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Color name
HEX #A4DD2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4DD2D it is the complementary color #5B22D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4DD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4DD2D shade: #A9DD28, #BAEF3B, #CBFF4E, #DCFF61 and #EDFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4DD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4DD2D shade: #A4DD2D, #93CB1A, #82B907, #71A700 and #609500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4DD2D shade: #A4DD2C, #D3DD2C, #DDB72C, #DD872C and #DD582C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4DD2D shade: #A4DD2C, #74DD2C, #45DD2C, #2CDD44 and #2CDD73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4DD2D shade matches the following richer shades: #A4DD2C and #ABF119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4DD2D shade: #A4DD2C, #9DC940, #96B554, #8FA168 and #888E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4DD2D shade: #DDB72C, #D4DD2C, #A5DD2C, #76DD2C and #47DD2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4DD2D shade: #739D1A, #8CC11F, #A4DD2C, #B3E350 and #C2E873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4DD2D shade: #A4DD2D, #2CDD88 and #CE2CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4DD2D shade: #A4DD2D, #2CA5DD and #DD2CA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4DD2D shade: #A4DD2D, #2CDD88, #642CDD and #DD2C82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4DD2D shade: #A4DD2D, #2CDDBC, #642CDD and #DD2C4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

Complementary color

CMYK 57 / 84 / 0 / 18

HEX #5B22D2

RGB 91 34 210

HSL 259.43, 0.72%, 0.48%

LAB 34.03, 63.4, -79.2

 

CMYK 24 / 0 / 82 / 13

HEX #A9DD28

RGB 169 221 40

HSL 77.24, 0.73%, 0.51%

LAB 82, -39.77, 74.7

 

CMYK 22 / 0 / 75 / 6

HEX #BAEF3B

RGB 186 239 59

HSL 77.67, 0.85%, 0.58%

LAB 88.2, -40.46, 75.47

 

CMYK 20 / 0 / 69 / 0

HEX #CBFF4E

RGB 203 255 78

HSL 77.63, 1%, 0.65%

LAB 93.78, -40.12, 75

 

CMYK 14 / 0 / 62 / 0

HEX #DCFF61

RGB 220 255 97

HSL 73.29, 1%, 0.69%

LAB 94.99, -32.47, 69.45

 

CMYK 7 / 0 / 55 / 0

HEX #EDFF74

RGB 237 255 116

HSL 67.77, 1%, 0.73%

LAB 96.32, -24.51, 63.29

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

CMYK 28 / 0 / 87 / 20

HEX #93CB1A

RGB 147 203 26

HSL 78.98, 0.77%, 0.45%

LAB 75.44, -40.71, 71.64

 

CMYK 30 / 0 / 96 / 27

HEX #82B907

RGB 130 185 7

HSL 78.54, 0.93%, 0.38%

LAB 69.08, -39.71, 68.87

 

CMYK 32 / 0 / 100 / 35

HEX #71A700

RGB 113 167 0

HSL 79.4, 1%, 0.33%

LAB 62.63, -38.45, 64.31

 

CMYK 36 / 0 / 100 / 42

HEX #609500

RGB 96 149 0

HSL 81.34, 1%, 0.29%

LAB 56.07, -37.05, 58.85

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2C

RGB 164 221 44

HSL 79.32, 0.72%, 0.52%

LAB 81.72, -41.53, 73.32

 

CMYK 5 / 0 / 80 / 13

HEX #D3DD2C

RGB 211 221 44

HSL 63.39, 0.72%, 0.52%

LAB 84.87, -22.77, 77.3

 

CMYK 0 / 17 / 80 / 13

HEX #DDB72C

RGB 221 183 44

HSL 47.12, 0.72%, 0.52%

LAB 75.71, 0.65, 69.63

 

CMYK 0 / 39 / 80 / 13

HEX #DD872C

RGB 221 135 44

HSL 30.85, 0.72%, 0.52%

LAB 64.07, 26.24, 59.17

 

CMYK 0 / 60 / 80 / 13

HEX #DD582C

RGB 221 88 44

HSL 14.92, 0.72%, 0.52%

LAB 54.59, 49.85, 50.31

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2C

RGB 164 221 44

HSL 79.32, 0.72%, 0.52%

LAB 81.72, -41.53, 73.32

 

CMYK 48 / 0 / 80 / 13

HEX #74DD2C

RGB 116 221 44

HSL 95.59, 0.72%, 0.52%

LAB 79.39, -57.93, 70.34

 

CMYK 69 / 0 / 80 / 13

HEX #45DD2C

RGB 69 221 44

HSL 111.53, 0.72%, 0.52%

LAB 77.97, -69.34, 68.51

 

CMYK 80 / 0 / 69 / 13

HEX #2CDD44

RGB 44 221 68

HSL 128.14, 0.72%, 0.52%

LAB 77.68, -71.33, 60.18

 

CMYK 80 / 0 / 48 / 13

HEX #2CDD73

RGB 44 221 115

HSL 144.07, 0.72%, 0.52%

LAB 78.16, -65.47, 39.94

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2C

RGB 164 221 44

HSL 79.32, 0.72%, 0.52%

LAB 81.72, -41.53, 73.32

 

