67 / 41 / 10

HEX #E64D87

RGB 230 77 135

HSL 337.25, 0.75%, 0.6%

LAB 55.97, 63.43, 0.9

 

CMYK 28 / 0 / 66 / 10

HEX #A4E54D

RGB 164 229 77

HSL 85.66, 0.75%, 0.6%

LAB 84.21, -43.19, 64.85

 

CMYK 67 / 0 / 6 / 10

HEX #4DE6D9

RGB 77 230 217

HSL 174.9, 0.75%, 0.6%

LAB 83.54, -42.6, -5.43

 

CMYK 39 / 67 / 0 / 10

HEX #8C4DE6

RGB 140 77 230

HSL 264.71, 0.75%, 0.6%

LAB 47.75, 56.93, -67.97

 

CMYK 0 / 67 / 61 / 10

HEX #E64D59

RGB 230 77 89

HSL 355.29, 0.75%, 0.6%

LAB 54.92, 59.69, 26.63

 

Description

Color code: HEX #A4E54D | qconv.com Color code: HEX #A4E54D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 229 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 229 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 66 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 66% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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