CMYK 29 / 0 / 90 / 5

HEX #ABF119

RGB 171 241 25

HSL 79.44, 0.89%, 0.52%

LAB 87.79, -48.04, 82.55

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2C

RGB 164 221 44

HSL 79.32, 0.72%, 0.52%

LAB 81.72, -41.53, 73.32

 

CMYK 22 / 0 / 68 / 21

HEX #9DC940

RGB 157 201 64

HSL 79.27, 0.56%, 0.52%

LAB 75.64, -34.21, 60.84

 

CMYK 17 / 0 / 54 / 29

HEX #96B554

RGB 150 181 84

HSL 79.18, 0.4%, 0.52%

LAB 69.59, -25.86, 45.38

 

CMYK 11 / 0 / 35 / 37

HEX #8FA168

RGB 143 161 104

HSL 78.95, 0.23%, 0.52%

LAB 63.61, -16.23, 27.63

 

CMYK 4 / 0 / 13 / 44

HEX #888E7C

RGB 136 142 124

HSL 80, 0.07%, 0.52%

LAB 58.07, -5.61, 8.84

 

CMYK 0 / 17 / 80 / 13

HEX #DDB72C

RGB 221 183 44

HSL 47.12, 0.72%, 0.52%

LAB 75.71, 0.65, 69.63

 

CMYK 4 / 0 / 80 / 13

HEX #D4DD2C

RGB 212 221 44

HSL 63.05, 0.72%, 0.52%

LAB 84.94, -22.35, 77.4

 

CMYK 25 / 0 / 80 / 13

HEX #A5DD2C

RGB 165 221 44

HSL 78.98, 0.72%, 0.52%

LAB 81.78, -41.15, 73.4

 

CMYK 47 / 0 / 80 / 13

HEX #76DD2C

RGB 118 221 44

HSL 94.92, 0.72%, 0.52%

LAB 79.47, -57.33, 70.44

 

CMYK 68 / 0 / 80 / 13

HEX #47DD2C

RGB 71 221 44

HSL 110.85, 0.72%, 0.52%

LAB 78.01, -68.97, 68.57

 

CMYK 27 / 0 / 83 / 38

HEX #739D1A

RGB 115 157 26

HSL 79.24, 0.72%, 0.36%

LAB 59.74, -32.5, 57.41

 

CMYK 27 / 0 / 84 / 24

HEX #8CC11F

RGB 140 193 31

HSL 79.63, 0.72%, 0.44%

LAB 72.1, -38.83, 67.56

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2C

RGB 164 221 44

HSL 79.32, 0.72%, 0.52%

LAB 81.72, -41.53, 73.32

 

CMYK 21 / 0 / 65 / 11

HEX #B3E350

RGB 179 227 80

HSL 79.59, 0.72%, 0.6%

LAB 84.54, -36.54, 64.29

 

CMYK 16 / 0 / 50 / 9

HEX #C2E873

RGB 194 232 115

HSL 79.49, 0.72%, 0.68%

LAB 87.2, -30.21, 52.35

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

CMYK 80 / 0 / 38 / 13

HEX #2CDD88

RGB 44 221 136

HSL 151.19, 0.72%, 0.52%

LAB 78.48, -61.8, 29.82

 

CMYK 7 / 80 / 0 / 13

HEX #CE2CDD

RGB 206 44 221

HSL 294.92, 0.72%, 0.52%

LAB 52, 79.73, -55.55

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

CMYK 80 / 25 / 0 / 13

HEX #2CA5DD

RGB 44 165 221

HSL 198.98, 0.72%, 0.52%

LAB 63.89, -13.47, -37.51

 

CMYK 0 / 80 / 25 / 13

HEX #DD2CA5

RGB 221 44 165

HSL 318.98, 0.72%, 0.52%

LAB 51.71, 74.89, -23.39

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

CMYK 80 / 0 / 38 / 13

HEX #2CDD88

RGB 44 221 136

HSL 151.19, 0.72%, 0.52%

LAB 78.48, -61.8, 29.82

 

CMYK 55 / 80 / 0 / 13

HEX #642CDD

RGB 100 44 221

HSL 258.98, 0.72%, 0.52%

LAB 37.36, 63.43, -80.02

 

CMYK 0 / 80 / 41 / 13

HEX #DD2C82

RGB 221 44 130

HSL 330.85, 0.72%, 0.52%

LAB 50.43, 71.16, -4.42

 

CMYK 26 / 0 / 80 / 13

HEX #A4DD2D

RGB 164 221 45

HSL 79.43, 0.72%, 0.52%

LAB 81.73, -41.49, 73.06

 

CMYK 80 / 0 / 15 / 13

HEX #2CDDBC

RGB 44 221 188

HSL 168.81, 0.72%, 0.52%

LAB 79.55, -50.16, 4.05

 

CMYK 55 / 80 / 0 / 13

HEX #642CDD

RGB 100 44 221

HSL 258.98, 0.72%, 0.52%

LAB 37.36, 63.43, -80.02

 

CMYK 0 / 80 / 65 / 13

HEX #DD2C4D

RGB 221 44 77

HSL 348.81, 0.72%, 0.52%

LAB 49.14, 67.27, 26.01

 

Description

Color code: HEX #A4DD2D | qconv.com Color code: HEX #A4DD2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 221 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 221 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 80% 13% C M Y K

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Provide designers and agencies with accurate color values.

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